Arts & Entertainment
Queery: Rod Glover
The Home Rule co-owner answers 20 gay questions
Rod Glover (Blade photo by Michael Key)
It started with a brainstorming session. In 2000, Home Rule (1807 14th St., N.W.; homerule.com) owners Rod Glover and his business partner Greg Link were brainstorming ideas for how to generate an influx of business in notoriously slow August so they could afford trips to retail shows at which they could order merchandise for fall.
They came up with the idea for a sidewalk sale and persuaded about seven of their neighbors to join them. It was a hit — they took all their merchandise, set it up out front and were soon on their way to the shows.
Though they’re not as involved in the planning of it now, the tradition continues. Look for the 13th annual MidCity Dog Days Sidewalk Sale this weekend from 9 a.m. to 8 p.m. Saturday and 10 a.m. to 7 p.m. Sunday where about 70 businesses in the area around P and 14th (stretching up to U Street) bring their wares outdoors for the weekend (midcitydogdays.com).
“We just kind of take everything that’s been sitting on the shelf for the last nine months or been taken off the shelf, and move it out to the sidewalk at 50 percent off and it’s a big hit,” Glover says. “It’s very practical housewares stuff. Things people actually need.”
Glover, a 50-year-old Camp Hill, Pa., native, came to D.C. in 1987, his arm twisted by several friends who’d moved here and wanted him to join them. He worked in various retail shops and has always practiced his artwork on the side. He recently exhibited at Gallery Plan B with a show featuring sculpture and found wood he scorched with a propane torch. He and Link opened Home Rule on Labor Day weekend 1999. He says because of the growth in the neighborhood and a loyal customer base, it’s been successful even in the down economy.
Glover and his partner, lawyer Tom Mayes, live together in Dupont Circle. Glover enjoys creating art, cooking, entertaining, magazines and cookbooks in his free time. (Blade photo by Michael Key)
How long have you been out and who was the hardest person to tell?
I came out to my friends in college when I was 19, (and my painting professor) but didn’t come out to my parents until I was 30, on an Easter Sunday, just before I moved into a one bedroom with my partner. That was the hardest. My mother’s immediate response: “Mothers know these things. Is there anyone special?”
Who’s your LGBT hero?
I have two. My partner’s cousin, Mary Margaret “Peggy” Cleveland, because she came out to her North Carolina Presbyterian congregation in her 70s, after having been a missionary in Africa, during a big church debate on the role of LGBT people. And my friend Stephen Skinner, who founded Fairness WV, and who’s running this fall for the West Virginia House of Delegates. If elected, he would be the first openly gay delegate in West Virginia. Support his campaign.
What’s Washington’s best nightspot, past or present?
My apartment. Ask people.
Describe your dream wedding.
It would be just like our friend Jenny Allen’s Hootenanny — a big party with all of our friends, the Speakeasy Boys playing bluegrass, handsome bartenders, barbecue and the Potomac River as a backdrop.
What non-LGBT issue are you most passionate about?
Affordable higher education, affordable health care and the freedom to create.
What historical outcome would you change?
The long persistent influence of Puritanism, here and throughout the world.
What’s been the most memorable pop culture moment of your lifetime?
Three. Seeing Jackie Hoffman on Broadway in “Hairspray,” “Xanadu” and “The Addams Family.”
On what do you insist?
That my friends come to my house, eat my cooking and take leftovers home.
What was your last Facebook post or Tweet?
Katie Petix manages our Facebook for Home Rule. She beats me hands down in posting.
If your life were a book, what would the title be?
“La-Bas,” but it’s already taken.
If science discovered a way to change sexual orientation, what would you do?
Ignore it.
What do you believe in beyond the physical world?
The ghosts that inhabit my cabin in West Virginia. They party so much it keeps me awake.
What’s your advice for LGBT movement leaders?
I don’t really have much of an activist soul, but I deeply admire those who do: Keep at it and thank you.
What would you walk across hot coals for?
The last wedge of Parmigiano Reggiano. And my beautiful nieces.
What LGBT stereotype annoys you most?
Any assumption that prejudges me or others annoys me.
What’s your favorite LGBT movie?
“Trick.” Tori Spelling is fabulously nutty and the movie reminds me of myself and my friend Debbie.
What’s the most overrated social custom?
Being too polite to say you want more.
What trophy or prize do you most covet?
I already have it — the senior art award at high school graduation. I always felt like such an outsider, and I didn’t know in advance, so it meant the world to me. I received the psychology award too — I’m still baffled by that one. My partner says he gets it.
What do you wish you’d known at 18?
How much fun life is.
Why Washington?
In 1987 my friends, who had already moved here, set me up with a job and an apartment. I have the best friends on the planet.
Friday, August 28
Go Gay DC will host “LGBTQ+ Community Happy Hour” at 7 p.m. at DIK Bar.This is a chance to relax, make new friends, and enjoy happy hour specials at this classic retro venue. Attendance is free and more details are available on Eventbrite.
Trans Discussion Group will be at 7 p.m. on Zoom. This event is intended to provide an emotionally and physically safe space for trans people and those who may be questioning their gender identity/expression to join together in community and learn from one another. For more details, email [email protected].
Saturday, August 29
Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
Sunday, August 30
“Nellie’s DC Drag Brunch” will be at 12 p.m. at Nellie’s Sports Bar. Come get served like a queen by a queen. Join Sapphire Blue, Deja Diamond and their team of amazing drag performers for the most fun you’ll have all weekend. Tickets cost $58.51 and are available on Eventbrite.
Monday, August 31
“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).
Tuesday, September 1
The DC LGBTQ+ Community Center will host a drop-in session to share resources, provide service navigation, connect with community, and gather feedback. For more details, visit the DC Center’s website.
Wednesday, September 2
Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.
The DC LGBTQ+ Community Center will host “Movement for Healing” at 3 p.m. This trauma- and yoga therapy–informed class is designed to help guests gently reconnect with their body and their breath. Through mindful movement, somatic awareness, and grounding practices, guests will explore how to release tension, increase mobility, and cultivate a deeper sense of safety and ease within. For more details, visit the Center’s website.
Thursday, September 3
The DC LGBTQ+ Community Center’s Fresh Produce Program will be held all day at the Center. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.
Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breath work and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit The DC LGBTQ+ Community Center’s website.
Movies
‘Teenage Sex and Death’ has never been more entertaining
Come for the jump scares, but stay for the tour-de-force filmmaking
If any movie title can be said to describe exactly what it is going to show us, “Teenage Sex and Death at Camp Miasma” would have to be it – and yet, it doesn’t communicate anything to prepare us for what we are going to see.
For that, you’d have to already be a fan of the creator behind it – transfeminine, non-binary filmmaker Jane Schoenbrun – and the surreal, dysphoric, and meta-formal nature of their previous work.
A horror fan since childhood, Schoenbrun spent their teen years frequenting online message boards for popular horror shows, writing fan fiction, and going to see punk bands in basements; a bachelor’s degree in film from Boston University paved their way into the world of “indie” cinema, and their first directorial effort was an online documentary about the phenomenon of “Slender Man” (look it up), which explored the way media and reality can blend together in the cultural imagination.
That blending has continued to permeate their films: their first feature, “We’re All Going to the World’s Fair,” about a lonely teen who is drawn into a creepy online challenge, tells its story entirely through video clips she and the other participants share online; their second, “I Saw the TV Glow,” is an eerie and devastating tale of two teen friends who form a bond over their shared obsession with a paranormal television show and drift apart when it is cancelled, only to be drawn together again when buried memories of it begin to infiltrate their “real” lives. Both are driven by themes of gender identity, social isolation, queer awakening, and transformation – the stuff that resonates deeply with queer and trans audiences – and Schoenbrun didn’t bury the subtext in the story; instead, the subtext was the story.
With “Camp Miasma,” their third and (thanks to its win of the “Queer Palm” at Cannes) highest profile feature film to date, they carry their creative obsessions forward into a surreal narrative that exists around the border between reality and media-manufactured fantasy, and brings them into the the world of queer adulthood. Even more boldly, perhaps, it’s a comedy (albeit a dark and grisly one), a satire of the movie industry itself – which gives the director plenty of cheekily self-referential opportunities to make this their most “meta” film yet. After all, it’s about a young non-binary director working on a horror film, and you can’t get much more “meta” than that.
The onscreen director who serves as Schoenbrun’s semi-autobiographical avatar is Kris Williams (Hannah Einbinder), who has been tasked by a studio with remaking its classic slasher movie from the 1980s (“Camp Miasma”), in hope of generating an updated reboot of the once-lucrative franchise it spawned. Kris, who loves the original film, hopes to coax the actress who starred as its “final girl” – Billy Presley (Gillian Anderson) – into returning to the screen for the new one, though she has been retired from acting and living as a recluse ever since. Managing to get a meeting with her at her secluded home in the Pacific Northwest, Kris arrives in a snowstorm to discover that Billy now lives in the same abandoned campground where “Camp Miasma” was filmed four decades ago. She also has seemingly developed the unsettling eccentricities of an aging once-famous scream queen who has faded into obscurity and spent decades dwelling in memories of the past.
Despite some initial misgivings (on both sides), the two hit it off, and Billy agrees to help Kris develop her ideas for the reboot. As they work, their shared obsessions around the original film and its horrifying mythos draws them closer together into a more intimate kind of relationship – even as Billy’s unconvincingly “tongue-in-cheek” insistence that the franchise’s iconic killer is a real entity, waiting to be reawakened for the next massacre, begins to creep into Kris’s own psyche.
Ingeniously mixing fan nostalgia for vintage “Friday the 13th”-style slasher films with the Lynchian surrealism of modern horror cinema and the campy-but-transgressive absurdity of a movie that wants us to be “in” on the joke, “Camp Miasma” takes Schoenbrun’s broodingly ironic Gen-Z sensibilities and spins them into something that works on multiple levels. As a horror film, it relies on the familiarity of its tropes and gleefully manipulates our reactions, yet undercuts its own formula to turn it into a blend of parody and homage that somehow elevates the genre by way of its own deconstruction. As a piece of postmodern cinema, it precludes attempts at analysis by transparently analyzing itself as it goes as part of its own self-aware scenario, turning intellectual interpretation into just another trope of its own. As a queer allegory, it nullifies the standard critical interpretations by wearing them jokingly on its sleeve. As a love-letter to cinema, it brims with callbacks to iconic masterworks like “Sunset Boulevard” and “Psycho.” It uses the irresistible darkness of its milieu as a vehicle through which to express a liberating, sex-positive celebration of queer joy, unencumbered at last by a confrontation with the fear, shame, and insecurity forged by social constructs that are so often used to suppress it. It even works as a romance, turning the age gap between its two leads into a bridge that overpasses any notions of conformity and eliminates false sentiment by framing it as a sexy kind of cross-generational mentoring.
At the center of it all is the powerhouse pairing of Einbinder and Anderson, whose dynamic together works so well we never bat an eye over it, and who know what is being asked of them and deliver it with a fearlessness that feels a bit like pure glee. These might be the best screen performances of the year so far.
There are also some winking cameos, like “Kids in the Hall” alumnus Kevin MacDonald as a local hotel clerk who was once enlisted as a supporting player in the “Camp Miasma” franchise, and veteran character actor Dylan Baker as the facile-minded studio exec who simply wants Kris to create something commercial enough to turn the franchise into a cash cow again. Jack Haven (the trans co-star of “I Saw the TV Glow” opposite Justice Smith) commands our attention as Camp Miasma’s weirdly air-duct-masked slasher – named “Little Death,” a phrase which, translated into the French “La petite morte,” is a euphemism for orgasm, just in case it wasn’t already clear that the movie operates as a psychosexual drama, on top of everything else.
Ultimately, though, it’s Shoenbrun who is the real star; much in the way that Alfred Hitchcock turned his own unique milieu into a kind of star power that eclipsed even the draw of the big name actors who populated his films. They come into their own with “Teenage Sex and Death at Camp Miasma, creating one of the best films of the year so far and cementing their reputation as one of the most excitingly visionary filmmakers of the post-Millennial era.
In other words, come for the blood, gore, and jump scares, but stay for the sublimely entertaining — and entertainingly original — tour-de-force filmmaking that raises this one to the level of pop culture masterpiece.
Dolly Parton died on Tuesday at a Nashville hospital. She was 80.
Her publicist, Marcel Pariseau, said Parton passed away at the Vanderbilt-Ingram Cancer Center “after bravely facing a brief battle with cancer.” Parton’s nephew, Bryan Seaver, announced his aunt’s death in a video posted to her Instagram page.
Born in Sevier County, Tenn., on Jan. 19, 1946, Parton was one of 12 children who grew up in poverty.
She moved to Nashville in 1964 and later became known as the “Queen of Country Music” with hits that include “Jolene” and “I Will Always Love You.” Parton also starred in “9 to 5” and “Steel Magnolias.”
Parton in 1995 created the Imagination Library, which sends free books to children. Parton, among other things, donated $1 million to Vanderbilt University Medical Center that helped fund research that paved the way for Moderna’s COVID-19 vaccine, and gave another $1 million for Hurricane Helene relief efforts in Tennessee and North Carolina.
Parton was also a long-time LGBTQ ally.
She spoke in support of marriage equality and wrote “Travelin’ Thru,” a song that was part of the soundtrack for “Transamerica,” a 2005 film that documented a transgender woman’s trip across the country with her son. Parton in 2011 also appeared at the GLAAD Media Awards.
“Parton’s warm spirit, kindheartedness, and joie de vivre deeply resonated with the LGBTQ community, cementing her as a global queer icon whose art always held space for outsiders, no matter the risk,” said GLAAD on Tuesday. “Parton’s entire career was built on love and respect for all, and her unwavering allyship is a legacy that will last forever.”
Human Rights Campaign President Kelley Robinson in a statement said HRC is “heartbroken by Dolly’s passing.”
“She showed the world what it looks like to lead with love and stood with our community long before others in entertainment, using her voice and platform to create a world where LGBTQ+ people feel seen and celebrated,” she said. “Her music and her spirit touched millions; and her generosity, especially toward children, will be felt for generations. We will miss her dearly, and we will carry forward the light she shared with all of us.”
Lambda Legal CEO Kevin Jennings also mourned Parton.
“Long before it was easy or popular, Dolly Parton told our community that we belonged, and she meant it. She championed children’s literacy through her Imagination Library, lent her voice and resources to the fight against HIV and AIDS, and stood up, time and again, for the community she embraced as her own, all with the humor, warmth, and grace that made the whole world fall for her,” said Jennings.
The Congressional Equality Caucus and U.S. Rep. Sarah McBride (D-Del.), who is the first openly trans person elected to Congress, are among those who also celebrated Parton’s life.
Calendar: August 28-September 3
‘Teenage Sex and Death’ has never been more entertaining
Realidad LGBTQ en Honduras: fuga o muerte
Trans, nonbinary Americans find refuge in the Netherlands
Rehoboth mayor calls for commissioner’s resignation after investigation into improper behavior
Why we need to protect ‘sacrilegious’ art
New GALA show about WWII spy full of conflict, intrigue
Proposed Indian foreign funding law overhaul could further pressure LGBTQ groups
Two awesome, affordable rides
