Arts & Entertainment
Queery: Sterling Washington
The Federation of Black Prides manager and singer answers 20 gay questions
Sterling Washington (Blade photo by Michael Key)
Sterling Washington jokes about the time he became a “professional homosexual” when he went to work for Us Helping Us.
He’d previously been a presidential appointee (he was an assistant in the Office of Administration) in the Clinton White House, he then worked in IT work for several years, went back to school at Howard to get a second degree, then landed at Us Helping Us working in development. Since July 2008, he’s been resource and grant development manager at the International Federation of Black Prides. Previously he served on the board of D.C. Black Pride.
Washington, a native Washingtonian, says the Federation does important work.
“Each of the Black Prides have advocacy projects they execute in local communities that could be anything from HIV work to youth empowerment to pushing for pro-LGBT legislation,” he says. “I think that work is very important.”
Washington is also a singer and sings tenor in the choir at the National City Christian Church in Thomas Circle. He loves opera and jazz and dreams perhaps one day of living in Vienna.
Washington grew up in the District’s Shepherd Park area and enjoys watching TV, reading, dining out with friends, acupuncture, walks in the woods and playing the piano in his free time. He’s single, though he’s recently been dating someone more regularly. (Blade photo by Michael Key)
How long have you been out and who was the hardest person to tell?
I’ve been out since 1994, when I was in undergrad at GWU. The hardest person to tell was my mother, who took the news better than I expected. Since she insisted on telling my father herself, I was spared the stress associated with telling him. Although they were a little resistant at first, both of my parents grew to accept my sexual orientation over time.
Who’s your LGBT hero?
This is difficult to answer because there are so many. Dr. Zachary Gabriel Green, a clinical psychologist and an expert on group dynamics, is definitely one of my LGBT heroes. He has done amazing work around identity-based conflicts and leadership development, publishing numerous papers on those subjects. Dr. Green and his husband, Dr. Rene Molenkamp, really helped in my coming out process and they remain good friends of mine. There’s also the late Bayard Rustin, who was an extraordinary community organizer. Like Rustin, I am an activist and singer.
What’s Washington’s best nightspot, past or present?
It’s a tie between The Andalusian Dog and “The Deep End” at Club Andalu. The former was around in the late ’90s and was located near 14th and U streets, N.W. The latter had its heyday in 2002-2004 and featured the music of DJ Mandrill, who is fantastic.
Describe your dream wedding.
My husband and I would wed in a romantic outdoor setting, followed by a lavish reception and dancing under the stars.
What non-LGBT issue are you most passionate about?
Environmental issues. In fact, I Tweet a lot more about environmental issues than LGBT issues. Environmental degradation impacts every living thing on the planet.
What historical outcome would you change?
The 2000 presidential election, which remains the most disappointing election of my life.
What’s been the most memorable pop culture moment of your lifetime?
The release of the “Star Wars” prequels, although Episode III was the only one I really enjoyed.
On what do you insist?
Understanding and respect for other people’s culture and religious beliefs.
What was your last Facebook post or Tweet?
I Tweeted a petition in support of the Community Renewables Act of 2012, which is coming before D.C. City Council.
If your life were a book, what would the title be?
“On My Journey Now” would be the title. It is inspired by one of my favorite African-American spirituals.
If science discovered a way to change sexual orientation, what would you do?
Nothing. To quote the late Frank Kameny, “Gay is good.”
What do you believe in beyond the physical world?
A loving and inclusive God and an afterlife.
What’s your advice for LGBT movement leaders?
My advice is to attend a Tavistock group relations conference. These leadership conferences use experiential learning to uncover the unconscious processes that affect how organizations operate. I’ve been to at least five of these conferences, four as a member and once as an administrator. I have learned something new about myself every time and acquired knowledge and skills that improved the effectiveness of organizations in which I served.
What would you walk across hot coals for?
Since I’m a foodie, I’d walk across hot coals for a great meal.
What LGBT stereotype annoys you most?
The assumption that LGBT people are trying to convert all heterosexuals to our sexual orientation. Sure, we’re trying to convert some of them, but not all!
What’s your favorite LGBT movie?
“Latter Days” is my favorite, although this changes often.
What’s the most overrated social custom?
Answering one’s cell phone or texting back as soon as someone calls or text messages you. It is important to have personal time. Besides, it is not appropriate to answer the phone or text everywhere.
What trophy or prize do you most covet?
I would like to receive the designation of Kammersänger by the Austrian government. It is a title given to a distinguished singer and it is rare for an American to receive it.
What do you wish you’d known at 18?
That the popular images of LGBT people in the media are not reflective of the entire community.
Why Washington?
Well, I was born here and just never left. While I do not plan to stay here forever, Washington is a nice place to live, despite my occasional frustrations with the city.
Theater
Out dancer on Alvin Ailey’s stint at Warner Theatre
10-day production marks kickoff of national tour
Alvin Ailey American Dance Theater
Through Feb. 8
Warner Theatre
513 12th St., N.W.
Tickets start at $75
ailey.org
The legendary Alvin Ailey American Dance Theater is coming to Washington’s Warner Theatre, and one of its principal veterans couldn’t be more pleased. Out dancer Renaldo Maurice is eager to be a part of the company’s 10-day stint, the kickoff of a national tour that extends through early May.
“I love the respectful D.C. crowd and they love us,” says Maurice, a member of esteemed modern dance company for 15 years. The traveling tour is made of two programs and different casting with Ailey’s masterwork “Revelations” in both programs.
Recently, we caught up with Maurice via phone. He called from one of the quiet rooms in his New York City gym where he’s getting his body ready for the long Ailey tour.
Based in North Newark, N.J., where he recently bought a house, Maurice looks forward to being on the road: “I enjoy the rigorous performance schedule, classes, shows, gym, and travel. It’s all part of carving out a lane for myself and my future and what that looks like.”
Raised by a single mother of three in Gary, Ind., Maurice, 33, first saw Alvin Ailey as a young kid in the Auditorium Theatre in downtown Chicago, the same venue where he’s performed with the company as a professional dancer.
He credits his mother with his success: “She’s a real dance mom. I would not be the man or artist I am today if it weren’t for the grooming and discipline of my mom. Support and encouragement. It’s impacted my artistry and my adulthood.”
Maurice is also part of the New York Ballroom scene, an African-American and Latin underground LGBTQ+ subculture where ball attendees “walk” in a variety of categories (like “realness,” “fashion,” and “sex siren”) for big prizes. He’s known as the Legendary Overall Father of the Haus of Alpha Omega.
WASHINGTON BLADE: Like many gay men of his era, Ailey lived a largely closeted public life before his death from AIDS-related complications in 1989.
RENALDO MAURICE Not unusual for a Black gay man born during the Depression in Rogers, Texas, who’s striving to break out in the industry to be a creative. You want to be respected and heard. Black man, and Black man who dances, and you may be same-sex gender loving too. It was a lot, especially at that time.
BLADE: Ailey has been described as intellectual, humble, and graceful. He possessed strength. He knew who he was and what stories he wanted to tell.
MAURICE: Definitely, he wanted to concentrate on sharing and telling stories. What kept him going was his art. Ailey wanted dancers to live their lives and express that experience on stage. That way people in the audience could connect with them. It’s incredibly powerful that you can touch people by moving your body.
That’s partly what’s so special about “Revelations,” his longest running ballet and a fan favorite that’s part of the upcoming tour. Choreographed by Alvin Ailey in 1960, it’s a modern dance work that honors African-American cultural heritage through themes of grief, joy, and faith.
BLADE: Is “Revelation” a meaningful piece for you?
MAURICE: It’s my favorite piece. I saw it as a kid and now perform it as a professional dance artist. I’ve grown into the role since I was 20 years old.
BLADE: How can a dancer in a prestigious company also be a ballroom house father?
MAURICE: I’ve made it work. I learned how to navigate and separate. I’m a principal dancer with Ailey. And I take that seriously. But I’m also a house father and I take that seriously as well.
I’m about positivity, unity, and hard work. In ballroom you compete and if you’re not good, you can get chopped. You got to work on your craft and come back harder. It’s the same with dance.
BLADE: Any message for queer audiences?
MAURICE: I know my queer brothers and sisters love to leave with something good. If you come to any Ailey performance you’ll be touched, your spirit will be uplifted. There’s laughter, thoughtful and tender moments. And it’s all delivered by artists who are passionate about what they do.
BLADE: Alvin Ailey has been a huge part of your life. Thoughts on that?
MAURICE: I’m a believer in it takes a village. Hard work and discipline. I take it seriously and I love what I do. Ailey has provided me with a lot: world travel, a livelihood, and working with talented people here and internationally. Alvin Ailey has been a huge part of my life from boyhood to now. It’s been great.
Catfish Comedy will host “2026 Queer Kickoff Show” on Thursday, Feb. 5 at A League of Her Own (2319 18th Street, N.W.). This show features D.C.’s funniest LGBTQ and femme comedians. The lineup features performers who regularly take the stage at top clubs like DC Improv and Comedy Loft, with comics who tour nationally.
Tickets are $17.85 and can be purchased on Eventbrite.
Arts & Entertainment
Catherine O’Hara, ‘Schitt’s Creek’ star and celebrated queer ally, dies at 71
Actress remembered for memorable comedic roles in ‘Beetlejuice’ and ‘Home Alone’
Catherine O’Hara, the varied comedic actor known for memorable roles in “Beetlejuice,” “Schitt’s Creek,” and “Home Alone,” has died at 71 on Friday, according to multiple reports. No further details about her death were revealed.
O’Hara’s death comes as a shock to Hollywood, as the Emmy award-winning actor has been recently active, with roles in both “The Studio” and “The Last of Us.” For her work in those two shows, she received Emmy nominations for outstanding supporting actress in a comedy series and outstanding guest actress in a drama series.
In 2020, O’Hara won the Outstanding Lead Actress in a comedy series award for her work in the celebrated sixth and final season of “Schitt’s Creek.” She was also known as a queer ally and icon for her theatrical and often campy performances over multiple decades. In “Schitt’s Creek,” she played Moira Rose, the wig-loving mother of David Rose (played by series creator Dan Levy). David is pansexual, but the characters around him simply accept him for who he is; the show was embraced by the LGBTQ community with how naturally David’s sexuality was written and portrayed. That show ran from 2015 to 2020 and helped bring O’Hara and her co-stars into a new phase of their careers.
In a 2019 interview with the Gay Times, O’Hara explained why the show got LGBTQ representation right: “Daniel has created a world that he wants to live in, that I want to live in. It’s ridiculous that we live in a world where we don’t know how to respect each other and let each other be. It’s crazy. Other shows should follow suit and present the world and present humans as the best that we can be. It doesn’t mean you can’t laugh, that you can’t be funny in light ways and dark ways. It’s all still possible when you respect and love each other.”
Additional credits include “SCTV Network” (for which O’Hara won a writing Emmy), “Beetlejuice Beetlejuice,” “Curb Your Enthusiasm,” “Six Feet Under,” “Best in Show,” “Home Alone 2: Lost in New York,” and “Dick Tracy.” O’Hara also lent her voice to “The Nightmare Before Christmas,” “Chicken Little,” “Monster House,” and “Elemental.” O’Hara was expected to return for Season 2 of “The Studio,” which started filming earlier this month.
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