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Flocking together

Gay playwright explores celebrated bird pairings

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ā€˜Birds of a Featherā€™
Through Aug. 7
The Hub Theatre @
The New School
9431 Silver King Court, Fairfax
703-674-3177

From left, Matt Dewberry, Jjana Valentiner, playwright Marc Acito, director Shirley Serotsky, Dan Crane and Eric Messner. (Photo by C. Stanley Photography; courtesy of Hub Theatre)

Much of gay writer Marc Acitoā€™s work is ripped from the headlines. This applies to his National Public Radio commentaries, and itā€™s also true about his funny new play ā€œBirds of a Featherā€ now making its world premiere at the Hub Theatre in Fairfax.

Inspired by two Manhattan stories that got a lot of press about seven years ago, the comedy focuses on gay penguins that fall in love and hatch an egg in the Central Park Zoo, and a messy-but-devoted pair of straight hawks who famously make their home high atop a tony Fifth Avenue co-op. Acito explores what he imagines to be the birdsā€™ motivations as well as the ways in which humans react to these two feathered families.

ā€œWhat most interested me about the bird stories,ā€ says Acito by phone from his home in New York, ā€œis that both elicited such a huge response from the public. There was a lot of anthropomorphizing going on ā€” the hawk Pale Male was praised as a good father, and the co-op was accused of attempting to unjustly evict a lovely family. The hetero normative hawks were pretty much unanimously supported.ā€

On the other hand, says Acito, 45, the longtime pair-bonded male penguins Silo and Roy who together hatched an abandoned egg werenā€™t entirely celebrated. In fact, an award winning childrenā€™s book about the penguinsā€™ nontraditional family ā€œAnd Tango Makes Threeā€ ranks as one of Americaā€™s most controversial books, and has been challenged or banned in numerous libraries and school districts.

When ā€œBirds of a Featherā€ was first read two summers ago at JAW Playwrightā€™s Festival in Portland, (Acitoā€™s home from around 1990 until last year), Hub Theatre artistic director Helen Pafumi contacted Acito. She was eager to mount the show in Fairfax. ā€œThere had been controversy about the childrenā€™s book in neighboring Loudon County, and Helen thought my play was relevant to the community. Part of Hubā€™s mission is to facilitate conversation among different factions who live side by side.ā€

ā€œHub is a real gem waiting to be discovered,ā€ Acito says. ā€œI realize it might be a little out of way, but Iā€™m hoping gay theatergoers will be willing to make the trek out of curiosity. They can attend a matinee and be back in town for happy hour. If nothing else I know my audiences.ā€

Staged by Shirley Serotsky, ā€œBirds of a Featherā€ features a talented quartet who play the penguin and hawk couples (the aptly named Dan Crane and Matt Dewberry), a female zookeeper (Jjana Valentiner) whose best friend is gay man, a birder (Eric Messner), as well as myriad other characters including Mary Tyler Moore, Paula Zahn and a bevy of Catholic school girls.

ā€œAll the facts of the play are true, but of course I fictionalize what the birds are thinking,ā€ Acito says. ā€œI certainly feel qualified to write about relationships. My partner and I have been together for 25 years. And while gay relationships are unique in many ways, the fundamentals of living with a partner are the same for everyone.ā€

Growing up in New Jersey, Acito starred in high school musicals. He describes himself as the guy darting about in Capezio dance shoes and leg warmers. Later he dropped out of Carnegie Mellonā€™s drama program due to ā€œartistic differences.ā€

ā€œI thought I could act. They didnā€™t,ā€ he says.

After more study, he began a professional opera career: ā€œI played character parts ā€” drunks and hunchbacks mostly. It was fun and I learned a lot about comedy and western history, but for me opera was a shoe that never really fit. Ultimately I decided that I needed to create art rather than recreate it onstage, so I began writing.ā€

He started with the gay press. Next he wrote ā€œHow I Paid for College: A Novel of Sex, Theft, Friendship and Musical Theater,ā€ a cult novel about theater people. A successful sequel followed. When the bottom fell out of publishing, he returned to theater and relocated to New York, but this time as a writer. Currently heā€™s collaborating with composer Jeffrey Stock on a musical adaptation of E.M. Forsterā€™s classic ā€œA Room with a Viewā€ slated to premiere at the Old Globe in San Diego next spring. Buzz is good.

Today Acito is thrilled to have found new meaning in his life and career. ā€œThereā€™s an audience that understands my message and aesthetic, and theyā€™re very much in the theater. This time, I feel that Iā€™ve found the shoe that really fits.ā€

 

 

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Theater

ā€˜Bad Booksā€™ a timely look at censorship in local library

Influencer vs. conservative parent in Round House production

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Holly Twyford (The Mother) and Kate Eastwood Norris (The Librarian) in ā€˜Bad Booksā€™ at Round House Theatre. (Photo by Margot Schulman)

ā€˜Bad Booksā€™
Through May 4
Round House Theatre
4545 East-West Highway
Bethesda, Md.
Tickets start at $43
Roundhousetheatre.org

While a library might seem an unlikely place for a heated contretemps, itā€™s exactly the spot where adults go when theyā€™re itching to battle out what books minors might be allowed to read. 

In Sharyn Rothsteinā€™s ā€œBad Books,ā€ two women, The Mother (out actor Holly Twyford) and The Librarian (Kate Eastwood Norris), swiftly become mired in a quarrel that comes with some weighty repercussions.Ā 

The Mother is a popular conservative influencer on a mission. Sheā€™s furious that the local library has overstepped its bounds and she blames The Librarian, a woman who adheres to the ā€œit takes a villageā€ method of child rearing and is dedicated to the young people who approach her reference desk. 

Thereā€™s some background. It seems The Librarian who dresses young (tight jackets and Doc Martens) and curses a blue streak, forged a friendship with Jeremy, a teenage library regular. 

While the details are a bit hazy, it seems the troubled Jeremy confided in The Librarian regarding some personal issues. In return, she suggested a helpful book ā€“ Boob Juice.

Unsurprisingly, based solely on its title, the book has thrown The Mother into a pique of outrage. After finding Boob Juice in her sonā€™s bedroom, she made a beeline to the library; and not incidentally, The Mother hasnā€™t read the recommended work and has no plans to do so. 

Set in a suburb with lax gun laws, the story explores facets of division and conciliation. The Mother insists she isnā€™t so much about banning books as she is keeping some books away from young people until theyā€™ve obtained parental approval. 

ā€œBad Booksā€ is performed in the round. Built on a rotating stage, Meghan Rahamā€™s set is simple, pleasingly serviceable, and easily transforms from the library into a small corporate office, and later the assembly room of a church. Overhead floats a circular glass shelf filled with a cache of banned books. Things like a rolling book cart and a goldfish bowl add some flavor to the different locations. 

The Mother wasnā€™t always a popular conservative warrior with an enthusiastic horde of followers. 

Her past includes penning a book that later filled her with guilt and regret. She refers to that early questionable literary accomplishment as her bad book. And while over the years, she has persevered to find and destroy each and every printed copy, she hasnā€™t entirely succeeded.  

Norris plays three women who figure meaningfully into the arc of Twyfordā€™s mother character. In addition to The Librarian, Norris is The Manager, a broadly played piece of comic relief, and The Editor, a warm woman who reveals things about Jeremy that his own mother never knew. 

Smartly staged by Ryan Rilette, the production is part of a National New Play Network Rolling World Premiere. While Rothsteinā€™s script offers two strong roles (skillfully performed by celebrated actors Twyford and Norris), its ending feels too neatly resolved.  

In the past, Twyford and Norris have successfully joined forces for numerous DMV productions including Studio Theatreā€™s production of David Auburnā€™s two-hander ā€œSummer, 1976,ā€ the story of a longtime and unlikely friendship between two women who meet as young mothers during the Bicentennial summer. 

Though different, both The Librarian and The Mother share a strong and ultimately hopeful relationship with words.   

Thereā€™s a quote from E.B. Whiteā€™s classic ā€œCharlotteā€™s Webā€ that pops up a couple of times in the briskly paced 80-minute play. Charlotte, the wise spider, says, ā€œwith just the right words you can change the world.ā€

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Books

ā€˜Pronoun Troubleā€™ reminds us that punctuation matters

ā€˜Theyā€™Ā has been a shape-shifter for more than 700 years

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(Book cover image courtesy of Avery)

ā€˜Pronoun Troubleā€™
By John McWhorter
c.2025, Avery
$28/240 pages

Punctuation matters.

Itā€™s tempting to skip a period at the end of a sentence Tempting to overuse exclamation points!!! very tempting to MeSs with capital letters. Dont use apostrophes. Ask a question and ignore the proper punctuation commas or question marks because seriously who cares.Ā So guess what? Someone does,Ā punctuation really matters,Ā andĀ as youā€™ll see inĀ ā€œPronoun Troubleā€ by John McWhorter,Ā so do other parts of our language.

Conversation is an odd thing. Itā€™s spontaneous, it ebbs and flows, and itā€™s often inferred. Take, for instance, if you talk about him. Chances are, everyone in the conversation knows who him is. Or he. That guy there.

Thatā€™s the handy part about pronouns. Says McWhorter, pronouns ā€œfunction as shorthandā€ for whomever weā€™re discussing or referring to. Theyā€™re ā€œpart of our hardwiring,ā€ theyā€™re found in all languages, and theyā€™ve been around for centuries.

And, yes, pronouns are fluid.

For example, thereā€™s the first-person pronoun, I as in me and there we go again. The singular I solely affects what comes afterward. You say ā€œhe-she IS,ā€ and ā€œthey-you AREā€ but I am. From ā€œBlack English,ā€ I has also morphed into the perfectly acceptable Ima, shorthand for ā€œI am going to.ā€ Mind blown.

If you love Shakespeare, you mayā€™ve noticed that he uses both thou and you in his plays. The former was once left to commoners and lower classes, while the latter was for people of high status or less formal situations. From you, we get yā€™all, yeet, ya, you-uns, and yinz. We also get ā€œyou guys,ā€ which may have nothing to do with guys.

We and us are warmer in tone because of the inclusion implied. She is often casually used to imply cars, boats, and ā€“ warmly or not ā€“ gay men, in certain settings. It ā€œlacks personhood,ā€ and to use it in reference to a human is ā€œbarbarity.ā€

And yes, though it can sometimes be confusing to modern speakers, the singular word ā€œtheyā€ has been a ā€œshape-shifterā€ for more than 700 years.

Your high school English teacher would be proud of you, if you pick up ā€œPronoun Trouble.ā€ Sadly, though, you might need her again to make sense of big parts of this book: What youā€™ll find here is a delightful romp through language, but itā€™s also very erudite.

Author John McWhorter invites readers along to conjugate verbs, and doing so will take you back to ancient literature, on a fascinating journey thatā€™s perfect for word nerds and anyone who loves language. Youā€™ll likely find a bit of controversy here or there on various entries, but youā€™ll also find humor and pop culture, an explanation for why zie never took off, and assurance that the whole flap over strictly-gendered pronouns is nothing but overblown protestation. Readers who have opinions will like that.

Still, if you just want the pronoun you want, a little between-the-lines looking is necessary here, so beware. ā€œPronoun Troubleā€ is perfect for linguists, writers, and those who love to play with words but for most readers, itā€™s a different kind of book, period.

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Calendar

Calendar: April 18-24

LGBTQ events in the days to come

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Friday, April 18

ā€œCenter Aging Friday Tea Timeā€ will be at 2 p.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more details, email [email protected].Ā 

Go Gay DC will host ā€œLGBTQ+ Community Social in the Cityā€ at 7 p.m. at Hotel Zena. This event is ideal for making new friends, professional networking, idea-sharing, and community building. This event is free and more details are available on Eventbrite.Ā 

Trans and Genderqueer Game Night will be at 6 p.m. at the DC Center for the LGBT Community. This will be a relaxing, laid-back evening of games and fun. All are welcome and thereā€™ll be card and board games on hand. Feel free to bring your own games to share. For more details, visit the DC Centerā€™s website.Ā 

Saturday, April 19

Go Gay DC will host ā€œLGBTQ+ Community Brunchā€ at 11 a.m. at Freddieā€™s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including Allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.

LGBTQ People of Color Support Group will be at 7 p.m. on Zoom. This peer support group is an outlet for LGBTQ People of Color to come together and talk about anything affecting them in a space that strives to be safe and judgement free. There are all sorts of activities like watching movies, poetry events, storytelling, and just hanging out with others. For more information and events for LGBTQ People of Color, visit thedccenter.org/poc or facebook.com/centerpoc.Ā 

ā€œSpark Sapphic Socialā€ will be at 8 p.m. at Spark Social House. This weekly sapphic social is an opportunity to mix and mingle with other sapphics in D.C.ā€™s newest LGBTQ bar. This event is free and more details are available on Eventbrite.Ā 

ā€œDC Drag Brunch on Rooftop – Penthouse (Formerly at Lima Twist)ā€ will be at 12 p.m. at Baby Shank Rooftop. Hosted by Miss Capital Pride, this is the ultimate drag brunch experience in Washington, D.C., featuring the fiercest queens around. Prepare to be entertained by glamorous drag queens and celebrated celebrity impersonators, including Taylor Swift, Lady Gaga, BeyoncĆ©, Britney Spears, Nicki Minaj, Ariana Grande, Whitney Houston, Cher and many more. Tickets cost $27 and are available on Eventbrite.Ā 

Sunday, April 20

Queer Crayon Club will host ā€œQueer Sketch Socialā€ at 3 p.m. at Sinners and Saints. This is a fun event for LGBTQ+ adults to come together and color. Attendance is free and more details are available on Eventbrite.

Monday, April 21

ā€œCenter Aging Monday Coffee & Conversationā€ will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more details, email [email protected].Ā 

Tuesday, April 22

Genderqueer DC will be at 7 p.m. on Zoom. This support group is for people who identify outside of the gender binary. Whether youā€™re bigender, agender, genderfluid, or just know that youā€™re not 100% cis ā€“ this is your group. For more details, visit www.genderqueerdc.org or Facebook.Ā 

Coming Out Discussion Group will be at 7 p.m. on Zoom. This is a peer-facilitated discussion group and a safe space to share experiences about coming out and discuss topics as it relates to doing so. For more details, visit the groupā€™s Facebook.Ā 

Wednesday, April 23

Job Club will be at 6 p.m. on Zoom. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking ā€” allowing participants to move away from being merely ā€œapplicantsā€ toward being ā€œcandidates.ā€ For more information, email [email protected] or visit thedccenter.org/careers.

Asexual and Aromantic Discussion Group will be at 7 p.m. on Zoom.Ā This is a space where people who are questioning this aspect of their identity or those who identify as asexual and/or aromantic can come together, share stories and experiences, and discuss various topics. For more details, email [email protected].Ā 

Thursday, April 24

Virtual Yoga with Sarah M. will be at 7 p.m. on Zoom. This is a free weekly class focusing on yoga, breath work, and meditation. For more details, visit the DC Center for the LGBT Communityā€™s website.

DC Anti-Violence Project Open Meeting will be at 7 p.m. on Zoom. This meeting is open to anyone interested in learning more and getting involved in lessening violence both within and directed towards the LGBT communities. For more information, visit Facebook or Twitter.

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