Arts & Entertainment
Henry Gerber: Ahead of his time
Celebrating LGBT History Month


Henry Gerber started a gay rights group in Chicago in 1924.
By ST. SUKIE DE LA CROIX
WINDY CITY TIMES
On May 15, 1871, the German Criminal Code was revised to include Paragraph 175, a law making sexual acts between males illegal. The first challenge to the law came in 1897 when Dr. Magnus Hirschfeld founded the gay organization Wissenschaftlich-humanitäres Komitee (Scientific-Humanitarian Committee). Its first action was to draft a petition against Paragraph 175 with 6,000 signatures of prominent people in the arts, politics and the medical profession; it failed to have any effect.
One American inspired by the work of Hirschfeld was Henry Gerber, who in 1924 was granted an official charter by the state of Illinois for the Society for Human Rights, the first gay-rights organization in the United States, which he ran from his home on Crilly Court in Chicago.
Gerber was born Josef Henry Dittmar on June 29, 1892, in Passau, Bavaria, Germany. On Oct. 27, 1913, Gerber (still called Dittmar at the time) arrived at New York’s Ellis Island on the SS George Washington and then traveled west to Chicago, where he worked briefly for Montgomery Ward’s mail-order house. His first known address in the United States was 507 Stone St., Joliet, Ill., from where he enlisted in the Army on Jan. 26, 1914. In his military documents, he described himself as 5-foot-7 and one-half, 180 pounds, with blue eyes and brown hair. He changed his name to Gerber afterward — though he was still using the name Joseph Henry Dittmar on his June 5, 1917, draft registration card, which described him as 5-foot-8, slender, with blue eyes and blond hair. On it, he mentioned prior military service but now claimed exemption on grounds of conscientious objection to war.
On April 6, 1917, the United States declared war on Germany, and the newspapers became filled with lurid tales of German spies. As a result, the United States opened internment camps; 50,000 unnaturalized aliens of German birth were now “alien enemies,” and 8,000 were detained using presidential arrest warrants. Gerber was “offered internment,” which he accepted, as it guaranteed three meals a day. After the war, he re-enlisted in the Army on Oct. 2, 1919, at Jefferson Barracks, near Lemay, Mo., a training and recruitment center for soldiers being sent to fight in Europe, or, in Gerber’s case, to join a regiment of the American Forces in Germany, where he was part of a company engaged in publishing the daily AMAROC News for troops.
It was while serving in Koblenz that Gerber found Hirschfeld’s Scientific-Humanitarian Committee. He wrote later: “In Coblenz on the Rhine, I had subscribed to German homophile magazines and made several trips to Berlin, which was then not occupied by American forces. I had always bitterly felt the injustice with which my own American society accused the homosexual of ‘immoral acts.’
“What could be done about it, I thought. Unlike Germany, where the homosexual was partially organized and where sex legislation was uniform for the whole country, the United States was in a condition of chaos and misunderstanding concerning its sex laws, and no one was trying to unravel the tangle and bring relief to the abused.”
Gerber returned to Chicago, took up residence at 1710 N. Crilly Ct. and began work for the Post Office Department. In the spring of 1924, he formed SHR with a handful of friends. Gerber’s strategy was to network and gain support from other “sex reform” leaders, including Margaret Sanger, the American birth-control advocate, but nobody seemed interested. Undeterred, he decided to go it alone. Through a lawyer, SHR applied for and received a charter from the state of Illinois on Dec. 10, 1924. It is thought the group never had more than 10 members. Gerber elected himself secretary; president was the Rev. John T. Graves, “a preacher who preached brotherly love to small groups of Negroes”; vice president was Al Meininger, an “indigent laundry queen”; and treasurer was Ralph Ellsworth Booher, whose job with a railroad was threatened when his homosexuality became known. Throughout the rest of his life, Gerber lamented that SHR failed to attract “men of good reputation.” In Germany, the homophile movement included enlightened politicians, doctors and scientists, as well as those in the arts, but in the United States nobody was willing to stick a neck out for homosexuals.
Gerber produced two issues of the SHR newsletter Friendship and Freedom, of which no known copies exist, although in “Paris Gay 1925” (1981), a French book co-written by Gilles Barbedette and Michel Carassou, is reprinted a review of Friendship and Freedom, written by Clarens and published in the magazine L’amitié in 1925. (See this author’s “Chicago Whispers: A History of LGBT Chicago Before Stonewall” for translation.)
The SHR was short-lived. In July 1925, the group was raided and the headline in the Chicago Examiner read “Strange Sex Cult Exposed.” Even though the case was thrown out of court, Gerber was suspended from the post office.
After the demise of SHR, Gerber became despondent about homosexuals. He later wrote, “I have absolutely no confidence in the Dorian crowd, mostly a bunch of selfish, uncultured, ignorant egoists who have nothing for the ideal side of life.” Gerber re-enlisted in the Army, serving another 17 years; in 1945, he retired with an honorable discharge and a $100-a-month pension. As late as 1942, his primary World War II draft registration was still under the name Joseph H. Dittmar, though the records also contain a cross-reference from the name Henry Gerber; by then, “Gerber” appears to have been how he was known to the military.
Gerber spent his twilight years in the U.S. Soldiers’ and Airmen’s Home in Washington, D.C., where he died from pneumonia on Dec. 31, 1972, age 80.
Gerber was posthumously inducted into the Chicago Gay and Lesbian Hall of Fame in 1992 and the Henry Gerber House, located at 1710 N. Crilly Ct., was designated a Chicago Landmark on June 1, 2001.
The above article is an abbreviated version of the chapter “Henry Gerber and the German Sex Reformers” in St. Sukie de la Croix’s book “Chicago Whispers: A History of LGBT Chicago Before Stonewall,” published in 2012 by the University of Wisconsin Press.
Arts & Entertainment
Win a pair of tickets to Grace Jones & Janelle Monáe @ The Anthem on June 5, 2025!


The Cherry Weekend main event party was “Fire” at Betty (1235 W Street, N.E.) on Saturday, April 12. Detox of “RuPaul’s Drag Race” met with fans.
(Washington Blade photos by Michael Key)















‘Uncle Vanya’
Through April 20
Shakespeare Theatre Company
Harman Hall
610 F St., N.W.
Shakespearetheatre.org
Shakespeare Theatre Company’s “Uncle Vanya” freshly rendered by director Simon Godwin and starring Hugh Bonneville in the title role, puts a pleasing twist on Chekhov’s tragicomic classic.
As disheveled, disheartened, and overworked Vanya, Bonneville is terrific. Though very different from the actor’s fame making role as Downton Abbey’s Lord Grantham, a proud, fastidiously turned-out aristocrat who presides over a manicured country estate peopled by a large staff, his Vanya is equally compelling
For “Uncle Vanya,” Chekhov imagines a house on a ragged estate in the Russian forest whose inhabitants display varying degrees of discontent brought on by the realization that they’re leading wasted lives. Middle-aged Vanya’s dissatisfaction and disappointment have been tempered by years of hard work. But all of that is about to be challenged.
With his plain and steadfast niece Sonya (Melanie Field), Vanya keeps the place going. And while barely putting aside a kopek for himself, he’s ensured that proceeds have gone to Sonya’s father Alexandre, a querulous academic (Tom Nelis), and his alluring, much younger second wife Yelena (Ito Aghayere) who live in the city.
When called to retire, the self-important professor and his wife economize by joining the family in the country. Overcome by the intense boredom brought on by provincial isolation, they’re not happy. Turns out, life in the sticks isn’t for them.
At the same time, the urban couple’s presence generates quite an effect on the rural household, changing the mood from one of regular work to idleness. What’s more, Vanya and family friend Mikhaíl Ástrov (John Benjamin Hickey), an unusually eco-aware, country doctor, are both bewitched by Yelena.
Meanwhile, young Sonya, who’s long carried an unrequited torch for Ástrov grows increasingly smitten. And while Yelena, who’s bored with her aging husband, expresses teasing tenderness with Vanya, she feels something more serious for Ástrov. It’s a whole lot for one house.
Superbly staged by Simon Godwin, STC’s artistic director, and performed by a topnotch cast, the very human production begins on an unfinished stage cluttered with costume racks and assorted props, all assembled by crew in black and actors in street clothes. We first see them arranging pillows and rugs for an outside scene. Throughout the play, the actors continue to assist with set changes accompanied by an underscore of melancholic cello strings.
With each subsequent scene, the work moves deeper into Chekhov’s late 19th century Russian world from the kitchen to the drawing room thanks in part to scenic designer Robert Brill’s subtle sets and Susan Hilferty and Heather C. Freedman’s period costumes as well as Jen Schriever’s emotive lighting design.
In moments of stillness, the set with its painterly muted tones and spare furnishings is a domestic interior from a moment in time. It’s really something.
Adapted by contemporary Irish playwright Conor McPherson, the work is infused with mordant wit, ribald comedy, and sadness. Like McPherson’s 2006 play “The Seafarer” in which the action unfolds among family, friends and others in a modest house filled with confrontation, laughter, resentment, and sadness. All on brand.
For much of “Uncle Vanya,” McPherson’s script leans into humor, funny slights, the professor’s pretentions, and Vanya’s delicious snarky asides; but after the interval, the play’s stakes become perilously heightened ready to explode with resentment and feelings of wasted potential, particularly frustrations expressed by Vanya and his intelligent but unfulfilled mother (Sharon Lockwood).
When it appears that mismatched couple Alexandre and Yelena are poised to depart, the house is struck with a sense of both relief and gloom.
Not everyone is disturbed. In fact, the family’s old nanny Nana (Nancy Robinette), and Waffles (Craig Wallace), a former landowner and now lodger on the estate, are elated. Both are eager to return to the pre-professor schedule of an early breakfast and midday lunch, and menus featuring simpler fare. They long for the return of the humble Russian noodle.
“Uncle Vanya”melds cynicism and hope. Like life, it’s a grasp at fulfillment.
-
District of Columbia5 days ago
WorldPride organizers may warn trans people from abroad not to attend event
-
Opinions4 days ago
It’s time for new leadership on the Maryland LGBTQIA+ Commission
-
The White House3 days ago
White House does not ‘respond’ to reporters’ requests with pronouns included
-
Noticias en Español4 days ago
INDIGNACIÓN: ¡El transfeminicidio de Sara Millerey en Colombia nos cuestiona como sociedad!