Arts & Entertainment
‘Zooming’ in on details
Local drag performer branches into photography with Artomatic exhibit
One of Philip Gerlach’s photos. (Photo courtesy Gerlach)
Artomatic 2012 (1851 S. Bell St.) has already started, but there’s still plenty to see and do including many musical performances, film screenings and more.
Philip Gerlach, also known as his alter-ego Queen Bambi, is one of the artists featured this year, with his first-ever exhibit showcasing his photography.
“I was encouraged by another artist … in order to get my work out there,” Gerlach says. “Artomatic was a great launching ground.”
Gerlach has been taking photos since he was 5, when as a reward his father gave him an old instamatic camera. But he never intended on making a career out of it — it was always a hobby.
Gerlach attended West Virginia University, studying animal and veterinary science when he took a photography class during his last semester. His passion for the class changed his career path, leading to a second degree in graphic design.
He is now coming on 15 years as the sole owner and creative director of Gerlach Design.
Gerlach’s exhibit focuses on three series of images he’s been working on.
One series, “Child’s Play,” focuses on found art, zooming into different elements that might not be seen otherwise.
“There has to be an obscure detail that might be missed by most people,” Gerlach says of his process. “I try to find a story within something that might be overlooked. I’m a very detail-orientated person in everything that I do.”
The toys pictured in this series were part of various cars Gerlach saw on display in Baltimore.
Gerlach as Bambi (Photo courtesy Gerlach)
The other series are “Oohs & Aahs,” featuring self-portraits of his alter ego, Bambi, and “Zoom,” a continuing series featuring light and movement, which Gerlach says reflects his life and “fascination with all that sparkles.”
Gerlach isn’t just into visual arts, but performance arts as well, using his alter ego to help raise money for various local organizations, particularly HIV/AIDS charities.
“Becoming comfortable on stage in drag, led to opportunities for me … to serve organizations … to use my character power to raise funds, sell raffle tickets and promote events,” Gerlach says. “I’ve done fundraising for [Food & Friends] in drag for seven years … on a volunteer basis.”
This may be Gerlach’s first year participating in Artomatic, but it’s not his first exposure to the event. He first went seven or eight years ago when the event was held in D.C. and opened on Halloween night. He went dressed in drag in a deer costume.
The festival requires at least 15 volunteer hours from the artists and Gerlach spent his hours helping set the space up.
“It’s been a great networking experience,” Gerlach says. “I chose to do those … laboring in the volunteer space … along with other artists and its been a great way to … realize just how tremendously huge the art community in Washington is.”
This year, the month-long art festival is being held in a former office building slated for demolition. There are 10 floors of art by more than 1,000 artists spanning several mediums from visual art to fashion and more.
Some of the upcoming special events include a free demonstration on how to draw popular superheroes by Utrecht on Friday at 7 p.m., an artist social on Saturday at 8 p.m., a meet the artists night June 2 at 7 p.m. and more.
There’s also a weekly “Art-to-Go” marketplace on Saturdays from 1 to 6 p.m.
Artomatic is open Wednesdays and Thursday from noon to 10 p.m., Fridays and Saturdays from noon to 1 a.m. and Sundays from noon to 5 p.m.
For more information on Artomatic and a complete list of events, visit artomatic.org. There’s even a mobile version of the site for the day’s event schedule.
For more information on Gerlach and his design business, visit gerlachgraphic.com. For more information on his photography and to see his line of wearable art, visit urbangrudge.com.
Theater
Out dancer on Alvin Ailey’s stint at Warner Theatre
10-day production marks kickoff of national tour
Alvin Ailey American Dance Theater
Through Feb. 8
Warner Theatre
513 12th St., N.W.
Tickets start at $75
ailey.org
The legendary Alvin Ailey American Dance Theater is coming to Washington’s Warner Theatre, and one of its principal veterans couldn’t be more pleased. Out dancer Renaldo Maurice is eager to be a part of the company’s 10-day stint, the kickoff of a national tour that extends through early May.
“I love the respectful D.C. crowd and they love us,” says Maurice, a member of esteemed modern dance company for 15 years. The traveling tour is made of two programs and different casting with Ailey’s masterwork “Revelations” in both programs.
Recently, we caught up with Maurice via phone. He called from one of the quiet rooms in his New York City gym where he’s getting his body ready for the long Ailey tour.
Based in North Newark, N.J., where he recently bought a house, Maurice looks forward to being on the road: “I enjoy the rigorous performance schedule, classes, shows, gym, and travel. It’s all part of carving out a lane for myself and my future and what that looks like.”
Raised by a single mother of three in Gary, Ind., Maurice, 33, first saw Alvin Ailey as a young kid in the Auditorium Theatre in downtown Chicago, the same venue where he’s performed with the company as a professional dancer.
He credits his mother with his success: “She’s a real dance mom. I would not be the man or artist I am today if it weren’t for the grooming and discipline of my mom. Support and encouragement. It’s impacted my artistry and my adulthood.”
Maurice is also part of the New York Ballroom scene, an African-American and Latin underground LGBTQ+ subculture where ball attendees “walk” in a variety of categories (like “realness,” “fashion,” and “sex siren”) for big prizes. He’s known as the Legendary Overall Father of the Haus of Alpha Omega.
WASHINGTON BLADE: Like many gay men of his era, Ailey lived a largely closeted public life before his death from AIDS-related complications in 1989.
RENALDO MAURICE Not unusual for a Black gay man born during the Depression in Rogers, Texas, who’s striving to break out in the industry to be a creative. You want to be respected and heard. Black man, and Black man who dances, and you may be same-sex gender loving too. It was a lot, especially at that time.
BLADE: Ailey has been described as intellectual, humble, and graceful. He possessed strength. He knew who he was and what stories he wanted to tell.
MAURICE: Definitely, he wanted to concentrate on sharing and telling stories. What kept him going was his art. Ailey wanted dancers to live their lives and express that experience on stage. That way people in the audience could connect with them. It’s incredibly powerful that you can touch people by moving your body.
That’s partly what’s so special about “Revelations,” his longest running ballet and a fan favorite that’s part of the upcoming tour. Choreographed by Alvin Ailey in 1960, it’s a modern dance work that honors African-American cultural heritage through themes of grief, joy, and faith.
BLADE: Is “Revelation” a meaningful piece for you?
MAURICE: It’s my favorite piece. I saw it as a kid and now perform it as a professional dance artist. I’ve grown into the role since I was 20 years old.
BLADE: How can a dancer in a prestigious company also be a ballroom house father?
MAURICE: I’ve made it work. I learned how to navigate and separate. I’m a principal dancer with Ailey. And I take that seriously. But I’m also a house father and I take that seriously as well.
I’m about positivity, unity, and hard work. In ballroom you compete and if you’re not good, you can get chopped. You got to work on your craft and come back harder. It’s the same with dance.
BLADE: Any message for queer audiences?
MAURICE: I know my queer brothers and sisters love to leave with something good. If you come to any Ailey performance you’ll be touched, your spirit will be uplifted. There’s laughter, thoughtful and tender moments. And it’s all delivered by artists who are passionate about what they do.
BLADE: Alvin Ailey has been a huge part of your life. Thoughts on that?
MAURICE: I’m a believer in it takes a village. Hard work and discipline. I take it seriously and I love what I do. Ailey has provided me with a lot: world travel, a livelihood, and working with talented people here and internationally. Alvin Ailey has been a huge part of my life from boyhood to now. It’s been great.
Catfish Comedy will host “2026 Queer Kickoff Show” on Thursday, Feb. 5 at A League of Her Own (2319 18th Street, N.W.). This show features D.C.’s funniest LGBTQ and femme comedians. The lineup features performers who regularly take the stage at top clubs like DC Improv and Comedy Loft, with comics who tour nationally.
Tickets are $17.85 and can be purchased on Eventbrite.
Arts & Entertainment
Catherine O’Hara, ‘Schitt’s Creek’ star and celebrated queer ally, dies at 71
Actress remembered for memorable comedic roles in ‘Beetlejuice’ and ‘Home Alone’
Catherine O’Hara, the varied comedic actor known for memorable roles in “Beetlejuice,” “Schitt’s Creek,” and “Home Alone,” has died at 71 on Friday, according to multiple reports. No further details about her death were revealed.
O’Hara’s death comes as a shock to Hollywood, as the Emmy award-winning actor has been recently active, with roles in both “The Studio” and “The Last of Us.” For her work in those two shows, she received Emmy nominations for outstanding supporting actress in a comedy series and outstanding guest actress in a drama series.
In 2020, O’Hara won the Outstanding Lead Actress in a comedy series award for her work in the celebrated sixth and final season of “Schitt’s Creek.” She was also known as a queer ally and icon for her theatrical and often campy performances over multiple decades. In “Schitt’s Creek,” she played Moira Rose, the wig-loving mother of David Rose (played by series creator Dan Levy). David is pansexual, but the characters around him simply accept him for who he is; the show was embraced by the LGBTQ community with how naturally David’s sexuality was written and portrayed. That show ran from 2015 to 2020 and helped bring O’Hara and her co-stars into a new phase of their careers.
In a 2019 interview with the Gay Times, O’Hara explained why the show got LGBTQ representation right: “Daniel has created a world that he wants to live in, that I want to live in. It’s ridiculous that we live in a world where we don’t know how to respect each other and let each other be. It’s crazy. Other shows should follow suit and present the world and present humans as the best that we can be. It doesn’t mean you can’t laugh, that you can’t be funny in light ways and dark ways. It’s all still possible when you respect and love each other.”
Additional credits include “SCTV Network” (for which O’Hara won a writing Emmy), “Beetlejuice Beetlejuice,” “Curb Your Enthusiasm,” “Six Feet Under,” “Best in Show,” “Home Alone 2: Lost in New York,” and “Dick Tracy.” O’Hara also lent her voice to “The Nightmare Before Christmas,” “Chicken Little,” “Monster House,” and “Elemental.” O’Hara was expected to return for Season 2 of “The Studio,” which started filming earlier this month.
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