Arts & Entertainment
Decadent drama
Blanchett and co. delight in Chekhov adaptation
‘Uncle Vanya’
Through Aug. 27
Sydney Theater Company
The Kennedy Center
$59-$135
202-467-4600
kennedy-center.org
Only a few big movies stars shine onstage like they do on screen. Cate Blanchett is one of them. She proved this to local audiences two summers ago with her compelling portrayal of Blanche Dubois in Sydney Theatre Company’s “A Streetcar Named Desire.” Now she’s back at the Kennedy Center confirming her sizable gift as beautiful Yelena in the company’s take on Anton Chekhov’s classic tragicomedy, “Uncle Vanya.”
Staged by Hungarian director Tamás Ascher, it’s an original, bold production that bursts with antic energy, laughter, sadness and self-imposed misery. Blanchett and the rest of the excellent nine-person ensemble cast take chances plumbing the material for all its humor and pathos and the results are terrific.
From her first entrance, Blanchett’s Yelena makes it painfully obvious that country life is not for her. With her white cat-eye framed sunglasses and silk scarf, she is dressed more for paparazzi dodging than walking the grounds of a crumbling estate in the summer heat. Her much older husband, professor Serebryokav (John Bell), looks equally out of place in his citified trench coat and galoshes. Indeed, they’d both prefer to be in town, but straightened circumstances dictate otherwise.
The estate is run by plain and stalwart Sonya (Hayley McElhinney), the professor’s daughter with his late first wife, and her unhappy Uncle Vanya (a marvelously depressed Richard Roxburgh). Vanya was once the professor’s biggest fan working tirelessly on the estate so the professor could concentrate on loftier pursuits, but no more. Vanya has grown disillusioned with his ex-idol. At 47, he feels cheated by life. Making matters worse Vanya is in love with the professor’s beautiful wife.
Totally bored and indifferent to her husband, Yelena alternates from icily poised to warm and almost goofy, but mostly she is restless. And while Vanya’s romantic advances repulse her, she does feel something for the visiting doctor Astrov (played superbly by Hugo Weaving, best known for the film, “The Adventures Priscilla: Queen of the Desert”). Though coarsened by a decade of hard work and vodka, Astrov remains charming and sensitive. Forward thinking like the playwright (Chekhov was also a physician), the doctor is obsessed with preventing the deforestation of the countryside. In fact, he delivers a monologue with a strong environmental message that strongly resonates today more than a century later.
Regardless of Astrov’s recommendation that Russians spare trees and extract fuel from the earth, a workman can be seen frequently chopping wood in the background. And despite (or because of) the doctor’s aversion to felled trees, Zsolt Khell’s set is mostly timber. The interior of the formerly grand but now rundown house is backed by a huge wall of weathered planks and firewood is stacked here and there.
Working from a lively adaptation by Andrew Upton (Blanchett’s husband with whom she runs Australia’s Sydney Theatre Company), Ascher rather brilliantly moves the action from turn-of-the-century Tsarist Russia to mid-1950s Soviet Union. There is no romantic descent into genteel poverty or hope for the future. The atmosphere is more stultifying than ever: as pesky flies drone, radio static hums, the household grows increasingly on edge, ultimately erupting in bursts of violence. And when they’re not fighting, the extended family goes in for demonstrations of remorse, friendship and passion. Also included throughout are some very funny uncomfortable silences, pratfalls and drunken interludes, but nothing feels the least forced when executed by this top-notch group of Aussie actors.
Tall and slim with chicly styled white-blonde hair, Blanchett stands out like a bright light and Györgyi Szakács’ gorgeous costumes only up the wattage. While the others sport baggy earth tones, her Yelena draws attention in a tight red dress and is equally fetching in the crisp gray traveling suit she wears to give the doctor a bracing farewell kiss before beating a hasty exit back to the city.
Blog #1: I was excited about my trip even though Gate 1 Travel notified me there was a change in the itinerary. France decided to close the Burgundy canal for long overdue repairs, so we would be traveling on the C. du Rhone au Rhin. I boarded my Air France flight arriving in Paris on time. Contrary to what I was told to expect, customs went really smoothly.
Day 1: Because customs went quickly, I waited 45 minutes for my pre-arranged driver, to take me to the Gare de Lyon, where I boarded my fast-train to Lyon. A two-hour trip. In Lyon it was a long walk to the hotel, The Radisson Blu, but only because I exited the station on the wrong side. Finally got there, checked into a room on the 36th floor with a spectacular view of Lyon. Then took a stroll around the area, a short nap, and finally it was time for dinner and to meet the rest of the traveling party. There would only be 13 of us in the group. Five of us from D.C./Rehoboth, and eight others. I met our guide Patricia, who is from Portugal, and spoke fluent French and English. She is charming, and clearly very knowledgeable. She worked with Gate 1 for many years. We stayed at the hotel for our welcome dinner. It was a great meal, and over drinks, each of us was asked to introduce ourselves to the group. Aside from the five of us, there were three women traveling alone, one gentleman alone, and two couples. They were from New Jersey, New York, Florida, Houston, and Nebraska. I was sitting across from the woman from Nebraska. Conversation at dinner was pleasant but I quickly realized one person was apparently a MAGA. Wonder if you can guess where she was from, lol. But we also found if we didn’t talk politics, which we agreed not to do, things were fine. After dinner we all headed to our rooms for a good night’s sleep.
DAY 2: We woke to beautiful weather. I headed to the included breakfast at the hotel, which was really very good. After breakfast we boarded a bus for a tour of Lyon. We had a full-size bus for just the 13 of us. Our guide for the half day tour, was Vincent, and he is charming and young, and told us his fiancé lives in Lyon. He was incredibly knowledgeable. We began at the Basilica, which is being repaired on the outside, but the inside is, wow! Incredible stained glass, and there was a service going on in one of the smaller side chapels which I l listened to for a bit. The Basilica is high on the hill and the views of Lyon are spectacular from there. Then we headed to the old city and walked around for an hour, ending up at the smaller cathedral. Directly in front of it they had set up a great market, mostly food, which would be there for a week. Lyon is a foodie paradise, with, we were told, a restaurant, or at least coffee shop, for every 250 people. We then had a choice of staying in town, or going back to the hotel on the bus, which I did. The afternoon and evening were free time to do as we pleased. I headed to the Les Halles du Lyon Paul Bocuse, named after the famous chef, to take a look around. It is a large market with small restaurants connected to most of the stalls. It was charming. I then headed to the huge three-story mall across from our hotel and walked around for an hour. Then caught up on some emails, and writing, and met my friends, Paul and Martin, John and Dan, for dinner at 6. We went to a really nice Bistro, which John had found, two tram stops away from the hotel, and enjoyed some drinks and a relaxed dinner. The owner of the place found us a waitress who spoke great English, which made ordering really easy. After a two-hour great meal, we headed back to the hotel. Riding a tram in Lyon is easy, you just need to use your credit card. It is an honor system. Back at the hotel I headed to my room and packed, our luggage had to be outside the door by 8:00 am the next morning. I set my alarm for 6:30 so I had time to eat at the buffet breakfast. Then it was on the bus to head to our barge.
Baltimore
This John Waters interview has been edited for readability — but perhaps not human decency
Pope of Trash dishes on Trump, plane etiquette, last meal, and more
By WESLEY CASE | At 80 years old, John Waters is still the ideal dinner guest — incisively sharp, quick-witted and funny as hell.
The chic Baltimore native proved it again and again in a recent Zoom interview, calling from his summer home in Provincetown, Mass.
The occasion was the Blu-ray releases of two of his movies — the 1977 dark comedy “Desperate Living” and his enduring 1988 musical “Hairspray” — on June 23 by the Criterion Collection, which publishes restorations of films it deems culturally important. The Criterion stamp of approval has become the gold standard among cinephiles.
“It’s like getting an award,” said Waters, who wrote and directed both films.
The rest of this article can be read on the Baltimore Banner’s website.
The Washington Blade held the seventh annual Pride on the Pier at The Wharf DC on Saturday, June 13.
(Washington Blade photos by Landon Shackelford)




















