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Summer 2016 movie preview
Upcoming releases offer blockbusters, franchises, festivals and more

Joanna Lumley and Jennifer Saunders in ‘Absolutely Fabulous: the Movie.’ (Photo courtesy the Karpel Group)
The 2016 summer movie season gets off to an explosive start this weekend with “The Angry Birds Movie.” The wildly popular video game gets turned into a 3-D animated comedy featuring the voices of Jason Sudeikis, Maya Rudolph, Bill Hader, Peter Dinklage and Josh Gad.
Following in the wake of the furious fowls are an exciting mix of blockbusters and independent releases, along with films large and small that may have special appeal to LGBT audiences.
The summer schedule is, of course, full of franchise movies and action-filled blockbusters. The anticipated line-up includes “X Men: Apocalypse” (May 27); “Alice Through The Looking-Glass” a follow-up to Tim Burton’s 2010 spectacular retelling of the beloved Lewis Carroll tale, now under the direction of James Bobin, but with returning stars Johnny Depp, Anne Hathaway, Mia Wasikowska, Helena Bonham Carter and Alan Rickman (in his final screen performance); Megan Fox and friends in “Teenage Mutant Ninja Turtles: Out of The Shadows” (June 3); “Independence Day Resurgence” (June 24); the all-female remake of “Ghostbusters” (July 15); and out actor Zachary Quinto as Spock in “Star Trek Beyond” (July 22).
Some summer mainstream releases will be of special interest to LGBT audiences. In a surprise move, actor Dave Franco (brother of polymath artist James) and director Nicholas Stoller of “Neighbors 2: Sorority Rising” (opening Friday, May 20) revealed that the “homoerotic tendencies” displayed by the character Pete in the first movie will lead to a same-sex marriage proposal in the sequel.
America’s favorite lesbian Ellen DeGeneres returns to the big screen on June 17 as the voice of the title character, a blue tang with memory issues, in Disney-Pixar’s “Finding Dory.”
Accompanied by other members of the cast of the popular BBC sitcom, aging party girls Edina Monsoon (series co-creator Jennifer Saunders) and Patsy Stone (Joanna Lumley) stumble onto the big screen in “Absolutely Fabulous: The Movie” on July 22. And on Aug. 12, Meryl Streep massacres the world of grand opera as “Florence Foster Jenkins,” a would-be opera diva with lots of money and enthusiasm, but no talent.

Meryl Streep as the tone-deaf diva in ‘Florence Foster Jenkins.’ (Photo by Nick Wall; courtesy Paramount Pictures)
With significantly less fanfare, some notable independent features will be blooming in D.C. cinemas this summer. Opening on Friday, May 20 is “Love & Friendship” starring Kate Beckinsale with stellar support from Chloё Sevigny, Jemma Redgrave and Stephen Fry. Best known for his explorations of American upper-class ennui, director Whit Stillman offers a fresh and funny take on an early and relatively unknown Jane Austen comic novella.
Also opening this weekend, creating the opportunity for a wonderful double feature, are “The Lobster,” a sci-fi thriller starring Colin Farrell about a society that outlaws single people (both gay and straight); and “Sunset Song” a sweeping saga about Scottish farmers during World War I by gay filmmaker Terence Davies (“The House of Mirth” and “The Deep Blue Sea”).
Opening Friday May 27 is “Maggie’s Plan,” a delightful modern-day comedy of manners starring Greta Gerwig and featuring a very funny Julianne Moore.

Julianne More explores her comic side in ‘Maggie’s Plan.’ (Photo courtesy Sony Pictures Classics)
Despite the inevitable giggles about the title, the independent movie tone turns more serious in “Weiner,” a documentary about disgraced politician Anthony Weiner’s ill-advised 2013 campaign to become mayor of New York City (May 27). On June 3, the Angelika Pop-Up at Union Market will present “Art Bastard,” a documentary about controversial artist Robert Cenedella who has been described as “the anti-Warhol.”
The screen will glitter with star power (and Oscar buzz will ignite) when the highly anticipated “Genius,” which opens June 10. Written by Academy Award-nominated screenwriter John Logan (“Gladiator,” “The Aviator,” “Hugo” and “Skyfall”) and directed by openly gay Tony Award-winning director Michael Grandage (from London’s acclaimed Donmar Warehouse theater), the drama explores the complex relationship between editor Maxwell Perkins (Colin Firth) and writer Thomas Wolfe (Jude Law). The A-list cast also includes Nicole Kidman, Laura Linney, Guy Pearce and Dominic West.
The Reel Affirmations monthly XTRA film series (reelaffirmations.org) continues with “Wilhemina’s War,” a moving and thought-provoking documentary that profiles Wilhemina Dixon, a 62-year-old black woman in South Carolina who is caring for her daughter and granddaughter, both of whom are HIV-positive. Filmmaker June Cross captures both Wilhemina’s daily struggles against AIDS stigma and the larger social issues of poverty, racism and sexism, women’s health care and the ongoing spread of HIV in the South. “Wilhemina’s War” will be screened on Friday, June 17. The weekend-long Reel Affirmations Film Festival will return in October.
As part of its year-round film programming, the Washington Jewish Film Festival (wjff.org) will present “Those People,” (June 21) a moving story about love and art on Manhattan’s glitzy Upper East Side.

A scene from ‘Those People,’ part of this summer’s film series at the Washington Jewish Film Festival. (Still courtesy WJFF)
From June 22-26, AFI Docs (afi.com/afidocs), the American Film Institute’s magnificent annual celebration of the documentary, will bring 94 new documentaries to the region. Under the direction of openly gay director Michael Lumpkin, AFI screeners selected these films from hundreds of submissions to highlight the amazing range of techniques and topics in contemporary documentary filmmaking.
The opening night gala will feature “Zero Days” by Academy Award-winning director Alex Gibney. After provocative documentaries about Enron, WikiLeaks, Steve Jobs and Scientology, Gibney’s latest film exposes the dangerous new world of cyber warfare. The closing night gala features “Norman Lear: Just Another Version of You,” a portrait of the man who changed television history with shows like “All in the Family” and “Maude,” and who changed the national political dialogue by founding People for the American Way. Both galas will be held at the Newseum.
On Friday, June 24, the AFI Guggenheim Symposium will honor legendary filmmaker Werner Herzog. The symposium will include clips from Herzog’s documentaries, a panel discussion and the East Coast premiere of Herzog’s latest film, “Lo and Behold: Reveries of the Connected World.”
On Saturday, June 24, AFI Docs offers a screening of “Check It” by Toby Oppenheimer and local filmmaker Dana Flor. The film profiles a fascinating group of LGBT D.C. youth who form a gang to protect themselves against violent attacks. They then decide to turn their efforts in a more positive direction, trying to break the brutal cycles of violence, poverty and prostitution by forming their own clothing label.
AFI Docs will screen at the AFI Silver in downtown Silver Spring, the Landmark E Street Cinema in downtown D.C. and other venues throughout the area.
In addition to serving as a venue for AFI Docs, AFI Silver (afi.com/silver) has a slate of innovative programming this summer. AFI shows both the latest independent releases along with lovingly curated celebrations of Hollywood and international cinema. Its summer programming kicks off with the inaugural “Washington, D.C. Fantastic Film Festival,” a showcase of the best (and worst) of genre cinema. Highlights include “Batman: the Movie,” the campy precursor to today’s superhero blockbusters, and “Trekoff: the Movie,” a cinematic version of the raunchy podcast that bills itself as “the funniest, dirtiest ‘Star Trek’ podcast you’ve ever heard.”
Other AFI summer programming includes “The Festival of New Spanish Cinema” (June 16-19), celebrations of distinguished actor Gregory Peck and radical screenwriter Dalton Trumbo, the “Best Of” showcase from D.C.’s remarkable 48 Hour Film Project (May 26), and the return of the beloved “Internet Cat Video Festival” from June 25-26.
HBO and Logo will also present new documentaries to mark Gay Pride month. On Monday, June 13, Logo will air “Out of Iraq,” which chronicles the love story between an Iraqi soldier and an Iraqi translator, both working with the U.S. military, that unfolds in a war-torn country where homosexuality is banned. HBO will air “Suited,” a fascinating movie about a London bespoke tailor who specializes in creating fashions that fit the specific needs of the gender non-conforming clients, and “Mariela Castro’s March” about the fight for LGBT rights in Cuba.

Bespoke tailor Daniel Friedman at work with colleague Rae Tutera in HBO’s ‘Suited.’ (Photo by JoJo Whilden; courtesy HBO)
Finally, the ultimate summer date movie is slated to open on Aug. 26. “Southside with You” recounts the first date between two young Chicago lawyers named Barack Obama (Parker Sawyers) and Michelle Robinson (Tika Sumpter). The world-changing daylong event included a trip to the Art Institute of Chicago, a screening of Spike Lee’s controversial “Do The Right Thing,” and their first kiss outside an ice cream parlor. “Southside with You” should be the perfect transition from the heat of D.C. summer to the heated passions of the fall election season.
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D.C. LGBTQ sports bar Pitchers listed for sale
Move follows months of challenges for local businesses in wake of Trump actions
A Santa Monica, Calif.-based commercial real estate company called Zacuto Group has released a 20-page online brochure announcing the sale of the D.C. LGBTQ sports bar Pitchers and its adjoining lesbian bar A League of Her Own.
The brochure does not disclose the sale price, and Pitchers owner David Perruzza told the Washington Blade he prefers to hold off on talking about his plans to sell the business at this time.
He said the sale price will be disclosed to “those who are interested.”
“Matthew Luchs and Matt Ambrose of the Zacuto Group have been selected to exclusively market for sale Pitchers D.C., located at 2317 18th Street, NW in Washington, D.C located in the vibrant and nightlife Adams Morgan neighborhood,” the sales brochure states.
“Since opening its doors in 2018, Pitchers has quickly become the largest and most prominent LGBTQ+ bar in Washington, D.C., serving as a cornerstone of D.C.’s modern queer nightlife scene,” it says, adding, “The 10,000+ SF building designed as a large-scale inclusive LGBTQ+ sports bar and social hub, offering a welcoming environment for the entire community.”
It points out that the Pitchers building, which has two years remaining on its lease and has a five-year renewal option, is a multi-level venue that features five bar areas, “indoor and outdoor seating, and multiple patios, creating a dynamic and flexible layout that supports a wide range of events and high customer volume.”
“Pitchers D.C. is also home to A League of Her Own, the only dedicated lesbian bar in Washington, D.C., further strengthening its role as a vital and inclusive community space at a time when such venues are increasingly rare nationwide,” the brochure says.
Zacuto Group sales agent Luchs, who serves as the company’s senior vice president, did not immediately respond to a phone message left by the Blade seeking further information, including the sale price.
News of Perruzza’s decision to sell Pitchers and A League of Her Own follows his Facebook postings last fall saying Pitchers, like other bars in D.C., was adversely impacted by the Trump administration’s deployment of National Guard soldiers on D.C. streets
In an Oct. 10 Facebook post, Perruzza said he was facing, “probably the worst economy I have seen in a while and everyone in D.C. is dealing with the Trump drama.” He told the Blade in a Nov. 10 interview that Pitchers continued to draw a large customer base, but patrons were not spending as much on drinks.
The Zacuto Group sales brochure says Pitchers currently provides a “rare combination of scale, multiple bars, inclusivity, and established reputation that provides a unique investment opportunity for any buyer seeking a long-term asset with a loyal and consistent customer base,” suggesting that, similar to other D.C. LGBTQ bars, business has returned to normal with less impact from the Trump related issues.
The sales brochure can be accessed here.
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Alexander Skarsgård describes ‘Pillion’ in 3 words: lube, sweat, leather
Highly anticipated film a refreshingly loving look at Dom-sub life
Whether you’ve seen him in popular HBO series like “True Blood,” “Succession,” or “Big Little Lies,” the dynamic Swedish actor Alexander Skarsgård has that smoldering gaze that immediately draws viewers in.
Following in the footsteps of his father Stellan, (who just won the Golden Globe for “Sentimental Value”) the Golden Globe, Emmy, and SAG winner Skarsgård continues to be an actor who is fearless in the roles he takes on.
That courageousness is evident in Skarsgård’s latest film, the BDSM black comedy “Pillion,”which he also executive produces. He plays Ray, the handsome, hyper-dominant leader of a gay bike gang. The film was written and directed by Harry Lighton, and is based on the 2020 novel “Box Hill,” by Adam Mars-Jones.
“This was a small film by a first time filmmaker and it wasn’t financed when I read it,” Skarsgård told journalists at a recent awards news conference. “And I felt that, if I could help in any small way of getting it financed, I wanted to, because I thought it was such an incredible screenplay and I believe in Harry Lighton so much as a filmmaker. And it felt tonally unlike anything I’d ever read. It was such an exciting, surprising read.”
Skarsgård was blown away by the quality of the unconventional script. “When I heard BDSM relationship, biker culture, I expected something very different. I didn’t expect it to have so much sweetness and tenderness and awkwardness.”
For the sex scenes and nudity with co-star, Harry Melling — who excels in his portrayal as Ray’s submissive Colin — Skarsgård talked very early on with Lighton about how he wanted to shoot those scenes, and why they were in the film.
“I often find sex scenes quite boring in movies because a lot of the tension is in the drama leading up to two people hooking up, or several people hooking up, as in our movie. But what I really enjoyed about these scenes — they are all pivotal moments in Colin’s journey and his development. It’s the first time he gets a blowjob. It’s the first time he has sex. It’s the first time he has an orgasm. And these are pivotal moments for him, so they mean a lot. And that made those scenes impactful and important.”
Skarsgård was happy that Lighton’s script didn’t have gratuitous scenes that shock for the sake of just shocking. “I really appreciated that because I find that when this subculture is portrayed, it’s often dangerous and crazy and wild and something like transgressive.”
He continued: “I really love that Harry wanted it to feel real. It can be sexy and intense, but also quite loving and sweet. And you can have an orgy in the woods, rub up against a Sunday roast with the family. And that kind of feels real.”
One of the obstacles Skarsgård had to work with was Ray’s emotionally distant personality.
“Ray is so enigmatic throughout the film and you obviously never find out anything about him, his past. He doesn’t reveal much. He doesn’t expose himself. And that was a challenge to try to make the character interesting, because that could easily feel quite flat…That was something that I thought quite a lot about in pre production…there are no big dramatic shifts in his arc.”
For the film, Lighton consulted the GMBCC, the UK’s largest LGBT+ biker club, attending their annual meetup at which 80 riders were present.
“Working with these guys was extraordinary and it brought so much texture and richness to the film to have them present,” said Skarsgård. “They were incredibly sweet and guiding with us — I can’t imagine making this movie without them. I’d go on a road trip with them anytime.”
Added Skarsgård: “To sum up ‘Pillion’ in three words: lube, sweat, and leather. I hope people will connect with Colin and his journey, and come to understand the nuance and complexity of his bond with Ray.”
This year is shaping up to be a busy one for Skarsgård. “Pillion” premieres in select cities on Feb. 6 and then moves into wide release on Feb. 20. After that for Skarsgård is a role in queer ally Charli XCX’s mockumentary, “The Moment,” which premieres at the Sundance Film Festival. HIs sci-fi comedy series, Apple TV’s “Murderbot,” which he also executive produces, will begin filming its second season. And this weekend, he hosts “Saturday Night Live.”
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MISTR’s Tristan Schukraft on evolution of HIV prevention
From ACT UP to apps, embracing stigma-free care
It was not too long ago that an HIV diagnosis was read as a death sentence. In its earlier decades, the HIV/AIDS crisis was synonymous with fear and loss, steeped in stigma. Over recent years, open conversation and science have come together to combat this stigma while proactively paving the way for life-saving treatments and preventive measures like PrEP. Now, in 2026, with discreet and modern platforms that meet people where they’re at in their lives, HIV prevention has evolved from hushed words of warning into something far more sex-positive and accessible. Game-changing services like MISTR are a testament to this shift, showing our community that healthcare doesn’t have to feel clinical or shaming to work. It can be empowering and, dare I say, celebratory.
Few people embody this evolution quite like Tristan Schukraft, founder of MISTR. With one hand in healthcare and the other high-fiving through queer nightlife, Schukraft gets that, from the bar to the bedroom and beyond, prevention happens in person and in real life. His approach has helped turn PrEP, DoxyPEP, and testing into normalized parts of our daily queer life, reaching hundreds of thousands of people across the US.
In our conversation, Schukraft shares candidly about stigma, policy, and why the future of sexual health depends on keeping it real.
BLADE: You have one hand in healthcare and the other in nightlife and queer spaces. Can you share with us how these two spheres impact and inform each other? How do they impact and inform you?
SCHUKRAFT: Honestly, for me, they’ve never been separate. Nightlife and queer spaces are where people meet, date, hook up, fall in love, and make friends. That’s real life. Being in queer spaces all the time keeps me grounded and reminds me who we’re building MISTR for.
BLADE: MISTR markets sexual health in a sex-positive, stigma-free fashion. Can you share with us how you measure the impact of this approach?
SCHUKRAFT: This year, we held the first-ever National PrEP Day. Dua Lipa performed, and Cardi B was there. After the event, Cardi B went on her Instagram live to encourage people to sign up for PrEP.
When you make sexual health stigma-free and sex positive, people talk about it. We see it in how people use the platform. When 700,000 people are willing to sign up, get tested, start PrEP, and add things like DoxyPEP, that tells us we’ve made it feel safe and normal instead of scary or awkward. And then we see it in the results. Since we expanded DoxyPEP, STI positivity among our patients dropped by half.
BLADE: How have you seen the conversation of sexual health in our LGBTQ+ community change in mainstream culture in recent years?
SCHUKRAFT: Ten years ago, nobody was casually talking about PrEP, and if they did, it likely referenced one being a Truvada whore. Now it’s part of the culture. Popstars like Troye Sivan post pictures of their daily PrEP pill on social media. Cardi B goes on Instagram Live telling people to get on PrEP.
For many sexually active gay men, taking PrEP is simply part of the gay experience. For people in more remote areas, it might not be as talked about. Particularly in rural or more conservative places, MISTR can be a life-changing option. No awkward visits to the family doctor or the local pharmacy where everybody knows your business. It’s all done discreetly online and shipped straight to your door.
BLADE: You have publicly argued that cuts to government HIV prevention funding are of high risk. Would you please elaborate for us on what those budget decisions mean on an individual level?
SCHUKRAFT: It means real people fall through the cracks. Someone doesn’t get tested. Someone waits too long to start PrEP. Someone finds out they’re HIV-positive later than they should have. Community clinics will be the hardest hit, especially those in underserved communities. The good news is that MISTR is ready to help people who might lose their access to care. All you need to do is sign up at mistr.com, and it’s totally free with or without insurance.
BLADE: From your (and MISTR’s) perspective, how do these funding cuts threaten ongoing efforts to end the HIV epidemic?
SCHUKRAFT: For the first time, we have all the tools to end HIV. If everybody who is HIV negative is taking PrEP and everyone HIV+ is virally suppressed, we can end all new HIV transmissions in the United States. We have everything we need today. All we need is to get more people on PrEP. Cutting funding risks losing that momentum. Ending HIV requires scale and consistency. Every time funding gets cut, you lose momentum, trust, and infrastructure, and rebuilding that takes years.
HIV transmissions don’t pause because budgets change.
BLADE: In our current climate of decreased federal investment, what role do you feel private healthcare and business should play in sexual health?
SCHUKRAFT: With reports that the current administration is considering cuts to HIV and prevention funding, we face a moment of reckoning. At the same time, some employers are seeking to exclude PrEP and HIV prevention from their coverage on religious freedom grounds. If these challenges succeed, and if federal funding is slashed, the consequences for public health will be devastating. But this is where the private sector must step up to fill the gap, bridge divides, and deliver results.
Businesses have the power and platform to normalize HIV prevention and drive measurable outcomes. At MISTR, we see firsthand what’s possible: since introducing DoxyPEP, STI positivity rates among our patients have been cut in half. But it’s not just about medication. It’s about messaging.
Our sex-positive, stigma-free marketing speaks directly to our community, making sexual health part of everyday life. No awkward doctor visits, no needles, no paperwork — just free online PrEP and STI testing, prescribed by real physicians and delivered to your door. That kind of impact could grow exponentially if more employers embraced this approach and made HIV prevention part of their employee wellness programs.
Employers, this is your call to action. Start by making sure your health plans cover PrEP and DoxyPEP. Partner with platforms like MISTR to give employees private, stigma-free access to care. Offer on-site testing. Talk openly about sexual health, not just during Pride, but every day of the year. This is not political — this is about protecting lives, strengthening communities, and building a healthier, more productive workforce. Because healthy employees aren’t just good for public health — they’re good for business.
When the private sector steps up, outcomes improve. And when businesses align with platforms like MISTR, scaling impact isn’t just possible — it’s happening.
BLADE: Has MISTR experienced any direct effects from these recent shifts in public health funding?
SCHUKRAFT: MISTR’s unique model is totally free for patients with or without insurance, and we don’t cost the government or taxpayers a penny. We are scaling up our efforts to reach people who might be losing their access or care.
BLADE: What would be your message to policymakers who are considering further cuts to HIV/AIDS programs?
SCHUKRAFT: During his first term, President Donald Trump committed unprecedented resources to the Ending the HIV Epidemic initiative here at home. Bipartisan support has shown what’s possible when bold leadership meets smart strategy. To policymakers: I urge you to reconsider any cuts to HIV prevention funding. This is not the time to pull back. It’s the time to push forward. Ending HIV is within reach — but only if government, private industry, and community organizations stand together.
BLADE: What is one perhaps overlooked win from last year that impacted you on a personal level?
SCHUKRAFT: Seeing our STI positivity rate drop by half after expanding DoxyPEP.
BLADE: Looking at the year ahead, what are MISTR’s most significant priorities for sexual health in 2026?
SCHUKRAFT: Expanding access, especially in the South and in communities that still get left out. Rolling out injectable PrEP. And just continuing to make sexual healthcare easier and more normal.
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