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Gospel music vets Knapp, Becker unite for Christmas album, tour

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Jennifer Knapp, Margaret Becker, gospel music, Immigrant's Daughter, Simple House, music, gay news, Washington Blade

Margaret Becker and Jennifer Knapp
ā€˜The Hymns of Christmas Tourā€™
Monday, 7:30 p.m.
The Birchmere
3701 Mount Vernon Ave.
Alexandria, VA
$25

Jennifer Knapp, Margaret Becker, gospel music, Immigrant's Daughter, Simple House, music, gay news, Washington Blade

Margaret Becker (right) a veteran of gospel music with classic albums like ‘Immigrant’s Daughter’ and ‘Simple House’ in her canon, just finished a Christmas album with Jennifer Knapp, a gospel artist who emerged in the late ’90s. (Photo by Heidi Groff; courtesy Jay Jones Music)

Any touring musician will tell you life on the road ā€” even when you can afford first class all the way ā€” can get to you after years of going through the endless recording/promoting/touring/repeat cycle.

Two gospel music veterans who, at different times and to varying degrees, each spent years out of the limelight, are back with a wildly unexpected joint project ā€” an album called ā€œThe Hymns of Christmas.ā€ On it, Margaret Becker and Jennifer Knapp trade leads and harmonies and enjoy what they say is great musical repartee.Ā They’re half-way through a 14-date mini-tour to support it and play the Birchmere in Alexandria, Va., Monday night.

Knapp, 38, released her first major label album to the Christian market in 1998 and worked solidly touring and recording through 2002 at which time she went on a long hiatus, moved to Australia and pretty much gave up any thoughts of continuing her career. She came out as a lesbian in April 2010 and released a comeback album called ā€œLetting Go.ā€ She maintains her Christian faith but says, though she doesnā€™t claim to be a theologian, she believes many of the scriptures traditionally used to condemn gays have been misunderstood and misinterpreted.

Becker, 53, was practically peerless among Christian music women rockers in her heyday. She released her first album in 1987 and though she recorded plenty of ballads and exhibited tremendous songwriting prowess, Becker always rocked harder than her contemporaries like Amy Grant or Twila Paris. Becker enjoyed a great run throughout the late ā€˜80s and ā€˜90s but slowed down tremendously by the ā€˜00s. Her new effort with Knapp is her first new album since 2007ā€™s ā€œAir.ā€

During a lunch break last week between back-to-back shows in Canton, Ohio and Indianapolis, Knapp fields a bevy of questions on how she has settled into being an openly gay singer, the collaboration with Becker and how it came about and what fans can expect from their show next week at the Birchmere.

Itā€™s a highly non-glam tour and Knapp makes no attempt to hide it. Theyā€™re sharing a van and Becker is in line getting lunch at a Subway while Knapp answers Blade questions. Though the interview is with Knapp, Becker quickly follows up with e-mail inquiries later in the day.

ā€œItā€™s just gonna be Margaret and I with a couple of acoustic guitars, but donā€™t let that fool you,ā€ Knapp says. ā€œItā€™s one of the most fun times Iā€™ve ever had and itā€™s not gonna be some pared down girly acoustic thing. Itā€™s gonna be a really good, full-voiced night. It shocks me when I look over at her and see how much she gives each night.ā€

Though not as active as she formerly was, Becker still speaks at religious womenā€™s events and participates in hymn recording projects. Her audience is very much part of the Nashville-based contemporary Christian industry, the ranks of which both she and Knapp came through.

The two met in about 2000 when they both participated in a pair of multiple-artist projects and became friends. Knapp, who long has admired Becker, says it took no arm-twisting to convince Becker to record and tour with her, though many gospel fans turned their back on Knapp.

ā€œFortunately itā€™s not really an issue weā€™ve had,ā€ Knapp says. ā€œTonightā€™s going to be a prime example. Weā€™re playing at a United Methodist church in Indianapolis. It will be a lovely Christmas evening and the last thing weā€™ll be talking about is our sexual orientation. Itā€™s a huge step for that church to host somebody like me and just proceed as if itā€™s business as usual but I think weā€™re seeing that more and more in terms of the public consciousness. I think we saw that in this last election. Itā€™s great that people can take that and not draw this unusual amount of attention to it. Thatā€™s really the extraordinary part of it.ā€

Becker, in an e-mail exchange, says sheā€™s not finding fans and those coming to the shows to be inferring anything about her life or ministry by her collaboration with Knapp.

ā€œThe audiences who are supporting this are music lovers who recognize when the work is symbiotic and complementary,ā€ Becker says. ā€œWeā€™ve played this tour to those people, groups that I consider to be overlapping supporters from both of our bases. They are respectful and come for the music and spirit or the art of the material. I donā€™t think they give it much more thought than that and to me, thatā€™s perfect. Thatā€™s how it should be.ā€

For the record, Becker declines to comment on her own sexual orientation. “My personal life is private and I’m very happy,” she wrote in an e-mail via her publicist. “I am very supportive of Jennifer and this musical partnership we’ve created and look forward to sharing it with her supporters and mine.”

The album features mostly acoustic arrangements of traditional church classes like ā€œHark the Herald Angels Sing,ā€ ā€œThe First Noel,ā€ ā€œWhat Child is This,ā€ ā€œSilent Nightā€ and more. Neither artist had recorded a Christmas album before and now that both are again living in the Nashville area, they decided this summer to go ahead and make it happen.

ā€œWe finally said, ā€˜Letā€™s just do it, letā€™s just get it done,ā€™ā€ Knapp says. ā€œThere was no pressure to write anything new, theyā€™re all hymns so thereā€™s a great wealth of material there and lots of opportunities for us to harmonize. We just decided to put our money where our mouth was and go ahead and do it.ā€

Becker concurs.

ā€œOne night we just got serious and realized weā€™d both put off making a Christmas record over the course of our careers, at least the kind that was indigenous to us. Thatā€™s where the idea came from. Making music with a dear friend who is also an awesome talent was the catalyst for me. It was fun top to bottom.ā€

The indie album was recorded on a shoestring with, Knapp says, basically ā€œone mic and one computer.ā€ She says the advance of user-friendly recording software made it possible to do the album without spending thousands. They did some spring rehearsing, hit the studio in July (when most Christmas albums are recorded) and did most of the work in a four-week span. The mixing and packaging came soon after and the project wrapped in October.

ā€œIt did feel a little weird at first singing all these Christmas songs while youā€™re just dripping in sweat in the middle of the hot Tennessee summer,ā€ she says. ā€œSo at the beginning, yeah, it took a little time to wrap my head around a Christmas project but pretty quickly it really did start to feel like its own project. It didnā€™t feel kitschy or Christmasy really to me. We approached it in a very honest sense and didnā€™t want to make it kitschy. Maybe itā€™s just because I was involved with it but I really was thinking, ā€˜Wow, I could listen to this any time of the year.ā€™ā€

The first half of the show is basically the new album. In the second half, the two revisit their hits, trade harmonies on each otherā€™s songs and keep it loose enough that the set list varies from show to show.

ā€œWeā€™ve sort of got this telepathy thing going on for the last two or three shows,ā€ Knapp says. ā€œWeā€™ll just kind of riff on a theme for a bit and itā€™s great knowing you donā€™t have to play it exactly the same way every night or carry the full weight of the evening by yourself.ā€

Knapp ends the conversation weighing in on a blaze of topics. On whether or not Christians in the U.S. are becoming less rigid on homosexuality, Knapp says there ā€œwill always be people who arenā€™t going to change their minds no matter what.ā€ She says she finds encouragement in the Mainline Protestant denominations that are making gay-friendly strides more and more as time progresses.

Why then, one wonders, have those kinds of churches not spawned their own cottage industry of gospel music the way the evangelical/Bible Belt world did starting with ā€œJesus musicā€ in the late ā€˜60s?

ā€œItā€™s a question Iā€™ve been asking myself for years,ā€ Knapp says. ā€œThere are thousands of singers who write about their faith from very different viewpoints but I really think a lot of it has to do with the circumstances in that world where the people who run the industry really see themselves as the gatekeepers and a great emphasis is placed on how the individual artist acts and who they hang out with and how you think about your faith. Weā€™ve seen a lot of strong artists pulled from shelves because theyā€™ve gotten divorced or had an alcohol problem or whatever. As a songwriter you really have to keep writing true and honest stories. If youā€™re only writing music for Christians, by Christians to make more Christians, you kind of lose out.ā€

Lee Tucker, a long-time gay gospel music fan and Alexandria, Va., resident, says Knapp deserves enormous credit for being brave enough to come out, despite what it might cost her in lost airplay, space at Christian retail and fans.

ā€œI think itā€™s amazing she took the brave jump to come out,ā€ Tucker says. ā€œIt was a big jump for Chely Wright too because a lot of country music is in the Midwest and in the Bible Belt, but itā€™s even more of a leap for Jennifer because it will totally change her market. If you went into a Christian bookstore right now, you wouldnā€™t find any of her stuff on the shelves at all.ā€

For LGBT teens who might be coming up in evangelical households, Knapp says hang in there and remember there are faith-based Christian groups out there that affirm gays.

ā€œAbsolutely get online, there are so many people out there waiting with open arms,ā€ she says. ā€œThe Christian Network, Believe Out Loud, Soulforce, Inside Out Faith ā€” there are a lot of people out there offering very compassionate, faith-based support. Itā€™s not longer just churches being the bad guys here. A lot of them are starting to get the message.ā€

 

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Transgender nonbinary sprinter Nikki Hiltz makes Team USA

ā€˜Woke up an Olympianā€™

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(Screenshot)

They ran like the wind, broke the tape at the finish line, and clutched their chest with the broadest smile on their face. Then Nikki Hiltz collapsed to the track, having set a new record in the 1,500-meter race at the U.S. Olympic track and field trials and earned a spot on Team USA.Ā 

As the realization sank in that they would be representing the U.S. in Paris as an out transgender nonbinary athlete, what the Paris-bound Olympian did next was to scribble a message of LGBTQ representation on the last day of Pride Month, writing with a red marker upon the glass of the camera that records each athleteā€™s signature on a whiteboard: 

ā€œI ā¤ļø the gays,ā€ they wrote, and above it, they signed their first name. 

Hiltz, 29, finished the race on Sunday at the University of Oregonā€™s Hayward Field in first-place with a final time of 3:55:33, breaking third-place finisher Elle St. Pierreā€™s 2021 record of 3:58:03. 

Hiltz credited St. Pierre, the top-finishing American and third-place finisher in the womenā€™s 1,500 at the Tokyo Olympics, with motivated them and the other competitors to race faster. With a first lap time of 61 seconds, St. Pierre led the race for the majority of its duration. St. Pierre and Emily Mackay, who placed second, also both earned spots in the Paris Olympics.

ā€œIf someone would have told me this morning that 3:56 doesnā€™t make the team, I donā€™t want to know that. Iā€™m just in the race to run it and race it and thatā€™s what I did,ā€ Hiltz said after the race. The Santa Cruz native who came out in 2021 as trans nonbinary told NBC Sports that the accomplishment is ā€œbigger than just me.ā€

ā€œI wanted to run this for my community,ā€ Hiltz said, ā€œAll of the LGBT folks, yeah, you guys brought me home that last hundred. I could just feel the love and support.ā€ 

On Monday, Hiltz reflected on the race and how they became an Olympian in a post on Instagram.

ā€œWoke up an Olympian. šŸ„¹ Yesterday afternoon in Eugene Oregon a childhood dream of mine came true. Iā€™m not sure when this will fully sink in ā€¦ All I know is today Iā€™m waking up just so grateful for my people, overwhelmed by all the love and support, and filled with joy that I get to race people I deeply love and respect around a track for a living. šŸ™ā€

Hiltz also shared a photo with their girlfriend, runner Emma Gee, and captioned it: ā€œRemember in Inside Out 2 when Joy says ā€œmaybe this is what happens when you grow up ā€¦ you feel less joyā€? Yeah I actually have no idea what sheā€™s talking about. šŸŽˆšŸŒˆšŸ¤ šŸ¦…šŸ„šŸ‡«šŸ‡·ā€

They shared photos in their new Team USA garb, too. 

While they will be the first out trans nonbinary member of the U.S. track and field team, Hiltz will not be the first nonbinary Olympian. That honor goes to Quinn, who played soccer for Canada in Tokyo and holds the record as the only nonbinary athlete to have won a gold medal. So far. 

Many of the posts by Hiltz, Team USA and others have been trolled by bigots and ignoramuses who have mistaken them for a trans woman who was presumed to be male at birth and transitioned genders. Right-wing outlets and anti-trans activist Riley Gaines have commented on their victory and questioned their gender identity and decision to compete against cisgender women. 

But in the spirit of the late Marsha P. Johnson, who famously said the ā€œPā€ stood for ā€œpay no mindā€ to the haters, Hiltz shared a photo of a handwritten motivational note to themself, which ends: ā€œI saw a quote online the other week that said, ā€˜respect everybody, fear nobody,ā€™ and thatā€™s exactly how Iā€™m going to approach this final. I can do this.ā€Ā 

And they did.Ā 

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Rehobothā€™s Purple Parrot still soaring after 25 years

Owners Hugh Fuller and Troy Roberts reflect on keys to their success

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Longtime Purple Parrot employee Chris Chandler. (Washington Blade photo by Daniel Truitt)

Two buildings, one romance, and 25 years later, the Purple Parrot is busy as ever. 

If the tropical purple paint covering the outside with rainbow flags and walls covered with love notes, affirmations, and drunk wishes scribbled on dollar bills don’t indicate it already, the Purple Parrot is an institution in Rehoboth. The gay-owned and operated fixture is celebrating its 25th anniversary this year.Ā 

The Blade sat down with owners Hugh Fuller and Troy Roberts of the Rehoboth establishment to discuss the past 25 years and plans for the future.Ā 

Fuller and Roberts, both gay, have been working together since before the Parrot was even an idea. Fuller was a co-owner of the Iguana, another restaurant and bar in the town. Ā 

ā€œI was in the Iguana first with another business partner,ā€ Fuller said. ā€œI was going to get out and move up to Pennsylvania with him [Roberts]. He decided that he was going to come down and said, ā€˜Well, what if I go in with you at the Iguana and we do it together?ā€™ And I was like, ā€˜Alright,ā€™ so we did, and it just snowballed from there. We were always in the restaurant business together from the beginning.ā€Ā 

ā€œYeah, that was really luck, too,ā€ Roberts began. ā€œBecause-ā€ 

ā€œBecause Grindr wasnā€™t around then!ā€ Fuller interjected, laughing as Roberts began to roll his eyes and smile.Ā 

ā€œI had a small place up in York,ā€ Roberts continued. ā€œSelling that kind of gave us some money to buy the other guy out. We just had friends supporting us and helping us along the way and it just kind of worked.ā€Ā 

ā€œKind of workedā€ would be an understatement. The pair moved on from the Iguana and opened the Parrot. Then, after opening the Parrot, they decided to shift locations to a larger location down the street to accommodate the growing demand. Then in 2010, the Parrot expanded again, adding the land behind the Rehoboth Avenue location, which provided an additional 950 square feet as well as giving patrons access to Wilmington Avenue. 

The bar and restaurant, which serves American cuisine with a beach flair, has always focused on being a welcoming space to all regardless of sexuality, gender, race, nationality, or identity. This, the duo explains, is one of the reasons why the restaurant has had such a lasting impact on the Rehoboth restaurant and gay communities.Ā 

The Purple Parrot (Washington Blade photo by Daniel Truitt)

ā€œBack in the ā€˜90s when we first opened up, the amount of straight crossdressers that would come were like, ā€˜Oh, are we allowed to come in? Are we welcomed into a place like that?ā€™ And we were like ā€˜Everybody that walks on this planet is welcome here!ā€™ā€ Fuller said. ā€œThose are the kinds of things, you know, where people just felt comfortable. They would get stared at out on the street, but inside they would walk around and feel like they were in their own skin. It was just really cool to see.ā€

The feeling of acceptance has been a crucial part of the Parrotā€™s success.

ā€œI got an email a couple of days ago ā€” probably two weeks ago about a woman bringing her daughter down,ā€ Roberts said. ā€œShe’s 16 and was bullied through school ā€” hard times, depression, tried to harm herself a couple of times. It was just really sweet that she reached out and she’s like, ā€˜My daughter was a completely different person when I brought her into your bar. Everybody treated her nice ā€” the bartenders, the waitstaff, I mean, everybody was friendly. She just doesn’t experience that often being an out 16-year-old lesbian. We just can’t even thank you enough.ā€™ It’s those kinds of things that we get often.ā€

ā€œ[The mother] mainly wrote it because we put the Pride flag on the Parrotā€™s Facebook wall,ā€ Fuller added. 

The colorful lights, disco balls, and staggering number of dollar bills stapled to the walls highlight that the Rehoboth community has embraced the Parrot. Itā€™s not uncommon to see a group of gay patrons sitting at the bar in bathing suits sipping on orange crushes and talking about their day at Poodle Beach while a bachelorette party belts out Lady Gaga on karaoke night in the room next door. That is the vibe Fuller and Roberts have curated ā€” a fun and friendly tropical oasis in the middle of Rehoboth Avenue.  

A crucial element of this curated vibe, the pair point out, is treating employees and guests with respect. When asked what they have learned that helped them be so successful over the past 25 years, Fuller and Roberts said the same thing.

ā€œPatience, organization, and treating people well,ā€ Roberts said.ā€ I think that’s probably one of the bigger of the three ā€” you treat them well and they treat you well. I think it’s just a mutual respect.ā€ 

 ā€œIt took me about 30 years to learn that it’s not just all about work,ā€ Fuller said. ā€œI used to bust my butt in there all the time and the focus was [on] the restaurant. I know [Roberts] said patience, I would say mine was being patient too because I learned going in that it’s easier to deal with your employees without shouting at them. It took me a little while to get through that.ā€ 

He added that compensating staff fairly was also one of their keys to success.Ā 

 ā€œBefore we take a nickel out of our business, we put $1 back into our employeesā€™ pockets,ā€ Fuller said. We want the business to survive and it has been incredible.ā€  

Fuller added that this sentiment, of having patience and treating everyone with respect, goes both ways ā€” it applies to the Parrotā€™s patrons as well. 

ā€œIf you leave the Parrot angry, it’s your own decision,ā€ Fuller explained. ā€œIf we don’t make you happy there, it’s because you’re choosing not to be happy. We will go out of our way to correct anything and everything that we can. So if you leave [unhappy], it’s not because we couldn’t do it. It’s because you didn’t want us to.ā€

The two discussed their history together ā€” anyone who has them interact can see their spirited energy and appreciation for each other. 

 ā€œTroy and I used to be a couple when we first opened, and we were together for about 10 years,ā€ Fuller said. ā€œAnd then we kind of went our separate ways, but the restaurant kept us in very close contact. Sometimes I think we’re probably closer than most couples are because of the way that the restaurant has us tied together.ā€ 

ā€œEven during the worst of it, we never stopped communicating on a daily basis,ā€ Roberts added. ā€œObviously, you can tell by his personality why that all went south,ā€ he said laughing. 

ā€œWell, you can tell by the way that he looks why it went south.ā€ Fuller jabbed back, also laughing.

ā€œHey!ā€ Roberts replied. 

ā€œI wasn’t gonna continue dating my grandfather!ā€ Fuller joked. 

Despite the end of their romantic relationship, there was still clear evidence of perpetual good energy between the business partners. The two then started to reminisce about the past 25 years and the struggles and successes they overcame to reach this milestone. 

The pair mentioned the two biggest struggles they have faced in the past quarter century. One was when Rehoboth Avenue was dug up for the Streetscape improvement project, and the second was the 2008 recession.Ā 

ā€œWe were refinancing our houses several times to keep it afloat there for a little while,ā€ Fuller said. 

ā€œBut hey, we got nice sidewalks now!ā€ Roberts added. ā€œSo that’s good.ā€

 Itā€™s not just the customers who grew up with the Parrot; so did the staff.

ā€œI mean one of the kids who bussed for us is now our dentist,ā€ Fuller said.

ā€œOne of the busboys from the Iguana days, he’s our dentist now,ā€ Roberts explained. ā€œThey actually started dating in high school while working together at the Iguana. One of them followed us to the Parrot and her daughter just worked for us two summers ago as a host. He’s our dentist, and they’re still local. We just sold him a house over in Lewes, because we’re both Realtors on the side. When you look back at that, you’re like, ā€˜Oh, my God, you were just a kid. And now you have a kid graduating college!ā€™ It goes fast.ā€Ā 

It seems that many of the staff have a soft spot for the Parrot, and for good reason. An important aspect of keeping their employees happy is supporting them. At first, it was trips to Disney World with some of the servers and renting out the local waterpark to give kids time to enjoy the summer. Then it became Christmas bonuses, which are not common in the food service industry.Ā 

The Parrot helped raise more than $10,000 for one of their employees dealing with fallout from the war in Ukraine.Ā 

ā€œOne of our bartenders being from Ukraine, when all that went down, amazingly, how he was able to bring a lot of his family over,ā€ Roberts said. ā€œAnd until they actually got grounded, he had places for them to stay all lined up.ā€

ā€œThe reason that he was able to get them over is because we did a fundraiser at the restaurant and our customers raised over $10,000 to help sponsor his family and one of our other employees’ families,ā€ Fuller said. ā€œThey brought them all the way up through Mexico and into the country and now they’re here with citizenship cards and working for us. We got them houses and apartments too.ā€ 

ā€œWe don’t care what they are, whether they’re straight, Black, Chinese, Mexican. It’s like the Benetton of Rehoboth in here,ā€ Fuller added. ā€œIt’s the United Nations. We support everybody and we’re not afraid to show our support for everybody.ā€

In addition to reminiscing about some of the good things the restaurant has done for its employees, they both talked about notable guests of the Parrot. 

ā€œMy mind went right to the guys from Manhattan, who would always come down,ā€ Roberts said when asked if any guests have stuck out to him over the past 25 years. ā€œThey just happened to find us. They had never been to Rehoboth before. They walked into the original Parrot and had every single year after that until two of them passed away. It just became like a yearly week, then it turned into two weeks, and then it turned into two times a year. And it was all just because they came to one bar, and had so much fun. They would sit there all day, all night, go home take a nap, and come back for dinner. And it was just their place.ā€ 

They have faced some objections from those who were not as receptive to their tolerance of different people.

ā€œWe get the same hate that everybody else does ā€” the same hate that the city got when they put the rainbow crossings in and the flag up,ā€ Fuller said. ā€œI was just telling Troy about a conversation I had yesterday with a guy. The front of our business for Pride month has flags on it and says ā€˜Happy Pride.ā€™ And he said, ā€˜I was going to come in here but I see you’re supporting the gay community with your rainbow flags.ā€™ And I said ā€˜Yes.ā€™ And he goes, ā€˜Well, I don’t see why you don’t have flags for veterans.ā€™ And I said,ā€™ Well, as a veteran, I can tell you that we don’t serve to be recognized, we serve to protect and to give you guys your freedom. It’s not something that we want recognition for. But there is a flag, the American flag, that flies over the top of our business every day to represent the veterans of this country.ā€™ā€ 

Despite the opinions of some who are less than welcoming of the LGBTQ community, the Purple Parrot will always be a safe space to celebrate, the two affirmed. And celebrate they will.Ā 

The Parrot already hosted one party to celebrate the milestone of the bar early in the summer, but will throw an even bigger bash at the end of the season to commemorate the history and hard work that has gone into making the Parrot ā€˜fly.ā€™

ā€œOn May fifth we had a big party,ā€ Fuller said. ā€œWe’ll have another one at the end of the summer in September. We did one at the beginning and then we’re going to do a really big one at the end of the summer. The first celebration, that weekend, turned out to be a little rainy, and misty so it wasn’t as big as it could have been. It was packed inside but it wasn’t packed outside like it normally is. We usually do a full cookout barbecue, all that stuff and we’ll do that again at the end of the summer. We’ll have another one of those with DJs. I am not sure about a drag show, but we’ll probably have something because the girls are trying to get something together. We don’t want to spoil anything but there will be a surprise.ā€  

When asked to give their final thoughts on owning and running one of Rehobothā€™s most successful businesses as gay men, the two made it clear that it has to be a safe and welcoming space for all for it to succeed. 

ā€œI think you have to be all-inclusive,ā€ Roberts said. ā€œI don’t think in today’s world you can just really limit it to the gay community. You have to be gay-friendly, and accepting as well. And I think that helps because it gets non-gays in there and everybody just starts to get along. It becomes more accepted and then becomes the norm.ā€ 

Fuller agreed but emphasized being true to oneā€™s character in collaboration with being inclusive is the key to their success.

ā€œBeing gay isn’t who we are, you know, it’s what we are,ā€ Fuller said. ā€œYou can’t be afraid to be you. ā€¦ If you’re going to open up a business, you want to make sure you lean on the community, because the community is going to be your biggest support. And that’s how we definitely lean on the gay community.ā€

The Purple Parrot is located at 134 Rehoboth Ave. in Rehoboth Beach and is open Monday through Saturday from 11 a.m. to 1 a.m. and is open from 9 a.m. to 1 a.m. on Sundays. For more information, visit their website at ppgrill.com.

Purple Parrot (Washington Blade photo by Daniel Truitt)
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PHOTOS: New York City Pride Parade

Annual LGBTQ march held in Manhattan

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The 2024 New York City Pride Parade was held on June 30. (Washington Blade photo by Daniel Truitt)

The 2024 New York City Pride Parade wound through the streets of Manhattan and past the historic Stonewall Inn on Sunday, June 30.

(Washington Blade photos by Daniel Truitt)

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