Arts & Entertainment
Shifting ‘Shape’
World premier depdicts married Vaudevillians on tour
‘Shape’
force/collision
Atlas Performing Arts Center
1333 H Street, NE
$10-$25
202-399-7993, ext. 2

Dane Figueroa Edidi in ‘Shape,’ a force/collision production. If you want to see it, act fast — it closes Saturday. (Photo by C. Stanley Photography)
Young local company force/collision isn’t afraid to take on tough material.
Their last production was a site-specific project inspired by the Washington Navy Yard performed over a nippy spring weekend in outdoor fountains at a park on the Southwest Waterfront. Now, the ensemble is tackling very different-but-equally challenging work by experimental dramatist Erik Ehn titled “Shape” (currently nearing the end of a world premiere run at Atlas Performing Arts Center). In both cases, the productions have proved intriguing and visually compelling.
Roughly based on the lives African-American vaudevillians Billy and Cordelia McClain, “Shape” follows the married couple’s experiences over time as they move from place to place.
As the lights come up, the scene is set by Survivor (the excellent Dexter Hamlett), a narrator who’s big on lyricism but short on concrete detail (thank goodness for program notes). It’s turn-of-the-century Ambrose Park, Brooklyn where Billy (Frank Britton) and Cordelia (Dane Figuero Edidi) are headlining in “Black America,” a true life spectacle in which about 500 black entertainers glorified plantation life in the Old South.
After the Brooklyn show closes, the couple sojourns to Europe where they eschew their usual daily dose of minstrelsy for racier entertainments — Cordelia introduces a new sexy Jazz Age act while Billy finds adventure in the arms of myriad other women. The marriage crumbles and they return to the states where Billy is on hand for the Tulsa Race Riots of 1921, a hideous episode in American history that left thousands of black families homeless and scores dead.
Director John Moletress, who is gay, leads a talented design team in admirably presenting Ehn’s sometimes puzzling play.
Collin Ranney (also gay) transforms Atlas’ black box theater into an enchanted place. Above a lawn of excelsior hang tiny glowing fairy houses that rise and fall like the vaudevillians fortunes. In the center sits a stump; nearby there’s an old steamer trunk. At either end of the space are billowy sails, bookending a small world both redolent of the past, of suggestive voyage and escape.
Ariel J. Benjamin’s dramatic lighting and Derek V. Knoderer’s equally evocative soundscape add to the overall effect.
And while the production is visually appealing, and boasts inventive staging (random chairs and a few actors magically morph into a railroad passenger car) and a strong cast, its lack of linear narrative can be frustrating at times, especially since Ehn is tying historical facts to larger themes. (“Shape” is part of Ehn’s “Soulographie,” a series of 17 plays about genocide and reconciliation.)
Mostly, it’s best to sit back and let Ehn’s dreamlike prose wash over you; enjoy the production’s haunting songs, stirring, avian-inspired movement and the dedicated cast. Figueroa Edidi’s Cordelia is sublime: a diva with a sense of humor. She’s resilient but not wholly inured to life’s hardships. In one of his stronger performances, Britton captures Billy as the charming philanderer. Other standouts include Karin Rosnizek’s clueless French reporter and Luci Murphy as a soulful, singing vaudevillian.
The parts of Cordelia and her maid (S. Lewis Feemster) have been cast with male actors, heightening theatricality and a focus on identity. The choice also pays homage to black vaudevillians of the early 20th century who often played cross-gendered roles.
With “Shape,” force/collision strikingly fulfills its mission to create new performance works. And while “Shape” is sometimes hard to follow, it’s always beautiful to watch.
Arts & Entertainment
Catherine O’Hara, ‘Schitt’s Creek’ star and celebrated queer ally, dies at 71
Actress remembered for memorable comedic roles in ‘Beetlejuice’ and ‘Home Alone’
Catherine O’Hara, the varied comedic actor known for memorable roles in “Beetlejuice,” “Schitt’s Creek,” and “Home Alone,” has died at 71 on Friday, according to multiple reports. No further details about her death were revealed.
O’Hara’s death comes as a shock to Hollywood, as the Emmy award-winning actor has been recently active, with roles in both “The Studio” and “The Last of Us.” For her work in those two shows, she received Emmy nominations for outstanding supporting actress in a comedy series and outstanding guest actress in a drama series.
In 2020, O’Hara won the Outstanding Lead Actress in a comedy series award for her work in the celebrated sixth and final season of “Schitt’s Creek.” She was also known as a queer ally and icon for her theatrical and often campy performances over multiple decades. In “Schitt’s Creek,” she played Moira Rose, the wig-loving mother of David Rose (played by series creator Dan Levy). David is pansexual, but the characters around him simply accept him for who he is; the show was embraced by the LGBTQ community with how naturally David’s sexuality was written and portrayed. That show ran from 2015 to 2020 and helped bring O’Hara and her co-stars into a new phase of their careers.
In a 2019 interview with the Gay Times, O’Hara explained why the show got LGBTQ representation right: “Daniel has created a world that he wants to live in, that I want to live in. It’s ridiculous that we live in a world where we don’t know how to respect each other and let each other be. It’s crazy. Other shows should follow suit and present the world and present humans as the best that we can be. It doesn’t mean you can’t laugh, that you can’t be funny in light ways and dark ways. It’s all still possible when you respect and love each other.”
Additional credits include “SCTV Network” (for which O’Hara won a writing Emmy), “Beetlejuice Beetlejuice,” “Curb Your Enthusiasm,” “Six Feet Under,” “Best in Show,” “Home Alone 2: Lost in New York,” and “Dick Tracy.” O’Hara also lent her voice to “The Nightmare Before Christmas,” “Chicken Little,” “Monster House,” and “Elemental.” O’Hara was expected to return for Season 2 of “The Studio,” which started filming earlier this month.
Friday, January 30
Friday Tea Time will be at 12 p.m. at the DC Center for the LGBT Community. This is a social hour for older LGBTQ+ adults. Bring your beverage of choice. For more information, contact Mac ([email protected]).
Spark Social will host “RuPaul’s Drag Race S18 Watch Party” at 8 p.m. This event will be hosted by local drag queens TrevHER and Grey, who will provide hilarious commentary and make live predictions on who’s staying and who’s going home. Stick around after the show for a live drag performance. This event is free and more details are available on Eventbrite.
Saturday, January 31
Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
Sunday, February 1
Go Gay DC will host “LGBTQ+ Community and Conversation” at noon at As You Are. This event is for those looking to make more friends and meaningful connections in the LGBTQ+ community. Look for the Go Gay DC sign on the long table near the front window. Attendance is free and more details are available on Eventbrite.
Monday, February 2
“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam (adamheller@thedccenter.org).
Tuesday, February 3
Universal Pride Meeting will be at 7 p.m. on Zoom. This group seeks to support, educate, empower, and create change for people with disabilities. For more information, email [email protected].
Wednesday, February 4
Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.
Center Aging Women’s Social and Discussion Group will be at 7 p.m. on Zoom. This group is a place where older LGBTQ+ women can meet and socialize with one another. There will be discussion, activities, and a chance for guests to share what they want future events to include. For more details, visit the DC Center’s website.
Thursday, February 5
The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5:00 pm if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.
Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breath work and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC Center’s website.
a&e features
D.C. LGBTQ sports bar Pitchers listed for sale
Move follows months of challenges for local businesses in wake of Trump actions
A Santa Monica, Calif.-based commercial real estate company called Zacuto Group has released a 20-page online brochure announcing the sale of the D.C. LGBTQ sports bar Pitchers and its adjoining lesbian bar A League of Her Own.
The brochure does not disclose the sale price, and Pitchers owner David Perruzza told the Washington Blade he prefers to hold off on talking about his plans to sell the business at this time.
He said the sale price will be disclosed to “those who are interested.”
“Matthew Luchs and Matt Ambrose of the Zacuto Group have been selected to exclusively market for sale Pitchers D.C., located at 2317 18th Street, NW in Washington, D.C located in the vibrant and nightlife Adams Morgan neighborhood,” the sales brochure states.
“Since opening its doors in 2018, Pitchers has quickly become the largest and most prominent LGBTQ+ bar in Washington, D.C., serving as a cornerstone of D.C.’s modern queer nightlife scene,” it says, adding, “The 10,000+ SF building designed as a large-scale inclusive LGBTQ+ sports bar and social hub, offering a welcoming environment for the entire community.”
It points out that the Pitchers building, which has two years remaining on its lease and has a five-year renewal option, is a multi-level venue that features five bar areas, “indoor and outdoor seating, and multiple patios, creating a dynamic and flexible layout that supports a wide range of events and high customer volume.”
“Pitchers D.C. is also home to A League of Her Own, the only dedicated lesbian bar in Washington, D.C., further strengthening its role as a vital and inclusive community space at a time when such venues are increasingly rare nationwide,” the brochure says.
Zacuto Group sales agent Luchs, who serves as the company’s senior vice president, did not immediately respond to a phone message left by the Blade seeking further information, including the sale price.
News of Perruzza’s decision to sell Pitchers and A League of Her Own follows his Facebook postings last fall saying Pitchers, like other bars in D.C., was adversely impacted by the Trump administration’s deployment of National Guard soldiers on D.C. streets
In an Oct. 10 Facebook post, Perruzza said he was facing, “probably the worst economy I have seen in a while and everyone in D.C. is dealing with the Trump drama.” He told the Blade in a Nov. 10 interview that Pitchers continued to draw a large customer base, but patrons were not spending as much on drinks.
The Zacuto Group sales brochure says Pitchers currently provides a “rare combination of scale, multiple bars, inclusivity, and established reputation that provides a unique investment opportunity for any buyer seeking a long-term asset with a loyal and consistent customer base,” suggesting that, similar to other D.C. LGBTQ bars, business has returned to normal with less impact from the Trump related issues.
The sales brochure can be accessed here.
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