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Sue Ellen redux

‘Dallas’ actress on her former co-stars, life after Larry and the hit show’s gay following

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Linda Gray, Sue Ellen, Dallas, gay news, Washington Blade
Linda Gray, Sue Ellen, Dallas, gay news, Washington Blade

Linda Gray as Sue Ellen on ‘Dallas.’ Gray says it’s been a joy to return to the show 20 years later. (Photo courtesy TNT)

“Dallas,” the reboot of the classic 1978-1991 nighttime soap, returns for its third season Monday night on TNT and promises plenty of fresh backstabbing and intrigue.

John Ross (Josh Henderson) is working to live up to his father’s reputation, Christopher (Jesse Metcalfe) is reeling from a failed engagement and Elena (Jordana Brewster) is consumed with finding the justice that eluded her brother Drew (Kuno Becker) and mother Carmen (Marlene Forte).

It’s a pivotal turning point for the show — this will be its first full season without J.R. as actor Larry Hagman died in November 2012. He was in seven of season two’s 15 episodes and his character’s death was a major storyline last year.

Linda Gray, whose iconic character Sue Ellen has been willing to help her son any way she can on the new show, caught up with the Blade during a break in filming in Dallas two weeks ago, where it was snowing.

WASHINGTON BLADE: Snow is somewhat unusual but not unheard of for Dallas, right?

LINDA GRAY: I know. I’m just in heaven. It’s beautiful.

 

BLADE: You live in Los Angeles?

GRAY: Yes. I’m in Dallas six months, then L.A. six months. That’s a nice combination.

 

BLADE: I understand more of the show is filmed on location than was true for the old “Dallas,” right?

GRAY: Yes. We used to come here in the ‘80s for two months and work six days a week, then we went home and did eight-and-a-half months in L.A. So here we do 15 shows and we live here which is really kind of nice. At first we were like, “Oh, we have to move to Dallas?” but it’s quite amazing because then we get to show the audience all the greatness of Dallas. It’s changed so much since the ‘80s.

 

BLADE: How aware have you been of the show’s gay following? Do you sense it’s any different now than it was on the old show?

GRAY: I’m very aware it has a gay following and I’m beyond thrilled. I have so many, many, many friends who are gay and I adore them. There’s a JR’s and a Sue Ellen’s here, gay bars.

 

BLADE: We have a JR.’s in D.C., too.

GRAY: Oh, do you really? It’s so fantastic to have the support and we’ve always had it and … it’s been great. We love you right back. Dallas itself has a huge gay community here and they’re very supportive as well.

 

BLADE: What similarities or differences do you see now in how the show is rebounding dramatically from Larry’s passing versus how the original series dealt with the death of Jim Davis (Ewing family patriarch Jock)? I know it’s not exactly the same thing, but both were huge losses to the shows just a few seasons in.

GRAY: The entire team has changed, the writers, everything has changed and it’s an evolution that is — well, I step back and I look at this 20-year hiatus and it’s very bizarre to come back and do it again, but in such a good way. So now I think the approach is kind of like we’re outsiders looking in and seeing how the Ewings have evolved. And now without Larry, that threw everybody a curve and those wonderful writers — I always applaud the writers because without them and their great brains and their minds that kind of go off in wonderful directions, there would be no show. They had last season already approved by the networks and when Larry passed, they had to scramble and again, I applaud them because they did a magical shuffling around to kind of piece this together and still be an interesting, entertaining show without the key, which was huge — J.R. Ewing and Larry Hagman, I mean you know that was a huge void for me personally and I’m sure for everybody in the audience, it’s huge. So I look at it as an observer and say, “Wow, what a great job they’ve done.” They have to handle everything as it comes, as we all do in life. You don’t expect this to happen, but it did and now what are you going to do with it? When Jim Davis died, the producers were great. They moved his dressing room right on the soundstage because just like Larry, he wanted to die doing what he loved. They didn’t say, “No, you’re going into hospice or something,” they moved his dressing room right on the soundstage so we would do a scene and come in and hang out with Jim. When you’re doing a series, you’re so bonded as a family. You step in there and you’re supportive and you send them love. I would say “Dallas” has been blessed with a little bit of fairy dust that has been scattered on us from day one. The cast was wonderful, the writers were great, et cetera, and now it’s happening again and since I was one of the originals, it’s amazing to see how similar it is.

 

BLADE: You worked with Barbara Bel Geddes (Miss Ellie) for many years. After she left before the last season, she never appeared in any final episode, TV movies, cast reunions or anything. What would she think of this new series? (Bel Geddes died in 2005.)

GRAY: She was a savvy, bawdy broad, is what I called her, and I would call it to her face. We were so close. I’d call her Mama, on and off camera. She was this crusty New England broad. She was feisty and fabulous and such a huge classy addition to the Ewing family. I really was so shocked when I knew she was doing a series because I thought Barbara Bel Geddes, you know she worked with Tennessee Williams and Alfred Hitchcock. She was so classy and so when I first walked into the room, I’ll never forget it. I saw Major Nelson — Larry Hagman. I saw Patrick Duffy — “Man From Atlantis.” And then I saw Barbara Bel Geddes and I thought, “What’s wrong with this picture? Is this a sitcom? What is this show?” Internally I started laughing because I thought what is this? … But I just watched this magical thing happen and, you know, the Ewings became bigger than life. So for me it was great to work with her. She was astounding, she was quiet, she would make great funny little remarks during the rehearsals and then when you had a scene with her, man, you better be on your toes. You better bring your A game because she could bury you with a look. She was to me the same caliber as my two favorites — Judi Dench and Maggie Smith. There was no nonsense with her. It was just, “I’m here to work, I know what I’m doing, I’m a professional, I’m Broadway trained, I’m theater trained, I’ve worked with the best so don’t mess around with me.”

 

Linda Gray, Sue Ellen, Dallas, gay news, Washington Blade

The cast of ‘Dallas.’ The reboot of the classic series returns Monday night. (Photo courtesy TNT)

BLADE: But what would her reaction be to this new series?

GRAY: I think she’d probably sit down with a glass of Scotch in her condominium and probably just laugh her ass off. She’d probably roll her eyes, going “How are we back again” and “Look at that younger generation.” But she would be a hoot. I think she would love the new show, love the kids, complain about everything — she loved to complain. She’d complain it was too hot, or, “What the hell are we doing, it’s snowing today,” or “What am I doing in Dallas,” blah blah blah blah blah. Yet the bottom line, she would love it.

 

BLADE: Victoria Principal has been a little different — she’s said she’s against reviving Pam in any kind of dramatic way, yet has joined up a few times in a non-dramatic capacity like the Vanity Fair photo (1995) and the 2004 reunion special. Over the years do you feel the rest of the cast has respected her wishes not to revive Pam or do you think there’s been some arm twisting to have her join in more often?

GRAY: I think we all respect her. I don’t think she wanted to come back and I don’t even know if the producers went after her or tried really pursuing her, I really don’t know. When you’re asked to come back, your gears are in different motion. You’re in forward motion. You’re thinking, “OK, gotta get to Dallas,” and you don’t really say, “Why isn’t so-and-so here?” For each person, it’s their choice and her choice was not to be in it so you respect everybody’s choice. We don’t see her very often. She was never kind of with us, you know, she was never — Larry, Patrick (Duffy) and I were very close and I was very close with Barbara and she just chose not to be as inclusive. I don’t mean that to — she just didn’t hang out with us.

 

BLADE: Any chance we might be seeing more of Lucy (Charlene Tilton)?

GRAY: Those are great questions but I don’t know the answers. The producers and writers, they write the scripts and if Lucy comes back, great, Ray Krebbs comes back, Steve (Kanaly) it’s always great to see him and it’s always fun to see them all. I do see Charlene in Los Angeles. She lives near my children. You know, it’s this great family, but since they’ve added all the young new people, it’s crowded. How many people can you bring back? It is fun for the audience when you see Charlene (Lucy), Steve (Ray Krebbs) and Kenny (Cliff Barnes), but it’s more a question for the producers.

 

BLADE: Larry was so anti-smoking yet Barbara smoked a lot. Did they ever clash over that on set?

GRAY: No, she would just tell him to get lost or, you know, just dismiss him. I think she smoked more in private. I never saw her smoke on the set.

 

BLADE: Now that it’s so many years later, do you feel the dream season was a good idea? People seem divided on whether it was clever or a jump-the-shark moment.

GRAY: Well, I don’t think people know all the dealings of how it really came about. Larry called Patrick and said, “I want you back.” He felt J.R. needed that brother, the good guy-bad guy kind of thing. I remember he called Patrick and Patrick knew when he got that phone call, what Larry was going to propose. He knew that intuitively. So he went over to his house in Malibu and they had a glass of Champagne and they may have gotten in the Jacuzzi, I don’t really know what happened there, but he talked Patrick into coming back so it was up to the producers to bring Patrick back and that was not an easy task to come up with. You know up front, no matter what they did, they would be criticized. … That was one of the things about “Dallas” that was exciting was that people would talk about it the next day. Did you like this? Look at Sue Ellen’s hair. Did you hate this? What about Bobby? What about J.R. drinking? Whatever. He’d call it water cooler chat. Whether you liked it or not, we knew it was going to cause chaos. So they had the idea for him to do the fake Irish Spring soap commercial where they edited out everything but him saying, “Good morning.” … A lot of people hated it and just stopped watching the show, they said it was ridiculous. A lot of people thought it was funny. A lot of people went, “Wow, that was a great dream sequence.” So no matter how you felt, good, bad or indifferent, they needed him back and they accomplished that.

 

BLADE: You look great but still look like yourself. What’s your skin care regimen?

GRAY: You’re sweet, thanks. When my peers no longer look like themselves, it scares me. There’s not a secret, I swear. I have a great skin care regimen. I never sleep with makeup on, I drink a lot of water. Hydration is huge. I eat great. I cook most of my own meals. A lot of green stuff — we’re from California, remember. And that’s it. You know, a good attitude goes a long way. And I exercise. I do all the things we’re supposed to do. Sometimes I don’t want to. I don’t want to get up early and go to the gym, but I do. I think complexion is more important than pulling and cutting your face. I’d rather have a good glowy complexion, so I use good skin care products and I use them twice a day. It’s like brushing your teeth. There’s no big secret.

 

BLADE: Could you ever imagine a gay wedding at Southfork?

GRAY: Sure! Why not?

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Television

Spring’s best in queer TV and film

Miranda Priestly the highlight of a slow season

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Meryl Streep, Anne Hathaway, and Stanley Tucci return in ‘The Devil Wears Prada 2’ opening on May 1. (Image courtesy of 20th Century Studios)

It’s surely a sign of the times that this year’s spring preview of upcoming screen entertainment doesn’t hold nearly as much boldly out-and-proud queer content as we would like – but then again, there are only a small handful of noteworthy titles overall – especially on the big screen, where, just like any year, the top-grade content is being saved for summer.

Even so, we’ve managed to put together a list of the movies and shows on the horizon that offer a much-needed taste of the rainbow; a mix that includes returning favorites, “don’t-miss” events, and a few promising big screen crowd-pleasers, it should keep you occupied until the summer season brings a fresh new crop of (hopeful) blockbusters with it.

Scarpetta (Prime Video, March 11). Proving once again that she’s on a quest to accumulate more screen appearances than any other actor in history, Nicole Kidman returns for another star turn by way of this true-crime-ish mystery series, adapted from the bestselling “Kay Scarpetta” novels by lesbian author Patrica Cornwell, as a “brilliant and beautiful” forensic pathologist who uses her knowledge to solve murders. If that’s not enough to draw you in, her co-stars include fellow Oscar-winners Jamie Lee Curtis (as her feisty older sister) and Ariana DuBose (as her nosy lesbian niece), as well as Bobby Cannavale and Simon Baker.

Its Dorothy! (Peacock, March 13). Filmmaker Jeffrey McHale first won our attention with his fun and insightful “Showgirls” documentary, and now he’s back with a look at perhaps the ultimate queer icon in popular culture: none other than Dorothy Gale, that Kansas farm girl who taught us all that “there’s no place like home” in L. Frank Baum’s classic novel “The Wonderful Wizard of Oz” and its sequels – and of course, in a certain movie adaptation starring Judy Garland. Charting the journey of the fictional heroine across a century of cultural reiterations – on the page, the stage, the screen, and beyond – with a mix of archival material, artistic interpretations, and commentary from queer and queer-friendly voices such as John Waters, Rufus Wainwright, and Lena Waithe, it’s sure to be required viewing for every “Friend of Dorothy” – and all of their friends, too.

The 37th Annual GLAAD Media Awards (Hulu, March 21). Sure, it’s already happened and you already knew (or can find out with a few quick taps of your phone screen) who and what the winners were – but, hey, we already know that the Oscars aren’t going to offer much in the way of queer victories (since there are only a small handful of queer nominees), so why not plan to watch the GLAAD ceremony (recorded live on March 5 for later streaming)?

The Comeback: Season 3 (HBO Max, March 22). Another returning gem is this inventive “mockumentary” style sitcom-about-a-sitcom, starring Lisa Kudrow as a “B-list” television star trying to revive her own faltering career. Slow to catch on in its first season (which originally aired in 2005), it won acclaim (and new fans) when it was rebooted in 2014 by Kudrow and collaborator/co-creator Michael Patrick King (former executive producer of “Sex in the City,” and now returns after a 12-year hiatus for another installment, which tracks “never-was” has-been Valerie Cherish through yet another attempt to make stardom happen. If you like cynical, sharp-edged satire, especially when it’s aimed at the behind-the-scenes world of show-biz, then you’ve probably already discovered this one – but if you haven’t, now’s your chance to jump on board.

Heartbreak High: Season 3 (Netflix, March 25). Fans of this imported Australian teen “dramedy” series – itself the “soft reboot” of another popular Australian series from the ‘90s – will be thrilled for the arrival of its third and final installment, which picks up where it left off in the lives (and sex lives) of the students and teachers of a suburban high school. As always, it can be expected to push the envelope (and some buttons) with its irreverent treatment of issues of class, race, and sexuality – and to deliver another season’s worth of the colorful and striking costume designs that have been acclaimed as a highlight of the show. And yes, it includes a refreshingly significant number of variously queer characters, so if you’re not already on board with his hidden gem of a streamer, we suggest you should give it a shot – you can probably even catch up on the first two seasons before this one drops.

Pretty Lethal (Prime Video, March 25). Fresh from a March 13 debut at the SXSW Film and TV Festival, this girl-power fueled action thriller from director Vicky Jewson and writer Kate Freund centers on a troupe of ballerinas who, while en route to a prestigious ballet competition, are stranded by a bus breakdown and must take shelter at a remote roadside inn run by Uma Thurman as a ruthless crime boss. Needless to say, the girls are forced to adapt their dance prowess into combat skills before the night is over. With a cast that includes Maddie Ziegler, Lana Condor, Avantika, Millicent Simonds, and Michael Culkin, our bet is that it’s sure to be campy fun with a feminist twist. 

Forbidden Fruits (Theaters, March 27). Adapted from the play “Of the woman came the beginning of sin, and through her we all die” by Lily Houghton (who co-wrote the screenplay with director Meredith Alloway), this comedy/horror film about a group of young witches who operate a “femme cult” out of the basement of a mall store called “Free Eden” looks like another campy treat, full of witchy wiles and bitchy rivalries, but something about its theatrical pedigree tells us it will also be more than that. Even if we’re wrong, though, we’ll be perfectly happy; why would anyone say no to a delicious piece of camp, especially when it has a cast led by Lili Reinhart, Lola Tung, Victoria Pedretti, and Alexandra Shipp, with creator/influencer Emma Chamberlain in her film debut and heavyweight talent Gabrielle Union thrown in for good measure? We’re ready to join the coven.

Club Cumming (WOW Presents Plus, March 30). Queer icon Alan Cumming (currently riding high as host of “The Traitors”) takes us inside his NYC East Village gay bar, nightclub, and showplace for a behind-the-scenes reality series that spotlights the talent, fashion, and fabulously queer vibe that makes the establishment one of queer New York’s most iconic nightspots. Cabaret singer Daphne Always, go-go dancer and drag performer Michelle Wynters, Drag queen Brini Maxwell, Drag king Cunning Stunt, and Comedian Jake Cornell are among the many reasons why this little slice of the queer New York scene is reason enough alone to become a subscriber to World of Wonder’s streaming platform – though if you’re a “Drag Race” superfan, chances are good you already are.

The Boys: Season 5 (Prime Video, April 8). Amazon’s violent superhero satire, complete with its divisive and deliciously challenging emphasis on queer storylines and its in-your-face caricature of contemporary American “culture war” politics, returns for its fifth and final season, along with all the thorny issues of racism, nationalism, and xenophobia it has showcased all along, and an ensemble cast that includes Karl Urban, Jack Quaid, Antony Starr, Erin Moriarty, and the rest of the usual players. A decidedly queer-informed game-changer in the mainstream fan culture, it’s a show that will be sorely missed – but with several spin-offs already in existence (including the even-queerer “Gen V”) and another (“Vought Rising”) on the way, we can take comfort in knowing that its influence will live on.

Euphoria: Season 3 (HBO Max, April 12). The controversial Sam Levinson-created drama that is HBO’s fourth most-watched series of all time is back after a lengthy hiatus, rejoining the lives of its dysfunctional characters – queer struggling addict Rue (Zendaya), trans teen Jules (Hunter Schafer), abusive sexually insecure football star Nate (Jacob Elordi), and the rest – a full five years later, away from the social traumas of high school and settled into what we can only assume is an equally-dysfunctional life as young adults. Renowned for its cinematic visual styling and its no-holds-barred treatment of “triggering” subject matter, this long-awaited return is likely to be at or near the top of a lot of watchlists – and ours is no exception.

Mother Mary (Theaters, April 17). One of the most promising (and queerest) offerings of the season is this psychological thriller set in the world of pop music, helmed by acclaimed filmmaker David Lowery (“A Ghost Story,” “The Green Knight”) and starring Anne Hathaway (“The Devil Wears Prada,” “Les Misérables”) as a pop singer who becomes entwined in a twisted affair with fashion designer Michaela Cole (“I May Destroy You,” “Black Earth Rising”). Besides its two queer-fan-fave stars, it features trans actress Hunter Schafer (“Euphoria”), FKA Twigs, and Jessica Brown Findlay (“Downton Abbey”) in supporting roles, and to top it all off, it includes a soundtrack full of original songs. With a celebrated director behind it and an award-winning pair of leading ladies, this one has all the potential of a future classic.

The Devil Wears Prada 2 (Theaters, May 1). Meryl Streep is back as Miranda Priestley, need we say more? We know the answer to that is “no,” but we still need to remind you that Anne Hathaway, Emily Blunt, and Stanley Tucci are all part of the deal, too, as this hotly anticipated sequel hits the screen just ahead of the summer rush. Along for the ride are Kenneth Branagh, Justin Theroux, Lucy Liu, B.J. Novak, Conrad Ricamora, Sydney Sweeney, Rachel Bloom, Donatella Versace, and Lady Gaga herself. We trust that will be sufficient to ensure that you will show up on opening day – dressed accordingly, of course.

The Sheep Detectives (Theaters, May 8) Rounding out our roundup with a fun-for-the-family treat that blends live action with animation for an inter-species “whodunnit” with an all-star array of talent, this adaptation of Leonie Swann’s 2005 novel “Three Bags Full” centers on a flock of sheep as they attempt to solve the murder of their beloved shepherd. Boasting onscreen performances from Hugh Jackman, Emma Thompson, Nicholas Braun, Nicholas Galitzine, and Molly Gordon, along with character voices provided by Julia Louis-Dreyfus, Bryan Cranston, Chris O’Dowd, Regina Hall, Patrick Stewart, Bella Ramsey, Brett Goldstein, and Rhys Darby, this one might be just the kind of lightweight entertainment we all need as we move deeper into the confounding year of 2026.

And if not, stay hopeful – the films and shows of summer will be here soon enough.

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D.C. springs back to life with new, returning events

Cherry blossoms, Rehoboth season kickoff, and more on tap

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D.C.’s annual Cherry Blossom Festival kicks off later this month. (Blade file photo by Marvin Bowser)

Longer and warmer days are back meaning: It’s time to get out of the house and enjoy Washington D.C.’s many events. Below are a few to check out this spring.

The National Museum of Women in the Arts will host “Making their Mark: Works from the Shah Garg Collection” until Sunday, July 26. This exhibition illustrates women artists’ vital role in abstraction, considers historical contributions, formal and material breakthroughs and intergenerational relationships among women artists over the last eight decades. For more details, visit. NMWA’s website

Art in the Attic will host a pop-up on Saturday, March 14 at 6 p.m. at 1012 Madison St., Alexandria, Va. There will be a variety of vendors selling products across different modes of art. For more details, visit Eventbrite.

Play Play will host “Indoor Recess – The art of play” on Sunday, March 15 at 2 p.m. This event will embody classic recess energy, including opportunities to build and experience community and connections through games, movement, art stations, and creative freedom. Tickets are $12.51 and can be purchased on Eventbrite

Spark Social will host “Gay Bar Crawl on U Street” on Friday, March 20 at 7:30 p.m. This will be a fun night out in gay D.C. with other gay people, whether you’re visiting D.C., new to the area, or just looking to expand your social circle. Many crawlers have formed lasting friendships and even romantic relationships after just one night out. Tickets are $35.88 and are available on Eventbrite

Creative Suitland Arts Center will host “EFFERVESCENT: House of Swann” on Saturday, May 30 at 7 p.m. This will be a gay, good time where we will celebrate love, joy, wellness, and visibility for the LGBTQIA+ community. Tickets start at $17.85 and can be purchased on Eventbrite.

SWAG Works DC will host “Unapologetically Her” on Saturday, March 14 at 2 p.m. at 701 E St., S.E. This event is a powerful celebration of womanhood, resilience, creativity, and self-expression in honor of Women’s History Month. This all-women exhibition highlights the diverse voices, stories, and artistic perspectives of women who create boldly, live authentically, and stand confidently in their truth. This event is free and more details are available on Eventbrite

9:30 Club will host “Gimme Gimme Disco: A Dance Party Inspired by ABBA” on Saturday, March 14 at 6 p.m. There will also be a “Donna Summer Power Hour – The Queen of Disco” segment during this event. It’ll be one hour of music with no skips. Tickets are available on 9:30 Club’s website

Harder Better Faster Stronger will host “Heated Rivalry Rave” on Friday, March 20 at 9 p.m. at Howard Theatre. This event is open to all ages. Tickets are available on the theater’s website

CAMP Rehoboth hosts its 25th annual Women’s+ FEST, April 9-12 in Rehoboth Beach, Del. Entertainers include headliner Mina Hartong, a comedian, storyteller, and founder of Lez Out Loud; and singer Yoli Mayor. There are dances, dinners, pickleball, and much more. Details and tickets at camprehoboth.org.

Also in Rehoboth Beach, the Washington Blade’s 19th annual Summer Kickoff Party is set for Friday, May 15 featuring Ashley Biden, who will accept an award on behalf of her brother Beau. State Rep. Claire Snyder-Hall will also speak. More speakers and the venue to be announced soon.

The annual D.C. Cherry Blossom Festival kicks off March 21 at DAR Constitution Hall and culminates with Petalpalooza on April 4, the day-long, outdoor street party with music and art, stretching across Navy Yard, and ending with fireworks over the Anacostia River. 

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‘Queer Eye’ star Dorriene Diggs on life before and after appearing on hit show

Emotional January episode highlighted 40-year love affair with partner

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D.C. residents Dorriene Diggs and sister Jo starred in an emotional episode of ‘Queer Eye’ earlier this year. (Screen capture via IMDB)

Dorriene Diggs, 70, whose 40-year relationship with her domestic partner, Diane until Diane’s passing in 2020, the couple’s tense relationship with their respective parents, and Dorriene’s current living arrangement with her straight sister Jo, were the focus of a final season episode of the popular TV series “Queer Eye.”

In a recent interview with the Washington Blade, Diggs told of how her appearance on the show has impacted her life. She elaborated on the many aspects of her life experiences that she told to the five “Queer Eye” co-hosts who interviewed her and her sister in their D.C. home. 

Although her parents and her partner’s parents, who have since passed away, were not accepting of their relationship, Diggs has said most of her family members at this time reacted positively to her appearance on the show.

“They loved it,” she told the Blade. “Yes, everybody that saw the show called me and said they loved the show, they really enjoyed themselves watching it.”

Through an arrangement with D.C.’s Rainbow History Project, the “Queer Eye” show featuring Diggs and her sister was presented in a special screening on a large video screen at the D.C. History Center in January.

“Dorriene, a 70-year-old Black lesbian living in Washington, D.C., had spent decades building a life with her partner while navigating silence within her own family,” a “Queer Eye” statement announcing the episode on Diggs states. 

“The Fab Five did not arrive to introduce Dorriene to herself, but to help ensure her story was finally heard in full,” the statement says.  

Blade: Can you tell us how your appearance on the “Queer Eye” program came about? How did they find out about you?

Diggs: You know, I still don’t have all the details. I think it was my niece, Missy. And she knows somebody there from “Queer Eye.”

Blade: So, did you first learn about it when someone from “Queer Eye” contacted you?

Diggs: No, the “Queer Eye” guy knocked on my bedroom door and started talking. I was in my bedroom watching television and the next thing I know my door opened up and there was Karamo [Karamo Brown, one of the “Queer Eye” co-hosts] with his big black cowboy hat on, opening the door grinning. … They contacted Jo first. And when they came here, they realized there was a gay woman in the house, too. Because my name was not mentioned at first. After they came here, they learned about me, because when Missy reached out to them, she reached out to them about Jo. But that doesn’t bother me. This was all about Jo in the beginning, and not me. … They started talking to me and Jo. And he said, Dorriene, ‘you’ve done so much for so many people, it’s time for someone to do something for you.’ That’s what they said. He said, ‘this is the day we’re doing it for you.’

And so,  they put me and my sister up in a hotel for a week. They gave us a personal driver to take us anywhere we wanted to go. And then they took us to a bunch of places. We didn’t know why they were doing all of this. We had no idea that they were renovating the house and renovating our bedrooms. We had no  idea.

Blade: What was your reaction when you saw the home renovation?

Diggs: It was amazing. And they bought us all new complete wardrobes – clothes, shoes. But most of the stuff they got me I gave away to a women’s shelter. But it was so nice. Actually, to meet the guys. I’ve been watching the show for 10 years. I have watched it from the beginning. And actually, it brought me and my sister closer – really. We’re closer now than we’ve ever been. She’s my baby sister – not the baby, but next to the baby. She’s the younger one.

Blade: What has been the reaction to your appearance on the show? Do more people now recognize you?

Diggs: Yes, yes. I’m getting phone calls and it’s almost like I’m a celebrity. And I don’t want people to make a fuss over me. All the things I did I did from the heart. I really did. And I don’t want people to think I’m more than I am. I’m just a good Christian woman that believes in giving back.

And I do. God gives me help giving. That’s what I do. And I don’t want anything in return from anyone. You know, because I know what it means to not to have. I know what it means to go to bed hungry, with no food. Going to school with holes in your shoes. I know that. I know that feeling. I’ve been there. And I promised myself as a kid I would never live like this again. And when I got bold enough to leave home, I left home at 14, and I moved in with a drag queen. Damen was his name.

Blade: Did your appearance on the show change your life and your relationship with your sister?

Diggs: Yeah, yeah, it actually did. We are actually closer now than we’ve ever been. Because, like I said, I moved away from home early and I never went back. My parents had a problem with my lifestyle. They really did. My mom looked at me with such hatred. When I was old enough to say goodbye, I never looked back. And to come back around now in the last few years after Diane died, that’s when I came back here.

And at one point I stayed with my nephew Todd and his wife – but he got killed in a car accident. I couldn’t stay at his house anymore. So, then I called Jo and told her I need to get out of here. And without hesitating she came and picked me up and brought me to her home. And I’ve been here ever since.

Blade: Can you tell a little about when it came about and how you met your partner?

Diggs: We lived on 18th Avenue in condos. I just bought one. Hers was above mine. I bought the bottom one. When my brother came over, she was getting out of her car. She was driving a Vega. And I turned to my brother and I said – this is the God’s honest truth – I said Keith, that’s the woman I’m going to spend the rest of my life with. Just like that. And he started laughing. He said, girl you’re crazy. I said I know I’m crazy, Keith, but I’m telling you that woman right there is who I’m going to spend the rest of my life with.

Blade: And when was that?

Diggs: It was 1980 actually. And then I started going to the laundry room to do my laundry. So I started talking to her. She said, ‘I’m not speaking to you.’ Isaid ‘why not?’  She said ‘because you’re nothing but a female gigolo.’ And I said I’m not dating anymore. I’m waiting for you. ‘No, you’re too fast for me.’ I said, ‘well, I’m not giving up.’

And I didn’t give up. So, I was playing an album one day and she knocked on the door and asked what I was playing, I think. I said you liked that. She said yeah. I said OK, I’ll bring it upstairs and we can listen to it together. So, when I went up there to her apartment that day and whenever I went up there, I never left.

Blade: So, your partner’s name was Diane?

Diggs: Yes, Ruth Diane Robinson. But she hated the name Ruth. So, the only people who called her Ruth were at work, the people she worked with. Everybody else called her Diane.

Blade: And how many years were you together?

Diggs: Forty. Forty years together

Blade: And where were you living with her most of the time?

Diggs: We lived in Hagerstown the longest, Hagerstown, Md. And so, if Diane hadn’t died I probably still would have been in our house in Hagerstown.

Blade: Can you tell me a little about what you were doing career wise during those years?

Diggs: I do computers. I used to do computers. And before that I cooked. I love to cook like my mom. And then I wanted to do something else. So, I taught myself computers. I taught myself how to build computers and stuff. So, then I got my own computer business called Ida One Computer Consulting. And so, we helped build computers for people.

Blade: Around when was this, in the 1980a or 1990s?

Diggs:  Yes, in the 1980s. I think I stopped I would say around ’96, when I stopped. Because we both said we were going to retire at 55. And we did. We both retired at 55. And then she started diabetes. Every day I had to give her an injection because she was afraid of needles. She couldn’t give it to herself. So, I had to give her an injection every day One time, I don’t remember when, she had a mild stroke. And I had to take care of her. I’ve always taken care of her. And I don’t regret it. I never regretted it. It’s taking care of the one you love.

Blade: When was it that she passed away?

Diggs: In 2020. I found her on the kitchen floor.

Blade: How did your family and your extended family react to your relationship  with Diane?

Diggs: Well, her family, oh my God, they hated me – her mother the worst. Because I put a stop to them treating her really bad. I told her mother – I said never in my life – my mother raised me well. Never disrespect someone’s mother. I said but this time I’m going to disrespect you because you are going to start treating Diane like you ought to. This is a wonderful woman and you and your son and you it’s always about your son. You never, ever say anything good about your daughter. 

I said it isn’t going to happen again. You’re never going to disrespect her again. I said you take a damn good look at her because you’ll never see her again. I meant that. I grabbed Diane. I said it’s time to go. They don’t care about you.

Blade: Can you tell a little about your family?

Diggs: Yeah, I’m a triplet sister. So, it’s Dorriene, Chorine, and Chrissy — we are the triplets. So, my mom had a set of twins and a set of triplets within nine months. One of the twins died at birth. So, the other twin is Margaret.

Blade: So then how did your family react to you and Jo being on “Queer Eye”?

Diggs: Most of my family really had no problem with it.

Blade: Were  you out to them?

Diggs: Oh yeah. I was never in the closet. I didn’t give a damn what people felt about me, sweetheart. I really didn’t. I didn’t care. Because I was going to be me. And for people who didn’t like it, I wasn’t living for them, I was living for me. I’ve always been out. I had a brother who was also gay, Marvin. God rest his soul, too. But he stayed in the closet. He was in the closet until he was about 55 years old.

But everything I said on the show was the truth – my account. The things that I went through with family … You can’t tell me how I felt. If they try to make mom and dad out as perfect, they weren’t perfect. They were the worst parents. That’s my account of it.  

So yes, everything I said on that interview was the truth. That’s one thing people who know me know – I do not lie.

Blade: What are some of the things you like to do these days?

Diggs: I’m a sports lover. I love sports. So, my baseball season is getting ready to get started. Baseball is my favorite sport. Yes, I love baseball. I like the statistics of it. And watching the guys. I wish they had a women’s professional baseball team, honestly. … I’m a D.C. sports fan. The Wizards, the Nationals, the Mystics, the Caps. … And see, I’m a diehard Redskins fan and I refuse to call them the Commanders. They’re the Redskins. They will always be the Redskins to me. I love my sports teams.

Blade: Can you tell a little about the history of the house where you and Jo now live and where they did the filming of the “Queer Eye” show?

Diggs: Jo had a house on 17th Street, I think it was Northeast because it was over there by H Street, N.E. And I think somebody wanted to buy her house. I don’t know why she moved. So, she found this house. Because she wanted to buy something where she could buy a house straight out. She didn’t want a mortgage on another house.

Blade: What are your thoughts on being on the last season of “Queer Eye?”

Diggs: Yeah, we were the last ones. We took it out with a bang, me and Jo. That was it. 

Blade: Can you say how you and Jo appearing on the show impacted your life?

Diggs: I don’t know. I’m the same person. I’ve been getting calls from people saying I saw you on the show. And friends who I haven’t seen in years have been calling. … So yeah, the show, people I haven’t seen and talked to in years have been calling. I think that’s a good thing.

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