Arts & Entertainment
Donning heels
Annual October race inspires creativity, political statements
Stacy King as Catwoman. (Photo courtesy King)
17th Street High Heel Race
Tuesday, Oct. 24
Parade at 7 p.m.; race at 9
17th and R-JR.’s
Register at Cobalt
Some folks get so excited about the annual 17th Street High Heel Race, they start planning their costumes as soon as the race is over each year.
That’s the way it is for Stacy King, a local stylist who does drag on occasion as Carolina Sugabush.
“Pretty much as soon as it’s done, the next day I start thinking about what I want to do the next year,” the 43-year-old, longtime D.C. resident says. “I kind of, you know, look throughout the year and then something will just call to me.”
This year’s race, the 31st annual, is Tuesday, Oct. 24 (it’s always the Tuesday before Halloween) from 7-9 p.m. Mayor Muriel Bowser, Ba’Naka and Ruby Corado are this year’s grand marshals. To volunteer, go to JR.’s at 6:30 p.m. for a volunteer shirt and instructions. Look for the event on Facebook for full details.
Last year about 150 raced. Thousands come each year to watch but just as popular, though, are people who come in creative drag just to see and be seen.
Whatever’s going on in news and pop culture is invariably reflected in each year’s getups. Last year Kim Davis was a big one. This year, expect everyone from Wonder Woman to Sarah Huckabee Sanders.
This is King’s fourth year going in drag though he attended several years previously as a spectator. He’s going as Mystique from “X-Men” this year and has gone as Jessica Rabbit and Catwoman in previous years.
King generally spends anywhere from $150-300 on his costume and though he mostly only wears it once, he says it’s still “totally worth it.”
The creativity involved — these are never just off-the-rack costumes from a Halloween shop — is a big part of the fun.
“They call to you from the crowd, the recognize the character, tons of people want pictures with you,” he says. “It’s validating and I like pleasing the crowd. … Every year, I’m not joking, it takes an hour to get through the crowd after it’s over just because so many people want photos. I’m always with my group of friends. … It’s insane.”
Rene Mejia performs as Kabuki B. Lee, a drag daughter of local drag legend Shi-Queeta-Lee. He works the drag brunch at Nellie’s every weekend and also performs at other events with Shi-Queeta. The first time he ever went out in drag was to the High Heel Race in 2012.
When Mejia spoke to the Blade (a sponsor of this year’s race) earlier this week, he and his drag pals were still deciding what their theme was going to be. He says they’re such pros, they can crank out a concept quickly.
“I have a couple sewing machines and some of the girls are pretty talented,” the 37-year-old Suitland, Md., resident says. “They can whip something up pretty fast and it will be awesome.”
In previous years, he’s gone as Betty Boop, the bride from “Kill Bill,” Amy Winehouse and Harley Quinn.
“It’s a fun platform for everyone who wants to say something either politically, socially or whatever, with a lot of humor and creativity,” Mejia says. “People really do put a lot of thought into it. It’s impressive. This is coming from someone who works in drag on the weekends. It’s really astonishing what some of them do.”
Stacy King as Jessica Rabbit. (Photo courtesy of King)
The 2026 Capital Pride Parade was held in Washington, D.C. on Saturday, June 20.
(Washington Blade photos by Michael Key, Robert Rapanut and Landon Shackelford)
Theater
‘Feeling Afraid’ explores life of a neurotic stand-up comic
Navigating sex, work, and possibly love in London
‘Feeling Afraid As If Something Terrible Is Going to Happen’
Through July 12
Studio Theatre
1501 14th St., N.W.
$55-$102
Studiotheatre.org
Wordily yet rightly titled, solo show “Feeling Afraid As If Something Terrible Is Going To Happen” dives deeply into the world of a neurotic stand-up comic as he navigates sex, work, and possibly love in London.
Busy arranging hookups and dates on “The App,” the 36-year-old gay funnyman juggles a full dance card; still he’s never been in a romantic relationship. While he’s willing to give love a shot, he’s not pressed about it. As he says, he harbors no fear of dying alone.
Currently making its American premiere at Studio Theatre, this darkly humorous Edinburgh Fringe import features terrific out English actor Steven Webb as The Comedian who’s about to explore what it means to spend all his time with one man.
At Studio’s intimate Mead Theatre, Kat Heath’s minimal set says standard comedy club (fluorescent tube lighting, the mic with a long cord, a single stool backed by a rose-colored curtain), but gay playwright Marcelo Dos Santos has conjured something much more than a live comedy set.
Yes, The Comedian bounces onstage in his red Converse high tops, jeans, and pink shirt with a huge mouth emblazoned on the back, but he delivers more than jokes. At times hilariously self-deprecating, then dark, and occasionally a lesson on what makes standup work, this is a layered, well-acted piece.
With Webb (a keen caricaturist of types and voices) playing all the parts while conducting The Comedian’s hilariously frenetic interior monologue, “Feeling Afraid” takes us through a summer of love. It seems after six chaste dates with The American, our nervous hero has found Mr. Right. The American is earnest, smart, hesitant to initiate sex. He’s also well built with a beautiful smile. And strangely, he’s been medically advised not to laugh aloud.
The Comedian delights in the joys of new love: dates, first kisses, sex, and then suddenly spending all of his time with the adored. Visits to art galleries become fun. Eating home cooked meals followed by grim documentaries is a thing. The Comedian is beguiled as his own boyish figure fills out, but something isn’t right. He can’t entirely relax.
Along the way we meet the Aussie doctor, our protagonist’s longtime hookup; a young runner with some exceptional body parts; the random third in a failed threesome; grumpy working comics, male and female; and an ineffectual counselor.
Webb gives a lightning-fast performance that boggles the mind (in terms velocity and virtuosity). He can be impish, very impish. He’s nervous energy incarnate, flashing jazz hands, grimacing but handsome when still. He’s likeable, a necessity when delivering a hilariously rude joke just feet away from two stone-faced audience members. (Perhaps they were laughing on the inside? At any rate, they stayed through the end the show.)
Produced by the team behind Fringe hits “Fleabag” and “Baby Reindeer,” small stage works that were developed into major TV screen successes, “Feeling Afraid” is funny for sure, and it’s also highly confessional, sexually explicit, and raw.
Written by Dos Santos during COVID lockdown, the piece was a smash hit in the 2022 Edinburgh Fringe before finding further success in London. Its depiction of a youngish queer guy navigating the big city rings entirely true. Like so much Fringe stuff, the one-man show is delightfully lewd and standup inspired.
One little moan: the show closes cleverly but too abruptly with its star dashing offstage without sufficiently basking in the admiration and applause of his thoroughly chuffed audience.
They say third time’s a charm, and regarding “Feeling Afraid,” I’d agree. After two performance cancellations (first for laryngitis and the second involving faulty air conditioning on an especially muggy June evening), I made my third trek to Studio where I found both the actor and AC in very fine fettle. And truly, Webb’s work was more than worth the wait.
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