a&e features
‘Comedy is the best medicine’
Ribald as ever, Griffin on Caitlyn, Gaga, the D-list and more
Kathy Griffin says not to fear her show might be toned down just because it’s at the Kennedy Center. She plans to let it rip and give even buttoned-up Washingtonians a ‘belly laugh.’ (Photo courtesy PMK-BNC Entertainment)
Kathy Griffin
‘#LIKEABOSS’ tour
The Kennedy Center
2700 F St., N.W.
Saturday, June 20
8 p.m.
$49-99
Kathy Griffin’s no-holds-barred brand of comedy has catapulted her into stardom with everything from her former reality show “My Life on the D-list,” to her outrageous celebrity-skewering stand-up tours to briefly taking over Joan Rivers’ reign as host of “Fashion Police.”
The notorious comedian and outspoken LGBT rights activist, who opens her 80-city “#LIKEABOSS” tour at the Kennedy Center on Wednesday, declined to answer questions about her “Fashion Police” departure in March, having commented on it earlier this year on Twitter and to other outlets. She says that although she was told accommodations would be made for her brand of comedy, once she tried it, she felt uncomfortable critiquing the stars’ red carpet looks. She taped seven episodes and told “The View,” her departure was “no harm, no foul — it just wasn’t the right thing for me.”
But Griffin, 54, still had plenty to talk about. During a phone interview on the road, she discussed her upcoming stand-up show, Caitlyn Jenner and how talking to Lady Gaga in an elevator made her re-think her celebrity status. Her comments have been slightly edited for length.
WASHINGTON BLADE: You’re bringing “#LIKEABOSS” tour to D.C. at the Kennedy Center. What’s the show about?
KATHY GRIFFIN: Well, I named the tour because I realized after doing, and I’m in the “Guinness Book of World Records” for this, 23 stand-up comedy specials, more than any comedian male or female, living or dead, I didn’t want people to think, “Oh I’ve already seen her,” or, “I’ve seen her three years ago.” I want everyone to know it’s all new, new, new. I also want people to know I write all my material and I’m pointing that out because I frankly recently learned a lot of comics don’t even write their own act. Fuck that! Like a boss, I write all my stuff and why wouldn’t I? I mean what better time to come to the iconic Kennedy Center when we are on the verge of the decision coming down about the legalization of gay marriage. It’s all about Caitlyn or Catie as I call her. It’s all about Caitlyn, which is an ever-changing minute-by-minute story. I couldn’t be happier to be in D.C. at this time. The Republican race is getting down right hilarious. The D.C. audiences are notoriously smart and open-minded and that’s all I ask. You thought you knew me but I have some new things to talk about at the Kennedy Center.
BLADE: Why are LGBT rights such an important issue for you?
GRIFFIN: I always say gay audiences are the greatest audiences in the world because there’s nothing I can say that can shock them. There’s nothing I’m going to say out of my potty mouth or that’s too far across the line that a member of the LGBT community has not heard or dealt with. As a woman, I feel that we have a lot to learn from the LGBT community because women you know, we have a lot of ground to cover and a long distance to go as feminists. Frankly, I don’t feel we’re as effective as a women’s movement as the LGBT movement. The LGBTs fucking get together and legislate and march and protest and come together in a way I think is so effective and so moving in the right direction. As a woman, I am often telling my straight female friends, “Look at how the LGBTs are doing it. Come on ladies we need to learn from them.”
I think that’s why I’ve always been immersed in the community and we’ve always worked well together. When I started doing open mic nights, I honestly would prefer to do stand-up in a gay bar than a conventional comedy club. That is what the folks that have been coming to see me all these years they know. Leading up to the Kennedy Center I’m doing Roanoke and Charlottesville and those markets one may not expect them to be quite as liberal as D.C. but the folks coming to those cities know what they’re in for. They see a ticket that says “Kathy Griffin: Like a Boss” and they know I’m not going to be holding a pro-Sarah Palin rally.
I think that is what I have been building and that is what I have been seeing side by side with the community such progress and it’s thoughtful. Its not like the LGBT community has just been hoping for miracles. It’s fucking hard work and I think that’s why the community has been so good to me. I love doing it all and I feel that is another way I identify with the community is like this is a community that realizes they have to work harder and jump higher and that’s my story as well. So that’s why we’ve always been kindred spirits. And we love a good laugh, damn it!
BLADE: Your comedic style is known for being controversial and offensive. How do you feel about comedy and talking about sensitive issues like Caitlyn Jenner?
GRIFFIN: Well first of all what I loved about the then Bruce Jenner interview with Diane Sawyer is the first thing he said to Diane is, “Now Diane, before we start I think it’s important that we keep a sense of humor about this.” I, as a viewer, I was on the road somewhere, and I remember just cheering out loud and saying, “Yes that is essential.” As someone who has done stand-up comedy in AIDS hospices, in Iraq and Afghanistan, that is what I have heard my whole career. People who are in all kinds of situations whether they are having the greatest day of their life, the most challenging day of their life, changing their lives as Caitlyn has done. It’s so interesting, it’s always the first thing out of their mouths to me. They always say, “I want a joke, I want to keep this funny.” It’s so important to keep a sense of humor about everything. Comedy really is the best medicine. There’s always funny in everything.
I had a friend who was in the end stages of cancer and I went to visit her and I thought it was going to be this serious visit and she said, “Oh God, just make fun of me. Just make me laugh.” I know what that meant. It didn’t mean make light of the situation; it meant, I need a laugh. So I really loved that then Bruce Jenner said first out the gate we’ve got to keep our sense of humor. Within the community, I’ve met many, many transgender people that are not in the position of Caitlyn with a lot of money and a Vanity Fair cover. There are many colors to this rainbow. It’s all fair game and there are many, many ways to have a great sense of humor about Caitlyn’s journey and about the community. So I’ll do this the same way I make fun of everything and everybody.
BLADE: Washington is such a hotbed of political activity. It can be very serious and people can take themselves very seriously.
GRIFFIN: Let them even try! Let them even try the minute they walk into that Kennedy Center for the Kathy Griffin show. I would love nothing more than if like even two people walked in thinking they were seeing the symphony and then 20 minutes into my pussy jokes storm out. I’m not above a good walk out. I enjoy them. I’ve experienced several walk-outs, typically more in the red states. They’re not going to be allowed to take themselves seriously that night. I’m not having it.
BLADE: On the other side of that, do you ever find that your humor helps your agenda in support for LGBT rights?
GRIFFIN: Oh my gosh absolutely! My greatest contribution to the community is honestly bringing humor. I’m not saying I’m Larry Kramer, I never did. I’m just saying I’m here to make you laugh. That is my function in the community. That’s my profession, that’s what I do, I’m hard-wired to do that. Whether it’s a talk show or “My Life on the D-List” or hosting an awards show, that is the way that I am able to contribute. When I hold a rally or go canvassing, I’m putting on a little bit more of a different hat. It’s more of a serious hat. But frankly, the best way I can serve the community is to make them laugh. That’s really the message that I’ve heard over and over again from all kinds of people in all kinds of situations, in particular difficult situations. It’s, “Get me through this. Tell me a fucking joke. Tell me about going to see a Bette Midler concert the other night and Barbra Streisand was in the audience and what happened.” I really do believe laughter is a relief, it’s the best medicine and it gets you through things. I believe it. I live it. I’m from a crazy drunken Irish Catholic family and that’s kind of how we dealt with everything. But I also do believe that there is a true cathartic experience to showing up at the Kennedy Center knowing that you’re going to hear some things that are beyond the pale and then leaving with a belly laugh. That’s my job.
BLADE: Are you still “D-list”?
GRIFFIN: I consider myself someone who moves through many lists. I think that honestly everybody does and that’s what I love about the whole concept of A-list, B-list, C-list, D-list. And that’s why I say it with a complete giant tongue in my cheek. I don’t know what list I’m on because it changes minute by minute. When I’m in an elevator, as I was two nights ago, with Lady Gaga and Tony Bennett? Fucking A-list right? If I’m driving through Mississippi and I stop at the Waffle House and someone says, “Aren’t you the lady from the TV?” then I go alright maybe that’s not an A-list moment. But I am at the fucking Waffle House what do I fucking expect? That’s why it meant so much to me to win the Emmys and the Grammys because it’s all about the longevity and having fun with it. I didn’t want to stay on the D-list forever. I don’t expect to be on the A-list forever and I’m going to always live somewhere in between.
a&e features
Queer highlights of the 2026 Critics Choice Awards: Aunt Gladys, that ‘Heated Rivalry’ shoutout and more
Amy Madigan’s win in the supporting actress category puts her in serious contention to win the Oscar for ‘Weapons’
From Chelsea Handler shouting out Heated Rivalry in her opening monologue to Amy Madigan proving that horror performances can (and should) be taken seriously, the Critics Choice Awards provided plenty of iconic moments for queer movie fans to celebrate on the long road to Oscar night.
Handler kicked off the ceremony by recapping the biggest moments in pop culture last year, from Wicked: For Good to Sinners. She also made room to joke about the surprise hit TV sensation on everyone’s minds: “Shoutout to Heated Rivalry. Everyone loves it! Gay men love it, women love it, straight men who say they aren’t gay but work out at Equinox love it!”
The back-to-back wins for Jacob Elordi in Frankenstein and Amy Madigan in Weapons are notable, given the horror bias that awards voters typically have. Aunt Gladys instantly became a pop culture phenomenon within the LGBTQ+ community when Zach Cregger’s hit horror comedy released in August, but the thought that Madigan could be a serious awards contender for such a fun, out-there performance seemed improbable to most months ago. Now, considering the sheer amount of critics’ attention she’s received over the past month, there’s no denying she’s in the running for the Oscar.
“I really wasn’t expecting all of this because I thought people would like the movie, and I thought people would dig Gladys, but you love Gladys! I mean, it’s crazy,” Madigan said during her acceptance speech. “I get [sent] makeup tutorials and paintings. I even got one weird thing about how she’s a sex icon also, which I didn’t go too deep into that one.”
Over on the TV side, Rhea Seehorn won in the incredibly competitive best actress in a drama series category for her acclaimed performance as Carol in Pluribus, beating out the likes of Emmy winner Britt Lower for Severance, Carrie Coon for The White Lotus, and Bella Ramsey for The Last of Us. Pluribus, which was created by Breaking Bad’s showrunner Vince Gilligan, has been celebrated by audiences for its rich exploration of queer trauma and conversion therapy.
Jean Smart was Hack’s only win of the night, as Hannah Einbinder couldn’t repeat her Emmy victory in the supporting actress in a comedy series category against Janelle James, who nabbed a trophy for Abbott Elementary. Hacks lost the best comedy series award to The Studio, as it did at the Emmys in September. And in the limited series category, Erin Doherty repeated her Emmy success in supporting actress, joining in yet another Adolescence awards sweep.
As Oscar fans speculate on what these Critics Choice wins mean for future ceremonies, we have next week’s Golden Globes ceremony to look forward to on Jan. 11.
a&e features
Looking back at the 10 biggest A&E stories of 2025
‘Wicked,’ Lady Gaga’s new era, ‘Sexy’ Bailey and more
Although 2025 was a year marked by countless attacks on trans rights and political setbacks, the year also saw brilliant queer artists continuing to create art. From Cannes and Sundance Award winners now vying for Oscar consideration to pop icons entering new stages of their careers, queer people persevered to tell their stories through different media.
With the state of the world so uncertain, perhaps there’s no more vital time to celebrate our wins, as seen through some of this year’s top pop culture moments. While there’s no collection of 10 stories that fully encompass “the most important” news, here are some events that got the gays going:
10. ‘Mysterious Gaze of the Flamingo’ wins big at Cannes
The Cannes Film Festival has become a crucial start for films hoping to make their way to the Oscars, and first-time director Diego Céspedes won the top Un Certain Regard prize for his intimate western “The Mysterious Gaze of the Flamingo.” The film is set in the ‘80s and is intended as an allegory for the AIDS epidemic. Seeing a film that unpacks vital queer history win one of the most coveted awards at Cannes has been a huge point of pride in the independent filmmaking community.
Since the film bowed at Cannes, it has been selected as Chile’s Oscar entry in the Best International Feature race. Speaking with The Blade during the film’s AFI Fest run in October, Céspedes said: At first, I was kind of scared to have this campaign position in the times that we’re living [in] here. But at the same time, I think the Oscars mean a huge platform — a huge platform for art and politics.”
9. ‘The Last of Us’ returns for an even gayer season 2
While the first season of The Last of Us gave us one of TV’s most heartbreaking queer love stories in the episode “Long, Long Time,” Season 2 doubled down on its commitment to queer storytelling with the blossoming relationship between Ellie (Bella Ramsey) and Dina (Isabela Merced). The show expanded on the pair’s relationship in the original video game, making it perhaps the central dynamic to the entire season. That unfortunately came with more homophobic backlash on the internet, but those who checked out all the episodes saw a tender relationship form amid the show’s post-apocalyptic, often violent backdrop. For their performance, Ramsey was once again nominated for an Emmy, but Merced deserved just as much awards attention.
8. ‘Emilia Pérez’ sparks controversy
Jacques Audiard’s genre-bending trans musical “Emilia Pérez” proved to be an awards season juggernaut this time last year, winning the Golden Globe for Best Musical/Comedy. But when the lead star Karla Sofia Gascón’s racist, sexist, and homophobic old tweets resurfaced, the film’s Oscar campaign became a tough sell, especially after Netflix had tried so hard to sell Emilia Pérez as the “progressive” film to vote for. Mind you, the film had already received significant backlash from LGBTQ+ audiences and the Mexican community for its stereotypical and reductive portrayals, but the Gascón controversy made what was originally just social media backlash impossible to ignore. The only person who seemed to come out of the whole debacle unscathed was Zoe Saldaña, who won the Oscar for Best Supporting Actress over Ariana Grande.
7. ‘Sorry, Baby’ establishes Eva Victor as major talent
Back in January at the Sundance Film Festival, Eva Victor (known by many for her brand of sketch comedy) premiered their directorial debut “Sorry, Baby” to rave reviews, even winning the Waldo Salt Screening Award. Victor shadowed Jane Schoenbrun on the set of “I Saw the TV Glow,” and seeing Victor come into their own and establish such a strong voice immediately made them one of independent cinema’s most exciting new voices. A memorable scene in the film sees the main character, Agnes (played by Victor), struggling to check a box for male or female, just one example of how naturally queerness is woven into the fabric of the story.
Most recently, Victor was nominated for a Golden Globe for her performance in the film, and she’s represented in a category alongside Jennifer Lawrence (“Die My Love”), Jessie Buckley (“Hamnet”), Julia Roberts (“After the Hunt”), Renate Reinsve (“Sentimental Value”) and Tessa Thompson (“Hedda”). The film also received four Independent Spirit Award nominations overall.
6. Paul Reubens comes out in posthumous doc
While Paul Reubens never publicly came out as gay before passing away in 2023, the two-part documentary “Pee-wee as Himself” premiered back in May on HBO Max, giving the legendary comedian a chance to posthumously open up to the world. Directed by Matt Wolf, the documentary explores how Reubens found his alter ego Pee-Wee Herman and why he kept his private life private.
The documentary won an Emmy in the Outstanding Documentary or Nonfiction Special category and remains one of the most critically acclaimed titles of the year with a 100% Rotten Tomatoes score. Also worth noting, the National Geographic documentary Sally told the posthumous coming out story of Sally Ride through the help of her long-time partner, Tam O’Shaughnessy.
5. Lady Gaga releases ‘Mayhem’
Lady Gaga entered a new phase of her musical career with the release of Mayhem, her seventh album to date. From the frenzy-inducing pop hit Abracadabra to the memorable Bruno Mars duet featured on “Die With a Smile,” seeing Gaga return to her roots and make an album for the most die-hard of fans was especially rewarding after the underwhelming film releases of “House of Gucci” and “Joker: Folie à Deux.” Gaga has been touring with The Mayhem Ball since July, her first arena tour since 2018. She even extended her tour into 2026 with more North American dates, so the party isn’t stopping anytime soon. And Gaga is even set to make an appearance next May in “The Devil Wears Prada 2.”
4. Cynthia Erivo, Ariana Grande perform at the Oscars
While “Wicked: For Good” didn’t quite reach the heights of the first film, we will forever have Cynthia Erivo and Ariana Grande’s breathtaking live performance that opened the 97th Academy Awards. The pair sang a rendition of “Over the Rainbow,” “Home,” and “Defying Gravity,” paying proper homage to the original 1939 “Wizard of Oz.” Even non-Wicked fans can’t deny how magical and brilliantly staged this performance was. With both Erivo and Grande up for acting Oscars last year, they’re hoping to repeat success and make history with consecutive nominations. Either way, let’s hope there’s another live performance in the making, especially with two new original songs (The Girl in the Bubble and No Place Like Home) in the mix.
3. Indya Moore speaks out against Ryan Murphy
Indya Moore has consistently used social media as a platform for activism, and in September, posted a 30-minute Instagram live speaking out against “Pose” co-creator Ryan Murphy. Moore claimed that Murphy wasn’t being a true activist for trans people. “Ryan Murphy, we need you to do more. You need to address the racism, the violence, and the targeting of people on your productions, Ryan Murphy. You do need to make sure trans people are paid equally. Yes, Janet did the right thing,” Moore said. Murphy was also back in the headlines this year for the critically panned “All’s Fair” and the controversial “Monster: The Ed Gein Story” starring Laurie Metcalf and Charlie Hunnam.
2. Cole Escola wins Tony for Best Leading Actor
Few pop culture moments this year brought us together more than Cole Escola winning a Tony award for “Oh, Mary!” the Broadway show they created, wrote and starred in (we love a triple threat!) Escola made history by becoming the first nonbinary person to win a Tony in the leading actor category, and seeing them excitedly rush to the stage wearing a Bernadette Peters-inspired gown instantly became a viral social media moment.
The cherry on top of Escola’s major moment is the recent news that they are writing a Miss Piggy movie with Jennifer Lawrence and Emma Stone producing — news that also broke the internet for the better. We cannot wait!
1. Jonathan Bailey makes gay history as ‘Sexiest Man Alive’
The same year as his on-screen roles in blockbusters “Jurassic World Rebirth” and “Wicked: For Good,” Jonathan Bailey made history as the first openly gay man to be named People magazine’s “Sexiest Man Alive.” The fact that it took 40 years for an openly gay man to earn the title is a signifier of how far we still have to go with queer representation, and seeing Bailey celebrated is just one small step in the right direction.
“There’s so many people that want to do brilliant stuff who feel like they can’t,” he told PEOPLE, “and I know the LGBT sector is under immense threat at the moment. So it’s been amazing to meet people who have the expertise and see potential that I could have only dreamed of.” In 2024, Bailey founded the charity titled The Shameless Fund, which raises money for LGBTQ+ organizations.
a&e features
Your guide to D.C.’s queer New Year’s Eve parties
Ring in 2026 with drag, leather, Champagne, and more
With Christmas in the rear view mirror, we can turn our attention to ringing in a much-anticipated New Year with a slew of local LGBTQ parties. Here’s what’s on tap.
Pitchers
This spacious Adams Morgan bar is hosting the “Pitchers’ Perfect New Year’s Eve.” There will be a midnight Champagne toast, the ball drop on the big screens, and no cover, all night long. The bar doesn’t close until 4 a.m., and the kitchen will be open late (though not until close). All five floors will be open for the party, and party favors are promised.
Trade
D.C.’s hottest bar/club combo is leaning into the Shark motif with its NYE party, “Feeding Frenzy.” The party is a “glitterati-infused Naughty-cal New Year’s Even in the Shark Tank, where the boats are churning and the sharks are circling.” Trade also boasts no cover charge, with doors opening at 5 p.m. and the aforementioned Shark Tank opening at 9 p.m.. Four DJs will be spread across the two spaces; midnight hostess is played by Vagenesis and the two sea sirens sensuously calling are Anathema and Justin Williams.
Number Nine
While Trade will have two DJs as part of one party, Number Nine will host two separate parties, one on each floor. The first floor is classic Number Nine, a more casual-style event with the countdown on TVs and a Champagne midnight toast. There will be no cover and doors open at 5 p.m. Upstairs will be hosted by Capital Sapphics for its second annual NYE gathering. Tickets (about $50) include a midnight Champagne toast, curated drink menu, sapphic DJ set by Rijak, and tarot readings by Yooji.
Crush
Crush will kick off NYE with a free drag bingo at 8 p.m. for the early birds. Post-bingo, there will be a cover for the rest of the evening, featuring two DJs. The cover ($20 limited pre-sale that includes line skip until 11 p.m.; $25 at the door after 9 p.m.) includes one free N/A or Crush, a Champagne toast, and party favors (“the legal kind”). More details on Eventbrite.
Bunker
This subterranean lair is hosting a NYE party entitled “Frosted & Fur: Aspen After Dark New Year’s Eve Celebration.” Arriety from Rupaul Season 15 is set to host, with International DJ Alex Lo. Doors open at 9 p.m. and close at 3 p.m.; there is a midnight Champagne toast. Cover is $25, plus an optional $99 all-you-can-drink package.
District Eagle
This leather-focused bar is hosting “Bulge” for its NYE party. Each District Eagle floor will have its own music and vibe. Doors run from 7 p.m.-3 a.m. and cover is $15. There will be a Champagne toast at midnight, as well as drink specials during the event.
Kiki, Shakiki
Kiki and its new sister bar program Shakiki (in the old Shakers space) will have the same type of party on New Year’s Eve. Both bars open their doors at 5 p.m. and stay open until closing time. Both will offer a Champagne toast at midnight. At Kiki, DJ Vodkatrina will play; at Shakiki, it’ll be DJ Alex Love. Kiki keeps the party going on New Year’s Day, opening at 2 p.m., to celebrate Kiki’s fourth anniversary. There will be a drag show at 6 p.m. and an early 2000s dance party 4-8 p.m.
Spark
This bar and its new menu of alcoholic and twin N/A drinks will host a NYE party with music by DJ Emerald Fox. Given this menu, there will be a complimentary toast at midnight, guests can choose either sparkling wine with or without alcohol. No cover, but Spark is also offering optional wristbands at the door for $35 open bar 11 p.m.-1 a.m. (mid-shelf liquor & all NA drinks).
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The year in photos
