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Queery: Collin Ranney

The ‘Best Little Whorehouse’ set designer answers 20 gay questions

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Collin Ranney (Blade photo by Michael Key)

Now that he’s done with his master’s program in theater design from University of Maryland, Collin Ranney is ā€œgiving D.C. a year.ā€

As a freelance designer — he designs sets and costumes — it’s ā€œa little scaryā€Ā but also, he says, ā€œdefinitely doable.ā€

One of his first post-school gigs, Signature Theatre’s ā€œBest Little Whorehouse in Texas,ā€ opened in previews this week, a show he began designing back in March. He’s in meetings now at Studio Theatre for upcoming show ā€œThe Invisible Man.ā€

ā€œI think it’s the element of escape,ā€ he says of his career choice. ā€œBeing able to go other places whether it’s literally, figuratively or emotionally. Not that my life is horrible and I’m trying to get away from it, but that element of being able to let myself go somewhere for a few hours in a dark room is great.ā€

The 25-year-old Buffalo, N.Y., native was a performer in high school and college but eventually moved more into design work. He still sometimes performs as his drag alter ego Birdie LaCage or sometimes sings karaoke out with friends, but professionally he’s content working behind the scenes for now.

He and his boyfriend of a year and a half, Michael Armstrong, live together in Logan Circle. Ranney’s hobbies are inextricably tied to his work — scale models, drawing, shopping, making headdresses, drafting and sewing. Though he does enjoy going out with friends, dancing and show tunes nights at JR.’s for fun. (Blade photo by Michael Key)

How long have you been out and who was the hardest person to tell?

Coming out was a process for me over a course of a few years. The hardest person to tell was certainly my younger brother. For a while, I felt as though I would somehow disappoint him and suddenly become less of what he had always looked up to his whole life. Eventually, I realized that my being gay was a part of what he had always looked up to.

Who’s your LGBT hero?

I find ā€œheroā€ to be such a strong word. I don’t know that I would categorize any one person as my hero, but I am grateful to all the gay men who have come before me and my generation. They have allowed being gay to be a norm today.

What’s Washington’s best nightspot, past or present?Ā 

Town. I love having the option of hanging out or chilling with friends in the quiet room, to dancing on the floor (and sometimes the boxes), to catching up with my favorite queens.

Describe your dream wedding.

Liza Minnelli and swans on a rooftop at night!

What non-LGBT issue are you most passionate about?

No rhinestone left behind! And of course, Elaine Barrish for president (If you don’t get that reference, watch ā€œPolitical Animalsā€ — it’s brilliant!)

What historical outcome would you change?

Changing history seems like it would cause quite the domino effect on everything that came after, but I still would have taken those damn pills away from Judy Garland before she overdosed!

What’s been the most memorable pop culture moment of your lifetime?

When Cher ended her farewell tour. And of course when Tom Cruise came out —oh wait, did that happen yet?

On what do you insist?

Laughter. Oh, and feathers and rhinestones!

What was your last Facebook post or Tweet?

ā€œWhoring it up over at Signature. Make sure to come see the show next week.Ā  Scenic design by yours truly.ā€

If your life were a book, what would the title be?

I joke about this often actually, and being a Type I Diabetic, I would say: ā€œWhere’s My Glucometer? The Life and Times of Collin Ranney.ā€

If science discovered a way to change sexual orientation, what would you do?

Me personally? Nothing. But I think it should be required for everyone to get a day pass to experience the other side.

What do you believe in beyond the physical world?Ā 

There’s something beyond the physical world?

What’s your advice for LGBT movement leaders?

Dress better.

What would you walk across hot coals for?

That depends on how bad this side of the coals is — I like my feet.

What LGBT stereotype annoys you most?

That there’s such a thing as ā€œtopsā€ and ā€œbottoms.ā€ Versatility makes the world go ā€˜round.

What’s your favorite LGBT movie?

ā€œPriscilla, Queen of the Desert.ā€ How can one not adore that movie?

What’s the most overrated social custom?

Currently? Grindr. Show your faces (even if it means putting on some make-up) and get to the bar, boys! You can still show your torsos there, just wear a nice deep V.

What trophy or prize do you most covet?

Hmm. The Tony Award feels obvious, but it’d be nice. Though I don’t feel I need one to quantify my art, it would be nice.

What do you wish you’d known at 18?

To write everything down. It’s going to be hard to remember it all when it comes time to make my Lifetime Original Movie.

Why Washington?

Because for me, it’s where I’ve grown beyond childhood. It’s where I’ve found people, other than my family, whom I love. It’s where my career has inevitably begun and where I feel part of a community.

 

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Theater

ā€˜Bad Books’ a timely look at censorship in local library

Influencer vs. conservative parent in Round House production

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Holly Twyford (The Mother) and Kate Eastwood Norris (The Librarian) in ā€˜Bad Books’ at Round House Theatre. (Photo by Margot Schulman)

ā€˜Bad Books’
Through May 4
Round House Theatre
4545 East-West Highway
Bethesda, Md.
Tickets start at $43
Roundhousetheatre.org

While a library might seem an unlikely place for a heated contretemps, it’s exactly the spot where adults go when they’re itching to battle out what books minors might be allowed to read. 

In Sharyn Rothstein’s ā€œBad Books,ā€ two women, The Mother (out actor Holly Twyford) and The Librarian (Kate Eastwood Norris), swiftly become mired in a quarrel that comes with some weighty repercussions.Ā 

The Mother is a popular conservative influencer on a mission. She’s furious that the local library has overstepped its bounds and she blames The Librarian, a woman who adheres to the ā€œit takes a villageā€ method of child rearing and is dedicated to the young people who approach her reference desk. 

There’s some background. It seems The Librarian who dresses young (tight jackets and Doc Martens) and curses a blue streak, forged a friendship with Jeremy, a teenage library regular. 

While the details are a bit hazy, it seems the troubled Jeremy confided in The Librarian regarding some personal issues. In return, she suggested a helpful book – Boob Juice.

Unsurprisingly, based solely on its title, the book has thrown The Mother into a pique of outrage. After finding Boob Juice in her son’s bedroom, she made a beeline to the library; and not incidentally, The Mother hasn’t read the recommended work and has no plans to do so. 

Set in a suburb with lax gun laws, the story explores facets of division and conciliation. The Mother insists she isn’t so much about banning books as she is keeping some books away from young people until they’ve obtained parental approval. 

ā€œBad Booksā€ is performed in the round. Built on a rotating stage, Meghan Raham’s set is simple, pleasingly serviceable, and easily transforms from the library into a small corporate office, and later the assembly room of a church. Overhead floats a circular glass shelf filled with a cache of banned books. Things like a rolling book cart and a goldfish bowl add some flavor to the different locations. 

The Mother wasn’t always a popular conservative warrior with an enthusiastic horde of followers. 

Her past includes penning a book that later filled her with guilt and regret. She refers to that early questionable literary accomplishment as her bad book. And while over the years, she has persevered to find and destroy each and every printed copy, she hasn’t entirely succeeded.  

Norris plays three women who figure meaningfully into the arc of Twyford’s mother character. In addition to The Librarian, Norris is The Manager, a broadly played piece of comic relief, and The Editor, a warm woman who reveals things about Jeremy that his own mother never knew. 

Smartly staged by Ryan Rilette, the production is part of a National New Play Network Rolling World Premiere. While Rothstein’s script offers two strong roles (skillfully performed by celebrated actors Twyford and Norris), its ending feels too neatly resolved.  

In the past, Twyford and Norris have successfully joined forces for numerous DMV productions including Studio Theatre’s production of David Auburn’s two-hander ā€œSummer, 1976,ā€ the story of a longtime and unlikely friendship between two women who meet as young mothers during the Bicentennial summer. 

Though different, both The Librarian and The Mother share a strong and ultimately hopeful relationship with words.   

There’s a quote from E.B. White’s classic ā€œCharlotte’s Webā€ that pops up a couple of times in the briskly paced 80-minute play. Charlotte, the wise spider, says, ā€œwith just the right words you can change the world.ā€

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Books

ā€˜Pronoun Trouble’ reminds us that punctuation matters

ā€˜They’ has been a shape-shifter for more than 700 years

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(Book cover image courtesy of Avery)

ā€˜Pronoun Trouble’
By John McWhorter
c.2025, Avery
$28/240 pages

Punctuation matters.

It’s tempting to skip a period at the end of a sentence Tempting to overuse exclamation points!!! very tempting to MeSs with capital letters. Dont use apostrophes. Ask a question and ignore the proper punctuation commas or question marks because seriously who cares.Ā So guess what? Someone does,Ā punctuation really matters,Ā andĀ as you’ll see inĀ ā€œPronoun Troubleā€ by John McWhorter,Ā so do other parts of our language.

Conversation is an odd thing. It’s spontaneous, it ebbs and flows, and it’s often inferred. Take, for instance, if you talk about him. Chances are, everyone in the conversation knows who him is. Or he. That guy there.

That’s the handy part about pronouns. Says McWhorter, pronouns ā€œfunction as shorthandā€ for whomever we’re discussing or referring to. They’re ā€œpart of our hardwiring,ā€ they’re found in all languages, and they’ve been around for centuries.

And, yes, pronouns are fluid.

For example, there’s the first-person pronoun, I as in me and there we go again. The singular I solely affects what comes afterward. You say ā€œhe-she IS,ā€ and ā€œthey-you AREā€ but I am. From ā€œBlack English,ā€ I has also morphed into the perfectly acceptable Ima, shorthand for ā€œI am going to.ā€ Mind blown.

If you love Shakespeare, you may’ve noticed that he uses both thou and you in his plays. The former was once left to commoners and lower classes, while the latter was for people of high status or less formal situations. From you, we get y’all, yeet, ya, you-uns, and yinz. We also get ā€œyou guys,ā€ which may have nothing to do with guys.

We and us are warmer in tone because of the inclusion implied. She is often casually used to imply cars, boats, and – warmly or not – gay men, in certain settings. It ā€œlacks personhood,ā€ and to use it in reference to a human is ā€œbarbarity.ā€

And yes, though it can sometimes be confusing to modern speakers, the singular word ā€œtheyā€ has been a ā€œshape-shifterā€ for more than 700 years.

Your high school English teacher would be proud of you, if you pick up ā€œPronoun Trouble.ā€ Sadly, though, you might need her again to make sense of big parts of this book: What you’ll find here is a delightful romp through language, but it’s also very erudite.

Author John McWhorter invites readers along to conjugate verbs, and doing so will take you back to ancient literature, on a fascinating journey that’s perfect for word nerds and anyone who loves language. You’ll likely find a bit of controversy here or there on various entries, but you’ll also find humor and pop culture, an explanation for why zie never took off, and assurance that the whole flap over strictly-gendered pronouns is nothing but overblown protestation. Readers who have opinions will like that.

Still, if you just want the pronoun you want, a little between-the-lines looking is necessary here, so beware. ā€œPronoun Troubleā€ is perfect for linguists, writers, and those who love to play with words but for most readers, it’s a different kind of book, period.

The Blade may receive commissions from qualifying purchases made via this post.

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Calendar

Calendar: April 18-24

LGBTQ events in the days to come

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Friday, April 18

ā€œCenter Aging Friday Tea Timeā€ will be at 2 p.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more details, email [email protected].Ā 

Go Gay DC will host ā€œLGBTQ+ Community Social in the Cityā€ at 7 p.m. at Hotel Zena. This event is ideal for making new friends, professional networking, idea-sharing, and community building. This event is free and more details are available on Eventbrite.Ā 

Trans and Genderqueer Game Night will be at 6 p.m. at the DC Center for the LGBT Community. This will be a relaxing, laid-back evening of games and fun. All are welcome and there’ll be card and board games on hand. Feel free to bring your own games to share. For more details, visit the DC Center’s website.Ā 

Saturday, April 19

Go Gay DC will host ā€œLGBTQ+ Community Brunchā€ at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including Allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.

LGBTQ People of Color Support Group will be at 7 p.m. on Zoom. This peer support group is an outlet for LGBTQ People of Color to come together and talk about anything affecting them in a space that strives to be safe and judgement free. There are all sorts of activities like watching movies, poetry events, storytelling, and just hanging out with others. For more information and events for LGBTQ People of Color, visit thedccenter.org/poc or facebook.com/centerpoc.Ā 

ā€œSpark Sapphic Socialā€ will be at 8 p.m. at Spark Social House. This weekly sapphic social is an opportunity to mix and mingle with other sapphics in D.C.’s newest LGBTQ bar. This event is free and more details are available on Eventbrite.Ā 

ā€œDC Drag Brunch on Rooftop – Penthouse (Formerly at Lima Twist)ā€ will be at 12 p.m. at Baby Shank Rooftop. Hosted by Miss Capital Pride, this is the ultimate drag brunch experience in Washington, D.C., featuring the fiercest queens around. Prepare to be entertained by glamorous drag queens and celebrated celebrity impersonators, including Taylor Swift, Lady Gaga, BeyoncĆ©, Britney Spears, Nicki Minaj, Ariana Grande, Whitney Houston, Cher and many more. Tickets cost $27 and are available on Eventbrite.Ā 

Sunday, April 20

Queer Crayon Club will host ā€œQueer Sketch Socialā€ at 3 p.m. at Sinners and Saints. This is a fun event for LGBTQ+ adults to come together and color. Attendance is free and more details are available on Eventbrite.

Monday, April 21

ā€œCenter Aging Monday Coffee & Conversationā€ will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more details, email [email protected].Ā 

Tuesday, April 22

Genderqueer DC will be at 7 p.m. on Zoom. This support group is for people who identify outside of the gender binary. Whether you’re bigender, agender, genderfluid, or just know that you’re not 100% cis – this is your group. For more details, visit www.genderqueerdc.org or Facebook.Ā 

Coming Out Discussion Group will be at 7 p.m. on Zoom. This is a peer-facilitated discussion group and a safe space to share experiences about coming out and discuss topics as it relates to doing so. For more details, visit the group’s Facebook.Ā 

Wednesday, April 23

Job Club will be at 6 p.m. on Zoom. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely ā€œapplicantsā€ toward being ā€œcandidates.ā€ For more information, email [email protected] or visit thedccenter.org/careers.

Asexual and Aromantic Discussion Group will be at 7 p.m. on Zoom.Ā This is a space where people who are questioning this aspect of their identity or those who identify as asexual and/or aromantic can come together, share stories and experiences, and discuss various topics. For more details, email [email protected].Ā 

Thursday, April 24

Virtual Yoga with Sarah M. will be at 7 p.m. on Zoom. This is a free weekly class focusing on yoga, breath work, and meditation. For more details, visit the DC Center for the LGBT Community’s website.

DC Anti-Violence Project Open Meeting will be at 7 p.m. on Zoom. This meeting is open to anyone interested in learning more and getting involved in lessening violence both within and directed towards the LGBT communities. For more information, visit Facebook or Twitter.

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