Arts & Entertainment
In full ‘Force’
Washington National Opera’s modern production restores a Verdi classic


Washington National Opera’s Verdi reboot gives the show a bold, modern setting. (Photo by Scott Suchman; courtesy WNO)
‘The Force of Destiny’
Through Oct. 26
The Kennedy Center
2700 F St., NW
Tickets $25-$300
kennedy-center.org/wno
202-416-8500
As conductor Xian Zhang mounted the podium Saturday evening for the Washington National Opera’s opening night of “The Force of Destiny,” the audience seemed to lean in, eagerly anticipating the driving overture that is the work’s most recognizable calling card. Yet, only silence remained. The curtain rose on a dumb-show dinner scene in a luxurious home, where a family broke bread and a maid stood anxiously by the large window, looking out into the blackest of nights.
Like the unsuspecting characters of Giuseppe Verdi’s sweeping work “La Forza del Destino” (WNO oddly translates the title into English), the audience would have to wait for destiny to come to us on its own terms. Director Francesca Zambello’s creative opening gave the story an unexpected immediacy, especially as the tragic events surrounding the heroine Leonora (Adina Aaron) and her lover Don Alvaro (Giancarlo Monsalve) unfolded in the first scene. Once the die was cast, however, the overture blared from the pit as an interlude between the life the protagonists dreamed of and the tumultuously bloody years ahead.
Zambello, a lesbian, moved the drama from the mid-1800s to the present day, complete with signs advertising sex, pole dancers displaying their wares outside a club and costumes evoking a city’s downtrodden, but this change of scene isn’t done thoughtlessly to bring in new opera fans. It actually works — beautifully at times.
Leonora, costumed as a vagrant, flees her broken family home and the wrath of a brother hell-bent on killing her, and lands outside an urban monastery, with graffiti scrawled on its walls and a neon cross over the door. Yet, as she drops to her knees and begs God to rescue her from this miserable life, the plight of the modern-day heroine seems less antiquated and more real, reminding us of our own dark nights of the soul when we’ve turn to a God we may or may not believe in to see us through ‘til dawn.
The vision doesn’t always work seamlessly — penitent monks wandering through a raucous, sex-crazed street crowd seems more fitting for an earlier era — but the production takes what can be a tottering opera and restores it to a seat reserved for Verdi’s best musical and dramatic writing.
‘Forza’ is not an easy work to cast, given the intense demands for protagonists and chorus alike, but under Zhang’s evocative baton, the artists delivered crackling, if not always subtle, performances.
Aaron was an electrifying presence, her body trembling with pathos, almost as if she was unable to control the power coursing through her. Her final act aria, the famed “Pace, Pace, mio Dio,” was simply perfect in both vocal and dramatic delivery. It may have been opening night nerves, but elsewhere in the opera, she sometimes sped through passages that required focused negotiation between a marvelously dark chest voice and her more velvety middle register, and a couple of notes sounded a hair off-pitch. Hopefully, these kinks will iron themselves out, because her overall performance is spectacular.
The lower-voiced roles took home the prize among the men. Mark Delavan’s Carlo never seemed to flag over the course of a long evening, his rich tone creamy from bottom to top. Italian bass Enrico Iori was a sumptuously formidable, yet also delicately heartbreaking, Father Guardino, and the rousing chemistry between him and Aaron makes one wonder what the two could make of “Don Carlo.”
The dark tenor hero Don Alvaro is a complex role. His music often sits in places tenors would rather muscle through in order to sail onwards to their glorious high notes, and the character’s emotional journey is deliciously multifaceted. Monsalve delivered acting in spades, giving us a sexy and then tormented Alvaro, but his singing was uneven. He seemed capable of only two dynamic choices — shout and bellow — and while, when appropriate, those choices were lovely, they made for a loud night.
By the opera’s end, though, when death had claimed so many and forgiveness seemed like the frailest of hopes, it was Zambello who walked away with the crown for a production that not only made us listen, but also made us think.
Theater
‘Bad Books’ a timely look at censorship in local library
Influencer vs. conservative parent in Round House production

‘Bad Books’
Through May 4
Round House Theatre
4545 East-West Highway
Bethesda, Md.
Tickets start at $43
Roundhousetheatre.org
While a library might seem an unlikely place for a heated contretemps, it’s exactly the spot where adults go when they’re itching to battle out what books minors might be allowed to read.
In Sharyn Rothstein’s “Bad Books,” two women, The Mother (out actor Holly Twyford) and The Librarian (Kate Eastwood Norris), swiftly become mired in a quarrel that comes with some weighty repercussions.
The Mother is a popular conservative influencer on a mission. She’s furious that the local library has overstepped its bounds and she blames The Librarian, a woman who adheres to the “it takes a village” method of child rearing and is dedicated to the young people who approach her reference desk.
There’s some background. It seems The Librarian who dresses young (tight jackets and Doc Martens) and curses a blue streak, forged a friendship with Jeremy, a teenage library regular.
While the details are a bit hazy, it seems the troubled Jeremy confided in The Librarian regarding some personal issues. In return, she suggested a helpful book – Boob Juice.
Unsurprisingly, based solely on its title, the book has thrown The Mother into a pique of outrage. After finding Boob Juice in her son’s bedroom, she made a beeline to the library; and not incidentally, The Mother hasn’t read the recommended work and has no plans to do so.
Set in a suburb with lax gun laws, the story explores facets of division and conciliation. The Mother insists she isn’t so much about banning books as she is keeping some books away from young people until they’ve obtained parental approval.
“Bad Books” is performed in the round. Built on a rotating stage, Meghan Raham’s set is simple, pleasingly serviceable, and easily transforms from the library into a small corporate office, and later the assembly room of a church. Overhead floats a circular glass shelf filled with a cache of banned books. Things like a rolling book cart and a goldfish bowl add some flavor to the different locations.
The Mother wasn’t always a popular conservative warrior with an enthusiastic horde of followers.
Her past includes penning a book that later filled her with guilt and regret. She refers to that early questionable literary accomplishment as her bad book. And while over the years, she has persevered to find and destroy each and every printed copy, she hasn’t entirely succeeded.
Norris plays three women who figure meaningfully into the arc of Twyford’s mother character. In addition to The Librarian, Norris is The Manager, a broadly played piece of comic relief, and The Editor, a warm woman who reveals things about Jeremy that his own mother never knew.
Smartly staged by Ryan Rilette, the production is part of a National New Play Network Rolling World Premiere. While Rothstein’s script offers two strong roles (skillfully performed by celebrated actors Twyford and Norris), its ending feels too neatly resolved.
In the past, Twyford and Norris have successfully joined forces for numerous DMV productions including Studio Theatre’s production of David Auburn’s two-hander “Summer, 1976,” the story of a longtime and unlikely friendship between two women who meet as young mothers during the Bicentennial summer.
Though different, both The Librarian and The Mother share a strong and ultimately hopeful relationship with words.
There’s a quote from E.B. White’s classic “Charlotte’s Web” that pops up a couple of times in the briskly paced 80-minute play. Charlotte, the wise spider, says, “with just the right words you can change the world.”
Books
‘Pronoun Trouble’ reminds us that punctuation matters
‘They’ has been a shape-shifter for more than 700 years

‘Pronoun Trouble’
By John McWhorter
c.2025, Avery
$28/240 pages
Punctuation matters.
It’s tempting to skip a period at the end of a sentence Tempting to overuse exclamation points!!! very tempting to MeSs with capital letters. Dont use apostrophes. Ask a question and ignore the proper punctuation commas or question marks because seriously who cares. So guess what? Someone does, punctuation really matters, and as you’ll see in “Pronoun Trouble” by John McWhorter, so do other parts of our language.

Conversation is an odd thing. It’s spontaneous, it ebbs and flows, and it’s often inferred. Take, for instance, if you talk about him. Chances are, everyone in the conversation knows who him is. Or he. That guy there.
That’s the handy part about pronouns. Says McWhorter, pronouns “function as shorthand” for whomever we’re discussing or referring to. They’re “part of our hardwiring,” they’re found in all languages, and they’ve been around for centuries.
And, yes, pronouns are fluid.
For example, there’s the first-person pronoun, I as in me and there we go again. The singular I solely affects what comes afterward. You say “he-she IS,” and “they-you ARE” but I am. From “Black English,” I has also morphed into the perfectly acceptable Ima, shorthand for “I am going to.” Mind blown.
If you love Shakespeare, you may’ve noticed that he uses both thou and you in his plays. The former was once left to commoners and lower classes, while the latter was for people of high status or less formal situations. From you, we get y’all, yeet, ya, you-uns, and yinz. We also get “you guys,” which may have nothing to do with guys.
We and us are warmer in tone because of the inclusion implied. She is often casually used to imply cars, boats, and – warmly or not – gay men, in certain settings. It “lacks personhood,” and to use it in reference to a human is “barbarity.”
And yes, though it can sometimes be confusing to modern speakers, the singular word “they” has been a “shape-shifter” for more than 700 years.
Your high school English teacher would be proud of you, if you pick up “Pronoun Trouble.” Sadly, though, you might need her again to make sense of big parts of this book: What you’ll find here is a delightful romp through language, but it’s also very erudite.
Author John McWhorter invites readers along to conjugate verbs, and doing so will take you back to ancient literature, on a fascinating journey that’s perfect for word nerds and anyone who loves language. You’ll likely find a bit of controversy here or there on various entries, but you’ll also find humor and pop culture, an explanation for why zie never took off, and assurance that the whole flap over strictly-gendered pronouns is nothing but overblown protestation. Readers who have opinions will like that.
Still, if you just want the pronoun you want, a little between-the-lines looking is necessary here, so beware. “Pronoun Trouble” is perfect for linguists, writers, and those who love to play with words but for most readers, it’s a different kind of book, period.
The Blade may receive commissions from qualifying purchases made via this post.

Friday, April 18
“Center Aging Friday Tea Time” will be at 2 p.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more details, email [email protected].
Go Gay DC will host “LGBTQ+ Community Social in the City” at 7 p.m. at Hotel Zena. This event is ideal for making new friends, professional networking, idea-sharing, and community building. This event is free and more details are available on Eventbrite.
Trans and Genderqueer Game Night will be at 6 p.m. at the DC Center for the LGBT Community. This will be a relaxing, laid-back evening of games and fun. All are welcome and there’ll be card and board games on hand. Feel free to bring your own games to share. For more details, visit the DC Center’s website.
Saturday, April 19
Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including Allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
LGBTQ People of Color Support Group will be at 7 p.m. on Zoom. This peer support group is an outlet for LGBTQ People of Color to come together and talk about anything affecting them in a space that strives to be safe and judgement free. There are all sorts of activities like watching movies, poetry events, storytelling, and just hanging out with others. For more information and events for LGBTQ People of Color, visit thedccenter.org/poc or facebook.com/centerpoc.
“Spark Sapphic Social” will be at 8 p.m. at Spark Social House. This weekly sapphic social is an opportunity to mix and mingle with other sapphics in D.C.’s newest LGBTQ bar. This event is free and more details are available on Eventbrite.
“DC Drag Brunch on Rooftop – Penthouse (Formerly at Lima Twist)” will be at 12 p.m. at Baby Shank Rooftop. Hosted by Miss Capital Pride, this is the ultimate drag brunch experience in Washington, D.C., featuring the fiercest queens around. Prepare to be entertained by glamorous drag queens and celebrated celebrity impersonators, including Taylor Swift, Lady Gaga, Beyoncé, Britney Spears, Nicki Minaj, Ariana Grande, Whitney Houston, Cher and many more. Tickets cost $27 and are available on Eventbrite.
Sunday, April 20
Queer Crayon Club will host “Queer Sketch Social” at 3 p.m. at Sinners and Saints. This is a fun event for LGBTQ+ adults to come together and color. Attendance is free and more details are available on Eventbrite.
Monday, April 21
“Center Aging Monday Coffee & Conversation” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more details, email [email protected].
Tuesday, April 22
Genderqueer DC will be at 7 p.m. on Zoom. This support group is for people who identify outside of the gender binary. Whether you’re bigender, agender, genderfluid, or just know that you’re not 100% cis – this is your group. For more details, visit www.genderqueerdc.org or Facebook.
Coming Out Discussion Group will be at 7 p.m. on Zoom. This is a peer-facilitated discussion group and a safe space to share experiences about coming out and discuss topics as it relates to doing so. For more details, visit the group’s Facebook.
Wednesday, April 23
Job Club will be at 6 p.m. on Zoom. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.
Asexual and Aromantic Discussion Group will be at 7 p.m. on Zoom. This is a space where people who are questioning this aspect of their identity or those who identify as asexual and/or aromantic can come together, share stories and experiences, and discuss various topics. For more details, email [email protected].
Thursday, April 24
Virtual Yoga with Sarah M. will be at 7 p.m. on Zoom. This is a free weekly class focusing on yoga, breath work, and meditation. For more details, visit the DC Center for the LGBT Community’s website.
DC Anti-Violence Project Open Meeting will be at 7 p.m. on Zoom. This meeting is open to anyone interested in learning more and getting involved in lessening violence both within and directed towards the LGBT communities. For more information, visit Facebook or Twitter.
-
State Department5 days ago
HIV/AIDS activists protest at State Department, demand full PEPFAR funding restoration
-
Brazil5 days ago
US lists transgender Brazilian congresswoman’s gender as ‘male’ on visa
-
District of Columbia5 days ago
Capital Pride wins $900,000 D.C. grant to support WorldPride
-
Obituary4 days ago
Local attorney, LGBTQ rights advocate Dale Sanders dies at 75