a&e features
Baltimore’s Grand Central celebrates 25 years
Jazz, leather, karaoke, drag and more find home at legendary Charm City club

A Grand Central party in 2014. The club has been a central hub of Baltimore gay life since 1991. (Photo by Bob Ford)
RJ Ladd recalls the summer of 2001 at Central Station, the former name of Grand Central. It was during “Tia-Oke” when drag performer, “Tia (Chambers), drunk, hosted karaoke, attempted to walk down the steps and fell flat on her face. We helped her up, not a hair out of place, and she didn’t miss a beat. She kept going as if it didn’t happen.”
That amusing anecdote could serve obliquely as a metaphor for Grand Central Nightclub’s 25-year history. Though the club never stumbled, it has had to overcome a number of challenges —competition, property damage, declining interest in gay bars — to remain a vital part of Baltimore’s LGBT culture and social life.
To mark 25 years in the community, Grand Central, situated at the intersection of Charles and Eager streets in the Mount Vernon gayborhood, will host a special event on Saturday, March 25. There will be free cover all night and giveaways every hour as well as other surprises.
Owner Don Davis, a well-known and outspoken figure in Baltimore’s LGBT community, waxes nostalgic about the era when gay bars were at their zenith. Prior to owning Grand Central, he and partner Rick Morgenthaler had opened the Allegro, also in Mount Vernon, in November 1986. After a slow start, they modified the piano bar format by instituting country and western parties, men’s nights and ladies’ nights.

Grand Central owner Don Davis says he’s overcome many hurdles to keep the business running since it opened 25 years ago. (Photo courtesy Davis)
Those changes paid off. “The place was hopping and became the place to be,” Davis says. “There were a lot of fun memories back then.”
At the time, Davis used to drive down Eager Street en route to his home in the Canton neighborhood. He noticed that a historic row house at 1001 N. Charles Street was for sale.
“I always liked the building and the location and decided to look at it throughout,” Davis says. “I contacted two of my friends and asked if they would be interested in being an investor with no say in the business. They both agreed.”
The property was purchased in July 1991. After renovations, the doors opened on Sept. 12, 1991.
On Feb. 5, 2003, Davis purchased the adjacent north building at 1003 North Charles St. where the former Stagecoach bar existed, and reconstruction was undertaken, adding a double bar disco with state-of-the-art dance floor, sound and lighting systems, and an additional upstairs lounge and restaurant.
In keeping with the major improvements and new facilities, the club was renamed Grand Central and the expanded complex opened May 29, 2003.
Diagonally across the corner was the iconic Club Hippo, for years the largest dance bar in the state. Within a couple of blocks were other well-established bars, the Drinkery and Leon’s. Grand Central was the new kid on the block.
To effectively compete, Davis had to broaden the market and create special events. Billing Grand Central as an “alternative nightclub,” Davis encouraged straight people to patronize the bar.
“I was always grateful for everyone’s business, whether you were straight or gay,” Davis says. “As long as everyone could accept the gay culture, they were welcomed.”
Grand Central had been beset by a couple of odd events. In June 2008, just a week after workers had repaired a storm-damaged roof on the north building, a fire broke out causing damage to the upper floor.
Five years later, a car, which was being pursued by transit police, crashed into a pick-up truck in front of the bar spilling its cargo of white paint all over the exterior and leaving a mess inside the pub. The effects of that incident led to additional renovations.
Each time Grand Central bounced back.
Through the years, Grand Central hosted numerous themed events including red, black and white parties, all well attended. Karaoke nights have been a popular feature as well as jazz, fashion shows and REHAB Saturdays.
Wendy Fox, co-owner of S.H.E. Productions, which has put on events like REHAB at Grand Central for eight years, says, “We are happy to be inclusive of everyone, and the club has always been gracious and open to our ideas, themes and fundraisers.”
An employee for nearly five years, Nicole West says, “Don Davis has always been encouraging and appreciative, the customers always kind and the other staff is like family.”
The upstairs loft has been used for a variety of purposes including receptions, a lesbian-oriented space called Sappho’s for a short time, and it had also been a venue for leather-related events after the Baltimore Eagle (now re-opened) had closed in 2012. The restaurant no longer exists.
The dance club with its two bars is a popular attraction. The Hippo’s closing in 2015 left Grand Central as the leading dance venue in Mount Vernon.
Says DJ Kuhmeleon who used to work at Grand Central, “Being so far away from the crowd in that DJ-in-the-sky, I love hearing the crowd singing every song so loud that it actually rises above the music itself and I can hear them perfectly.”
However, increasing acceptance of LGBT people that allows for comfortably patronizing straight establishments as well as the onset of dating apps have contributed to a decline in gay bars. This concerns Davis.
“Over the past 30 years, I have seen about 29 gay bars and clubs close,” says Davis, 66, who now resides most of the year in Florida.
Notwithstanding that trend, community members see the value of Grand Central.
“I remember 15 years ago, I had the courage to step into a gay bar for the first time and Grand Central welcomed me with open arms,” says photographer Robert Mercer, Jr. “It was like home and the community embraced me without judgment.”
Adds Brian Dolbow, an advocate for the homeless, “Grand Central was the first bar I visited when I moved to Baltimore in 2003. I immediately loved the welcoming atmosphere. In addition, Grand Central has always been supportive of my charity work.”
“Historically, Grand Central has been a welcome place for patrons of all gender, identity and sexual orientations with a variety of offerings including dance, jazz, karaoke, leather and a vibrant bar scene,” says Bob Glock, general manager of the nearby Hotel Brexton. “It has been a major draw to not only the Mount Vernon community, but to Baltimore generally for those outside of the city looking for a safe and sophisticated alternative bar scene.”
Brian Gaither, co-founder of Pride Foundation of Maryland, acknowledges that Grand Central is a landmark institution.
“Over the years it’s provided a safe space for our community and has been a major supporter of LGBT events and organizations,” Gaither says. “We are grateful for all they have done.”
As for himself, Davis is appreciative of the support Baltimore has given to Grand Central.
“Without good staff and the support over the 25 years it would have not been possible,” he says. “Thank you, Baltimore.”

Revelers at an Electric Youth party at Grand Central in 2013. (Photo courtesy Grand Central)
a&e features
D.C. LGBTQ sports bar Pitchers listed for sale
Move follows months of challenges for local businesses in wake of Trump actions
A Santa Monica, Calif.-based commercial real estate company called Zacuto Group has released a 20-page online brochure announcing the sale of the D.C. LGBTQ sports bar Pitchers and its adjoining lesbian bar A League of Her Own.
The brochure does not disclose the sale price, and Pitchers owner David Perruzza told the Washington Blade he prefers to hold off on talking about his plans to sell the business at this time.
He said the sale price will be disclosed to “those who are interested.”
“Matthew Luchs and Matt Ambrose of the Zacuto Group have been selected to exclusively market for sale Pitchers D.C., located at 2317 18th Street, NW in Washington, D.C located in the vibrant and nightlife Adams Morgan neighborhood,” the sales brochure states.
“Since opening its doors in 2018, Pitchers has quickly become the largest and most prominent LGBTQ+ bar in Washington, D.C., serving as a cornerstone of D.C.’s modern queer nightlife scene,” it says, adding, “The 10,000+ SF building designed as a large-scale inclusive LGBTQ+ sports bar and social hub, offering a welcoming environment for the entire community.”
It points out that the Pitchers building, which has two years remaining on its lease and has a five-year renewal option, is a multi-level venue that features five bar areas, “indoor and outdoor seating, and multiple patios, creating a dynamic and flexible layout that supports a wide range of events and high customer volume.”
“Pitchers D.C. is also home to A League of Her Own, the only dedicated lesbian bar in Washington, D.C., further strengthening its role as a vital and inclusive community space at a time when such venues are increasingly rare nationwide,” the brochure says.
Zacuto Group sales agent Luchs, who serves as the company’s senior vice president, did not immediately respond to a phone message left by the Blade seeking further information, including the sale price.
News of Perruzza’s decision to sell Pitchers and A League of Her Own follows his Facebook postings last fall saying Pitchers, like other bars in D.C., was adversely impacted by the Trump administration’s deployment of National Guard soldiers on D.C. streets
In an Oct. 10 Facebook post, Perruzza said he was facing, “probably the worst economy I have seen in a while and everyone in D.C. is dealing with the Trump drama.” He told the Blade in a Nov. 10 interview that Pitchers continued to draw a large customer base, but patrons were not spending as much on drinks.
The Zacuto Group sales brochure says Pitchers currently provides a “rare combination of scale, multiple bars, inclusivity, and established reputation that provides a unique investment opportunity for any buyer seeking a long-term asset with a loyal and consistent customer base,” suggesting that, similar to other D.C. LGBTQ bars, business has returned to normal with less impact from the Trump related issues.
The sales brochure can be accessed here.
a&e features
Alexander Skarsgård describes ‘Pillion’ in 3 words: lube, sweat, leather
Highly anticipated film a refreshingly loving look at Dom-sub life
Whether you’ve seen him in popular HBO series like “True Blood,” “Succession,” or “Big Little Lies,” the dynamic Swedish actor Alexander Skarsgård has that smoldering gaze that immediately draws viewers in.
Following in the footsteps of his father Stellan, (who just won the Golden Globe for “Sentimental Value”) the Golden Globe, Emmy, and SAG winner Skarsgård continues to be an actor who is fearless in the roles he takes on.
That courageousness is evident in Skarsgård’s latest film, the BDSM black comedy “Pillion,”which he also executive produces. He plays Ray, the handsome, hyper-dominant leader of a gay bike gang. The film was written and directed by Harry Lighton, and is based on the 2020 novel “Box Hill,” by Adam Mars-Jones.
“This was a small film by a first time filmmaker and it wasn’t financed when I read it,” Skarsgård told journalists at a recent awards news conference. “And I felt that, if I could help in any small way of getting it financed, I wanted to, because I thought it was such an incredible screenplay and I believe in Harry Lighton so much as a filmmaker. And it felt tonally unlike anything I’d ever read. It was such an exciting, surprising read.”
Skarsgård was blown away by the quality of the unconventional script. “When I heard BDSM relationship, biker culture, I expected something very different. I didn’t expect it to have so much sweetness and tenderness and awkwardness.”
For the sex scenes and nudity with co-star, Harry Melling — who excels in his portrayal as Ray’s submissive Colin — Skarsgård talked very early on with Lighton about how he wanted to shoot those scenes, and why they were in the film.
“I often find sex scenes quite boring in movies because a lot of the tension is in the drama leading up to two people hooking up, or several people hooking up, as in our movie. But what I really enjoyed about these scenes — they are all pivotal moments in Colin’s journey and his development. It’s the first time he gets a blowjob. It’s the first time he has sex. It’s the first time he has an orgasm. And these are pivotal moments for him, so they mean a lot. And that made those scenes impactful and important.”
Skarsgård was happy that Lighton’s script didn’t have gratuitous scenes that shock for the sake of just shocking. “I really appreciated that because I find that when this subculture is portrayed, it’s often dangerous and crazy and wild and something like transgressive.”
He continued: “I really love that Harry wanted it to feel real. It can be sexy and intense, but also quite loving and sweet. And you can have an orgy in the woods, rub up against a Sunday roast with the family. And that kind of feels real.”
One of the obstacles Skarsgård had to work with was Ray’s emotionally distant personality.
“Ray is so enigmatic throughout the film and you obviously never find out anything about him, his past. He doesn’t reveal much. He doesn’t expose himself. And that was a challenge to try to make the character interesting, because that could easily feel quite flat…That was something that I thought quite a lot about in pre production…there are no big dramatic shifts in his arc.”
For the film, Lighton consulted the GMBCC, the UK’s largest LGBT+ biker club, attending their annual meetup at which 80 riders were present.
“Working with these guys was extraordinary and it brought so much texture and richness to the film to have them present,” said Skarsgård. “They were incredibly sweet and guiding with us — I can’t imagine making this movie without them. I’d go on a road trip with them anytime.”
Added Skarsgård: “To sum up ‘Pillion’ in three words: lube, sweat, and leather. I hope people will connect with Colin and his journey, and come to understand the nuance and complexity of his bond with Ray.”
This year is shaping up to be a busy one for Skarsgård. “Pillion” premieres in select cities on Feb. 6 and then moves into wide release on Feb. 20. After that for Skarsgård is a role in queer ally Charli XCX’s mockumentary, “The Moment,” which premieres at the Sundance Film Festival. HIs sci-fi comedy series, Apple TV’s “Murderbot,” which he also executive produces, will begin filming its second season. And this weekend, he hosts “Saturday Night Live.”
a&e features
MISTR’s Tristan Schukraft on evolution of HIV prevention
From ACT UP to apps, embracing stigma-free care
It was not too long ago that an HIV diagnosis was read as a death sentence. In its earlier decades, the HIV/AIDS crisis was synonymous with fear and loss, steeped in stigma. Over recent years, open conversation and science have come together to combat this stigma while proactively paving the way for life-saving treatments and preventive measures like PrEP. Now, in 2026, with discreet and modern platforms that meet people where they’re at in their lives, HIV prevention has evolved from hushed words of warning into something far more sex-positive and accessible. Game-changing services like MISTR are a testament to this shift, showing our community that healthcare doesn’t have to feel clinical or shaming to work. It can be empowering and, dare I say, celebratory.
Few people embody this evolution quite like Tristan Schukraft, founder of MISTR. With one hand in healthcare and the other high-fiving through queer nightlife, Schukraft gets that, from the bar to the bedroom and beyond, prevention happens in person and in real life. His approach has helped turn PrEP, DoxyPEP, and testing into normalized parts of our daily queer life, reaching hundreds of thousands of people across the US.
In our conversation, Schukraft shares candidly about stigma, policy, and why the future of sexual health depends on keeping it real.
BLADE: You have one hand in healthcare and the other in nightlife and queer spaces. Can you share with us how these two spheres impact and inform each other? How do they impact and inform you?
SCHUKRAFT: Honestly, for me, they’ve never been separate. Nightlife and queer spaces are where people meet, date, hook up, fall in love, and make friends. That’s real life. Being in queer spaces all the time keeps me grounded and reminds me who we’re building MISTR for.
BLADE: MISTR markets sexual health in a sex-positive, stigma-free fashion. Can you share with us how you measure the impact of this approach?
SCHUKRAFT: This year, we held the first-ever National PrEP Day. Dua Lipa performed, and Cardi B was there. After the event, Cardi B went on her Instagram live to encourage people to sign up for PrEP.
When you make sexual health stigma-free and sex positive, people talk about it. We see it in how people use the platform. When 700,000 people are willing to sign up, get tested, start PrEP, and add things like DoxyPEP, that tells us we’ve made it feel safe and normal instead of scary or awkward. And then we see it in the results. Since we expanded DoxyPEP, STI positivity among our patients dropped by half.
BLADE: How have you seen the conversation of sexual health in our LGBTQ+ community change in mainstream culture in recent years?
SCHUKRAFT: Ten years ago, nobody was casually talking about PrEP, and if they did, it likely referenced one being a Truvada whore. Now it’s part of the culture. Popstars like Troye Sivan post pictures of their daily PrEP pill on social media. Cardi B goes on Instagram Live telling people to get on PrEP.
For many sexually active gay men, taking PrEP is simply part of the gay experience. For people in more remote areas, it might not be as talked about. Particularly in rural or more conservative places, MISTR can be a life-changing option. No awkward visits to the family doctor or the local pharmacy where everybody knows your business. It’s all done discreetly online and shipped straight to your door.
BLADE: You have publicly argued that cuts to government HIV prevention funding are of high risk. Would you please elaborate for us on what those budget decisions mean on an individual level?
SCHUKRAFT: It means real people fall through the cracks. Someone doesn’t get tested. Someone waits too long to start PrEP. Someone finds out they’re HIV-positive later than they should have. Community clinics will be the hardest hit, especially those in underserved communities. The good news is that MISTR is ready to help people who might lose their access to care. All you need to do is sign up at mistr.com, and it’s totally free with or without insurance.
BLADE: From your (and MISTR’s) perspective, how do these funding cuts threaten ongoing efforts to end the HIV epidemic?
SCHUKRAFT: For the first time, we have all the tools to end HIV. If everybody who is HIV negative is taking PrEP and everyone HIV+ is virally suppressed, we can end all new HIV transmissions in the United States. We have everything we need today. All we need is to get more people on PrEP. Cutting funding risks losing that momentum. Ending HIV requires scale and consistency. Every time funding gets cut, you lose momentum, trust, and infrastructure, and rebuilding that takes years.
HIV transmissions don’t pause because budgets change.
BLADE: In our current climate of decreased federal investment, what role do you feel private healthcare and business should play in sexual health?
SCHUKRAFT: With reports that the current administration is considering cuts to HIV and prevention funding, we face a moment of reckoning. At the same time, some employers are seeking to exclude PrEP and HIV prevention from their coverage on religious freedom grounds. If these challenges succeed, and if federal funding is slashed, the consequences for public health will be devastating. But this is where the private sector must step up to fill the gap, bridge divides, and deliver results.
Businesses have the power and platform to normalize HIV prevention and drive measurable outcomes. At MISTR, we see firsthand what’s possible: since introducing DoxyPEP, STI positivity rates among our patients have been cut in half. But it’s not just about medication. It’s about messaging.
Our sex-positive, stigma-free marketing speaks directly to our community, making sexual health part of everyday life. No awkward doctor visits, no needles, no paperwork — just free online PrEP and STI testing, prescribed by real physicians and delivered to your door. That kind of impact could grow exponentially if more employers embraced this approach and made HIV prevention part of their employee wellness programs.
Employers, this is your call to action. Start by making sure your health plans cover PrEP and DoxyPEP. Partner with platforms like MISTR to give employees private, stigma-free access to care. Offer on-site testing. Talk openly about sexual health, not just during Pride, but every day of the year. This is not political — this is about protecting lives, strengthening communities, and building a healthier, more productive workforce. Because healthy employees aren’t just good for public health — they’re good for business.
When the private sector steps up, outcomes improve. And when businesses align with platforms like MISTR, scaling impact isn’t just possible — it’s happening.
BLADE: Has MISTR experienced any direct effects from these recent shifts in public health funding?
SCHUKRAFT: MISTR’s unique model is totally free for patients with or without insurance, and we don’t cost the government or taxpayers a penny. We are scaling up our efforts to reach people who might be losing their access or care.
BLADE: What would be your message to policymakers who are considering further cuts to HIV/AIDS programs?
SCHUKRAFT: During his first term, President Donald Trump committed unprecedented resources to the Ending the HIV Epidemic initiative here at home. Bipartisan support has shown what’s possible when bold leadership meets smart strategy. To policymakers: I urge you to reconsider any cuts to HIV prevention funding. This is not the time to pull back. It’s the time to push forward. Ending HIV is within reach — but only if government, private industry, and community organizations stand together.
BLADE: What is one perhaps overlooked win from last year that impacted you on a personal level?
SCHUKRAFT: Seeing our STI positivity rate drop by half after expanding DoxyPEP.
BLADE: Looking at the year ahead, what are MISTR’s most significant priorities for sexual health in 2026?
SCHUKRAFT: Expanding access, especially in the South and in communities that still get left out. Rolling out injectable PrEP. And just continuing to make sexual healthcare easier and more normal.
-
Opinions5 days agoICE agents murder another American citizen in Minneapolis
-
Honduras5 days agoCorte IDH reconoce a Thalía Rodríguez como familia social de Leonela Zelaya
-
Books5 days ago‘The Director’ highlights film director who collaborated with Hitler
-
LGBTQ Non-Profit Organizations4 days agoTask Force urges renewed organizing amid growing political threats
