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The new adventures of Lynda Carter

Singer/actress returns to Kennedy Center for latest show

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Lynda Carter
‘Body & Soul Tour’
March 30
7:30 p.m.
90 mins.
Kennedy Center
Terrace Theater
$30-65

Actress/singer Lynda Carter returns to the Kennedy Center next weekend. (Photo by Karl Simone; courtesy JS2 Communications)

 

Lynda Carter has been singing her whole life, but her audiences haven’t always been so receptive.

Carter, who returns to the Kennedy Center next week with her “Body & Soul” show (her most recent album “Crazy Little Things” dropped last spring), says she “of course,” sang to her two children when they were babies. It didn’t last long, though.

“My daughter, as soon as she was old enough to sing herself, she’d put her hand over my mouth,” she says. “She didn’t want to hear me.”

Carter is most famous, of course, for “Wonder Woman,” the ‘70s TV show that despite a relatively short run (three seasons), linked her indelibly with the character — “as lovely as Aphrodite, as wise as Athena!” Last time we talked to Carter when she did the AIDS Walk Washington event for Whitman-Walker Health, we hammered her with “Wonder Woman” questions (it’s here if you missed it), so this time we focused solely on the music. “Crazy Little Things,” a mostly covers album, is her third release. “Portrait” came out in 1978; she returned from a long hiatus with “At Last,” another standards-heavy release that made the Billboard jazz chart in 2009.

“It sounds kind of silly but I remember our little record players and the one new single was all you could afford,” Carter, 60, says between coughs (she’s battling a cold the day we talk). “Now we’ve kinda gone back to that in some ways with all the digital downloads. But we listened to whatever was on the radio. My mom had a lot of blues, old juke joint things. We listened to music all the time.”

Carter was a little too young for the Motown heyday but remembers loving the Beatles and the Stones like everyone else in the later ‘60s.

“When I started singing professionally, I wanted to sound like Linda Ronstadt, Grace Slick, people like that,” she says. “Then on the other side of Linda Ronstadt, you had the Stone Poneys. So you had, well, it kind of shifted away from that ‘50s sound, with Paul Anka and that kind of thing. So even though we listened to that, I kinda missed it a little bit. It wasn’t as much in my mind anyway. It wasn’t as full an experience for me as, you know, the Doors and the Animals. That was my teenybopper era. … And then I was still a young adult when the ‘80s came around, so you end up falling in love with all that too. It’s all that.”

Actress/singer Lynda Carter at the 2010 AIDS Walk Washington, a Whitman-Walker benefit. The Potomac, Md., resident returns to D.C. next weekend for a Kennedy Center performance. (Blade file photo by Michael Key)

Carter, who cut her last album in Nashville for her own imprint Potomac Productions, says she enjoys recording and performing live. It’s still work — she likens making an album to climbing a hill or facing a blank sheet of paper — but says the payoff is rich. She especially enjoys playing the Kennedy Center and says, “it’s really the nation’s stage.”

The longtime Potomac, Md., resident says she and her family “have been going there for years.”

“I sometimes am envious of the people who live in town. It’s such an easy cab ride over to there and they have all kinds of stuff going on all the time … it’s a really special place and there are only a couple rooms like that, like the Jazz at Lincoln Center, that have that kind of prestige in the whole country.”

Carter will perform with six musicians and three singers. She has a horn section, a percussionist and some players who shift instrumentation depending on the song at hand. Most of them also played on the album and are veteran Nashville session players. The album was recorded over the course of about a year off and on. Carter, who co-produced, credits Kyle Lehning with helping her find fresh interpretations on classics like Al Green’s “Let’s Stay Together,” Queen’s “Crazy Little Thing Called Love,” Martha and the Vandella’s “Heat Wave,” the Carole King/Gerry Goffin classic “Locomotion” and others.

Carter says she works hard to make her stage presence connect with audience members. For years, she’s acknowledged and embraced her strong LGBT fan base.

“We seem to be pulling standing ovations every time we play, knock on wood,” she says, pausing for another cough. “I really try to work for the audience. I think a lot of performers kind of put a veil between themselves and it’s like they’re just jamming along with the band and it makes you feel almost like a voyeur and other shows you see it’s like the veil is lifted and the people are really with you. I like to see when people perform and really reach out and it’s really cool. The champion of that, of course, is Mick Jagger. He’s got the all-time stage presence.”

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Why Michelle Visage needs you to get ‘PrEP Wise’

‘RuPaul’s Drag Race’ judge speaks about new ViiV Healthcare campaign

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Michelle Visage (Photo by Santiago Felipe/Getty Images for MTV)

If you ask an LGBTQ person what Michelle Visage is known for, you’re likely to get a few similar answers. Most people will say that they know her as the co-judge on “RuPaul’s Drag Race,” with the woman serving looks (and scathing critiques) for more than a decade on this seminal program. Others may bring up her time awing audiences on the West End, or her initial star turn in the hit girl group Seduction. There are a few answers you may get when asking about Michelle Visage, but there’s one part of the performer’s career that not enough people bring up today: her advocacy. 

Before the record deals and hit TV shows, Michelle Visage was a tough teenager from New Jersey. A girl who knew she was meant for fame but was still figuring out how to get there. Eventually, the search for stardom brought her to 1980s New York, a thriving home of queer nightlife that taught Visage how her voice could be used to fight against hatred. And while she flexes that skill every day as a fierce advocate, she’s excited to be louder than ever through ViiV Healthcare’s new ‘PrEP Wisdom Campaign.’ 

Michelle Visage sat down with the Los Angeles Blade to discuss this campaign and how it feels to speak up about this important issue. But before we could get to the present, she stressed that if people wanted to know about her current work, they first had to understand how it all began.

Visage detailed her youth in New Jersey, her no-nonsense parents, and the many times she snuck into nightclubs hoping to be ‘discovered.’ It was in these clubs that she found the thriving ballroom scene of 1980s New York, saying, “I felt like Dorothy [from the ‘Wizard of Oz’] when she clicked her heels! [Except] Dorothy clicked her heels three times, and she ended up in Kansas — I ended up on Christopher Street with 30 or 40 of the weirdest, craziest looking misfits I’d ever seen in my life.” Michelle smiled widely as she remembered those early moments. “I was like, ‘Oh my god … I think I found my people.”

“I met Willie Ninja and Caesar Ninja Valentino, and they took me in as one of their own and started teaching me how to vogue. And that’s how life began for me in the ballroom!” She began to walk as a member of the House of Valentino — specifically Face, Body, and Femme Vogue — and found a second home amidst this thriving subculture of marginalized artists. “When I didn’t have anybody or a group or a clique to speak of, the queer scene in New York City took me in as one of theirs — and I became ‘Michelle Magnifique.’”

Through this community, Visage got to see the birth of our modern LGBTQ rights movement — as well as just how much the AIDS crisis would come to terrorize these people she’d begun to call her family. 

“Because I was so deep in this scene, I was affected greatly by the AIDS crisis and the lack of any kind of support from anything around us,“ said Michelle, speaking candidly about her many days spent at the bedsides of those suffering from this disease, acting as a source of comfort for folks whose blood family had abandoned them long ago. “I was standing by their side and holding their hand and being with them … I didn’t know what I was doing. But I knew that I needed to show up, and I knew that I needed to be there.”

Even when her career took Michelle from New York, she always carried those memories of standing by community members when nobody else would. This, when paired with her massive singing and acting talents, is what made her one of pop culture’s staunchest advocates for LGBTQ rights in the 90s and early 2000s. This earned her a massive queer following, and today, it’s what makes her the perfect partner for ViiV’s new PrEP Wisdom Campaign. 

“Viiv Healthcare is the only pharmaceutical company solely focused on preventing, treating, and ultimately curing HIV,” Michelle explained. “Their goal is to help end the HIV epidemic for all — and that, to me, is music to my ears.” 

It’s a goal that’s only become more important since the company was founded back in 2009. The only large-scale pharmaceutical company focused on ending the HIV epidemic, ViiV, not only fights cultural stigma but also saves thousands of lives daily by connecting folks to the treatment and prevention resources they need. Especially as we’re seeing numerous states — including California — begin to slash HIV funding, their work through campaigns like this one is becoming more important than ever.

“The PrEP Wisdom Campaign, first and foremost, is intended to encourage conversations between people who could benefit from PrEP, and [why they should] talk to their doctors to help determine which injectable PrEP might be right for them,” said Visage. She discussed how the campaign is information-oriented, with ViiV developing easy-to-understand pathways for folks to become more aware of injectable PrEP services as well as general HIV/AIDS-related resources. 

“More than 2 million Americans could benefit from PrEP to help prevent HIV [according to the] CDC — yet only 25 percent of them are currently using it!” She understands that there were many things holding people back from getting PrEP, ranging from cultural stigma to discriminatory doctors to a lack of awareness that these resources even exist. But she emphasizes that people cannot let social judgment hold them back from their health and safety! “If you’re not clicking with your health care provider, please find a new one. You don’t have to settle … there are plenty of people to choose from. Plenty of healthcare providers, plenty of doctors who want to work with you, who want to give you the information about PrEP, who want you to be on PrEP so you are protected.”

“Listen, we have come a long way since I started [back in] 1986], and we’ve got so much further to go,” Visage said, reflecting on her lifelong role as an HIV advocate, first as a teenager, and now as an acclaimed performer. But while she may have grown since then, she still carries the commitment to fighting against injustice that the queer community of 80s New York instilled in her. “I will fight forever on this platform. [Discrimination hasn’t] changed, so I don’t plan on changing.”

Michelle Visage knows that change doesn’t happen by being silent — it happens by staying informed and keeping yourself healthy so that you can speak out for what you know is right. In honor of the many lives she fought for in 1980s New York, Visage wants to help as many people as she can today get the PrEP resources they need. And through her new PrEP Wisdom campaign with ViiV, she’s excited to do exactly that.

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Photos

PHOTOS: Hagerstown Pride

Maryland LGBTQ celebration held outside Hub City Brewery

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A scene from the 2026 Hagerstown Pride Festival. (Washington Blade photo by Landon Shackelford)

Hagerstown Hopes held the Hagerstown Pride Festival outside Hub City Brewery on Saturday, May 30.

(Washington Blade photos by Landon Shackelford)

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Books

Books for a pre-Pride celebration

‘LGBTQ Almanac’ explores 500 years of queer culture

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You’re all geared up.

You’ve got your best parade-walking shoes, your coolest tee, your most-comfortable shorts, and a rainbow flag to carry. You’re set for Pride, but before you go, try one of these great new books about LGBTQ life and history.

After the parade, where will you end up? A place to talk your experience over, to re-hash things for the next parade? Then you may need “The Lesbian Bar Chronicles: The Living History and Hopeful Future of Americas Dyke Dives and Sapphic Spaces” by Rachel Karp (Beacon Press, $29.95).

Lesbian bars, says Karp, are more than just places to drink. They’re also places to find community, and to organize. For many, she says, they are “sanctuaries,” as they have been for at least a century, and this book introduces you to some of the people who run the establishments, the things they do to support their patrons, and the 100-year-plus bravery that it took to own, run, and enter a lesbian bar.

If you had to name a gay icon, there are probably quite a few who come to mind. So read “Without Prejudice: My Life as a Gay Judge” by Harvey Brownstone (ECW Press, $21.95) and add another name to your list.

This memoir, written by Canada’s first openly gay judge, takes readers from Brownstone’s childhood to his life as a lawyer, then to his work within the justice system in Ontario, and beyond, to his current career. This is a surprising, informative book that gives you an idea what gay life is like, north of our uppermost borders, then and now.

Pride is a celebration, an event, but it also demands a peek backwards, and in “The LGBTQ Almanac: 500 Years of Queer Culture in American History” by Deborah G. Felder (Visible Ink Press, $39.95), you’ll get a wide look at the pioneers, allies, policy, and gay life over the course of the last five centuries. Want to know more about religion in the gay community? It’s in here, along with celebrities, presidents, science, business, and more. This is the kind of book that settles bets. It’s one you want to have in any room of your home because it’s comprehensive and perfectly browse-able for all of its 600-plus pages.

And finally, here’s a book to read and think about: “No Fats No Fems: A Guide to Queer Empathy and Unpacking Prejudice” by Max Hovey (HarperOne, $19.99). How do you eliminate hateful, hurtful words, aimed at gay people – by gay people? What kind of stereotypes do we carry, unintentionally? This book takes those things out into the daylight by talking honestly and thoughtfully about them, as well as other issues. It’s a book to have when doubts creep in, when you need a new way of thinking or a different direction, or when you just want something different to read.

And if these great books aren’t enough, head to your favorite bookstore or library and ask for books that you can read before Pride or after. And happy Pride!

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