Arts & Entertainment
‘Call Me By Your Name’ wins big at Dorian Awards
Greta Gerwig, ‘Get Out’ also receive top honors


(Screenshot via YouTube.)
GALECA: The Society of LGBTQ Entertainment Critics revealed the winners of its ninth annual Dorian Awards, which recognizes achievements in film and television, on Wednesday.
“Call Me By Your Name” earned Film of the Year while Timothée Chalamet received Film Performance of the Year for his role as Elio. Chalamet also was honored as the Dorian’s Rising Star.
Greta Gerwig was named Best Director for her coming-of-age film “Lady Bird” and the critically acclaimed film “Get Out” won for Screenplay of the Year.
For television, HBO’s hit series “Big Little Lies” won TV Drama of the Year and fantasy series “American Gods” won Unsung TV Show.
Meryl Streep was honored as the Dorian Awards’ Timeless Star. Previous receipets have included Jane Fonda, Dame Angela Lansbury and Sir Ian McKellen.
The winners will be celebrated at GALECA’s annual Winners Toast on Feb. 24 in Beverly Hills.
FILM OF THE YEAR
“BPM (Beats Per Minute)” – The Orchard
“Call Me By Your Name” – Sony Pictures Classics (WINNER)
“Get Out” – Universal
Lady Bird” – A24
The Shape of Water – Fox Searchlight
DIRECTOR OF THE YEAR (FILM OR TELEVISION)
Sean Baker, “The Florida Project” – A24
Guillermo del Toro, “The Shape of Water” – Fox Searchlight
Greta Gerwig, “Lady Bird” – A24 (WINNER)
Luca Guadagnino, “Call Me By Your Name” – Sony Pictures Classics
Christopher Nolan, “Dunkirk” – Warner Bros.
Jordan Peele, “Get Out” – Universal
BEST PERFORMANCE OF THE YEAR — ACTRESS
Sally Hawkins, “The Shape of Water” – Fox Searchlight (WINNER)
Frances McDormand, “Three Billboards Outside Ebbing, Missouri” – Fox Searchlight
Margot Robbie, “I, Tonya” – Neon
Saoirse Ronan, “Lady Bird” – A24
Daniela Vega, “A Fantastic Woman” – Sony Pictures Classics
BEST PERFORMANCE OF THE YEAR – ACTOR
Nahuel Perez Biscayart, “BPM (Beats Per Minute)” — The Orchard
Timothée Chalamet, “Call Me By Your Name” – Sony Pictures Classics (WINNER)
James Franco, “The Disaster Artist” – A24
Daniel Kaluuya, “Get Out” – Universal
Gary Oldman, “Darkest Hour” – Focus Features
SUPPORTING FILM PERFORMANCE OF THE YEAR — ACTRESS
Mary J. Blige, “Mudbound” – Netflix
Tiffany Haddish, “Girls Trip” – Universal
Allison Janney, “I, Tonya” – Neon
Laurie Metcalf, “Lady Bird” – A24 (WINNER)
Michelle Pfeiffer, “mother!” – Paramount
SUPPORTING FILM PERFORMANCE OF THE YEAR — ACTOR
Willem Dafoe, “The Florida Project” – A24
Armie Hammer, “Call Me By Your Name”- Sony Pictures Classics
Richard Jenkins, “The Shape of Water” – Fox Searchlight
Sam Rockwell, “Three Billboards Outside Ebbing, Missouri” – Fox Searchlight
Michael Stuhlbarg, “Call Me By Your Name” – Sony Pictures Classics (WINNER)
LGBTQ FILM OF THE YEAR
“BPM (Beats Per Minute)” — The Orchard
“Battle of the Sexes” – Fox Searchlight
“Call Me By Your Name “- Sony Pictures Classics (WINNER)
“A Fantastic Woman” – Sony Pictures Classics
“God’s Own Country” – Samuel Goldwyn Films
FOREIGN LANGUAGE FILM OF THE YEAR
“BPM (Beats Per Minute)” — The Orchard (WINNER)
“A Fantastic Woman” – Sony Pictures Classics
“First They Killed My Father” – Netflix
“The Square” – Magnolia Pictures
“Thelma” – The Orchard
SCREENPLAY OF THE YEAR (ORIGINAL OR ADAPTED)
James Ivory, “Call Me By Your Name” – Sony Pictures Classics
Jordan Peele, “Get Out” – Universal (WINNER)
Greta Gerwig, “Lady Bird” – A24
Guillermo del Toro, Vanessa Taylor, “The Shape of Water” – Fox Searchlight
Martin McDonagh, “Three Billboards Outside Ebbing, Missouri” – Fox Searchlight
DOCUMENTARY OF THE YEAR
(theatrical release, TV airing or DVD release)
“Bombshell: The Hedy Lamarr Story” – Zeitgeist/Kino Lorber
“The Death and Life of Marsha P. Johnson” – Netflix
“Faces Places” – Cohen Media Group (WINNER)
“Jane” – National Geographic/Abramorama
“Kedi” – Oscilloscope
VISUALLY STRIKING FILM OF THE YEAR
(honoring a production of stunning beauty, from art direction to cinematography)
“Blade Runner 2049” – Warner Bros.
“Call Me By Your Name” – Sony Pictures Classics
“Dunkirk” – Warner Bros.
“The Shape of Water” – Fox Searchlight (WINNER)
“Wonderstruck” – Amazon
UNSUNG FILM OF THE YEAR
“BPM (Beats Per Minute)” – The Orchard
“Beach Rats” – Neon
“God’s Own Country” – Samuel Goldwyn Films (WINNER)
“Professor Marston and the Wonder Women” – Annapurna
“Wonderstruck” – Amazon
CAMPY FLICK OF THE YEAR
“Baywatch” – Paramount
“The Disaster Artist” – A24
“The Greatest Showman” – 20th Century Fox
“I, Tonya” – Neon
“mother!” – Paramount (WINNER)
TV DRAMA OF THE YEAR
“Big Little Lies” – HBO – HBO (WINNER)
“The Crown” – Netflix
“Feud: Bette and Joan” – FX
“The Handmaid’s Tale” – Hulu
“Twin Peaks: The Return” – Showtime
TV COMEDY OF THE YEAR
“Better Things” – FX
“GLOW” – Netflix
“The Good Place” – NBC
“The Marvelous Mrs. Maisel” – Amazon (WINNER)
“Will & Grace” – NBC
TV PERFORMANCE OF THE YEAR – ACTRESS
Clare Foy, “The Crown” – Netflix
Nicole Kidman, “Big Little Lies” – HBO (WINNER)
Jessica Lange, “Feud: Bette and Joan” – FX
Elisabeth Moss, “The Handmaid’s Tale” – Hulu
Reese Witherspoon, “Big Little Lies” – HBO
TV PERFORMANCE OF THE YEAR — ACTOR
Aziz Ansari, “Master of None” – Netflix
Sterling K. Brown, “This Is Us” – NBC
Jonathan Groff, “Mindhunter” – Netflix
Kyle MacLachlan, “Twin Peaks: The Return” – Showtime (WINNER)
Alexander Skaarsgård, “Big Little Lies” – HBO
TV CURRENT AFFAIRS SHOW OF THE YEAR
Full Frontal with Samantha Bee – TBS (WINNER)
“Last Week Tonight with John Oliver” – HBO
“Late Night with Seth Meyers” – NBC
“The Late Show with Stephen Colbert” – CBS
“The Rachel Maddow Show” – MSNBC
TV MUSICAL PERFORMANCE OF THE YEAR
Lady Gaga, “God Bless America,” “Born This Way,” etc., Super Bowl LI – Fox
Kate McKinnon, “(Kellyanne) Conway!” “Saturday Night Live” – NBC (WINNER)
Brendan McCreary, John Mulaney, “I’m Gay,” “Big Mouth” – Netflix
Pink, “Beautiful Trauma,” American Music Awards – ABC
Sasha Velour, “So Emotional,” “RuPaul’s Drag Race” – VH1
LGBTQ SHOW OF THE YEAR
“Difficult People” – Hulu
“RuPaul’s Drag Race” – VH1 (WINNER)
“Sense8” – Netflix
“Transparent”– Amazon
“Will & Grace” – NBC
UNSUNG TV SHOW OF THE YEAR
“American Gods” – Starz (WINNER)
“Dear White People” – Netflix
“Difficult People” – Hulu
“At Home with Amy Sedaris” – TruTV
“The Leftovers” – HBO
CAMPY TV SHOW OF THE YEAR
“Dynasty”
“Feud: Betty and Joan” (WINNER)
“Riverdale”
“RuPaul’s Drag Race”
“Will & Grace”
‘WE’RE WILDE ABOUT YOU!’ RISING STAR AWARD
Timothée Chalamet (WINNER)
Harris Dickinson
Tiffany Haddish
Daniel Kaluuya
Daniela Vega
WILDE WIT OF THE YEAR AWARD
(honoring a performer, writer or commentator whose observations both challenge and amuse)
Samantha Bee
Stephen Colbert
Kate McKinnon (WINNER – TIE)
John Oliver
Jordan Peele (WINNER – TIE)
WILDE ARTIST OF THE YEAR
(honoring a truly groundbreaking force in the fields of film, theater and/or television)
Guillermo del Toro
Greta Gerwig
Patty Jenkins
David Lynch
Jordan Peele (WINNER)
Arts & Entertainment
Win a pair of tickets to Grace Jones & Janelle Monáe @ The Anthem on June 5, 2025!


The Cherry Weekend main event party was “Fire” at Betty (1235 W Street, N.E.) on Saturday, April 12. Detox of “RuPaul’s Drag Race” met with fans.
(Washington Blade photos by Michael Key)















‘Uncle Vanya’
Through April 20
Shakespeare Theatre Company
Harman Hall
610 F St., N.W.
Shakespearetheatre.org
Shakespeare Theatre Company’s “Uncle Vanya” freshly rendered by director Simon Godwin and starring Hugh Bonneville in the title role, puts a pleasing twist on Chekhov’s tragicomic classic.
As disheveled, disheartened, and overworked Vanya, Bonneville is terrific. Though very different from the actor’s fame making role as Downton Abbey’s Lord Grantham, a proud, fastidiously turned-out aristocrat who presides over a manicured country estate peopled by a large staff, his Vanya is equally compelling
For “Uncle Vanya,” Chekhov imagines a house on a ragged estate in the Russian forest whose inhabitants display varying degrees of discontent brought on by the realization that they’re leading wasted lives. Middle-aged Vanya’s dissatisfaction and disappointment have been tempered by years of hard work. But all of that is about to be challenged.
With his plain and steadfast niece Sonya (Melanie Field), Vanya keeps the place going. And while barely putting aside a kopek for himself, he’s ensured that proceeds have gone to Sonya’s father Alexandre, a querulous academic (Tom Nelis), and his alluring, much younger second wife Yelena (Ito Aghayere) who live in the city.
When called to retire, the self-important professor and his wife economize by joining the family in the country. Overcome by the intense boredom brought on by provincial isolation, they’re not happy. Turns out, life in the sticks isn’t for them.
At the same time, the urban couple’s presence generates quite an effect on the rural household, changing the mood from one of regular work to idleness. What’s more, Vanya and family friend Mikhaíl Ástrov (John Benjamin Hickey), an unusually eco-aware, country doctor, are both bewitched by Yelena.
Meanwhile, young Sonya, who’s long carried an unrequited torch for Ástrov grows increasingly smitten. And while Yelena, who’s bored with her aging husband, expresses teasing tenderness with Vanya, she feels something more serious for Ástrov. It’s a whole lot for one house.
Superbly staged by Simon Godwin, STC’s artistic director, and performed by a topnotch cast, the very human production begins on an unfinished stage cluttered with costume racks and assorted props, all assembled by crew in black and actors in street clothes. We first see them arranging pillows and rugs for an outside scene. Throughout the play, the actors continue to assist with set changes accompanied by an underscore of melancholic cello strings.
With each subsequent scene, the work moves deeper into Chekhov’s late 19th century Russian world from the kitchen to the drawing room thanks in part to scenic designer Robert Brill’s subtle sets and Susan Hilferty and Heather C. Freedman’s period costumes as well as Jen Schriever’s emotive lighting design.
In moments of stillness, the set with its painterly muted tones and spare furnishings is a domestic interior from a moment in time. It’s really something.
Adapted by contemporary Irish playwright Conor McPherson, the work is infused with mordant wit, ribald comedy, and sadness. Like McPherson’s 2006 play “The Seafarer” in which the action unfolds among family, friends and others in a modest house filled with confrontation, laughter, resentment, and sadness. All on brand.
For much of “Uncle Vanya,” McPherson’s script leans into humor, funny slights, the professor’s pretentions, and Vanya’s delicious snarky asides; but after the interval, the play’s stakes become perilously heightened ready to explode with resentment and feelings of wasted potential, particularly frustrations expressed by Vanya and his intelligent but unfulfilled mother (Sharon Lockwood).
When it appears that mismatched couple Alexandre and Yelena are poised to depart, the house is struck with a sense of both relief and gloom.
Not everyone is disturbed. In fact, the family’s old nanny Nana (Nancy Robinette), and Waffles (Craig Wallace), a former landowner and now lodger on the estate, are elated. Both are eager to return to the pre-professor schedule of an early breakfast and midday lunch, and menus featuring simpler fare. They long for the return of the humble Russian noodle.
“Uncle Vanya”melds cynicism and hope. Like life, it’s a grasp at fulfillment.
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