Arts & Entertainment
AIDS and the arts
From the Quilt to Hollywood to Broadway, pop culture helped us make sense of grief, loss
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The cast of āThe Normal Heartā at Arena Stage. The show, a groundbreaking dramatization of the early years of the AIDS crisis in New York, runs through July 29. (Photo by Scott Suchman; courtesy Arena)
The International AIDS Conference in Washington offers an opportunity to look back at how artists have responded to the disease. Since the very first days of the crisis, artists of all kinds have actively responded, both in their artistic works and as fundraisers and activists.
THE NAMES PROJECT AIDS MEMORIAL QUILT
The Names Project AIDS Memorial Quilt, on display throughout the city through the month of July, is the largest community art project in the world. More than 48,000 panels have been created by lovers, family members and friends to memorialize those who have died of AIDS. The Quilt has redefined the traditional folk-art of quilt-making into a modern art form that serves as a memorial, a tool for education, a work of art and a call to arms. Each of the panels has been photographically preserved in the AIDS Memorial Quilt Archive. About 14 million around the world have seen panels from the Quilt.
The Quilt has its root in a powerful piece of political theater. While preparing for the annual candlelight march honoring Harvey Milk and George Moscone in 1985, San Francisco activist Cleve Jones was shocked to learn that more than 1,000 people in the city had already died of AIDS. He asked his friends to bring placards with the names of the dead to the march. After the march, the activists taped the placards to the side of the San Francisco Federal Building and realized that the signs now looked like a patchwork quilt. Inspired by the sight, Jones and his friends made plans for a larger memorial and in 1986 Jones created the first quilt panel in honor of his friend Marvin Feldman.
THE ART OF ACTIVISM
One of the remarkable features of the fight against AIDS has been the ability to use visual art to generate a powerful public response. This was especially true for the AIDS Coalition to Unleash Power (ACT UP), an international direct action advocacy group that worked to impact the lives of people with AIDS. Founded in New York City in 1987, the leaderless anarchist network effectively combined powerful direct action protests with provocative visual images to effectively generate media attention for their cause.
Veteran media activist Cathy Renna, who describes herself as ācoming out and coming of ageā when ACT UP was forming, says the global impact of the group came from its ability to use visual art to drive home a message.
āThey had people like Ann Northrup and Larry Kramer who understood the media really well and who understood the power of images,ā Renna says. āThey created iconic images that demanded the attention of the media and became embedded in the minds of people.ā
Renna notes that the members of ACT UP really showed the power of visual art to move people and the power of creativity and humor to reach people.
āNot everyone agreed with their tactics, but at the end of the day none of us can argue with the indelible impact they had on the public perception of AIDS and the entire LGBT movement,ā she says.
CLASSICAL MUSIC
For centuries, thereās been a debate about how well classical music can respond to specific cultural events. Gay composer John Corigliano leapt into this fray when he wrote his Symphony No. 1 in 1991 as a response to the AIDS epidemic.
āDuring the past decade I have lost many friends and colleagues to the AIDS epidemic, Corigliano writes in his notes to the first recording of the symphony. āMy First Symphony was generated by feelings of loss, anger and frustration.ā
Corigliano, best known for his opera āThe Ghost of Versaillesā and his Oscar-winning score for āThe Red Violin,ā says that the form of his AIDS symphony was inspired by a viewing of the NAMES Project AIDS Memorial Quilt.
āA few years ago I was extremely moved when I first saw āThe Quilt,ā an ambitious interweaving of several thousand fabric panels, each memorializing a person who had died of AIDS, and most importantly, each designed and constructed by his or her loved ones,ā he wrote. āThis made me want to memorialize in music those I have lost, and reflect on those I am losing.ā
THEATER
Perhaps no other artistic medium has been as responsive to the AIDS crisis as theater. From ground-breaking pieces like Larry Kramerās āThe Normal Heartā (an Arena Stage production runs through July 29) and William Hoffmanās āAs Isā to such recent works as āThe Book of Mormon.ā The theatrical community has been deeply involved in the artistic and activist response to AIDS. Hereās a sampling of plays and musicals that have AIDS as a central theme.
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Justin Kirk and Emma Thompson in the HBO adaptation of āAngels in America.ā (Photo courtesy HBO)
āAngels in America: A Gay Fantasia on National Themes.ā Part One of Tony Kushnerās sprawling epic (āMillennium Approachesā) opened on Broadway in May 1993, and Part Two (āPerestroikaā) followed in November of that year. The play centers on Prior Walter, a gay man in Manhattan who has just been diagnosed with AIDS as the play opens. Over the course of the seven-hour theatrical extravaganza, Prior is abandoned by his lover Louis, who leaves him for a closeted Republican lawyer; befriends the Mormonās mother and wife, who takes Valium in āwee little fistfuls,ā is nursed by his ex-lover, the fierce snap queen Belize; and, is visited by an angel who wants to recruit him as a prophet. The play won the Pulitzer Prize and several Tony Awards and was adapted into both an award-winning movie by HBO Films and an opera by Hungarian composer PĆ©ter Eƶtvƶs.
āThe Normal Heartā by Larry Kramer was one of the earliest plays to deal with AIDS. Now playing at Arena Stage, the play is a thinly veiled autobiography of the author and the founding of Gay Menās Health Crisis.
āBefore It Hits Homeā by Cheryl West was one of the first dramas to focus on the impact of AIDS on the African-American community. Wendal is a bisexual jazz musician who denies his sexual encounters with men even after he is diagnosed with AIDS. He tries to hide the truth from his pregnant girlfriend and his married boyfriend, but as his health deteriorates, he is forced to return to his family and confess the truth.
āRentā is Jonathan Larsonās hit musical and a loose adaptation of Pucciniās āLa Boehmeā set on the lower East Side of Manhattan in the early 1980s. Larsonās musical landscape includes a variety of artists in a variety of straight and LGBT sexual situations. Many of the characters have AIDS and the Act II opener, āSeasons of Loveā has become a popular anthem for the fight against AIDS.
The musical āFalsettos,ā produced in Washington in 2010 by the now-closed Ganymede Arts, brings together two one-act musicals by William Finn written a decade apart. In āMarch of the Falsettos,ā Marvin moves in with his male lover Whizzer, much to the distress of his ex-wife, his psychiatrist and his son. In āFalsettoland,ā the extended family, now including āthe lesbians from next door,ā reunite to support Whizzer and Marvin as they deal with an AIDS diagnosis.
Perhaps most noticeably in theater, itās possible to also trace how AIDS dramas have evolved over the years.
āāThe Normal Heartā was so significant in its time, but itās dated now because the disease has changed so much,ā says David Jobin, executive director of the Gay Menās Chorus of Washington, a group that along with its sister choruses has also dealt extensively with AIDS themes. āYou see plays now, like āOctopusā by Steve Yockey and itās dealing with how different generations have responded to the crisis. We now have a whole generation of people whose experience is different and itās not about loss at all. ā¦ all people could concentrate on in āThe Normal Heartā was grieving, so itās become like āThe Dollhouse,ā a great period piece but not really relevant to today. Which is great in a way that something thatās only 20 years old can already seem so dated. It shows how far weāve come in treating the disease.ā
Jobin says the greatest examples of AIDS-themed art transcend their subject matter.
āYou watch something like the HBO adaptation of āAngels in America,ā and it becomes so much more than just a statement about AIDS,ā he says. āItās a tour de force for great acting and itās in a league of its own. I canāt think of a musical or other work that even comes close.ā
ARTISTS AS ACTIVISTS
The theatrical community, and the performing arts community in general, have also been incredibly effective at blending art and activism. For example, since 1987 Broadway Cares/Equity Fights AIDS has been raising awareness and funds for AIDS organizations throughout the country. Their popular fundraisers include Broadway Bares, Broadway Barks, Broadway Bears, the annual Easter Bonnet and Gypsy of the Year competitions and the Fire Island Dance Festival.
One of the groupās most effective efforts has been its collaboration with the International Thespian Society, a national network of high school theater troupes. Starting in 1999, high school thespians have organized audience appeals, bucket brigades, silent auctions and special performances to raise money to fight AIDS.
During their annual festival in July 2012, Joe Norton, Broadway Caresā director of education and outreach, announced that the student artists and activists had raised more than $1 million to support organizations in their communities.
“Thespians know how to effect change by working together and celebrating their love of theater,” Norton says. “And, in the process, they become leaders who raise awareness about HIV/AIDS where they live, while making a difference for so many people in need in their local communities and around the country.”
TELEVISION
Sometimes the artistic response to AIDS has been more about context than content. The popular nighttime ABC soap opera āDynastyā was groundbreaking in its portrayal of Steven Carrington, the openly gay son of a wealthy Denver oil clan. But its role in the emerging AIDS crisis was due to an off-screen drama.
In 1984, closeted gay Hollywood icon Rock Hudson was cast as Daniel Reece, father of the scheming Sammy Jo Carrington (Heather Locklear). Hudsonās character had a romantic interest in Krystle Carrington, played by series star Linda Evans. Although viewers gossiped about Hudsonās gaunt appearance and producers were worried enough about Hudsonās health to write his character out of the series, no one blinked an eye when Hudson and Evans shared an on-screen kiss.
That changed on July 25, 1985 when Hudson publicly announced that he had AIDS, the first celebrity to reveal his HIV status. He learned that he had AIDS while he was appearing on āDynasty,ā and the soap set suddenly became the focus of a public health controversy. The CDC warned the public about exchanging saliva with members of high-risk groups. Aaron Spelling and the producers of āDynastyā offered to arrange for AIDS tests for the entire cast. The Screen Actors Guild wrote new rules to regulate on-screen kisses.
Hudsonās revelation, and the subsequent revelation of his homosexuality, suddenly put a public face on the disease and his death on Oct. 2, 1985 set the stage for the first television movie on AIDS. On Nov. 11, 1985, NBC broadcast āAn Early Frostā starring Aidan Quinn as Michael Pearson, a successful Chicago lawyer who has not told his colleagues and family about his lover Peter Hilton (D.W. Moffett). When heās diagnosed with AIDS, heās forced to go home and tell his family the truth about himself.
MOVIES
A short sampler of independent and mainstream movies that have dealt directly with the AIDS crisis include:
āParting Glances,ā Bill Sherwoodās moving 1986 indie film that was one of the first to deal with AIDS. Richard Ganoung plays Michael who is dealing with concurrent crises: caring for his ex-lover Nick (Steve Buscemi) while his lover Robert (John Bolger) is preparing to leave for a two-year work assignment in Africa.
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Tom Hanks (left) and Denzel Washington in āPhiladelphia,ā a 1993 AIDS-themed Jonathan Demme movie. (Still courtesy TriStar Pictures)
āPhiladelphia,ā Jonathan Demmeās 1993 drama that was among the first mainstream Hollywood movies to deal with AIDS. Tom Hanks won a Best Actor Oscar for his performance as Andrew Beckett, a closeted lawyer who is fired from his conservative law office when his partners learn he has AIDS. Denzel Washington plays Joe Miller, a homophobic lawyer who helps Beckett sue his former law firm.
āLongtime Companion,ā is a 1990 film that takes its title from the homophobic term used by the New York Times and other newspapers to refer to the surviving partners of deceased gay men. It chronicles the early years of the AIDS epidemic from the 1981 article on the mysterious disease occurring among gay men to the beginnings of AIDS activism.
āTongues Untiedā is Marlon Riggsā stunning 1989 film sought to “shatter the nation’s silence on matters of sexual and racial difference.ā It combines documentary footage with fictional stories and episodes from Riggsā life, as well as footage from civil rights marches and a homophobic stand-up routine by comedian Eddie Murphy.
FICTION
Since the 1980s, countless novelists have tackled the topic of AIDS. From early efforts, such as Armistead Maupinās āTales of the Cityā series to recent books such as Edmund Whiteās āJack Holmes and His Friend,ā the novel has been a fertile ground for exploring the devastating impact of AIDS on individuals and their society.
One of the most controversial has been āPeople in Troubleā by lesbian writer and activist Sarah Schulman. The novel deals with a love triangle among artists in the East Village. The controversy, however, arose from Schulmanās accusation that Jonathan Larson lifted the gay plot of āRentā from her novel. In her 1998 book āStagestruck: Theater, AIDS and the Marketing of Gay America,ā she details the similarities between the two works and critiques how Larson depicts LGBT people and people with AIDS.
ExamplesĀ
THEATER
Terrence Mc Nally, āLove! Valour! Compassion!ā
Cheryl West, āBefore It Hits Homeā
William Finn, āFalsettosā
William Hoffman, āAs Isā
Jonathan Larson, āRentā
Paula Vogel, āThe Baltimore Waltzā
Paul Rudnick, āJeffreyā
Harvey Fierstein, āSafe Sexā
Larry Kramer, āThe Normal Heartā and āThe Destiny of Meā
Tony Kushner, āAngels in Americaā
Robert Lopez, Matt Stone and Trey Parker, āThe Book of Mormonā
Broadway Cares/Equity Fights AIDS
POETRY
Mark Doty, āMy Alexandriaā
Essex Hemphill, āCeremoniesā
Marie Howe, āWhat the Living Doā
Paul Monette, āLove Alone: 18 Elegies for Rogā
Rafael Campo, āWhat the Body Toldā
Tim Dlugos, āPowerlessā
Tory Dent, āWhat Silence Equalsā
TELEVISION
āAn Early Frostā
āDynastyā
āAnother Worldā
āAs The World Turnsā
āCommon Threads: Stories from the Quiltā
āAnd The Band Played Onā
āThe Real Worldā
āAny Motherās Sonā
āIn The Gloamingā
FICTION
Christopher Bram, āIn Memory of Angel Clareā
Sarah Schulman, āPeople in Troubleā
Alice Hoffman, āAt Riskā
Armistead Maupin, āTales of the Cityā
Paul Monette, āAfterlifeā
Edmund White, āJack Holmes and his Friendā
Dale Peck, āMartin and Johnā
E. Lynn Harris, āInvisible Lifeā
Felice Picano, āLike People in Historyā
Sapphire, āPushā
David B. Feinberg, āSpontaneous Combustionā
Samuel R. Delaney, āThe Tale of Plagues and Carnivalsā
Geoff Ryman, āWasā
CLASSICAL MUSIC
John Corigliano, āSymphony No. 1ā
āClassical Actionā
MUSIC
āNakedMenā
āExileā
āMetamorphosisā
“In This Life” by Madonna (from “Erotica”)
ARTS ACTIVISM
ACT UP
Broadway Cares
Names Project AIDS Memorial Quilt
ESSAY
Susan Sontag, āAIDS and Its Metaphorsā
Larry Kramer, āThe Tragedy of Todayās Gaysā
MEMOIRS
Paul Monette, āBorrowed Timeā
Reinaldo AreƱas, āBefore Night Fallsā
Mark Doty, āHeavenās Coastā
Derek Jarman, Ā āAt Your Own Riskā
Jamaica Kincaid, āMy BrotherāPaula W, Peterson, āWomen in the Groveā
John Preston, āWinterās Lightā
David Wojnarowicz, āIn the Shadow of the American Dreamā
PERFORMANCE ART
Ron Athey
Ron Vawter
David Drake
MOVIES
āLongtime Companionsā
āParting Glancesā
āParis is Burningā
āPhiladelphiaā
āPatient Zeroā
āThe Living Endā
āThe Hoursā
āItās My Partyā
āTongues Untiedā
VISUAL ARTS
Visual AIDS
Keith Haring
ACT UP and Gran Fury
DANCE
Bill T. Jones, Absence
Neil Greenbery, Not-About AIDS-Dance
UCLA Dance Marathon
Dancers Responding to AIDS
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The 2024 New York City Pride Parade wound through the streets of Manhattan and past the historic Stonewall Inn on Sunday, June 30.
(Washington Blade photos by Daniel Truitt)
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The fourth annual Fredericksburg Pride march and festival was held at Riverfront Park in Fredericksburg, Va. on Saturday, June 29. The event began with a march around downtown Fredericksburg beginning and ending in the park.
(Washington Blade photos by Michael Key)
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Covering Fredericksburg Pride for @WashBlade . City Council member @WillMackintosh speaking: pic.twitter.com/tDdVD2IVsM
— Michael Patrick Key (@MichaelKeyWB) June 29, 2024
Photos
PHOTOS: Goodwin Living Pride
Senior living and healthcare organization holds fourth annual march at Falls Church campus
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The senior living and healthcare organization Goodwin Living held its fourth annual community Pride march around its Bailey’s Crossroads campus in Falls Church, Va. with residents, friends and supporters on Tuesday, June 25. Following the march, a drag brunch was held with performances by drag artists of SADBrunch: Crimsyn, Sapphire Dupree and Evon Dior Michelle.
(Photos courtesy of Goodwin Living)
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