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Decadent drama

Blanchett and co. delight in Chekhov adaptation

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‘Uncle Vanya’
Through Aug. 27
Sydney Theater Company
The Kennedy Center
$59-$135
202-467-4600
kennedy-center.org

Richard Roxburgh and Cate Blanchett in ‘Uncle Vanya.’ (Photo courtesy of Sydney Theater Company)

Only a few big movies stars shine onstage like they do on screen. Cate Blanchett is one of them. She proved this to local audiences two summers ago with her compelling portrayal of Blanche Dubois in Sydney Theatre Company’s “A Streetcar Named Desire.” Now she’s back at the Kennedy Center confirming her sizable gift as beautiful Yelena in the company’s take on Anton Chekhov’s classic tragicomedy, “Uncle Vanya.”

Staged by Hungarian director Tamás Ascher, it’s an original, bold production that bursts with antic energy, laughter, sadness and self-imposed misery. Blanchett and the rest of the excellent nine-person ensemble cast take chances plumbing the material for all its humor and pathos and the results are terrific.

From her first entrance, Blanchett’s Yelena makes it painfully obvious that country life is not for her. With her white cat-eye framed sunglasses and silk scarf, she is dressed more for paparazzi dodging than walking the grounds of a crumbling estate in the summer heat. Her much older husband, professor Serebryokav (John Bell), looks equally out of place in his citified trench coat and galoshes. Indeed, they’d both prefer to be in town, but straightened circumstances dictate otherwise.

The estate is run by plain and stalwart Sonya (Hayley McElhinney), the professor’s daughter with his late first wife, and her unhappy Uncle Vanya (a marvelously depressed Richard Roxburgh). Vanya was once the professor’s biggest fan working tirelessly on the estate so the professor could concentrate on loftier pursuits, but no more. Vanya has grown disillusioned with his ex-idol. At 47, he feels cheated by life. Making matters worse Vanya is in love with the professor’s beautiful wife.

Totally bored and indifferent to her husband, Yelena alternates from icily poised to warm and almost goofy, but mostly she is restless. And while Vanya’s romantic advances repulse her, she does feel something for the visiting doctor Astrov (played superbly by Hugo Weaving, best known for the film, “The Adventures Priscilla: Queen of the Desert”). Though coarsened by a decade of hard work and vodka, Astrov remains charming and sensitive. Forward thinking like the playwright (Chekhov was also a physician), the doctor is obsessed with preventing the deforestation of the countryside. In fact, he delivers a monologue with a strong environmental message that strongly resonates today more than a century later.

Regardless of Astrov’s recommendation that Russians spare trees and extract fuel from the earth, a workman can be seen frequently chopping wood in the background. And despite (or because of) the doctor’s aversion to felled trees, Zsolt Khell’s set is mostly timber. The interior of the formerly grand but now rundown house is backed by a huge wall of weathered planks and firewood is stacked here and there.

Working from a lively adaptation by Andrew Upton (Blanchett’s husband with whom she runs Australia’s Sydney Theatre Company), Ascher rather brilliantly moves the action from turn-of-the-century Tsarist Russia to mid-1950s Soviet Union. There is no romantic descent into genteel poverty or hope for the future. The atmosphere is more stultifying than ever: as pesky flies drone, radio static hums,  the household grows increasingly on edge, ultimately erupting in bursts of violence. And when they’re not fighting, the extended family goes in for demonstrations of remorse, friendship and passion. Also included throughout are some very funny uncomfortable silences, pratfalls and drunken interludes, but nothing feels the least forced when executed by this top-notch group of Aussie actors.

Tall and slim with chicly styled white-blonde hair, Blanchett stands out like a bright light and Györgyi Szakács’ gorgeous costumes only up the wattage. While the others sport baggy earth tones, her Yelena draws attention in a tight red dress and is equally fetching in the crisp gray traveling suit she wears to give the doctor a bracing farewell kiss before beating a hasty exit back to the city.

 

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Photos

PHOTOS: Daddy Issues at Kiki

Evry Pleasure, Tiara Missou-Sidora, Indiana Bones perform

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Evry Pleasure performs at the 'Daddy Issues' drag show at Kiki on Wednesday. (Washington Blade photo by Landon Shackelford)

The weekly drag show “Daddy Issues” was held at Kiki on Wednesday, Aug. 5. Performers included Evry Pleasure, Indiana Bones and Tiara Missou-Sidora.

(Washington Blade photos by Landon Shackelford)

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Books

Something’s off about Dad. When is it time to step in?

‘When Memory Fades’ can help when families face dementia

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(Book cover image courtesy of St. Martin's Essentials)

‘When Memory Fades’
By Nathaniel Chin, MD
c.2026, St. Martin’s Essentials
$30/422 pages

Mom called you in a panic the other day.

She’d lost her keys and by the time you arrived to help, she’d found them. In the refrigerator.

These kinds of things keep happening, not often but often enough, and you don’t know quite what to worry about. But in the new book “When Memory Fades” by Nathaniel Chin, MD, you’ll learn about the journey ahead, for both of you.

You can’t remember why you walked into a room. You got lost last week, going to the bank. Popular wisdom says that things like that are normal as we age, but Chin says that’s not true – although the answer may not be a worst-case scenario, either. Yes, memory problems could just be signs of stress, dehydration, or lack of sleep – or is it time to see a doctor?

Chin says maybe, yes.

He was working his way through medical residency when his father, a geriatrician in Madison, Wisc., was diagnosed with Alzheimer’s. Chin, now a geriatrician, was blindsided, but that diagnosis also changed his life.

Here, he writes about the brain, and how Alzheimer’s and dementia are diagnosed, explaining that dementia has many faces and, depending on a doctor’s evaluation, memory problems might be slowed or improved. He shares his father’s illness with readers, but he also writes about his mother, a steadfast, steady caretaker.

Her story reminds reader-guardians to care for themselves, too.

Know how to talk the talk, so that you can have “a more productive” conversation with your doctor. Understand that there’s nothing “normal” about dementia or Alzheimer’s. Know the statistics – African Americans are affected with dementia twice as much as whites – and know how to lower your risks. Learn here what questions to ask, how to break the news to everyone, and any legal matters that will be important soon. And know how to tend to you.

Says Chin, “The best action you can take is to educate yourself… The more you understand, the better equipped you are to make sound judgments.”

Something’s off about Dad, just a lot of little things that don’t add up. When is it time to step in? “When Memory Fades” can help you decide.

Wise, wide-spread, comprehensive, and compassionately helpful, this is a book you can read and then take it to the doctor with your loved one. It’s a book that makes sense when nothing else does, and its biggest feature is that it smoothly transitions from easy-to-grasp science and charts, to gentle coaching for caregivers. Author Nathaniel Chin, MD writes with storytelling, humility, grace, and experience from both sides of the Alzheimer’s/dementia issue, and his words are reassuring but also urgent. Learn, but don’t wait, he says. Know how to safeguard yourself. See your doctor, and don’t fear testing. Watch for signs of depression. And never, ever stop asking for help.

Read those last seven words, and find “When Memory Fades” now. It’s a book to have on your shelf, whether you’re 45 or 95 because, as you’ll see, dementia happens and knowledge is key.

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Books

New book chronicles gay man’s life in hippie commune

Vietnam War-era tale a serious, sexy, joyous memoir

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(Book cover image courtesy of University of Wisconsin Press)

‘Qtopia: A Memoir of Love, Land and Liberation’
2026, University of Wisconsin Press
By Juda Bennett

Duffel packed, the new high school graduate could not fall asleep. “On the night before my departure, I stared at the duffel bag as if it were a body bag. We lived close to Dover, where the dead from Vietnam were shipped.” 

It is 1971, and Charles was leaving home to join a hippie commune in rural Virginia. “I kept imagining bodies fitting into the bag and popping out in the middle of the night,” Juda Bennett writes in his memoir, “Qtopia: A Memoir of Love, Land and Liberation.” During Bennett’s high school years from 1968-1971 some 35,000 U.S. soldiers were killed in the Vietnam War, the vast majority processed at Dover Air Force Base.  

Young Bennett was clueless about what lay ahead but he had a commune’s brochure in his pocket, certain his destiny was not in the military. “My father was a walking recruitment center, and my mother could have worked for the USO. Uncle Sam and the Andrews Sisters had nothing on them.” Inspired to find his way out of suburban Wilmington, Del., he boarded a Greyhound bus to Lexington, Va., and communes yet unknown. “Qtopia” is a serious, sexy and joyous memoir about a young man who knows he’s different in search of chosen family and, over coming decades, his own queer Utopia.

“We are leaving; you don’t need us,” was the popular refrain in the day from the Crosby, Stills & Nash song “Wooden Ships.” Communards like young Charles (going by the moniker C.B. with a full beard covering his handsome, androgynous features) were living it. How far this is from urban queer stories of the ‘70s. For this reason alone, it is marvelous reading about hot naked hippies farming together in the country, living and loving in secluded teepees when everything seemed possible. Novels like “Drop City” by T.C. Boyle (2003) and “Arcadia” (2012) by Lauren Groff set in hippie communes had no gay characters, only free-love for straights. When C.B.’s parents arrive to visit his back-to-the-land commune North Mountain bearing gifts like the orange powder Tang and Frosted Flakes, he “maintained” as the saying went.  “It was a great time for visitors to see how hard we had worked—fields of sorghum swaying in the breeze, acres of vegetables in neat rows with beans, tomatoes and peppers hanging down….I was still thin as a matchstick, but I was a strong and muscular matchstick,” he tells the story of his development. By contrast, he had considered suicide before leaving home; this memoir fills in the pain, too.

There are times when C.B.’s voice as a teen communard with a secret is so authentic and rich, it is like reading fictional stories of American innocents on journeys of their own like J.D. Salinger’s character Holden Caulfield or Demon Copperhead from rural Virginia by Barbara Kingsolver. He tells us there was this guy Mark at North Mountain who had been pressuring him to sleep on the mattress next to his. C.B. was known as the only gay at North Mountain. One of the hippie women warned him Mark is “a square, the biggest downer.” Stepping out of the memoir, C.B. directly addresses the reader about the Mark issue, “I don’t want to write about Mark anymore because he’s not important to my story, and I didn’t even like him.” Got it. Hitchhiking with C.B. is like that, too.

“I got my best ride of the whole hike from a truck driver named TJ….If an eighteen wheeler…is willing to stop for you, it is because the driver wants something from you…I will forever remember this trucker as the most beautiful man I could have had sex with if I weren’t so innocent.”

North Mountain required the hippies work one week a month in Richmond to earn cash for the commune. For C.B., this translated into seven communards living in one small apartment on this cultish mission. It was in a Richmond park where he meets a stranger who would sexually abuse him over a month until C.B. ends it. Furious, the man threatens to shut down the commune if he does not obey. In a state of panic, C.B. attempts suicide by overdosing on every pill he can get his hands on. The memoir takes the reader through the author’s horror by deepening the shadows. What was the specific nature of the abuse?  How did this stranger have credible power to threaten the commune? Entitled “What It’s Like to Die,” the chapter is a skillfully told, expressionistic turning point from an innocent’s hell to salvation at the intentional queer Lavender Hill commune in Central New York. C.B. desperately needed to “find my people.” 

He’s a resilient young man after living in three communes by the time he hit San Francisco. His two gay neighbors on Ashbury Street—Crow and Moonsnake—pressure him to get a new “hippie name.” Walking home from Golden Gate Park he zeroes in on a passing streetcar, “North Judah.” Goodbye “Charles,” Judah will be his new hippie name. Crow and Moonsnake, approve: “If that’s what the Universe called out to you.” If you remember the Sixties…

 “Too often,” Bennett writes, “we think of dropouts as withdrawing from life, but in truth, I think they are in a heightened state of seeking their rightful path and purpose. Nothing stays the same.” Juda Bennett remains a believer to this day, “Always putting my faith in my journey to Utopia”.

(Charles Francis is president of the Mattachine Society of Washington, D.C., and author of “Archive Activism:  Memoir of a ‘Uniquely Nasty’ Journey.”)

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