Arts & Entertainment
The new adventures of Lynda Carter
Singer/actress returns to Kennedy Center for latest show
Lynda Carter
‘Body & Soul Tour’
March 30
7:30 p.m.
90 mins.
Kennedy Center
Terrace Theater
$30-65
Actress/singer Lynda Carter returns to the Kennedy Center next weekend. (Photo by Karl Simone; courtesy JS2 Communications)
Lynda Carter has been singing her whole life, but her audiences haven’t always been so receptive.
Carter, who returns to the Kennedy Center next week with her “Body & Soul” show (her most recent album “Crazy Little Things” dropped last spring), says she “of course,” sang to her two children when they were babies. It didn’t last long, though.
“My daughter, as soon as she was old enough to sing herself, she’d put her hand over my mouth,” she says. “She didn’t want to hear me.”
Carter is most famous, of course, for “Wonder Woman,” the ‘70s TV show that despite a relatively short run (three seasons), linked her indelibly with the character — “as lovely as Aphrodite, as wise as Athena!” Last time we talked to Carter when she did the AIDS Walk Washington event for Whitman-Walker Health, we hammered her with “Wonder Woman” questions (it’s here if you missed it), so this time we focused solely on the music. “Crazy Little Things,” a mostly covers album, is her third release. “Portrait” came out in 1978; she returned from a long hiatus with “At Last,” another standards-heavy release that made the Billboard jazz chart in 2009.
“It sounds kind of silly but I remember our little record players and the one new single was all you could afford,” Carter, 60, says between coughs (she’s battling a cold the day we talk). “Now we’ve kinda gone back to that in some ways with all the digital downloads. But we listened to whatever was on the radio. My mom had a lot of blues, old juke joint things. We listened to music all the time.”
Carter was a little too young for the Motown heyday but remembers loving the Beatles and the Stones like everyone else in the later ‘60s.
“When I started singing professionally, I wanted to sound like Linda Ronstadt, Grace Slick, people like that,” she says. “Then on the other side of Linda Ronstadt, you had the Stone Poneys. So you had, well, it kind of shifted away from that ‘50s sound, with Paul Anka and that kind of thing. So even though we listened to that, I kinda missed it a little bit. It wasn’t as much in my mind anyway. It wasn’t as full an experience for me as, you know, the Doors and the Animals. That was my teenybopper era. … And then I was still a young adult when the ‘80s came around, so you end up falling in love with all that too. It’s all that.”
Actress/singer Lynda Carter at the 2010 AIDS Walk Washington, a Whitman-Walker benefit. The Potomac, Md., resident returns to D.C. next weekend for a Kennedy Center performance. (Blade file photo by Michael Key)
Carter, who cut her last album in Nashville for her own imprint Potomac Productions, says she enjoys recording and performing live. It’s still work — she likens making an album to climbing a hill or facing a blank sheet of paper — but says the payoff is rich. She especially enjoys playing the Kennedy Center and says, “it’s really the nation’s stage.”
The longtime Potomac, Md., resident says she and her family “have been going there for years.”
“I sometimes am envious of the people who live in town. It’s such an easy cab ride over to there and they have all kinds of stuff going on all the time … it’s a really special place and there are only a couple rooms like that, like the Jazz at Lincoln Center, that have that kind of prestige in the whole country.”
Carter will perform with six musicians and three singers. She has a horn section, a percussionist and some players who shift instrumentation depending on the song at hand. Most of them also played on the album and are veteran Nashville session players. The album was recorded over the course of about a year off and on. Carter, who co-produced, credits Kyle Lehning with helping her find fresh interpretations on classics like Al Green’s “Let’s Stay Together,” Queen’s “Crazy Little Thing Called Love,” Martha and the Vandella’s “Heat Wave,” the Carole King/Gerry Goffin classic “Locomotion” and others.
Carter says she works hard to make her stage presence connect with audience members. For years, she’s acknowledged and embraced her strong LGBT fan base.
“We seem to be pulling standing ovations every time we play, knock on wood,” she says, pausing for another cough. “I really try to work for the audience. I think a lot of performers kind of put a veil between themselves and it’s like they’re just jamming along with the band and it makes you feel almost like a voyeur and other shows you see it’s like the veil is lifted and the people are really with you. I like to see when people perform and really reach out and it’s really cool. The champion of that, of course, is Mick Jagger. He’s got the all-time stage presence.”
Television
‘The Pitt’ stars discuss what season two gets right about queer representation
Noah Wyle and Taylor Dearden spoke with Blade in LA
As season two of “The Pitt” comes to a close this Thursday, stars Noah Wyle and Taylor Dearden are looking back on what this season got right about queer representation.
“There is some intentionality behind it, but it’s not necessarily for the representation to be anything other than human or ubiquitous to anyone that would come into an emergency room,” Noah Wyle, who plays Dr. Robby, told the Los Angeles Blade at PaleyFest event in Los Angeles on April 12. “I know that we’ve done some storylines with some gay couples, and we did a storyline in season 1 where a woman comes in who’s cut her arm, who’s trans. But in both of those storylines, that wasn’t the point.”
Wyle continues, “In doing it that way, and not making a point of orientation being part of the problem that brings you to the emergency room, we have been told in feedback that that has been extremely revolutionary, almost, and extremely appreciated. But that’s true whether we do storylines with any kind of minority or a person with a disability. We try to have a cosmology of cast and representation on the show that’s indicative of what you find in Pittsburgh.”
Dearden, who plays Dr. Mel King, echoed Wyle’s sentiment: “I think constantly battling tropes is always important. It’s not a show about romance; it’s a show about real life and a shift in the ER. The more we represent everyday people going through everyday life, they just happen to be queer, they just happen to be trans, and making it not the plot, is putting everyone on equal playing [field]. You don’t have to have a big coming out scene.”
Queer representation on “The Pitt” is also notable through the actual actors themselves, including openly queer actor Supriya Ganesh, who plays Dr. Samira Mohan (who didn’t attend PaleyFest after the news that she is not returning for season three), and Amielynn Abellera, who plays Perlah Alawi.
“Doctors don’t put value judgments on who they treat,” Wyle concludes. “That’s not a luxury extended to them, and so that’s not part of our storytelling.”
The season two finale will air Thursday, April 16, on HBO Max, while season three has already been confirmed and is currently being written.
a&e features
Queery: Meet artist, performer John Levengood
Modern creative talks nightlife, coming out, and his personal queer heroes
John Levengood (he/him) describes himself as a modern creative with a wide‑ranging toolkit. He blends music, technology, civic duty, and a sharp sense of wit into a cohesive artistic identity. Known primarily as a recording artist and performer, he’s also a self‑taught music producer and software engineer who embodies a generation of creators who build their own lanes rather than wait for one to appear.
Levengood, 32, who is single and identifies as gay and queer, is best known as a recording artist who has performed at Pride festivals across the country, including the main stages of World Pride DC, Central Arkansas Pride, and Charlotte Pride.
“Locally in the DMV, I’m known for turning heads at nightlife venues with my eye-catching sense of style. When I go out, I don’t try to blend in. I hope I inspire people to be themselves and have the courage to stand out,” he says.
He’s also known for hosting karaoke at Freddie’s Beach Bar in Arlington, Va., on Thursday nights. “I like to create a space where people feel comfortable expressing themselves, building community, and showcasing their talents.”
He also creates social media content from my performances and do interviews at LGBTQ+ bars and theatres in the DMV. Follow the Arlington resident @johnlevengood.
How long have you been out and who was the hardest person to tell?
I have been fully out of the closet since 2019. My parents were the hardest people to tell because my family has always been my rock and at the time I couldn’t imagine a world without them. Their reactions were extremely positive and supportive so I had nothing to fear all along.
I remember sitting on the couch with my mom, dad, and sister in our hotel room in New Orleans during our winter vacation and being so nervous to tell them. After I finally mustered up the nerve and made the proclamation, I realized my dad had already fallen asleep on the couch. My mom promised to tell him when he woke up.
Who’s your LGBTQ hero?
My LGBTQ heroes are Harvey Milk for paving the way for gays in politics and Elton John for being a pioneer for the fabulous and authentic. My local heroes in the DMV are Howard Hicks, manager of Green Lantern, and Tony Rivenbark, manager of Freddie’s Beach Bar. Both of them are essential to creating spaces where I’ve felt welcome and safe since moving to the DMV.
What’s Washington’s best nightspot, past or present?
Trade tops the list for me because of the dance floor and outdoor space. It’s so nice to get a break from the music every once and a while to be able to have a conversation.
We live in challenging times. How do you cope?
I’m still figuring this out. What is working right now is writing music and spending time with family and friends. I’ve also been spending less time on social media going to the gym at least three times a week.
What streaming show are you binging?
After “Traitors” Season 4 ended, I was in a bit of a show hole, but “Stumble” has me in a laughing loop right now. The writing is so witty.
What do you wish you’d known at 18?
At 18, I wish I would have known how liberating it is to come out of the closet. It would have been nice to know some winning lottery numbers as well.
What are your friends messaging about in your most recent group chat?
We are planning our next trip to New York City. If you can believe it, I visited NYC for the first time in 2025 for Pride and I’ve been back every quarter since. Growing up in the country, I was subconsciously primed to be scared of the city. But my mind has been blown. I can’t wait to go back.
Why Washington?
It’s the closest metropolitan area to my family, but not too close. I love the museums, the diversity, the history, and the proximity to the beach and mountains. It’s also nice to live in a city with public transportation.
Aging RFK Stadium has come down, but the RFK grounds are still getting lit up. Welcome back to the stage Project GLOW, D.C.’s homegrown electronic festival, on May 30-31. Back for its fifth year on these musically inclined acres, Project GLOW returns with an even more diverse lineup, and one that continues to celebrate LGBTQ antecedents, attendees, and acts.
Project GLOW 2026 headliners include house and techno star Mau P, progressive house legend Eric Prydz, hard-techno favorite Sara Landry, and bass acts Excision b2b Sullivan King, among the lineup of trance, bass, house, techno, dubstep, and others for the fifth anniversary year.
President & CEO Pete Kalamoutsos — born and raised in D.C. — founded Club GLOW in 1999. In 2020, GLOW entered into a partnership with global entertainment company Insomniac Events to produce live events like Project GLOW, which kicked off in 2022.
As in past years, Project GLOW not only makes space, but is intentionally inclusive of the LGBTQ community, one of its most dedicated fan bases. The festival’s LGBTQ-focused Secret Garden stage blooms again — a more intimate dance area that stands on the strength of DJs and musicians who draw from the LGBTQ community. D.C.’s LGBTQ nightlife mastermind Ed Bailey is the creative mind behind Secret Garden again. He joined Project GLOW in 2023.
“Kalamoustos says that “he’s proud of his partnership with Ed Bailey, along with Capital Pride and [nightlife producer] Jake Resnikow. It’s amazing to collaborate with Bailey at the Secret Garden stage, especially after the curated lineup we worked on at Pride last year.”
The Secret Garden will be a bit different from other stages: Eternal (“At the Eternal stage, time stands still. Lose yourself in the dance of past, present, and future, surrendering to the eternal rhythm of the universe”) and Pulse (“Feel the rhythm of the beat pulse through your veins as the heartbeat of the crowd synchronizes into one. Here, every moment vibrates with life as it guides you through a new dimension of euphoria”). The Secret Garden stage is in the round, surrounded by 16 shipping containers. The containers play canvas to muralists from around the world, who are coming in to paint them in a vibrant garden-style vibe. “We gave this stage some extra love with this layout,” K says, “ we finally cracked the code.”
K says that this will be the biggest lineup yet for the Secret Garden, featuring Nicole Moudaber b2b Chasewest, Riordan b2b Bullet Tooth, Ranger Trucco, Cassian, Eli & Fur, Cosmic Gate and Hayla. The stage is also the largest yet, featuring an expanded dance floor and 360-degree viewing.
Across all stages, K says that his goal for the fifth anniversary is “More art and fan interactive experience, more like a festival, strive to be like a Tomorrowland, as budget grows to add more experience.” Last year’s Project GLOW alone drew 40,000 attendees over two days.
K, however, was not satisfied with one festival this spring. GLOW recently announced a “pop-up” one-day event. Teaming up with Black Book Records, GLOW is set to throw a first-of-its-kind dance-music takeover of Pennsylvania Avenue, N.W., headlined by electronic music star Chris Lake. Set for April 18, this euphoric block party will feature bass and vibes blocks from the White House. Organizers expect as many as 10,000 fans to attend. Beyond music, there will be food, activations, and plenty of other activities taking place around 6th St and Pennsylvania Ave NW – a location familiar to many in the LGBTQ community, as this sits squarely inside the blocks of the Capital Pride party that takes place in DC every June.
Over the past two decades, Club GLOW has produced thousands of events, from club nights to large-scale festivals including Project GLOW, Moonrise Festival, and more. Club GLOW also operates Echostage.
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