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Metro Weekly publisher settles $1 million lawsuit

Agreement reached over debt, fraud allegation; IRS tax liens remain

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Metro Weekly — a local gay magazine published by Jansi LLC, which is owned by Randy Shulman — and Post-Newsweek Media, Inc., the company that owns the Washington Post, reached a settlement agreement on April 28 over a lawsuit in which Post-Newsweek alleged that Jansi and Shulman engaged in fraud to avoid paying a Post-Newsweek-owned printing company $85,000 for printing services.

The settlement came six days after a D.C. Superior Court judge presiding over the lawsuit denied a motion for summary judgment by Jansi and Shulman that called for dismissing the fraud charge on grounds that insufficient evidence existed to move forward with the charge.

The settlement agreement also came just over seven months after Judge Ramsey Johnson denied a separate motion by Jansi and Shulman seeking dismissal of the lawsuit.

The terms of the settlement between the two parties could not be found in the court records, indicating the parties chose to keep the terms confidential as is the case with many lawsuits.

Paul S. Thaler, the attorney representing Post-Newsweek, and John W. Karr and William G. McLain, the attorneys representing Jansi and Shulman, did not respond to the Blade’s request for comment on the caseĀ and the settlement.

McLain faxed a message to the Blade on May 27 saying Jansi and Shulman would consider responding to a Blade inquiry in writing if such a response was ā€œdeemed appropriateā€ by him but the magazine has a policy of not providing interviewsĀ to Blade reporters.

Jansi and Shulman’s attorneys have argued that the lawsuit was without merit, saying the printing debt was incurred by Isosceles Publishing, Inc., the corporation that owned and operated Metro Weekly up until November 2007.

The magazine’s attorneys have argued that a new corporation called Jansi LLC entered into a licensing agreement with Isosceles to publish and operate Metro Weekly beginning in November 2007. They maintain that Jansi, as a separate corporate entity, was not responsible for the debts and liabilities incurred when Metro Weekly was published and operated by Isosceles.

A past due bill of $85,000 from Comprint, a Gaithersburg, Md., company owned by Post-Newsweek, was for printing services incurred by Metro Weekly during the time Isosceles published the magazine, the lawyers have argued.

In its lawsuit filed in July 2010, Post-Newsweek charged Jansi LLC and Shulman, one of Jansi’s two shareholders, with breach of contract, saying they were responsible for the printing debt with Comprint.

The lawsuit also charged Jansi and Shulman with fraud for allegedly entering into the licensing agreement with Isosceles for the alleged purpose of evading debts and liabilities.

ā€œUpon information and belief, Mr. Shulman, Jansi, and Isosceles entered into the 2007 License Agreement with the specific intention to evade Isosceles’ creditors while continuing to publish, and reap revenue from, Metro Weekly,ā€ the lawsuit said. ā€œAs a direct result of the defendant’s fraud, plaintiff suffered damages in a sum to be proved at trial but expected to exceed $1,000,000,ā€ the lawsuit said in its request for punitive damages.

ā€˜Nearly $656,000’ in tax liens

In its court brief opposing Jansi and Shulman’s motion to dismiss the fraud charge, Post-Newsweek attorney Thaler cited Shulman’s testimony in a deposition in February in which Shulman acknowledged that he and Isosceles had yet to resolve an outstanding tax obligation with the IRS.

News of Isoceles’ tax liabilities surfaced last year when the Washington Business Journal reported that, ā€œnearly $656,000 in federal and state tax liens have been filed against Isosceles.ā€ Records from the D.C. Recorder of Deeds, which keeps track of tax liens, show that 21 federal, D.C., or unemployment tax liens had been filed against Isosceles Publishing between 1996 and 2010.

Thaler stated in his brief opposing Jansi and Shulman’s motion to dismiss the fraud charge that the tax liens were an indication that the licensing agreement between Isosceles and Jansi was conceived to enable Metro Weekly to evade its debts, a development, he said, that supports Post-Newsweek’s fraud claim.

In Jansi and Shulman’s August 2010 motion for summary judgment seeking to dismiss the lawsuit, Karr argued that Post-Newsweek’s breach of contract charge concerning the printing debt was invalid because, among other things, Post-Newsweek had brought the same charge in a separate lawsuit in 2009.

A judge ruled in Post-Newsweek’s favor in the earlier lawsuit and ordered Isosceles to pay the printing debt. Isosceles started making payments for the initial printing debt, which exceeded $100,000, for a while before stopping all payments. That prompted Post-Newsweek to file the second lawsuit last July, Thaler said in court papers.

Karr argued in his dismissal motion that the legal concept of ā€œclaim preclusionā€ or ā€œissue preclusionā€ prohibits ā€œrelitigation in a subsequent proceeding of the same claim between the same parties or their privies.ā€

He also argued that Post-Newsweek failed to provide in its lawsuit the required ā€œelementsā€ indicating that fraud might have taken place to a sufficient degree that a fraud claim could move forward to trial.

D.C. Superior Court Judge Ramsey Johnson rejected those assertions, stating in a Sept. 13, 2010 ruling denying the motion for dismissal of the lawsuit that he was ā€œsatisfied that the Plaintiff’s complaint for fraud has been sufficiently pled.ā€

In its separate motion filed Feb. 23, 2011 seeking dismissal of the fraud charge, Karr reiterated his claim that Post-Newsweek failed to provide sufficient grounds for proving fraud. Karr cited the testimony of Post-Newsweek official Garland Christmas in a deposition in which Christmas stated he was not familiar with the specific details of the lawsuit’s allegation that Metro Weekly and Shulman engaged in fraud through the licensing agreement between Isosceles and Jansi.

Karr argued in his brief that Christmas, the Post-Newsweek official in charge of debt collection for the company, also could not provide information to support Post-Newsweek’s claim that it suffered damages exceeding $1 million due to the non-payment of the printing debt or the licensing deal between Isosceles and Jansi.

In his opposition motion for Post-Newsweek, Thaler said the latest lawsuit was aimed at ā€œasking the court to pierce the corporate veil and find that defendants Randy Shulman and Jansi LLC are the functional ā€˜alter egos’ of Isosceles and should therefore be held liable for the debt owed to Plaintiff.ā€

Business funds for personal use

In his opposition motion, Thaler added, ā€œMr. Shulman further indicated [in a deposition] that the licensing arrangement was the ā€˜only way’ Metro Weekly could continue to be published in light of the tax lien against Isosceles…Shulman and his business partners frequently commingled funds between Jansi and Isosceles. Shulman has also withdrawn funds from Isosceles and Jansi for personal use.ā€

Shulman was asked during depositions about various charges made to a company ATM card. ā€œIf you go down the purchases apparently using the ATM card you’ll see not just the Pet Smart and Martin’s Wine but a series of purchases at Safeway, RiteAid, Target and Subway as well as something called 14k Restaurant, Starbucks. Is it your testimony that all of these were for Jansi or mistakes by you as you’ve indicated you sometimes do,ā€ a Post-Newsweek lawyer asked.

ā€œSome could be mistakes I would think that – I know for a fact the 14K would be a business – that would be a business – that was probably for coffee for a business meeting,ā€ Shulman replied.

In response to questions about purchases with the Jansi card made at other places, such as the Virginia Market convenience store near his home, Shulman said:

ā€œ … I’m looking this over and I’m looking at the cluster of time and it’s very likely at this time that, aside from the thing that I was – quite honestly, I probably had absolutely no money in my own personal account. I was actually utilizing Jansi funds that were there at the time to help support me.ā€

ā€œSo you used the ATM for Jansi,ā€ the lawyer replied.

ā€œI did use the ATM for Jansi to make my purchases during that period.ā€

In his April 22 ruling denying Jansi and Shulman’s summary judgment motion to dismiss the fraud charge, Judge Johnson stated, ā€œThe court has already concluded that Plaintiff’s fraud claim was sufficiently pled when it denied Defendants’ Motion for Failure to State a Claim on Sept. 13, 2010. Ā With regard to the instant motion, the Court does not find that the issue of fraud, at least in this case, lends itself to summary judgment.ā€

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District of Columbia

Gay Men’s Chorus of Washington to celebrate Spring Affair honorees

‘Their work inspires our music and deepens our mission’

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The Gay Men's Chorus of Washington performs 'Passports' at the Lincoln Theatre earlier this year. (Washington Blade photo by Michael Key)

For 44 years, the Gay Men’s Chorus of Washington (GMCW) has served as a powerful voice for love, unity, and pride among Washington’s LGBTQ community and its allies. Since its first performance in 1981—at the opening of the National Gay Task Force’s Washington office (later becoming the National LGBTQ Task Force)—GMCW has built a politically engaged and culturally significant legacy as one of the nation’s foremost LGBTQ performing arts organizations.

As its music and mission evolved, GMCW deepened its involvement in supporting LGBTQ individuals and allies alike. In 2004, the chorus launched its first Spring Affair fundraiser. This annual event not only generates financial support for the inclusive choral group, but also honors individuals and organizations in the Washington community who exemplify GMCW’s mission of unity, equity, and empowerment through music.

Each year at the Spring Affair gala, the chorus honors one community leader, one external organization, and one GMCW member. For the 2025 gala, GMCW will recognize Bishop Mariann Edgar Budde, Atlas Performing Arts Center, and GMCW member Keygan Miller.

ā€œThese honorees remind us why we sing,ā€ said Thea Kano, artistic director of the Gay Men’s Chorus of Washington, DC, in an email. ā€œIn moments when our community has needed strength, they’ve offered hope. Whether it’s a brave voice from the pulpit, a tireless advocate for our youth, or an organization that opens its doors to every story—each has chosen to lead with love, truth, and courage. Their work inspires our music and deepens our mission.ā€

GMCW will honor Bishop Mariann Edgar Budde, the first woman elected to lead the Episcopal Diocese of Washington, as its 2025 individual award recipient. A longtime champion of equity and inclusion, Bishop Budde gained national prominence during the Inaugural Prayer Service at Washington National Cathedral, where she spoke directly to newly sworn-in President Donald Trump.

ā€œHave mercy, Mr. President,ā€ she implored, lifting the hopes of the most vulnerable Americans targeted by Trump’s policies—particularly LGBTQ and immigrant communities. Her bold words signaled to the nation that she remains a genuine and outspoken voice for justice, unity, and truth, inspiring compassion and faith within and beyond her religious community.

GMCW will present the Harmony Award for an Organization to the Atlas Performing Arts Center, located in the historic H Street, N.E. corridor. In 2024 alone, Atlas hosted more than 400 events and provided $1.6 million in free and discounted tickets, arts education, community programming, and space use. Through this work, Atlas has amplified ā€œartistic voices that reflect the full diversity of our community.ā€

The center has long partnered with GMCW, offering space for open mic nights, cabarets, GenOUT Chorus events like the Youth Summit, and even memorial services such as that for Bobby T. Boaz. Atlas exemplifies GMCW’s mission of storytelling, equity, and civic connection through programs like the INTERSECTIONS Festival and City at Peace.

ā€œWe are absolutely thrilled and deeply honored that the Atlas Performing Arts Center has been named a recipient of the GMCW Harmony Award! This recognition is a powerful affirmation of our commitment to uplifting voices, fostering inclusive creative expression, and building a space where everyone feels seen, heard, and celebrated,ā€ said Jarrod Bennett, Executive Director of the Atlas Performing Arts Center.

ā€œAt the Atlas, our mission is rooted in the belief that the arts are for everyone—and that through performance, dialogue, and community, we can help shape a more just, compassionate world. To be acknowledged by the Gay Men’s Chorus of Washington, DC—an organization that has long stood at the forefront of championing equality and advancing the well-being of the LGBTQ+ community—is a profound and humbling honor. We continue to be inspired by GMCW’s work and are proud to stand alongside them in this shared vision. Thank you, GMCW, for this beautiful recognition. We carry it forward with gratitude and renewed energy for the work ahead.ā€

Finally, GMCW will honor Keygan Miller, a chorus member since 2017, for their leadership, advocacy, and commitment to equity both onstage and off. Within GMCW, Miller served as Vice President of Diversity and Inclusion, led conversations to expand trans inclusion, authored the ā€œDay Oneā€ pledge, and played a critical role in shaping inclusive programming.

Outside the chorus, Miller serves as Director of Public Training for The Trevor Project, a national nonprofit focused on crisis intervention and suicide prevention services for LGBTQ youth under 25. They previously worked as an Advocacy Manager at the Trevor Project, where they championed policies protecting LGBTQ+ youth at every level of government.

As GMCW continues its mission to uplift and unite through music, the organization encourages new voices to join its ranks. GMCW welcomes all singers—regardless of gender identity or sexual orientation—who can sing in the lower vocal registers.

The 2025 Spring Affair Gala will take place on May 17, 2025, at The Ritz-Carlton, Washington, D.C. This annual benefit supports GMCW’s artistic and educational programming. For tickets, audition information, and more, visit GMCW.org.

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District of Columbia

Activists stage reenactment of 1965 gay rights protest at White House

Event marked 60th anniversary of historic picketing

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The reenactment took place Thursday. (Washington Blade photo by Lou Chibbaro, Jr.)

With dozens of tourists watching, a little over two dozen LGBTQ activists walked in a circular picket line carrying ā€œhomosexual rightsā€ signs on the sidewalk in front of the White House on April 17 in a reenactment of the historic 1965 first gay rights protest outside the White House.

Organized by D.C.’s Rainbow History Project, the event marked the 60th anniversary of the 1965 protest, which was organized by gay rights pioneers Frank Kameny and Lilli Vincenz on behalf of the Mattachine Society of Washington, one of D.C.’s first gay rights groups that Kameny co-founded in the early 1960s.

ā€œThe White House picket is the origin story for public demonstrations for gay rights in the U.S., and the origin story for Pride marches and the annual LGBTQ Pride celebrations which occur across the globe,ā€ according to a leaflet prepared by Rainbow History Project that participants in the reenactment handed out to passersby and tourists.

Among those participating in the reenactment protest was longtime D.C. LGBTQ rightsĀ  advocate Paul Kuntzler, who is the last known survivor of the 1965 White House gay rights protest. Kuntzler carried a replica of the sign he said he carried at the 1965 protest, which states, ā€œFifteen Million U.S. Homosexuals Protest Federal Treatment.ā€

Paul Kuntzler (Washington Blade photo by Lou Chibbaro, Jr.)

Other signs carried by participants stated, ā€œHomosexuals Died for Their Country, Too;ā€ ā€œWhite House Refuses Replies To Our Letters – Afraid Of Us?ā€; Ā ā€œCuba’s Government Persecutes Homosexuals, U.S. Government Beats Them To It;ā€ Ā ā€œHomosexuals are American Citizens, Too.ā€

The leaflet that participants distributed at the April 17 reenactment, which includes a photo of the 1965 event, lists what it says were the four main demands issued by the Mattachine Society of Washington in 1965.

They called for an end to ā€œthe exclusion of homosexuals from federal employment,ā€ an end to the ban on gays from serving in the U.S. military, an end to the ā€œblanket denial of security clearances for gay people,ā€ and an end to the government’s refusal to meet with the LGBTQ community or to reply to their letters.

The leaflet includes an excerpt from a letter that Kameny wrote to then-President Lyndon B. Johnson around the time of the 1965 protest.

ā€œWe ask you, Mr. President, for what all American citizens – singly and collectively – have the right to ask,ā€ the letter states. ā€œThat our problems be given fair, unbiased consideration…consideration in which we, ourselves, are allowed to participate actively and are invited to do so.ā€

The leaflet notes that although Kameny died in 2011 and Vincenz died in 2023, ā€œtheir legacy is carried on by modern LGBTQ+ rights activists, who continue to advocate for employment opportunities, legal protections, inclusive health services, and more.ā€

Rainbow History Project official Vincent Slatt, one of the lead organizers of the reenactment protest, said his group had no trouble obtaining a permit from the National Park Service to hold the event outside the White House.

 ā€œI think the picket is going very, very well today,ā€ he said while watching the picketers on the White House sidewalk. ā€œWe have a couple of dozen people participating. And there are lots of tourists engaging,ā€ he said. ā€œWe’re handing out pamphlets to let them know about the historic picket and the importance of learning LGBT history.ā€

Slatt added, ā€œBut the highest impact is really that the media showed up to spread awareness of this.ā€

Lesbian activist Leticia Gomez, while walking on the White House picket line at the reenactment event, said she was among those who benefited from the 1965 protest and those that followed in support of LGBTQ rights.

 ā€œI’m blessed,ā€ she said. ā€œI got to work 34 years for the federal government as an out lesbian in the Department of the Navy,ā€ she told the Blade. ā€œSo, because of what they did and all the other protests that came after that, it allowed me to have the career that I had.ā€

 Also walking the picket line at the April 17 reenactment event was Deacon Maccubbin, owner of the former D.C.  LGBTQ bookstore Lambda Rising and organizer of D.C.’s first Gay Pride Day event in 1975.

 ā€œIt was really wonderful to be here today after 60 years,ā€ he said. ā€œI wasn’t at the first one,ā€ he told the Blade. ā€œBut it’s just wonderful that this happened in 1965. It started the ball rolling, and all the progress that we’ve made, the fact that we do gay Pride every year in D.C. – all of those are dependent on this demonstration that got started in 1965.ā€

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District of Columbia

Capital Pride wins $900,000 D.C. grant to support WorldPride

Funds not impacted by $1 billion budget cut looming over city

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ā€˜Visitors from around the world come toĀ D.C. toĀ experience ourĀ world-classĀ festivals and events,’ said MayorĀ Muriel Bowser. (Washington Blade file photo by Michael Key)

Capital Pride Alliance, the nonprofit D.C. group organizing WorldPride 2025, this week received a $900,000 grant from the city to help support the multiple events set to take place in D.C. May 17-June 8.

According to an announcement by D.C. Mayor Muriel Bowser and Events D.C., the city’s official convention, sports, and events authority, Capital Pride Alliance was one of 11 nonprofit groups organizing 2025 D.C. events to receive grants totaling $3.5 million.

The announcement says the grants are from the city’s Large Event Grant Program, which is managed by Events D.C. It says the grant program is funded by the Office of the D.C. Deputy Mayor for Planning and Economic Development through a grant from the U.S. Department of Commerce Economic Development Administration.

Nina Albert, the Deputy Mayor for Planning and Economic Development, told the Washington Blade that because the grants consist of federal funds already disbursed to the city, they are not impacted by the billion dollar budget cut imposed on the city by Congress earlier this year.

ā€œWorldPride is one of the 11 grantees, and we’re really just excited that there’s going to be generated a large crowd and introducing the city to a national and international audience,ā€ Albert said. ā€œAnd we think it is going to be a real positive opportunity.ā€

The statement from the mayor’s office announcing the grants says funds from the grants can be used to support expenses associated with hosting large events such as venue rental fees, security, labor costs, equipment and other infrastructure costs.

ā€œAll of those things are things that we do for our major events, including WorldPride,ā€ said Ryan Bos, executive director of Capital Pride Alliance. ā€œSo, the resources from this grant will be extremely helpful as we approach the final weeks of preparation of WorldPride Washington, D.C.,ā€ he said.

Bos said Events D.C. has been an important partner in helping to promote WorldPride 2025 since the planning began more than two years ago. ā€œAnd we’re excited to have them now support us financially to get us over the finish line and have an amazing event.ā€

Both Bos and Deputy Mayor Albert said WorldPride organizers and D.C. government officials were doing all they can to inform potential visitors from abroad and other parts of the U.S. that the local D.C. government that is hosting WorldPride is highly supportive of the LGBTQ community.

The two said WorldPride organizers and the city are pointing out to potential visitors that the local D.C. government is separate from the Trump administration and members of Congress that have put in place or advocated for policies harmful to the LGBTQ community.

ā€œD.C. is more than the federal city,ā€ Bos told the Blade. ā€œIt’s more than the White House, more than the Capitol,ā€ he said. ā€œWe have a vibrant, progressive, inclusive community with many neighborhoods and a great culture.ā€

Marcus Allen, an official with Broccoli City, Inc., the group that organizes D.C.’s annual Broccoli City Music Festival, reached out to the Blade to point out that Broccoli City was among the 11 events, along with WorldPride, to receive a D.C. Large Event Grant of $250,000.

Allen said the Broccoli City Festival, which includes performances by musicians and performing artists of interest to African Americans and people of color, is attended by large numbers of LGBTQ people. This year’s festival will be held Aug. 8-10, with its main event taking place at Washington Nationals Stadium.

“Visitors from around the world come to D.C. to experience our world-class festivals and events,” Mayor Bowser said in the grants announcement statement. “These grants help bring that experience to life, with the music, the food, and the spirit of our neighborhoods,” she said. “Together with Events D.C., we’re creating jobs, supporting local talent, and showcasing the vibrancy of our city.” 

The full list of organizations receiving this year’s Large Event grants are:

• Restaurant Association of Metropolitan Washington

• National Cherry Blossom Festival, Inc.

• Asia Heritage Foundation

• Capital Pride Alliance

• U.S. Soccer Federation

• Broccoli City, Inc.

• U.S.A. Rugby Football Union

• Washington Tennis and Education Foundation

• D.C. Jazz Festival

• Woolly Mammoth Theatre Company

• Fiesta D.C., Inc.  

“Events DC is focused on creating unique experiencesĀ  that resultĀ in jobs, economic impact, and lasting memories for residents, tourists, and guests,” said Events DC President and CEO Angie M. Gates in the announcement statement. “Through the Large Event Grant Program, we will support even more remarkable eventsĀ this year that build community connections, celebrate our distinctive culture, and contribute to our economy.”


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