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D.C. Shorts offers succinct cinema

LGBT content well represented in returning film festival

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D.C. Shorts, gay news, Washington Blade
D.C. Shorts, gay news, Washington Blade

‘Barrio Boy’ was originally planned as a teaser to raise funds for a feature-length production, but took off as a short on the festival circuit. (Photo courtesy of Dennis Shinners)

It’s time for one of the highlights of the D.C. arts calendar — the return of D.C. Shorts.

Under the direction of out filmmaker Jon Gann, the festival brings dozens of fascinating short films from around the world to Washington Sept. 10-20 at Landmark E Street Cinema and other local venues. Full schedule and ticket information can be found at dcshorts.com.

As always, the logistics of the festival are staggering. Gann and his dedicated volunteers screened more than 1,300 short films from 54 countries that were submitted through an open competition. From this pool, 125 were selected. These films (each between two-29 minutes in length) were organized into 14 separate showcases, each approximately 90 minutes long. There are also several themed programs, including LGBT shorts, documentaries, movies by local filmmakers, a family program and free lunchtime screenings at the Landmark E Street Cinema.

The festival website has a complete schedule with details of all the flexible ticket options, a searchable database with synopses and trailers for the individual movies and detailed listings for all showcases. D.C. Shorts also has a special option where viewers can watch the movies online. With more than 24 hours of films to watch, that’s a convenient feature.

In addition to the showcases and themed programs, there’s a wide variety of related events. There’s a screenplay competition where local actors will perform a staged reading of six original screenplays (and the winner gets some serious production support from D.C. Shorts). There are workshops for beginning and advanced filmmakers. There are opportunities for audience members to meet the filmmakers and chances for audience members to vote on their favorites which will be shown in two special “Best Of” showcases during the festival’s closing weekend. And there are also the parties for which D.C. Shorts has become infamous.

Films with an LGBT focus can be found in each of the showcases, but this year they will also be highlighted in a special LGBT program at the E Street Cinemas on Thursday Sept. 17. The eight films selected for the program highlight the incredible richness of contemporary queer cinema.

For example, “Election Night” by American director Tessa Blake, is a political drama that combines suspense and humor with a deft touch. Filmmaker Blake says her film, which stars Peri Gilpin (“Frasier”) and comedian Jake Johannsen, “follows a politician’s family in Maine as they wait for the final 350 votes to come in on election night. Trapped in a hotel kitchen and waiting for the ferry to arrive with the last ballots, nerves rattle the family into a comic whirlwind of wild theories, long-held secrets and a revelation that nobody saw coming.”

According to writer and director Dennis Shinners, the wildly inventive “Barrio Boy” is the story of “a Latino barber who secretly falls in love with a handsome Irish stranger over the course of a haircut during a hot and sweaty summer afternoon in a macho Brooklyn hood.” The short was made as a pitch reel to help secure financing for the feature version, but has become a hit at film festivals across the country.

“Stella Walsh” is a riveting documentary by Ohio filmmaker Rob Lucas that combines sports, gender, scandal and murder. Walsh first made headlines when she won a gold medal at the 1932 Olympics and made further headlines when an autopsy after her 1980 murder raised questions about her gender identity. Director Lucas says, “The 15-minute documentary explores the life of Stella, her death and her gender controversy through interviews with friends, trainees, members of the media, and a geneticist, as well as photos and archival footage from years of in-depth research.” More information on Stella’s story can be found at stellawalsh.com.

“The Bench Project: Lost and Found,” written by gay novelist John W. Bateman and directed by Oriana Oppice, is part of a larger film series produced by Steven Bidwell. “The Bench Project” is a series of five short independent films guided by a few simple parameters: a three to five page script, two actors and a bench. “Lost and Found” tells a fascinating story about gay life from a fresh and unusual perspective.

“The story focuses on two elderly widows — neighbors and old friends,” Bidwell says. “When one of them discovers a locked box in the closet full of her husband’s things, the two discover clues to a past that their husbands shared with each other and kept from their wives.”

The LGBT showcase also includes “The Last Girl,” a Danish film that takes an unusual look at coming out, and “A Last Farewell,” a Swedish film about a man grieving the loss of his husband and looking back on their legacy, as well as “Strings,” a British drama about a young boy who suspects his father is a spy but discovers a different family secret instead, and “The First Session,” a funny film about two women who turn a chance meeting at a therapist’s office into a passionate first date.

Other festival highlights include “Gender Bender,” a comedy by D.C. filmmaker Austin Bragg about a heterosexual couple who magically swap genders, and “The Stutterer,” an Irish comedy about a young man who speaks eloquently in his head, but whose interactions with the world are hampered by his stutter, one of several movies that focus on people with disabilities.

D.C. Shorts, gay news, Washington Blade

‘Gender Bender’ explores what happens when a straight couple switches genders. (Photo courtesy of Austin Bragg)

“Breakin(g),” which won the 2014 Screenplay Competition, is about an elderly woman who uses cunning and some unexpected skills to foil a robbery. “We Can’t Live Without Cosmos” is an animated Russian film about two men training for the space program and “Screened,” is a comic look at America’s addiction to cell phones. “The Bridge Partner,” based on a short story by Peter S. Beagle (who also has a cameo), is a delicious story about the murderous tensions between card players Sharon Lawrence (“NYPD Blue”) and Beth Grant (“Sordid Lives”).

Besides being an incredible way for D.C. filmgoers to sample a smorgasbord of international short movies, D.C. Shorts is also an important forum for independent filmmakers to connect with each other and hone their craft. This is especially true for the LGBT filmmakers whose work is included in the festival.

“D.C. Shorts is committed to bringing lots of different voices of filmmakers to audiences who are underserved by mainstream culture, which allows an opportunity for LGBTQI films to reach an audience they might not find anywhere else,” Tessa Blake says.

Dennis Shinners echoes her observation.

“For a filmmaker to experience the immediacy of reactions from a live audience is a rare and incredible opportunity,” Shinners says. “For a fest like D.C. Shorts to exclusively celebrate short films is a really encouraging boost to filmmakers of any background or discipline to continue to share stories important to them.”

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Visit Cambridge, a ‘beautiful secret’ on Maryland’s Eastern Shore

New organization promotes town’s welcoming vibe, LGBTQ inclusion

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Cambridge, Md., is home to quaint shops, restaurants, and Victorian homes on Maryland’s Eastern Shore. (Photo courtesy James Lumalcuri)

CAMBRIDGE, Md. — Driving through this scenic, historic town on Maryland’s Eastern Shore, you’ll be charmed by streets lined with unique shops, restaurants, and beautifully restored Victorian homes. You’ll also be struck by the number of LGBTQ Pride flags flying throughout the town.

The flags are a reassuring signal that everyone is welcome here, despite the town’s location in ruby red Dorchester County, which voted for Donald Trump over Kamala Harris by a lopsided margin. But don’t let that deter you from visiting. A new organization, Proudly Cambridge, is holding its debut Pride event this weekend, touting the town’s welcoming, inclusive culture.

“We stumbled on a beautiful secret and we wanted to help get the word out,” said James Lumalcuri of the effort to create Proudly Cambridge.

The organization celebrates diversity, enhances public spaces, and seeks to uplift all that Cambridge has to share, according to its mission statement, under the tagline “You Belong Here.”

The group has so far held informal movie nights and a picnic and garden party; the launch party is June 28 at the Cambridge Yacht Club, which will feature a Pride celebration and tea dance. The event’s 75 tickets sold out quickly and proceeds benefit DoCo Pride.

“Tickets went faster than we imagined and we’re bummed we can’t welcome everyone who wanted to come,” Lumalcuri said, adding that organizers plan to make “Cheers on the Choptank” an annual event with added capacity next year.

One of the group’s first projects was to distribute free Pride flags to anyone who requested one and the result is a visually striking display of a large number of flags flying all over town. Up next: Proudly Cambridge plans to roll out a program offering affirming businesses rainbow crab stickers to show their inclusiveness and LGBTQ support. The group also wants to engage with potential visitors and homebuyers.

“We want to spread the word outside of Cambridge — in D.C. and Baltimore — who don’t know about Cambridge,” Lumalcuri said. “We want them to come and know we are a safe haven. You can exist here and feel comfortable and supported by neighbors in a way that we didn’t anticipate when we moved here.”

James Lumalcuri and Lou Cardenas sailing in Cambridge, Md. The couple bought a second home there and are spreading the word about the town’s pro-LGBTQ culture. (Photo courtesy the couple)

Lumalcuri, 53, a federal government employee, and his husband, Lou Cardenas, 62, a Realtor, purchased a Victorian house in Cambridge in 2021 and embarked on an extensive renovation. The couple also owns a home in Adams Morgan in D.C.

“We saw the opportunity here and wanted to share it with others,” Cardenas said. “There’s lots of housing inventory in the $300-400,000 range … we’re not here to gentrify people out of town because a lot of these homes are just empty and need to be fixed up and we’re happy to be a part of that.”

Lumalcuri was talking with friends one Sunday last year at the gazebo (affectionately known as the “gayzebo” by locals) at the Yacht Club and the idea for Proudly Cambridge was born. The founding board members are Lumalcuri, Corey van Vlymen, Brian Orjuela, Lauren Mross, and Caleb Holland. The group is currently working toward forming a 501(c)3.

“We need visibility and support for those who need it,” Mross said. “We started making lists of what we wanted to do and the five of us ran with it. We started meeting weekly and solidified what we wanted to do.”

Mross, 50, a brand strategist and web designer, moved to Cambridge from Atlanta with her wife three years ago. They knew they wanted to be near the water and farther north and began researching their options when they discovered Cambridge.

“I had not heard of Cambridge but the location seemed perfect,” she said. “I pointed on a map and said this is where we’re going to move.”

The couple packed up, bought a camper trailer and parked it in different campsites but kept coming back to Cambridge. 

“I didn’t know how right it was until we moved here,” she said. “It’s the most welcoming place … there’s an energy vortex here – how did so many cool, progressive people end up in one place?” 

Corey van Vlymen and his husband live in D.C. and were looking for a second home. They considered Lost River, W.Va., but decided they preferred to be on the water.

“We looked at a map on both sides of the bay and came to Cambridge on a Saturday and bought a house that day,” said van Vlymen, 39, a senior scientist at Booz Allen Hamilton. They’ve owned in Cambridge for two years.

They were drawn to Cambridge due to its location on the water, the affordable housing inventory, and its proximity to D.C.; it’s about an hour and 20 minutes away.

Now, through the work of Proudly Cambridge, they hope to highlight the town’s many attributes to residents and visitors alike.

“Something we all agree on is there’s a perception problem for Cambridge and a lack of awareness,” van Vlymen said. “If you tell someone you’re going to Cambridge, chances are they think, ‘England or Massachusetts?’”

He cited the affordability and the opportunity to save older, historic homes as a big draw for buyers.

“It’s all about celebrating all the things that make Cambridge great,” Mross added. “Our monthly social events are joyful and celebratory.” A recent game night drew about 70 people.

She noted that the goal is not to gentrify the town and push longtime residents out, but to uplift all the people who are already there while welcoming new visitors and future residents. 

They also noted that Proudly Cambridge does not seek to supplant existing Pride-focused organizations. Dorchester County Pride organizes countywide Pride events and Delmarva Pride was held in nearby Easton two weeks ago.

“We celebrate all diversity but are gay powered and gay led,” Mross noted.  

To learn more about Proudly Cambridge, visit the group on Facebook and Instagram.

What to see and do

Cambridge, located 13 miles up the Choptank River from the Chesapeake Bay, has a population of roughly 15,000. It was settled in 1684 and named for the English university town in 1686. It is home to the Harriet Tubman Museum, mural, and monument. Its proximity to the Blackwater National Wildlife Refuge makes it a popular stop for birders, drawn to more than 27,000 acres of marshland dubbed “the Everglades of the north.”

The refuge is walkable, bikeable, and driveable, making it an accessible attraction for all. There are kayaking and biking tours through Blackwater Adventures (blackwateradventuresmd.com).

Back in town, take a stroll along the water and through historic downtown and admire the architecture. Take in the striking Harriet Tubman mural (424 Race St.). Shop in the many local boutiques, and don’t miss the gay-owned Shorelife Home and Gifts (421 Race St.), filled with stylish coastal décor items. 

Stop for breakfast or lunch at Black Water Bakery (429 Race St.), which offers a full compliment of coffee drinks along with a build-your-own mimosa bar and a full menu of creative cocktails.

The Cambridge Yacht Club (1 Mill St.) is always bustling but you need to be a member to get in. Snapper’s on the water is temporarily closed for renovations. RaR Brewing (rarbrewing.com) is popular for craft beers served in an 80-year-old former pool hall and bowling alley. The menu offers burgers, wings, and other bar fare.

For dinner or wine, don’t miss the fantastic Vintage 414 (414 Race St.), which offers lunch, dinner, wine tasting events, specialty foods, and a large selection of wines. The homemade cheddar crackers, inventive flatbreads, and creative desserts (citrus olive oil cake, carrot cake trifle) were a hit on a recent visit.

Also nearby is Ava’s (305 High St.), a regional chain offering outstanding Italian dishes, pizzas, and more.  

For something off the beaten path, visit Emily’s Produce (22143 Church Creek Rd.) for its nursery, produce, and prepared meals.

“Ten minutes into the sticks there’s a place called Emily’s Produce, where you can pay $5 and walk through a field and pick sunflowers, blueberries, you can feed the goats … and they have great food,” van Vlymen said.

As for accommodations, there’s the Hyatt Regency Chesapeake Bay (100 Heron Blvd. at Route 50), a resort complex with golf course, spa, and marina. Otherwise, check out Airbnb and VRBO for short-term rentals closer to downtown.

Its proximity to D.C. and Baltimore makes Cambridge an ideal weekend getaway. The large LGBTQ population is welcoming and they are happy to talk up their town and show you around. 

“There’s a closeness among the neighbors that I wasn’t feeling in D.C.,” Lumalcuri said. “We look after each other.”

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James Baldwin bio shows how much of his life is revealed in his work

‘A Love Story’ is first major book on acclaimed author’s life in 30 years

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(Book cover image courtesy of FSG)

‘Baldwin: A Love Story’
By Nicholas Boggs
c.2025, FSG
$35/704 pages

“Baldwin: A Love Story” is a sympathetic biography, the first major one in 30 years, of acclaimed Black gay writer James Baldwin. Drawing on Baldwin’s fiction, essays, and letters, Nicolas Boggs, a white writer who rediscovered and co-edited a new edition of a long-lost Baldwin book, explores Baldwin’s life and work through focusing on his lovers, mentors, and inspirations.

The book begins with a quick look at Baldwin’s childhood in Harlem, and his difficult relationship with his religious, angry stepfather. Baldwin’s experience with Orilla Miller, a white teacher who encouraged the boy’s writing and took him to plays and movies, even against his father’s wishes, helped shape his life and tempered his feelings toward white people. When Baldwin later joined a church and became a child preacher, though, he felt conflicted between academic success and religious demands, even denouncing Miller at one point. In a fascinating late essay, Baldwin also described his teenage sexual relationship with a mobster, who showed him off in public.

Baldwin’s romantic life was complicated, as he preferred men who were not outwardly gay. Indeed, many would marry women and have children while also involved with Baldwin. Still, they would often remain friends and enabled Baldwin’s work. Lucien Happersberger, who met Baldwin while both were living in Paris, sent him to a Swiss village, where he wrote his first novel, “Go Tell It on the Mountain,” as well as an essay, “Stranger in the Village,” about the oddness of being the first Black person many villagers had ever seen. Baldwin met Turkish actor Engin Cezzar in New York at the Actors’ Studio; Baldwin later spent time in Istanbul with Cezzar and his wife, finishing “Another Country” and directing a controversial play about Turkish prisoners that depicted sexuality and gender. 

Baldwin collaborated with French artist Yoran Cazac on a children’s book, which later vanished. Boggs writes of his excitement about coming across this book while a student at Yale and how he later interviewed Cazac and his wife while also republishing the book. Baldwin also had many tumultuous sexual relationships with young men whom he tried to mentor and shape, most of which led to drama and despair.

The book carefully examines Baldwin’s development as a writer. “Go Tell It on the Mountain” draws heavily on his early life, giving subtle signs of the main character John’s sexuality, while “Giovanni’s Room” bravely and openly shows a homosexual relationship, highly controversial at the time. “If Beale Street Could Talk” features a woman as its main character and narrator, the first time Baldwin wrote fully through a woman’s perspective. His essays feel deeply personal, even if they do not reveal everything; Lucian is the unnamed visiting friend in one who the police briefly detained along with Baldwin. He found New York too distracting to write, spending his time there with friends and family or on business. He was close friends with modernist painter Beauford Delaney, also gay, who helped Baldwin see that a Black man could thrive as an artist. Delaney would later move to France, staying near Baldwin’s home.

An epilogue has Boggs writing about encountering Baldwin’s work as one of the few white students in a majority-Black school. It helpfully reminds us that Baldwin connects to all who feel different, no matter their race, sexuality, gender, or class. A well-written, easy-flowing biography, with many excerpts from Baldwin’s writing, it shows how much of his life is revealed in his work. Let’s hope it encourages reading the work, either again or for the first time.

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Looking back at 50 years of Pride in D.C

Washington Blade’s unique archives chronicle highs, lows of our movement

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Gay Pride Day 1976 (Washington Blade archive photo)

To celebrate the 50th anniversary of LGBTQ Pride in Washington, D.C., the Washington Blade team combed our archives and put together a glossy magazine showcasing five decades of celebrations in the city. Below is a sampling of images from the magazine but be sure to find a print copy starting this week.

D.C.’s Different Drummers march in the 2006 Capital Pride Parade. (Washington Blade archive photo by Adam Cuthbert)

The magazine is being distributed now and is complimentary. You can find copies at LGBTQ bars and restaurants across the city. Or visit the Blade booth at the Pride festival on June 7 and 8 where we will distribute copies. 

Thank you to our advertisers and sponsors, whose support has enabled us to distribute the magazine free of charge. And thanks to our dedicated team at the Blade, especially Photo Editor Michael Key, who spent many hours searching the archives for the best images, many of which are unique to the Blade and cannot be found elsewhere. And thanks to our dynamic production team of Meaghan Juba, who designed the magazine, and Phil Rockstroh who managed the process. Stephen Rutgers and Brian Pitts handled sales and marketing and staff writers Lou Chibbaro Jr., Christopher Kane, Michael K. Lavers, Joe Reberkenny along with freelancer and former Blade staffer Joey DiGuglielmo wrote the essays. 

The 1995 Lesbian and Gay Freedom Festival was held on Freedom Plaza on June 18. (Washington Blade archive photo by Clint Steib)

The magazine represents more than 50 years of hard work by countless reporters, editors, advertising sales reps, photographers, and other media professionals who have brought you the Washington Blade since 1969.

We hope you enjoy the magazine and keep it as a reminder of all the many ups and downs our local LGBTQ community has experienced over the past 50 years.

I hope you will consider supporting our vital mission by becoming a Blade member today. At a time when reliable, accurate LGBTQ news is more essential than ever, your contribution helps make it possible. With a monthly gift starting at just $7, you’ll ensure that the Blade remains a trusted, free resource for the community — now and for years to come. Click here to help fund LGBTQ journalism.

The D.C. Black Gay Men & Women’s Community Conference table at Gay Pride Day in 1978. (Washington Blade archive photo by Jim Marks)
A scene from 1985 Gay and Lesbian Pride Day. (Washington Blade archive photo by Doug Hinckle)
A scene from the 1988 Gay and Lesbian Pride Day. (Washington Blade archive photo by Doug Hinckle)
A scene from the Capital Pride Block Party in 2018. (Washington Blade photo by Daniel Truitt)
Keke Palmer performs at the 2024 Capital Pride Festival. (Washington Blade photo by Michael Key)
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