a&e features
D.C. Shorts offers succinct cinema
LGBT content well represented in returning film festival

‘Barrio Boy’ was originally planned as a teaser to raise funds for a feature-length production, but took off as a short on the festival circuit. (Photo courtesy of Dennis Shinners)
It’s time for one of the highlights of the D.C. arts calendar — the return of D.C. Shorts.
Under the direction of out filmmaker Jon Gann, the festival brings dozens of fascinating short films from around the world to Washington Sept. 10-20 at Landmark E Street Cinema and other local venues. Full schedule and ticket information can be found at dcshorts.com.
As always, the logistics of the festival are staggering. Gann and his dedicated volunteers screened more than 1,300 short films from 54 countries that were submitted through an open competition. From this pool, 125 were selected. These films (each between two-29 minutes in length) were organized into 14 separate showcases, each approximately 90 minutes long. There are also several themed programs, including LGBT shorts, documentaries, movies by local filmmakers, a family program and free lunchtime screenings at the Landmark E Street Cinema.
The festival website has a complete schedule with details of all the flexible ticket options, a searchable database with synopses and trailers for the individual movies and detailed listings for all showcases. D.C. Shorts also has a special option where viewers can watch the movies online. With more than 24 hours of films to watch, that’s a convenient feature.
In addition to the showcases and themed programs, there’s a wide variety of related events. There’s a screenplay competition where local actors will perform a staged reading of six original screenplays (and the winner gets some serious production support from D.C. Shorts). There are workshops for beginning and advanced filmmakers. There are opportunities for audience members to meet the filmmakers and chances for audience members to vote on their favorites which will be shown in two special “Best Of” showcases during the festival’s closing weekend. And there are also the parties for which D.C. Shorts has become infamous.
Films with an LGBT focus can be found in each of the showcases, but this year they will also be highlighted in a special LGBT program at the E Street Cinemas on Thursday Sept. 17. The eight films selected for the program highlight the incredible richness of contemporary queer cinema.
For example, “Election Night” by American director Tessa Blake, is a political drama that combines suspense and humor with a deft touch. Filmmaker Blake says her film, which stars Peri Gilpin (“Frasier”) and comedian Jake Johannsen, “follows a politician’s family in Maine as they wait for the final 350 votes to come in on election night. Trapped in a hotel kitchen and waiting for the ferry to arrive with the last ballots, nerves rattle the family into a comic whirlwind of wild theories, long-held secrets and a revelation that nobody saw coming.”
According to writer and director Dennis Shinners, the wildly inventive “Barrio Boy” is the story of “a Latino barber who secretly falls in love with a handsome Irish stranger over the course of a haircut during a hot and sweaty summer afternoon in a macho Brooklyn hood.” The short was made as a pitch reel to help secure financing for the feature version, but has become a hit at film festivals across the country.
“Stella Walsh” is a riveting documentary by Ohio filmmaker Rob Lucas that combines sports, gender, scandal and murder. Walsh first made headlines when she won a gold medal at the 1932 Olympics and made further headlines when an autopsy after her 1980 murder raised questions about her gender identity. Director Lucas says, “The 15-minute documentary explores the life of Stella, her death and her gender controversy through interviews with friends, trainees, members of the media, and a geneticist, as well as photos and archival footage from years of in-depth research.” More information on Stella’s story can be found at stellawalsh.com.
“The Bench Project: Lost and Found,” written by gay novelist John W. Bateman and directed by Oriana Oppice, is part of a larger film series produced by Steven Bidwell. “The Bench Project” is a series of five short independent films guided by a few simple parameters: a three to five page script, two actors and a bench. “Lost and Found” tells a fascinating story about gay life from a fresh and unusual perspective.
“The story focuses on two elderly widows — neighbors and old friends,” Bidwell says. “When one of them discovers a locked box in the closet full of her husband’s things, the two discover clues to a past that their husbands shared with each other and kept from their wives.”
The LGBT showcase also includes “The Last Girl,” a Danish film that takes an unusual look at coming out, and “A Last Farewell,” a Swedish film about a man grieving the loss of his husband and looking back on their legacy, as well as “Strings,” a British drama about a young boy who suspects his father is a spy but discovers a different family secret instead, and “The First Session,” a funny film about two women who turn a chance meeting at a therapist’s office into a passionate first date.
Other festival highlights include “Gender Bender,” a comedy by D.C. filmmaker Austin Bragg about a heterosexual couple who magically swap genders, and “The Stutterer,” an Irish comedy about a young man who speaks eloquently in his head, but whose interactions with the world are hampered by his stutter, one of several movies that focus on people with disabilities.

‘Gender Bender’ explores what happens when a straight couple switches genders. (Photo courtesy of Austin Bragg)
“Breakin(g),” which won the 2014 Screenplay Competition, is about an elderly woman who uses cunning and some unexpected skills to foil a robbery. “We Can’t Live Without Cosmos” is an animated Russian film about two men training for the space program and “Screened,” is a comic look at America’s addiction to cell phones. “The Bridge Partner,” based on a short story by Peter S. Beagle (who also has a cameo), is a delicious story about the murderous tensions between card players Sharon Lawrence (“NYPD Blue”) and Beth Grant (“Sordid Lives”).
Besides being an incredible way for D.C. filmgoers to sample a smorgasbord of international short movies, D.C. Shorts is also an important forum for independent filmmakers to connect with each other and hone their craft. This is especially true for the LGBT filmmakers whose work is included in the festival.
“D.C. Shorts is committed to bringing lots of different voices of filmmakers to audiences who are underserved by mainstream culture, which allows an opportunity for LGBTQI films to reach an audience they might not find anywhere else,” Tessa Blake says.
Dennis Shinners echoes her observation.
“For a filmmaker to experience the immediacy of reactions from a live audience is a rare and incredible opportunity,” Shinners says. “For a fest like D.C. Shorts to exclusively celebrate short films is a really encouraging boost to filmmakers of any background or discipline to continue to share stories important to them.”
a&e features
Rainbows in Revolt on a mission to make LGBTQ artists’ voices heard
Rainbows in Revolt on a mission to make LGBTQ artists’ voices heard
Last month’s Pride celebration in D.C. was so fun. Walking around my first Capital Pride with a $15 lemonade I was loving the madness and the color. Artists and small businesses battling banks you’ve never heard of collecting your personal information so you can spin a wheel to snag free merch. Great music blaring, people actually smiling and enjoying themselves, the “Great” American State Fair could never!
The Monument Stage was on Pennsylvania Avenue, directly in front of the National Gallery of Art and I can’t think of a better venue to see live music. How does someone get on the lineup for Pride? How do we accelerate the visibility of the most talented voices in our community to perform in places like this?
There is certainly not a talent gap, but there is a visibility gap. Chappell Roan went from playing for two people in a parking lot to owning the main stage at Coachella in one year. Whether it is shadowbanning or bias in AI, algorithms have been shown to suppress queer artists. In a digital age, how can queer people break through and show the world how talented they are?
Allison and Matt of Rainbows in Revolt are on a mission to make openly LGBTQ+ artists’ voices heard. Their goal is to find “musicians whose queerness is central to their identity as an artist,” and accelerate them to a place where they can actually reach fans.
The only time queer events seem to be in the spotlight is June, but this should be year round, according to Allison and Matt. Rainbows in Revolt wants to act as a “nucleus” for different sub-communities, finding common ground in the universal language of music.
Matt and Allison founded Rainbows as a way to make cheaper, higher quality merchandise for queer artists. While Rainbows has already pledged 20% of their profits to the LGBTQ+ community, with 10% to Whitman-Walker Health and 10% to LGBTQ+ organizations in need, this is just the beginning of the work that they do.
Rainbows “does the dirty work” that artists normally struggle to do on their own with limited resources. Interviews, artist profiles, social promotion, playlist discovery, radio outreach, and merch-funded support. This work is normally expensive, time consuming, and requires lots of different skills. Musicians don’t want to be editing clips to post online. Standup comedians don’t want to make graphics for their tour dates. They want to write more. They want to focus on their craft.
In addition to helping artists find their audience, Rainbows has built other digital tools to help queer people connect, including an interactive Safe Space Map for most major cities. It is hard to know which places are truly safe and supportive just from a simple Google search. Attitudes and actions change, and there should be a simple way for queer people to find other places that align with them. The Safe Spaces Maps are all up to date, and are tagged and filterable. Instead of relying on forums and word of mouth, Rainbows has created a centralized way to find authentic community quickly.
I had a chance to talk with Allison and Matt at Pride where Lily Erin, one of their signature artists, was performing on the Monument stage. Lily Erin is a folk singer who is familiar and forging her own path. Her bittersweet sound echoes through Acadia, and her garb mirrors the New England athletes I grew up with. Gorp Core meets streetwear. A graphic tee, hiking shorts, and creamsicle Jordans.
Her debut single, “Bus Stop,” tells a sad story about unconditional love, and the conditions that still seem to come with it. Graduating into lockdown, Erin needed a new way to connect with herself and others. Lily made “Bus Stop” without an intention to share it, but doing so was a liberation. People have been responding to her honesty around queer-ness, family, and the “ghosts which haunt us” even in the daytime.
Rainbows in Revolt has helped Lily Erin go from bars and backyards to The Monument Stage at Pride. This is a meteoric rise, and a testament to both Erin’s talent and the work of Rainbows to promote her. “A little encouragement goes a long way with early artists,” and by “planting a seed” Rainbows is already seeing their artist garden grow. Community is power, and Erin is a perfect example of how effective simple modern techniques of promotion can be.
A next step for Rainbows is putting on shows themselves. On Oct. 3, Rainbows in Revolt will host an Evening with Ray Boltz at the National City Christian Church. Boltz grew up in the Catholic Church and for many years was the soundtrack to many services, youth camps, and church groups. He was celebrated by millions until he came out in 2008. Allison remembers her community “never playing his music again.”
Rainbows in Revolt is helping him to return to the church, and proving that identity does not need to be exclusive. We live in a complicated world with complicated lines being drawn. Boltz proves that these lines don’t exist, and will be breaking down barriers to bring together communities. To Allison, “a trans woman standing next to a straight white man in church is a powerful teacher.”
The Safe Space maps bridge all types of spaces, and one of the unlikely ones is, perhaps, churches. Matt said that “BYU has only nine safe spaces around their campus and seven of them are churches.” Not all churches are anti-gay, and many times they are the only place for people to find community.
Rainbows in Revolt is just getting started bridging gaps and building community.
a&e features
Summer in the City: Free exhibits, movies, more fill D.C.’s calendar
America 250 celebrations continue
From late-night museum visits and outdoor jazz concerts to free movie screenings and America250 exhibitions, Washington’s summer calendar is packed with events that don’t charge admission. Here’s a look at some of the free activities happening across the District through September and beyond.
Museum exhibitions
The Renwick Gallery is presenting State Fairs: Growing American Craft, an exhibition that looks at unique and unconventional crafts from the 19th century to the present. It will run until Sept. 7, and admission is free.
The Arts and Industries Building, located next to the Smithsonian Castle, is presenting the exhibition Voices and Votes: Exploring Democracy Across America. The exhibition features the development of American independence and what that has meant over time, beginning with the Revolutionary War. Admission to the museum is free, and the exhibition runs until Sept. 7.
The National Gallery of Art presents Dear America, an exhibit featuring more than 100 pieces of work, including letters, photographs, and drawings that depict American landscapes and depictions of freedom. The exhibition will run until Sept. 20.
The National Museum of Women in the Arts is exhibiting Burnished: Pueblo Pottery until Sept. 27. The exhibit features pottery from the Southwest, and while most of the pottery belongs to women artists, a few also reflect those who have advocated for women.
Extending past this summer, the exhibition ¡Puro Ritmo! The Musical Journey of Salsa will be at the National Museum of the American Latino until July 2028. The exhibition shows how Afro-Cuban music has become a staple in the U.S. Admission is free.
The Martin Luther King Jr. Memorial Library will feature the exhibition District Vibes / American Pride: How DC Changed American Culture, which will highlight all of the ways D.C. has impacted American life. The exhibit will run until Sept. 27.
At the Folger Shakespeare Library, the exhibit Imagining Shakespeare: Mythmaking and Storytelling in the Regency Era will be on view through Aug. 2. All the portraits on display come from the Boydell Shakespeare Gallery in London.
The United States Botanic Garden will be open until 8 p.m. on Aug. 20 and Sept. 17, as part of America’s State Flowers: An America250 Celebration. The evenings will include live music, mocktails, ice cream, and snacks.
The National Gallery of Art Sculpture Garden will have extended hours, staying open until 8 p.m. Wednesday to Saturday until Sept. 3.
Live performances
On Aug. 7, the postgame Nationals concert series will continue with Jordan Davis performing. To see the concert, guests just need to buy tickets to the Nationals game.
Jazz in the Garden will run each Friday until Aug. 14. The event has free admission, but those interested have to enter a lottery due to the high demand for the event.
From May to October, Capital Harvest Market occurs every Wednesday from 10 a.m.-2 p.m. at the Ronald Reagan Building and International Trade Center. The market features fresh foods, crafts, and recipes for unique dishes. A full list of vendors is available on Capital Harvest’s website.
Live! Concert Series on the Plaza will feature live performances at Woodrow Wilson Plaza until Sept. 25. The performances run Monday to Friday from 12-1 p.m. Admission is free to the performances.
DowntownDC Live! at Anthem Row is running until July 30, with free performances every Thursday from 5:30 p.m. to 9:00 p.m. The final performance will feature HUE and a vintage flea market hosted by Get Flee Marketplace.
Located in Adams Morgan, AdMo Vibe will present live performances every Thursday at 6 p.m. in Kalorama Park. Guests are encouraged to check out Adams Morgan before and after shows, and it is an event for all ages.
Other events
Union Market is hosting drive-in movies on Aug. 8, featuring “Monsters, Inc.”, and Sept. 12, featuring “Wicked.” On Aug. 8, the parking lot will open at 7:30 p.m., with the movie starting at 8:25 p.m. On Sept. 12, the parking lot will open at 6:35 p.m., and the movie will start at 7:30 p.m.
Sunset Cinema at the Wharf will also be available one day a month. On Aug. 12, “10 Things I Hate About You” will premiere, and on Aug. 26, “Project Hail Mary.” No tickets are necessary.
The Library of Congress will also show movies. On Aug. 6, guests are invited to watch “Apollo 13.” The movie will be shown at 8 p.m., with additional live performances beginning at 7 p.m.
For fans of Asian media, the Okaton convention will be at Walter E. Washington Convention Center from July 31-Aug. 2. Festivities will include cosplay contests, skits, live music, and panel discussions.
Washington Spirit’s season also begins in August. The Spirit is Washington’s National Women’s League, with matchups occurring between the San Diego Wave, the North Carolina Courage, the Orlando Pride, and the Bay FC.
a&e features
Summer in D.C. brings sports, Restaurant Week, festivals, and more
Summer in D.C. just hits different. Congress is out, school is out, the sun is out, thighs are out. With the skies clearing from Canadian smoke, here are a few ways to stay entertained.
Dining
Summer restaurant week: The Restaurant Association of Metropolitan Washington (RAMW) is once again hosting Summer Restaurant Week, Aug. 18-24. This weeklong dining experience showcases the dynamic dining scene of the DMV, including 2026 RAMMY Award-winning favorites (the annual D.C. food awards show that took place June 29). Participating restaurants will offer three-course brunch and lunch selections for $25 or $35 per person, and three-course dinners for $40, $55 and $65 per person.
New Restaurants: A handful of new spots have opened, so the summer is a great time to check them out:
- Oribu: A new Mediterranean-Japanese restaurant in the Grand Hyatt hotel, which just underwent a remodeling effort. The sleek restaurant brings upscale charm, with dishes like Wagyu beef tartare with potato pavé and caviar.
- The Oak Room: A snazzy old-school American grill has just opened in Georgetown, alongside its sister upstairs supper club (Bernadette’s) restaurant, in the old El Centro space.
- Uchi: This showy Japanese sushi-forward chain has landed in Dupont with a chef’s tasting menu of favorites like fatty tuna.
- Kathmandu: Recalling the capital of Nepal, this warm, buzzy subterranean restaurant right in the heart of U Street brings spice, flair, and rare ingredients to its dishes (see: buffalo burgers) and drinks.
Sports
- Washington Spirit Pride Night OUT: On Sunday, Aug. 23, head to Audi Field for a massive, high-energy game following the exciting month of World Cup. The designated Pride Night OUT game promises boisterous crowds plus pre- and post-game community engagements.
- Washington Tennis Open – Now called the Mubadala DC Open, this annual tournament is only combined mens’ and womens’ 500-level tennis tournament in the world. The open is one of D.C.’s longest-standing sports traditions, and will take place at the Rock Creek Park Tennis Center July 25-Aug. 2. Naomi Osaka, Venus Williams, Ben Shelton, Frances Tiafoe, and others are expected to play.
Festivals
- Afro Plus Fest: This huge, three-day Afro-Caribbean Hip-Hop Festival brings together headliners Davido, Alkaline, and Wizkid, plus Tems and Ayra Starr. The event moves from RFK to the Northwest Stadium Complex for three days, Sept. 4-6.
- Capital Fringe Festival: Running from July 11-21, this massive celebration features dozens of live theater, comedy, dance, and boundary-pushing nighttime performances across multiple DC neighborhoods.
- The National Book Festival returns, with headliners like Cynthia Erivo, and Martin Scorsese. The one-day festival, Saturday, Aug. 22, brings together bookworms and word nerds under the theme “America 250: It’s Your Story.” There are talks, workshops, musical sessions and more.
- All Things Go: A three-day festival Sept. 25-27 at Merriweather Post Pavilion featuring Mitski, Hayley Williams, Brandi Carlile, MUNA, Zara Larsson, Ethel Cain, and many, many more artists. There are single-day and three-day tickets. Featuring and highlighting female artists, the festival has turned into a must-see for many LGBTQ audience members.
- Fuchsia Fest: The inaugural Fuchsia Fest is a new multi-day celebration created to celebrate LGBTQ community and expression, bringing together a mix of community gatherings, entertainment, and nightlife. The event takes place Sept. 18-20 and is hosted by Capital Pride.
Art and Music
- United We Dance: A high-energy rave with house, techno, bass, and festival music, on Aug. 1 at the 9:30 Club.
- The Fray. On Aug. 14, this American rock band famous for How To Save A Life is at Merriweather Post Pavilion.
- Kesha: Kesha’s high-energy The Freedom Tour comes to the D.C. area on Aug. 14 at Jiffy Lube Live.
- ALOK: On Sept. 3 at Lincoln Theater, ALOK (they/them) performs. The poet, comedian, and actor is putting on a new comedy show.
- 2charm, the emerging Australian electronic club-pop duo popular with the queer community, which blends hyperpop and dance music, comes to the Atlantis.
- Sapphic Dance Party: a vibrant, inclusive nightlife and social event designed specifically for queer women, lesbians, bisexuals, trans individuals, and nonbinary folks, at Atlantis on Aug. 21.
- Jazz in the Garden: The most quintessential of D.C. activities returns Friday evenings through Aug. 14. This season’s theme, “American Sounds,” is a nod to the nation’s 250th anniversary. Tunes themes range from Appalachian and Americana to Creole jazz, Hill Country blues, contemporary jazz, and more. Tickets are available through a lottery system a week before each event.
-
Germany4 days ago1 dead, 29 injured in Berlin Pride attack
-
Movies4 days ago‘Into the Grey’ unites Cavill, Gyllenhaal for thrills and gay love
-
Theater3 days agoD.C. summer theater offers something for every taste
-
a&e features3 days agoSummer in the City: Free exhibits, movies, more fill D.C.’s calendar
