Connect with us

Arts & Entertainment

Fun for all ages

Two children’s classics among summer theatrical offerings

Published

on

‘The Wind in the Willows’
Through Aug. 14
Imagination Stage
4908 Auburn Avenue, Bethesda, MD
$10-$22
301-280-1660

‘Charlotte’s Web’
Through Sept. 5
Adventure Theatre
7300 MacArthur Blvd, Glen Echo, MD
$17
301-634-2270

Deidra LaWan Starnes as Charlotte in Adventure Theatre’s ‘Charlotte’s Web.’ (Photo courtesy of Adventure)

Looking for something fun to do with the kids this summer? D.C.-area family theater offers an entertaining (and air-conditioned) alternative to parks, pools and wherever else it is those little ones like to go.

And because some children-focused troupes are employing top notch local talent and turning out productions of ever-increasing quality, it’s an outing that the grownups will enjoy too.

Imagination Stage in downtown Bethesda is currently presenting “The Wind in the Willows,” a musical adaptation of the same-named 1908 classic by Kenneth Grahame. Centered mostly on the exploits of motor car-crazy Mr. Toad (of Disney World “Wild Ride” fame), it tells the tale of four anthropomorphized pals who learn the value of loyalty, friendship and home in England’s idyllic Edwardian countryside.

It is springtime and curious Mole (Christopher Wilson) leaves his hole for the riverside where he befriends gentleman versifier Rat (Vaughn Irving). Together they enjoy outdoor adventures and meet the reclusive Badger (Doug Wilder). They also are drawn into the follies of the very rich and madcap Mr. Toad (played by Sasha Olinick who recently finished his run as Mozart in Roundhouse’s “Amadeus”). He’s obsessed with the world’s latest craze- automobiles and the results are disastrous. Luckily for Toad, he has his new friends to help him out.

It’s a transporting 90 minutes. With the help of an inventive design team, director Janet Stanford (who is also the company’s artistic director) imaginatively takes the play from place to place: river rowing, underwater, court, jail and stately Toad Hall. With the driving dusters, linen suits and boaters, Katie Touart’s costumes are very Ivory Merchant but with a hint of wildlife whimsy. A rabbit, played by Maya Jackson, sports jaunty knickerbockers; a cottontail is sewn to the back of her linen vest.

The very good cast also includes Matthew Schleigh and Phillip Reid as a gang of insufferable, thieving weasels who have neither cozy homes nor posh accents. Tia Shearer nicely doubles as a maniacal girl weasel and a stinky barge woman.

Faithfully adapted by Richard Hellesen with a pleasing song score (words and music by Michael Silversher) featuring titles like “Poop Poop!” and “Poop Poop! (Reprise)” the show keeps young audiences interested.   Imagination Stage’s theater is large and comfy. Loud and extra squirmy kids are advised to view the musical from a smallish glass room not unlike those airport smoking aquariums, but at a recent matinee there was no need — the children were rapt.

Over in historic Glen Echo Park, Adventure Theater is ending its season with E.B. White’s beloved “Charlotte’s Web” (cleverly adapted by Joseph Robinette). As readers may well remember, it’s the story of young farm girl Fern who saves runt piglet Wilbur from certain death. When Fern can no longer ensure that a growing Wilbur won’t become bacon, Charlotte an ingenious barn spider saves him by spinning phrases and words like “Some Pig” and “Humble” above his pen.

Staged by Serge Seiden (Studio Theatre’s associates artistic producing director), the hour long, fast-paced production is bursting with energy and positive lessons. Seiden, who is gay and the father of a young son, has brought together a group of well known local actors who seem to be having a lot of fun onstage portraying farm folk and barnyard animals. The lively, diverse six-person cast includes well-known local actors Deidre LaWan Starnes as a happy and gentle Charlotte and Chris Mancusi who effectively plays proud farmer Zuckerman, a blunt old sheep, and a cocky prize hog.

Wearing a pink baseball cap, pink T-shirt and pink Converse sneakers, David Hasty is delightful as guileless Wilbur. An obvious background in dance makes him the perfect human to play the springy young pig.

Because of Adventure’s very intimate space, some of the littler theatergoers end up interacting with the action on stage. At a Saturday matinee, they assisted Charlotte with her spelling and suggested that Wilbur turn around and see what spun messages his arachnid BFF had left for him. The actors skillfully and happily played off the tykes’ unsolicited participation.

What the company’s home venue lacks in size and comfortable seating, it more than makes up for in charming location. Shady Glen Echo has retained some architecturally interesting buildings from its amusement park past including the beautifully restored Spanish Ballroom.

In addition to a café, more recently added playground, and lots of free parking, the park boasts a gorgeous 1921 Dentzel carousel. And as the lines surely attest, an après theater ride is a big hit with Adventure’s audiences.

Advertisement
FUND LGBTQ JOURNALISM
SIGN UP FOR E-BLAST

Theater

Timely comedy ‘Fake It’ focuses on Native American themes

Arena Stage production features two out actors

Published

on

Eric Stanton Betts (standing) and Brandon Delsid in ‘Fake It Until You Make It.’ (Photo by Daniel Rader)

‘Fake It Until You Make It’
Through May 4
Arena Stage, 1101 Sixth St., S.W.
Tickets start at $59
Arenastage.org

A farce requires teamwork. And Larissa FastHorse’s “Fake It Until You Make It” now at Arena Stage is no exception. 

The timely comedy focuses on Native American nonprofits fractiously housed in a shared space. Friction rises when rivals River (Amy Brenneman), a white woman operating in the Indigenous world, goes up against the more authentic Wynona (Shyla Lefner) to win a lucrative Native-funded grant.   

While Brenneman (best known for TV’s Judging Amy) is undeniably a big draw, it takes a group collaboration to hit marks, land jokes, and pull off the well-executed physical comedy including all those carefully timed door slams.

As members of the six-person “Fake It” cast, Brandon Delsid and Eric Stanton Betts, both out actors of partly indigenous ancestry, contribute to the mayhem. Respectively, Delsid and Betts play Krys and Mark, a pair of two-spirited Native Americans who meet farcically cute and enjoy one of the play’s more satisfying arcs. 

For Krys, every attractive man is a potential next fling, but when Mark, handsome and relatively reserved, arrives on the scene, it’s something entirely different. 

Both onstage and sometimes off, Betts plays the straight man to Delsid’s waggishness. But when it comes down to real life business, the friends are on the same page: not only are the L.A.-based, up-and-coming actors intensely serious about their film and stage careers, but they’re also particularly engaged in the themes of Indigenous People found in “Fake It.” 

On a recent Wednesday following a matinee and an audience talkback, they were ready for a phone interview. 

In establishing whose voice was whose, Delsid clarified with “I’m the one who sounds a little like a Valley girl.” 

WASHINGTON BLADE: Brandon, you’ve been with the show since its early work-shopping days in 2022 and through its debut in Los Angeles and now Washington. Have things evolved? 

BRANDON DELSID: Definitely. I’ve grown up in the last couple of years and so has my character; it’s hard to know where I end and Kry begins. There’s been a real melding.

Eric and I are both queer, and to get to play these roles that are so human, imperfect, sexy, and interesting is really joyful.

As queer artists you don’t always get the chance to do work like this. So many stories are queer trauma, which is incredibly important, but it’s liberating to feel joy and ride it off into the sunset, which, without revealing too much, is kind of what we get to do.

BLADE: There’s some race shifting in “Fake It” particularly with regard to “pretendian” (a pejorative term describing a person who has falsely claimed Indigenous status). 

ERIC STANTON BETTS:  The last few years I’ve been on a journey with my cultural identity and place in the world. I’m a mixed BIPOC artist, my dad is Black and Native American by way of the Cherokee tribe and my mom is white. 

Since 2020, I’ve tried to figure out where I belong in this cultural history that I haven’t had a tie to throughout my life; it’s gratifying to find my way back to my indigeneity and be welcomed. 

In the play, race shifting is introduced through farce. But it’s never in a disrespectful way; it’s never mocked or done in a way to take away from others. The playwright parallels race shifting with gender fluidity. 

DELSID: But in life, there are people posing as Indigenous, actively taking grants, and the play goes there, we don’t hold back. Larissa, our playwright, has made it clear that she’s not trying to figure it out for us. With that in mind, we hope people leave the theater interested and curious to learn more. 

BLADE: Mark arrives kind of the middle of some crazy drama, bringing along a jolt of romance. 

BETTS:  Yeah, when I show up, we’re all sort of shot out of a cannon, struggling to keep up with the initial lie. 

DESLID: A very gay cannon. 

BLADE: What’s up next for you two?

BETTS: Both Brandon and I are up for the same part in a TV pilot, so one of us may be getting some very good news. I also have a Tyler Perry film coming out soon [he plays a model, not an unfamiliar gig for Betts]. 

DELSID: Coming up, I have a recurring part on HBO’s “The Rehearsal,” and a supporting part in “June and John,” a John Besson film. But doing “Fake It Until You Make It” in L.A. and now D.C. has been a special time in our lives. It’s 23/7 togetherness. There’s that hour for sleep. 

Continue Reading

Out & About

Taste of Point returns May 7

Annual reception honors LGBTQ student scholars

Published

on

A scene from last year’s Taste of Point reception. (Washington Blade file photo by Michael Key)

Point Foundation will host its annual “Taste of Point Reception” on Wednesday, May 7 at 6:30 p.m. at Room & Board. 

The popular event will take place on the top floor and outdoor terrace at Room & Board, featuring small plates from area restaurants, hand-crafted cocktails from local mixologists, and a speaking portion where guests will hear directly from Point Foundation scholars. This year, Point is supporting a record-breaking class of 755 scholars and guests’ support will allow Point to continue its mission. Point Foundation is the nation’s largest scholarship-granting organization for LGBTQ students of merit. 

Tickets are tax deductible and can be purchased at Point’s website

Continue Reading

Calendar

Calendar: April 25-May 1

LGBTQ events in the days to come

Published

on

Friday, April 25

Trans Discussion Group will be at 7 p.m. on Zoom. This group is intended to provide an emotionally and physically safe space for trans* people and those who may be questioning their gender identity/expression to join together in community and learn from one another. For more details, email [email protected]

Go Gay DC will host “LGBTQ+ Community Happy Hour” at 7 p.m. at Uproar Lounge and Restaurant. This event is ideal for making new friends, professional networking, idea-sharing, and community building. This event is free and more details are available on Eventbrite

Saturday, April 26

Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including Allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.

Black Lesbian Support Group will be at 11 a.m. on Zoom. This is a peer-led support group devoted to the joys and challenges of being a Black lesbian. You do not need to be a member of the Beta Kappa Chapter or the Beta Phi Omega Sorority in order to join, but they do ask that you either identify as a lesbian or are questioning that aspect of your identity. For more details, email [email protected]

Sunday, April 27

“Trans Open Mic and Author Talk with Jeanne Thornton” will be at 5 p.m. at Busboys and Poets 14th & V. It’s a difficult time for trans people in the USA, and Jeanne would like to extend the opportunity to local trans fiction writers to build community by coming on stage and sharing their work as part of an opening “open mic” to this event. There are spaces for up to 6-8 readers to share work of up to five minutes each. If you are interested in reading, please select the “Open Mic Ticket” and find Jeanne before the show at 4:30 p.m. The reading will be arranged on a first come, first served basis on the night of the event. For more details, visit Eventbrite.

Monday, April 28

“Center Aging Monday Coffee & Conversation” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more details, email [email protected]

Queer Book Club will be at 7 p.m. on Zoom. This month’s reading is “All Systems Red and Artificial Condition (The Murderbot Diaries Book 1 & 2)” by Martha Wells. For more details, email [email protected]

Tuesday, April 29

“OutPro Meaningful LGBTQ Networking” will be at 6 p.m. at Number Nine. Out Pro creates an environment that is welcoming to the full diversity of the LGBTQ community, as well as supportive allies. Guests are encouraged to embrace purposeful networking with the goal of helping connect people with opportunities. If you’re hiring, please come and meet motivated, aspiring LGBTQ professionals. As always, our events warmly welcome community allies. For more details, visit Eventbrite

Wednesday, April 30

Job Club will be at 6 p.m. on Zoom. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.

Thursday, May 1

API Queer Support Group will be at 7 p.m. on Zoom. This is a support group for the Asian and Pacific Islander queer community. For more information, email [email protected]

Virtual Yoga with Charles M. will be at 7 p.m. on Zoom. This is a free weekly class focusing on yoga, breath work, and meditation. For more details, visit the DC Center for the LGBT Community’s website.

Continue Reading
Advertisement
Advertisement

Sign Up for Weekly E-Blast

Follow Us @washblade

Advertisement

Popular