Arts & Entertainment
Queery: Sterling Washington
The Federation of Black Prides manager and singer answers 20 gay questions
Sterling Washington jokes about the time he became a “professional homosexual” when he went to work for Us Helping Us.
He’d previously been a presidential appointee (he was an assistant in the Office of Administration) in the Clinton White House, he then worked in IT work for several years, went back to school at Howard to get a second degree, then landed at Us Helping Us working in development. Since July 2008, he’s been resource and grant development manager at the International Federation of Black Prides. Previously he served on the board of D.C. Black Pride.
Washington, a native Washingtonian, says the Federation does important work.
“Each of the Black Prides have advocacy projects they execute in local communities that could be anything from HIV work to youth empowerment to pushing for pro-LGBT legislation,” he says. “I think that work is very important.”
Washington is also a singer and sings tenor in the choir at the National City Christian Church in Thomas Circle. He loves opera and jazz and dreams perhaps one day of living in Vienna.
Washington grew up in the District’s Shepherd Park area and enjoys watching TV, reading, dining out with friends, acupuncture, walks in the woods and playing the piano in his free time. He’s single, though he’s recently been dating someone more regularly. (Blade photo by Michael Key)
How long have you been out and who was the hardest person to tell?
I’ve been out since 1994, when I was in undergrad at GWU. The hardest person to tell was my mother, who took the news better than I expected. Since she insisted on telling my father herself, I was spared the stress associated with telling him. Although they were a little resistant at first, both of my parents grew to accept my sexual orientation over time.
Who’s your LGBT hero?
This is difficult to answer because there are so many. Dr. Zachary Gabriel Green, a clinical psychologist and an expert on group dynamics, is definitely one of my LGBT heroes. He has done amazing work around identity-based conflicts and leadership development, publishing numerous papers on those subjects. Dr. Green and his husband, Dr. Rene Molenkamp, really helped in my coming out process and they remain good friends of mine. There’s also the late Bayard Rustin, who was an extraordinary community organizer. Like Rustin, I am an activist and singer.
What’s Washington’s best nightspot, past or present?
It’s a tie between The Andalusian Dog and “The Deep End” at Club Andalu. The former was around in the late ’90s and was located near 14th and U streets, N.W. The latter had its heyday in 2002-2004 and featured the music of DJ Mandrill, who is fantastic.
Describe your dream wedding.
My husband and I would wed in a romantic outdoor setting, followed by a lavish reception and dancing under the stars.
What non-LGBT issue are you most passionate about?
Environmental issues. In fact, I Tweet a lot more about environmental issues than LGBT issues. Environmental degradation impacts every living thing on the planet.
What historical outcome would you change?
The 2000 presidential election, which remains the most disappointing election of my life.
What’s been the most memorable pop culture moment of your lifetime?
The release of the “Star Wars” prequels, although Episode III was the only one I really enjoyed.
On what do you insist?
Understanding and respect for other people’s culture and religious beliefs.
What was your last Facebook post or Tweet?
I Tweeted a petition in support of the Community Renewables Act of 2012, which is coming before D.C. City Council.
If your life were a book, what would the title be?
“On My Journey Now” would be the title. It is inspired by one of my favorite African-American spirituals.
If science discovered a way to change sexual orientation, what would you do?
Nothing. To quote the late Frank Kameny, “Gay is good.”
What do you believe in beyond the physical world?
A loving and inclusive God and an afterlife.
What’s your advice for LGBT movement leaders?
My advice is to attend a Tavistock group relations conference. These leadership conferences use experiential learning to uncover the unconscious processes that affect how organizations operate. I’ve been to at least five of these conferences, four as a member and once as an administrator. I have learned something new about myself every time and acquired knowledge and skills that improved the effectiveness of organizations in which I served.
What would you walk across hot coals for?
Since I’m a foodie, I’d walk across hot coals for a great meal.
What LGBT stereotype annoys you most?
The assumption that LGBT people are trying to convert all heterosexuals to our sexual orientation. Sure, we’re trying to convert some of them, but not all!
What’s your favorite LGBT movie?
“Latter Days” is my favorite, although this changes often.
What’s the most overrated social custom?
Answering one’s cell phone or texting back as soon as someone calls or text messages you. It is important to have personal time. Besides, it is not appropriate to answer the phone or text everywhere.
What trophy or prize do you most covet?
I would like to receive the designation of Kammersänger by the Austrian government. It is a title given to a distinguished singer and it is rare for an American to receive it.
What do you wish you’d known at 18?
That the popular images of LGBT people in the media are not reflective of the entire community.
Why Washington?
Well, I was born here and just never left. While I do not plan to stay here forever, Washington is a nice place to live, despite my occasional frustrations with the city.
Theater
José Zayas brings ‘The House of Bernarda Alba’ to GALA Hispanic Theatre
Gay Spanish playwright Federico García Lorca wrote masterpiece before 1936 execution
‘The House of Bernarda Alba’
Through March 1
GALA Hispanic Theatre
3333 14th St., N.W.
$27-$52
Galatheatre.org
In Federico García Lorca’s “The House of Bernarda Alba,” now at GALA Hispanic Theatre in Columbia Heights, an impossibly oppressive domestic situation serves, in short, as an allegory for the repressive, patriarchal, and fascist atmosphere of 1930s Spain
The gay playwright completed his final and arguably best work in 1936, just months before he was executed by a right-wing firing squad. “Bernarda Alba” is set in the same year, sometime during a hot summer in rural Andalusia, the heart of “España profunda” (the deep Spain), where traditions are deeply rooted and mores seldom challenged.
At Bernarda’s house, the atmosphere, already stifling, is about to get worse.
On the day of her second husband’s funeral, Bernarda Alba (superbly played by Luz Nicolás), a sixtyish woman accustomed to calling the shots, gathers her five unmarried daughters (ages ranging from 20 to 39) and matter-of-factly explain what’s to happen next.
She says, “Through the eight years of mourning not a breeze shall enter this house. Consider the doors and windows as sealed with bricks. That’s how it was in my father’s house and my grandfather’s. Meanwhile, you can embroider your trousseaux.”
It’s not an altogether sunny plan. While Angustias (María del Mar Rodríguez), Bernarda’s daughter from her first marriage and heiress to a fortune, is betrothed to a much younger catch, Pepe el Romano, who never appears on stage, the remaining four stand little chance of finding suitable matches. Not only are they dowry-less, but no men, eligible or otherwise, are admitted into their mother’s house.
Lorca is a literary hero known for his mastery of both lyrical poetry and visceral drama; still, “Bernarda Alba’s” plotline might suit a telenovela. Despotic mother heads a house of adult daughters. Said daughters are churning with passions and jealousies. When sneaky Martirio (Giselle Gonzáles) steals the photo of Angustias’s fiancé all heck kicks off. Lots of infighting and high drama ensue. There’s even a batty grandmother (Alicia Kaplan) in the wings for bleak comic relief.
At GALA, the modern classic is lovingly staged by José Zayas. The New York-based out director has assembled a committed cast and creative team who’ve manifested an extraordinarily timely 90-minute production performed in Spanish with English subtitles easily ready seen on multiple screens.
In Lorca’s stage directions, he describes the set as an inner room in Bernarda’s house; it’s bright white with thick walls. At GALA, scenic designer Grisele Gonzáles continues the one-color theme with bright red walls and floor and closed doors. There are no props.
In the airless room, women sit on straight back chairs sewing. They think of men, still. Two are fixated on their oldest siter’s hunky betrothed. Only Magdelena (Anna Malavé), the one sister who truly mourns their dead father, has given up on marriage entirely.
The severity of the place is alleviated by men’s distant voices, Koki Lortkipanidze’s original music, movement (stir crazy sisters scratching walls), and even a precisely executed beatdown choreographed by Lorraine Ressegger-Slone.
In a short yet telling scene, Bernarda’s youngest daughter Adela (María Coral) proves she will serve as the rebellion to Bernarda’s dictatorship. Reluctant to mourn, Adela admires her reflection. She has traded her black togs for a seafoam green party dress. It’s a dreamily lit moment (compliments of lighting designer Hailey Laroe.)
But there’s no mistaking who’s in charge. Dressed in unflattering widow weeds, her face locked in a disapproving sneer, Bernarda rules with an iron fist; and despite ramrod posture, she uses a cane (though mostly as a weapon during one of her frequent rages.)
Bernarda’s countenance softens only when sharing a bit of gossip with Poncia, her longtime servant convincingly played by Evelyn Rosario Vega.
Nicolás has appeared in “Bernarda Alba” before, first as daughter Martirio in Madrid, and recently as the mother in an English language production at Carnegie Melon University in Pittsburgh. And now in D.C. where her Bernarda is dictatorial, prone to violence, and scarily pro-patriarchy.
Words and phrases echo throughout Lorca’s play, all likely to signal a tightening oppression: “mourning,” “my house,” “honor,” and finally “silence.”
As a queer artist sympathetic to left wing causes, Lorca knew of what he wrote. He understood the provinces, the dangers of tyranny, and the dimming of democracy. Early in Spain’s Civil War, Lorca was dragged to the the woods and murdered by Franco’s thugs. Presumably buried in a mass grave, his remains have never been found.
Cupid’s Undie Run, an annual fundraiser for neurofibromatosis (NF) research, was held at Union Stage and at The Wharf DC on Saturday, Feb. 21.
(Washington Blade photos by Michael Key)













Sweat DC is officially expanding to Shaw, opening a new location at 1818 7th St., N.W., on Saturday, March 28 — and they’re kicking things off with a high-energy, community-first launch event.
To celebrate, Sweat DC is hosting Sweat Fest, a free community workout and social on Saturday, March 14, at 10 a.m. at the historic Howard Theatre. The event features a group fitness class, live DJ, local food and wellness partners, and a mission-driven partnership with the Open Goal Project, which works to expand access to youth soccer for players from marginalized communities.
For more details, visit Sweat DC’s website and reserve a spot on Eventbrite.
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