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Queery: Rod Glover

The Home Rule co-owner answers 20 gay questions

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Rod Glover (Blade photo by Michael Key)

It started with a brainstorming session. In 2000, Home Rule (1807 14th St., N.W.; homerule.com) owners Rod Glover and his business partner Greg Link were brainstorming ideas for how to generate an influx of business in notoriously slow August so they could afford trips to retail shows at which they could order merchandise for fall.

They came up with the idea for a sidewalk sale and persuaded about seven of their neighbors to join them. It was a hit — they took all their merchandise, set it up out front and were soon on their way to the shows.

Though they’re not as involved in the planning of it now, the tradition continues. Look for the 13th annual MidCity Dog Days Sidewalk Sale this weekend from 9 a.m. to 8 p.m. Saturday and 10 a.m. to 7 p.m. Sunday where about 70 businesses in the area around P and 14th (stretching up to U Street) bring their wares outdoors for the weekend (midcitydogdays.com).

“We just kind of take everything that’s been sitting on the shelf for the last nine months or been taken off the shelf, and move it out to the sidewalk at 50 percent off and it’s a big hit,” Glover says. “It’s very practical housewares stuff. Things people actually need.”

Glover, a 50-year-old Camp Hill, Pa., native, came to D.C. in 1987, his arm twisted by several friends who’d moved here and wanted him to join them. He worked in various retail shops and has always practiced his artwork on the side. He recently exhibited at Gallery Plan B with a show featuring sculpture and found wood he scorched with a propane torch. He and Link opened Home Rule on Labor Day weekend 1999. He says because of the growth in the neighborhood and a loyal customer base, it’s been successful even in the down economy.

Glover and his partner, lawyer Tom Mayes, live together in Dupont Circle. Glover enjoys creating art, cooking, entertaining, magazines and cookbooks in his free time. (Blade photo by Michael Key)

How long have you been out and who was the hardest person to tell?

I came out to my friends in college when I was 19, (and my painting professor) but didn’t come out to my parents until I was 30, on an Easter Sunday, just before I moved into a one bedroom with my partner. That was the hardest. My mother’s immediate response: “Mothers know these things. Is there anyone special?”

Who’s your LGBT hero?

I have two. My partner’s cousin, Mary Margaret “Peggy” Cleveland, because she came out to her North Carolina Presbyterian congregation in her 70s, after having been a missionary in Africa, during a big church debate on the role of LGBT people. And my friend Stephen Skinner, who founded Fairness WV, and who’s running this fall for the West Virginia House of Delegates. If elected, he would be the first openly gay delegate in West Virginia. Support his campaign.

What’s Washington’s best nightspot, past or present? 

My apartment. Ask people.

Describe your dream wedding.

It would be just like our friend Jenny Allen’s Hootenanny — a big party with all of our friends, the Speakeasy Boys playing bluegrass, handsome bartenders, barbecue and the Potomac River as a backdrop.

What non-LGBT issue are you most passionate about? 

Affordable higher education, affordable health care and the freedom to create.

What historical outcome would you change? 

The long persistent influence of Puritanism, here and throughout the world.

What’s been the most memorable pop culture moment of your lifetime? 

Three. Seeing Jackie Hoffman on Broadway in “Hairspray,” “Xanadu” and “The Addams Family.”

On what do you insist? 

That my friends come to my house, eat my cooking and take leftovers home.

What was your last Facebook post or Tweet? 

Katie Petix manages our Facebook for Home Rule. She beats me hands down in posting.

If your life were a book, what would the title be? 

“La-Bas,” but it’s already taken.

If science discovered a way to change sexual orientation, what would you do? 

Ignore it.

What do you believe in beyond the physical world? 

The ghosts that inhabit my cabin in West Virginia. They party so much it keeps me awake.

What’s your advice for LGBT movement leaders? 

I don’t really have much of an activist soul, but I deeply admire those who do: Keep at it and thank you.

What would you walk across hot coals for? 

The last wedge of Parmigiano Reggiano. And my beautiful nieces.

What LGBT stereotype annoys you most? 

Any assumption that prejudges me or others annoys me.

What’s your favorite LGBT movie? 

“Trick.” Tori Spelling is fabulously nutty and the movie reminds me of myself and my friend Debbie.

What’s the most overrated social custom? 

Being too polite to say you want more.

What trophy or prize do you most covet?

I already have it — the senior art award at high school graduation. I always felt like such an outsider, and I didn’t know in advance, so it meant the world to me. I received the psychology award too — I’m still baffled by that one. My partner says he gets it.

What do you wish you’d known at 18? 

How much fun life is.

Why Washington? 

In 1987 my friends, who had already moved here, set me up with a job and an apartment. I have the best friends on the planet.

 

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Theater

Reggie White relishing first season as artistic director of Woolly Mammoth

First five shows a reminder that ‘pressure is a privilege’

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Reggie D. White (Photo by Ambe J. Williams)

Madly talented and preternaturally energetic, Reggie D. White, 38, is about to launch his first season as artistic director of D.C.’s boundary-pushing Woolly Mammoth Theatre Company.

White brings a lot to the job. As actor, playwright, and director, his varied resume includes a 2019 Broadway acting debut in Matthew López’s Tony Award–winning play “The Inheritance,” his semi-autobiographic play “Fremont Ave.” that opened to acclaim last season at Arena Stage, and a number of exciting regional directing credits.

A longtime admirer of Woolly, the out theater-maker was selected from a pool of candidates before receiving the offer last November and starting work in January. His season of five world premieres kicks off with gay playwright Steve Yockey’s “Venus” (Sept. 9-Oct. 4), a darkly funny study of modern relationships told through two lesbians looking back on their first encounter.

White was introduced to Woolly Mammoth as a pre-law student at Cal State Hayward in the San Francisco Bay Area, long before he foresaw a life in the arts. “As part of a random theater history course, I was assigned to write a paper on a counterculture company called Woolly Mammoth,” he recalls “Strange name. I was like what the hell is that?” 

Nineteen-year-old White was intrigued. Research acquainted him with Howard Shalwitz who co-founded Woolly in 1980, and the company’s commitment to living playwrights and new work. He also learned how theater could be used as a tool for difficult conversations and shape the way people thought about social issues by employing imagination and rigor. 

“Never in a million years did young me envision that one day I’d be Woolly’s third artistic director in its 46-year history,” says White. “It’s kind of serendipitously insane.” 

WASHINGTON BLADE: Was there a moment when the enormity of the job hit you?

REGGIE D. WHITE: After I’d signed my contract and finished all the paperwork, I got my keys and sat in the theater by myself in the dark and thought about what an incredible honor it is to be trusted with what happens in this beautiful space [in D.C.’s Penn Quarter]. I might have cried. Sometimes I have to pinch myself to remember it’s real. 

BLADE: Are you curating the upcoming 2026–2027 season? 

WHITE: Yes, I am.  It’s very rare that an incoming artistic director gets to program their first season, but I was lucky in terms of time. After being hired late last year, I asked Woolly’s managing director Kimberly E. Douglas, if she thought it would be crazy if I programmed the season. She warned me it would be hard. 

I invoked tennis legend Billie Jean King’s maxim “pressure is a privilege” and got to work. 

These plays [dubbed White’s “first five”] represent both the kind of theater that Woolly can do really well and speak directly to my voice as curator and how I want to contribute to the larger theatrical conversation in the DMV. 

Getting here has meant a lot of late nights. But I knew the juice would be worth the squeeze.

BLADE: As a queer artistic director, what makes you unique? 

WHITE: When I was playing in “Inheritance” on Broadway, after a performance, U.S. Supreme Court Justice Sotomayer came backstage to meet the cast. She spoke about how her lens on the world as a Puerto Rican woman shapes her decisions. Similarly, because I’m a queer Black man I see through a lens that shapes my work.

I know I’m not the only queer artistic director in town. For me, it influences how I make editorial decisions. Out of this season’s five plays there are explicitly queer characters in four [“Venus,” “Chanukkah Spectacular,” “Ten Grand,” and “Love I Awethu Further”] and I’m directing two [“Venus,” “Ten Grand”].

BLADE: Will we see familiar faces?

WHITE: Every show this season will feature a Woolly Mammoth company member in its cast. Our company also includes designers and directors who we’ll include. I’m invested in continuing to provide a showcase for their work. 

BLADE: How do you think queer audiences will receive the season? 

WHITE: Very well, I think. For queer people who’ve had to navigate the world subversively and solve problems in unique ways, I think it will be especially interesting. I find theater a potent place for questions.

Like all artistic directors. I’ll show up for the job in my own way. I’m just excited that I’ve been invited to bring the fullness of myself to the role.

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PHOTOS: Amsterdam Pride Canal Parade

Annual LGBTQ celebration held in Dutch city during World Pride

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A scene from the 2026 Amsterdam Pride Canal Parade. (Washington Blade photo by Michael Key)

Editor’s note: International News Editor Michael K. Lavers and Photo Editor Michael Key are on assignment in the Netherlands through Aug. 10.

AMSTERDAM — The 2026 Amsterdam Pride Canal Parade was held on Saturday, Aug. 1.

(Washington Blade photos by Michael Key and Michael K. Lavers)

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PHOTOS: Lambda Legal in the Pines

Fundraiser held at ‘Normal Heart’ house

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A scene from the 'Lambda Legal in the Pines' fundraiser on July 25. (Photo by Santiago Felipe)

The LGBTQ organization Lambda Legal held its annual “Lambda Legal in the Pines” fundraiser on Saturday, July 25. The event was held at a house on Fire Island featured in Ryan Murphy’s 2014 HBO film, “The Normal Heart.”

Organizers say over $500,000 was raised to support Lambda Legal’s national litigation and advocacy work.

(Photos by Santiago Felipe)

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