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Sympathy for the devil?

Long-but-rich ‘Judas’ is bold, provocative

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The Last Days of Judas Iscariot, gay news, Washington Blade
The Last Days of Judas Iscariot, gay news, Washington Blade

The cast of ‘The Last Days of Judas Iscariot.’ (Photo by Melissa Blackall; courtesy Round House)

‘The Last Days of Judas Iscariot’

Through June 14

Forum Theatre

Round House Theatre Silver Spring

8641 Colesville Road, Silver Spring, MD

$20-25

1-800-838-3006

Forum-theatre.com

Judas Iscariot: a name synonymous with betrayal.

Judas, of course, was the disciple who sold out Christ for 30 pieces of silver. Whether he did it for the cash or because he wanted to set off a rebellion against the occupying Roman army is debatable. Either way, he’s never been a popular guy.

In Stephen Adly Guirgis’ darkly comic “The Last Days of Judas Iscariot” (now at Forum Theatre), the follower-turned-traitor’s motives, character and possibilities of redemption are all put on trial. Set in a corner of purgatory called Hope, the proceedings are presided over by bigoted Judge Littlefield (Brian Hemmingsen) assisted by his callow bailiff (Thony Mena). The action pits tough and sexy Fabiana Aziza Cunningham (Julie Garner), a non-believing defense attorney who’s arguing that god’s mercy mandates her client’s release from eternal damnation, against oily prosecuting attorney Yusef El-Fayoumy (Scott McCormick) whom the judge simply addresses as Mr. El Fajita. The colorful litany of witnesses — a veritable who’s who of Biblical and historical types — include Mary Magdalene (Nora Achrati), Saint Peter (Eric Porter), a naughty Mother Teresa (Achrati again), Saint Monica from the hood (Alina Collins Maldonado) and a self-satisfied Sigmund Freud (Jesse Terrill).

Throughout the play, Judas (Maboud Ebrahimzadeh) lies catatonic center stage on a raised circular platform. Occasionally he rouses for flashbacks, showing him as a young and impetuous idealist on the playground and later as an embittered adult at Bathsheba’s Bar & Grill where a remorseful and very drunk Judas runs into Satan: “You wanna play the lute, sing Mary-Chapin Carpenter, that’s what heaven’s for,” warns the Gucci-clad prince of darkness. “You wanna rock? Hell’s the venue.”

At three hours, “Judas Iscariot” is long, but never dull. The script is all over the place moving from corny exchanges to raw humor to darker places. Fortunately the superb and diverse cast of local actors is more than up for it. Boldly staged by Vreeke, who’s gay, this production is a reprise of Forum’s fantastic “Judas Iscariot” from six years ago that was mounted at the now-shuttered H Street Playhouse. This time around, the venue has changed — Forum’s home at Round House Silver Spring’s large and chilly black box space (take a sweater) — but the production remains equally compelling.

Along with talented director Vreeke, many of the production’s original cast returned. Patrick Bussink makes a memorable cameo as a casual and quiet Jesus of Nazareth. Again, Jim Jorgensen plays Satan — happily hung over and deliciously evil. Frank Britton is back too as a badass, street smart Pontius Pilate who refuses to take the blame for just doing his job. (Britton was mugged and badly beaten by four men near the Silver Spring Metro Station after Monday night’s opening. He’s expected to return to the part soon.)

As with Guirgis’ other plays like “Our Lady of 121st Street,” “Jesus Hopped the ‘A’ Train” and “The Motherfucker with the Hat,” “Judas Iscariot” plumbs meaning from losers’ lives and gives a spot-on portraiture of urban street life. The humor is irreverent and the characters are delightfully foulmouthed. Yet, the work’s deeper meaning is never lost. There are quiet, moving moments too: the show opens with Judas’ sorrowful mother Henrietta (Annie Houston) recounting how she buried her son alone. Later Butch Honeywell (Frank B. Moorman), a Joe Six-pack with a bent for poetry, mourns not having been the husband and father he might have been. Like Judas Iscariot, his sadness comes from not being able to change what’s already been done.

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Theater

‘Inherit the Wind’ isn’t about science vs. religion, but the right to think

Holly Twyford on new role and importance of listening to different opinions

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Holly Twyford

‘Inherit the Wind’
Through April 5
Arena Stage
1101 Sixth St., S.W.
Tickets start at $73
Arenastage.org

When “Inherit the Wind” premiered on Broadway in 1955 with a cast of 50, its fictional setting of Hillsboro, an obscure country town described as the buckle on the Bible Belt, was filled with townspeople. And now at Arena Stage, director Ryan Guzzo Purcell has somehow crowded Arena’s large Fichandler space with just 10 actors, five principals and a delightful ensemble of five playing multiple roles. 

Inspired by the real-life Scopes Monkey Trial of 1925, Jerome Lawrence and Robert E. Lee’s fictionalized work pits intellectual freedom against McCarthyism via the imagined trial of Bertram Cates (Noah Plomgren), a Tennessee educator charged with teaching evolution. Drawn into the fracas are big shot lawyers, defense attorney Henry Drummond (Billy Eugene Jones), and conservative prosecutor, Matthew Harrison Brady (Dakin Matthew). On hand to cover the closely watched story is wisecracking city slicker and Baltimore reporter E.K. Horneck (played by nonbinary actor Alyssa Keegan). 

Out actor Holly Twyford, a four-time Helen Hayes Award winner who has appeared in more than 80 Washington area plays, is part of the ensemble. In jeans and boots, she memorably plays Meeker, the bailiff at the Hillsboro courthouse and the jailer responsible for holding Cates in the days leading to his trial. 

Twyford also plays Sillers, a slack jawed earnest employee at the local feed store who’s called to serve on the jury. And more importantly she plays Brady’s quietly strong wife Sarah whom he affectionately calls “Mother.”

When Twyford makes her memorable first entrance as Meeker, she’s wiping shaving cream from her face with a hand towel. With shades of Mayberry R.F.D., the jail is run casually. Meeker says Cates isn’t the criminal type, and he’s not. 

“There’s a joke among actors,” says Twyford. “When an actor gets his shoes, they know who their character is. And it’s sort of true. When you put on boots, heels, or flip flops, there’s a different feeling, and you walk differently.”

Similarly, shares Twyford, it goes for clothes too: “When Mother slips a pink coat dress over her cowboy boots, dons a little hat and ties her scarf, or Meeker puts on his work shirt, I know where I am. And all of that is thanks to a remarkable wardrobe crew. 

“Additionally, some of the ensemble characters are played broadly which is helpful to the actors and super identifying for the audience too.”   

During intermission, an audience member loudly described the production as “a proper play” filled with beautifully written passages. And it’s true. Twyford agrees, adding “That’s all true, and it’s also been was fun for us to be a part of the Arena legacy as well. Arena took ‘Inherit the Wind’ to the Soviet Union in the early ‘70s when the respective governments did a cultural exchange. At the time, the iron curtain was very much in place, and they traveled with a play about a man with his own thoughts.”

When the ensemble was cast, actors didn’t know which tracts exactly they were going to play. “What came together was a cast, diverse in different ways. Some directors, including myself when I direct, are interested in assembling a cast that’s a good group. No time for egos. It’s more about who will make the best group to help me tell this story.” 

At one point during rehearsal, ensemble members began to help one another with minor onstage costume changes, like jackets and hats: “We just started doing it and Ryan [Guzzo Purcell] picked up on it, saying things really began to come alive when we helped each other, so we went with that.”

“For me, it was reminiscent of ‘The Laramie Project’ [Ford’s Theatre in 2013] when we played five different parts and we’d help each other with a vest or jacket in a similar way. It worked so well then too,” says Twyford.

“Inherit the Wind” isn’t about science versus religion. It’s about the right to think, playwright Jerome Lawrrence has been quoted as saying. And it’s a quote that makes the play that much more relevant today. 

Twford remembers a chat in a hair salon: “I was getting my hair cut and the woman next to me shared that she was tired of message plays. Understandably there are theater makers who believe that message plays are the point, while others think it’s all about entertainment. I feel like ‘Inherit the Wind’ sits in a nice place in the middle.” 

She adds “the work is a creative way of showing different opinions and that, I think, is what we should be paying attention to right now. Clearly, it’s not right or wrong to express what you think.”

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Out & About

‘How We Survived’ panel set for March 25

‘Living History’ discussion to be held at Spark Social

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Local activist Earline Budd will serve on a panel discussion titled, ‘Part One, Living History: How We Survived.’ (Washington Blade file photo by Michael Key)

Friends of Dorothy Cafe will host “Part One, Living History: How We Survived,” will take place on Wednesday, March 25 at 7:30 p.m. at Spark Social House.

This event will be moderated by Abby Stuckrath, host of the “Queering the District” podcast. Panelists include: Earline Budd, activist, trans rights advocate; TJ Flavell of Go Gay DC; DC LGBTQ+ Center Board Member David Bissette; and Alexa Rodriguez, founder and executive director, Trans-Latinx DMV.

This event is part of a four-part storytelling series called “Living History,” which centers LGBTQ elders, activists, artists, and icons sharing their lived experiences and reflections with younger generations. The conversations explore themes like resilience, community organizing, chosen family, and the lessons earlier generations hope today’s LGBTQ+ and ally communities will carry forward.

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Calendar

Calendar: March 21-26

LGBTQ events in the days to come

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Saturday, March 21

Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation.  Attendance is free and more details are available on Eventbrite.

The DC Center for the LGBT Community will host “Sunday Supper on Saturday” at 2 p.m. It’s more than just an event; it’s an opportunity to step away from the busyness of life and invest in something meaningful, and enjoy delicious food, genuine laughter, and conversations that spark connection and inspiration. For more details, visit the Center’s website

Sunday, March 22

LGBTQ+ Community Coffee and Conversation will be at 12 p.m. at As You Are. This event is for people looking to make more friends and meaningful connections in the LGBTQ community. Attendance is free and more details are available on Eventbrite

Monday, March 23

Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).

Queer Book Club will be at 7 p.m. on Zoom. The Queer Book Club meets on the fourth Monday of the month to discuss queer books by queer authors. For more details, visit the DC Center’s website

Tuesday, March 24

Coming Out Discussion Group will be at 7 p.m. on Zoom. This is a safe space to share experiences about coming out and discuss topics as it relates to doing so — by sharing struggles and victories the group allows those newly coming out and who have been out for a while to learn from others. For more details, visit the group’s Facebook

Genderqueer DC will be at 7 p.m. on Zoom. This is a support group for people who identify outside of the gender binary, whether you’re bigender, agender, genderfluid, or just know that you’re not 100% cis. For more details, visit www.genderqueerdc.org or Facebook

Wednesday, March 25

Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit www.thedccenter.org/careers.

Thursday, March 26

The DC Center’s Fresh Produce Program will be held all day at the DC Center for the LGBT Community. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245. 

Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breath work and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC Center’s website.  

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