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Local gay man makes top 10 on ‘The Voice’
Maryland’s Rayshun LaMarr is on Team Adam and hoping for the prize

Rayshun LaMarr, a Fort Washington, Md., gay man, is currently in the top 10 on ‘The Voice.’ (Photo courtesy NBC)
Rayshun LaMarr belted out just the first five words of “Don’t Stop Believin’” during his blind audition on “The Voice” before judge Adam Levine slammed his button. Fellow judge Alicia Keys followed suit and before LaMarr had even gotten to the chorus he had the attention of two of the biggest names in the music industry.
LaMarr, 33, originally hails from Chapel Hill, N.C., but now lives in Fort Washington, Md. He performed in Sound Connection, an agency band that performed at weddings and corporate functions, prior to his appearance on the show. He also battled lymphatic cancer, a struggle he openly shared with viewers during his audition where he had support from his partner Alex Holmes, as well as his mother, aunt, father and brother.
He decided to join Team Adam and is now in the top 10 of the reality competition series, which airs on Mondays and Tuesdays at 8 p.m. on NBC. LaMarr has become a fan favorite on the show with his performances reaching millions of views on YouTube. LaMarr took a break from his busy day on set of “The Voice” to discuss the typical day in the life of a contestant, his viral blind audition and what Levine is like behind the scenes.
WASHINGTON BLADE: How did your audition for “The Voice” come about?
RAYSHUN LaMARR: I auditioned for the show about four or five times before but I never made it past the executive producers. They were always like, “Great voice, but not what we’re looking for this season.” So, this particular year I was like the auditions are coming around again and I really want to go but I have a gig coming up. I gotta pay my rent. So I can’t afford to do that and miss this gig and be behind on my rent. So I didn’t go. Maybe two days later I did an open mic at my apartment and I recorded it and posted it on the Internet. Literally, two or three days later, I get a call from this guy saying, “Hey, this is one of the producers from ‘The Voice’ would you like to audition?” Now, I thought it was a joke. We were going back and forth for about a week and a half and I didn’t believe anything until I got my plane ticket. I was like of all times this happened to be the year that I didn’t go and it happened to be the year that they reached out to me.
BLADE: During your audition you revealed you battled cancer. Why was that important to share with the audience and the judges?
LaMARR: I went through the whole chemo and cancer thing. I wanted to let anybody know who had gone through what I went through, or anything similar, that everything was going to be OK. That song was very important to me. I just wanted to relay the message of this is my story, this is why I chose this song, this is the song that helped me through while I was in the hospital. That’s why I took the time to tell them why I chose that song and to tell them that story.
BLADE: Your blind audition blew the judges away particularly Adam Levine and Alicia Keys. What was it like being a regular person with two celebrities fighting over you?
LaMARR: It was super cool. I did not expect them to turn around as fast as they did. Granted, everyone wants all the judges to turn around. But I had no clue it would be so soon. I literally sang “Just a small town girl living in a lonely world,” and it was like bam. Adam turned around and then like five seconds later Alicia turned around. I’m like, “Wow. This is crazy.” Now I’m battling thoughts of I’m super excited but I still have to maintain the song. At that point my life actually just changed right then and there.
BLADE: Alicia was gunning pretty hard to get you on her team. Why did you pick Adam?
LaMARR: I am 100 percent a fan of Alicia Keys and all the judges. However, Adam said something that really stuck out to me. Maybe Adam just said it at the right time and that’s what I was looking for. Adam pointed out some of the flaws that were in my performance. He said, “I want to work with you and make you a world-class singer. I don’t just want to fill your head with all the good stuff. I want to make sure you are prepared and the best person you can be.” I wanted that. I didn’t want to go to a coach that was just going to be like, “You’re great. You can sing really well.” I wanted someone I could just grow with. I’m not saying I couldn’t grow with Alicia, but at that particular moment Adam spoke those particular words that made me want to go to him. I get that question every day. People were like, “I thought you were going to choose Alicia.” I thought I was too, honestly. I literally thought I was going to especially when she walked up on stage. There was a lot of that they didn’t show. It was really interesting. I stood up on stage for 10 minutes while they battled it out.
BLADE: What’s your daily schedule in preparation for the episodes?
LaMARR: First of all wardrobe, hair and makeup is always first. We wake up at the crack of dawn to go there. Yesterday, we had vocal lessons. Soon as you get your new song we go into a live rehearsal, which is filmed. We practice the song the best that we can. After that we go to dry blocking, which is pretty much on the stage giving you stage directions on where you’re going to go. After dry blocking, you may have another meeting. It all depends on what team you’re on. After your other meeting you have to go to wardrobe and get out of all the stuff you got into. We may have another meeting at the end of the night. Today, we have an iTunes recording. After that, we come back home and we start our very early morning the next day. It’s really tough now. But I like it. It’s something that pushes me to keep going. If I’m sitting around idle, I’m like “What are we doing?” So this is pretty good for me.
BLADE: How much interaction do you get with your coach?
LaMARR: Now that we’re in the top 10, we get a lot of interaction. The other day we had the chance to go to one of Adam’s private studios where he recorded his first hit album. We had one-on-one time, we got to sing for each other. We probably get to see them and talk to them two or three times a week.
BLADE: What’s Adam like to work with?
LaMARR: Adam is the best. He’s super cool. The way you see him on TV, he’s like that. Although he may be portrayed as an a-hole sometimes, he’s not. He’s very honest and genuine. That’s another thing that I appreciate about him. He knows what he likes. He knows what he doesn’t like and he isn’t afraid to tell you. But it’s all in love because he wants the best for you. I’m like a sponge just soaking everything up when I’m around Adam. We call him Papa Adam. He’s one of those people when you walk into the room it’s like, “Hey, what’s up Adam?” and he’s like, “What’s up Ray? Let’s do this song.” You feel comfortable. It’s not everyday you get the chance to work with somebody you’re not afraid to sing around or think that because they’re on this other level that you are beneath him. He puts you on the same level as he is. He talks to you like a regular human being like he is.
BLADE: During knockouts you sang “Fallin,” one of Alicia Keys’ biggest hits, in front of her. Did that make your performance more nerve-wracking?
LaMARR: Absolutely. That particular week I had a breakdown. That was the first and only one that I’ve had since then. Number one, why would they give me an Alicia Keys song? It’s a female song and Alicia Keys is going to be sitting in front of me. She wrote, produced and sang the song. How do I do the song and not overdo the song, not under-do the song and still have respect and integrity for the song in front of the artist and the writer? That was challenging. I was scared up until I got up on stage.
BLADE: Former “The Voice” judge Christina Aguilera recently told Billboard she disliked filming the show because it’s “not about music” but “about making good TV moments.” What’s your experience been?
LaMARR: Well, I disagree. Yes, it’s a television show and yes, we do have to capture some moments. But 90 percent of the show is about music. I’ve never experienced anything else on the show. The only time that’s about creating television moments is during our interviews. But when it comes to the music part, it’s just great. It’s actually real. This is one of the most honest and real shows I’ve ever seen or worked on before. It’s mainly about the music but the story part comes in interviews, B-roll or when you have free time and they want to get into your story. But it’s definitely still about the music.
BLADE: “The Voice” is a popular show but the winners’ careers don’t take off like winners on “American Idol” or “America’s Got Talent.” Why do you think that is?
LaMARR: Honestly, I have no clue. I know some of the winners are really, really good. I have noticed that some of the runners-up have been a little more successful than the winners. Not sure if that’s because winners are restricted by the contract handed out at the end of the show. If I am the winner, hopefully I’d be one of the winners that changed the game and changed that outlook on winners of “The Voice.” Even if I don’t win at this point, I’ve gotten further than I had expected to get. I am super OK with whatever happens. I’ve made so many connections. I have so many great friends that I’ve met here. It’s just the beginning for me. Whenever I do go home it’s the start of a new journey and I’m super excited about it. I’ve already gotten some gigs lined up. I’m like the happiest kid on the block.

Rayshun LaMarr says it was nerve-wracking to sing an Alicia Keys hit in front of the singer/judge. (Photo courtesy NBC)
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Summer in D.C. brings sports, Restaurant Week, festivals, and more
Summer in D.C. just hits different. Congress is out, school is out, the sun is out, thighs are out. With the skies clearing from Canadian smoke, here are a few ways to stay entertained.
Dining
Summer restaurant week: The Restaurant Association of Metropolitan Washington (RAMW) is once again hosting Summer Restaurant Week, Aug. 18-24. This weeklong dining experience showcases the dynamic dining scene of the DMV, including 2026 RAMMY Award-winning favorites (the annual D.C. food awards show that took place June 29). Participating restaurants will offer three-course brunch and lunch selections for $25 or $35 per person, and three-course dinners for $40, $55 and $65 per person.
New Restaurants: A handful of new spots have opened, so the summer is a great time to check them out:
- Oribu: A new Mediterranean-Japanese restaurant in the Grand Hyatt hotel, which just underwent a remodeling effort. The sleek restaurant brings upscale charm, with dishes like Wagyu beef tartare with potato pavé and caviar.
- The Oak Room: A snazzy old-school American grill has just opened in Georgetown, alongside its sister upstairs supper club (Bernadette’s) restaurant, in the old El Centro space.
- Uchi: This showy Japanese sushi-forward chain has landed in Dupont with a chef’s tasting menu of favorites like fatty tuna.
- Kathmandu: Recalling the capital of Nepal, this warm, buzzy subterranean restaurant right in the heart of U Street brings spice, flair, and rare ingredients to its dishes (see: buffalo burgers) and drinks.
Sports
- Washington Spirit Pride Night OUT: On Sunday, Aug. 23, head to Audi Field for a massive, high-energy game following the exciting month of World Cup. The designated Pride Night OUT game promises boisterous crowds plus pre- and post-game community engagements.
- Washington Tennis Open – Now called the Mubadala DC Open, this annual tournament is only combined mens’ and womens’ 500-level tennis tournament in the world. The open is one of D.C.’s longest-standing sports traditions, and will take place at the Rock Creek Park Tennis Center July 25-Aug. 2. Naomi Osaka, Venus Williams, Ben Shelton, Frances Tiafoe, and others are expected to play.
Festivals
- Afro Plus Fest: This huge, three-day Afro-Caribbean Hip-Hop Festival brings together headliners Davido, Alkaline, and Wizkid, plus Tems and Ayra Starr. The event moves from RFK to the Northwest Stadium Complex for three days, Sept. 4-6.
- Capital Fringe Festival: Running from July 11-21, this massive celebration features dozens of live theater, comedy, dance, and boundary-pushing nighttime performances across multiple DC neighborhoods.
- The National Book Festival returns, with headliners like Cynthia Erivo, and Martin Scorsese. The one-day festival, Saturday, Aug. 22, brings together bookworms and word nerds under the theme “America 250: It’s Your Story.” There are talks, workshops, musical sessions and more.
- All Things Go: A three-day festival Sept. 25-27 at Merriweather Post Pavilion featuring Mitski, Hayley Williams, Brandi Carlile, MUNA, Zara Larsson, Ethel Cain, and many, many more artists. There are single-day and three-day tickets. Featuring and highlighting female artists, the festival has turned into a must-see for many LGBTQ audience members.
- Fuchsia Fest: The inaugural Fuchsia Fest is a new multi-day celebration created to celebrate LGBTQ community and expression, bringing together a mix of community gatherings, entertainment, and nightlife. The event takes place Sept. 18-20 and is hosted by Capital Pride.
Art and Music
- United We Dance: A high-energy rave with house, techno, bass, and festival music, on Aug. 1 at the 9:30 Club.
- The Fray. On Aug. 14, this American rock band famous for How To Save A Life is at Merriweather Post Pavilion.
- Kesha: Kesha’s high-energy The Freedom Tour comes to the D.C. area on Aug. 14 at Jiffy Lube Live.
- ALOK: On Sept. 3 at Lincoln Theater, ALOK (they/them) performs. The poet, comedian, and actor is putting on a new comedy show.
- 2charm, the emerging Australian electronic club-pop duo popular with the queer community, which blends hyperpop and dance music, comes to the Atlantis.
- Sapphic Dance Party: a vibrant, inclusive nightlife and social event designed specifically for queer women, lesbians, bisexuals, trans individuals, and nonbinary folks, at Atlantis on Aug. 21.
- Jazz in the Garden: The most quintessential of D.C. activities returns Friday evenings through Aug. 14. This season’s theme, “American Sounds,” is a nod to the nation’s 250th anniversary. Tunes themes range from Appalachian and Americana to Creole jazz, Hill Country blues, contemporary jazz, and more. Tickets are available through a lottery system a week before each event.
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Tickets on sale for chef Patrick O’Connell’s book launch event
Sept. 18 kickoff to feature José Andrés, Tom Sietsema
Acclaimed chef Patrick O’Connell is preparing to publish his new memoir, “Main, Middle & Gay” in September and he’s launching the book with an event on Sept. 18 at 6 p.m. at Lisner Auditorium featuring Chef José Andrés and former Washington Post food critic Tom Sietsema.
Tickets for the event go on sale Tuesday, July 21 at Ticketmaster; prices start at $55.
O’Connell, who’s gay, is the pioneering Michelin-starred chef and longtime proprietor of the Inn at Little Washington. He spoke with the Blade about the September event and the launch of his first memoir.
“I’ve known [Andrés and Sietsema] for more than 25 years and I have great respect for them,” O’Connell said. “I felt that it would allow us to add a different dimension rather than just have an interviewer. The chemistry will be fun and lively and unpredictable and exciting. I think we’re all different personalities and we’ll compliment each other.”
O’Connell has published cookbooks but this is his first memoir. The event will feature a short film that will highlight his work and the Inn.
“What I hope to do with the event is bring the book to life visually,” he said. “So we’re producing a short film that will be part of it. Most of the audience will not have read the book so it’ll give them a visual flavor of the book. It parallels the evolution of American cuisine over 50 years. It’s a rare perspective to be in the trenches for that long.”
The book’s title refers to the location of the garage on the corner of Main, Middle, and Gay streets in Washington, Va., where he launched his restaurant that became an international culinary destination.
The Blade will publish the rest of its wide-ranging interview with O’Connell in September in conjunction with the book’s release.
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The queer Asian comics building collective joy in D.C.
Spotlighting chaotic ways family, romance, identity take shape in their lives
Kevin Chen’s family tombstone has room for four: him, his parents and his boyfriend. The arrangement might prove to be a little awkward.
“My boyfriend is 100% white, and my parents are 100% disappointed,” Chen confessed.
Jokes about family traditions and the untraditional ways they’re practiced earned a burst of laughs at the bar where Chen was opening for the Pride Comedy Special. The D.C. stand-up event, produced by Comedy Bonfyre last month, spotlighted queer Asian comics who shared the chaotic ways family, romance and identity take shape in their lives.
From candid oral sex takes to top surgery hypotheticals like “Where do the boobs go?”, the night highlighted the loud camaraderie of the queer Asian experience — one that sounds like a cacophony of snorts, cackles and belly laughs. While the comics say they are not quite a community, there’s more than enough shared material to bring them together.
“It was such a magical experience. I loved performing in a queer API lineup. It feels so validating,” Chen said after the show. “I’m wondering, ‘Is this how white men feel all the time?’”
Each performance evoked queer Asian joy through a medium that could use more of its presence.
According to Chen, who is based in D.C., it’s hard to say whether there is a true queer Asian comedy presence in his city. There are only a scattered “handful” of Asian comics, and people of color are underrepresented in queer comic circles, he said.
When Tarunika Anand, a nonbinary lesbian comic, first entered the mainstream D.C. comedy scene, they mostly encountered straight white men, describing the experience as “a culture shock.”
“I feel like sometimes a lot of queer spaces are really white, and then a lot of Asian spaces are really straight,” Anand said. “I don’t feel like I fit into either.”
But feeling marginalized didn’t stop these comics from honing their craft and creating spaces for others like them. Alex Kim, who headlined the special and is based in Brooklyn, runs the queer Asian comedy group Boba Gays, which began on WhatsApp and has since made its way to Lincoln Center.
Every Wednesday, Anand co-produces a free comedy show called Funny Side Up. The queer-led group focuses on inclusivity and showcasing new talent.
“It’s really beautiful to speak about your experience and your existence in a way that’s uplifting,” Anand said.
Family is a major throughline of their comedic repertoires.
Chen, for instance, shared that he identifies with jokes about having Asian immigrant parents and the expectations they pass down.
“You see me, you know this part about me, you know this experience intimately, and I can see the truth that you’re trying to wrap a joke around,” he said. “That hits even harder because that’s my truth too. I think that’s what makes good comedy.”
Anand had the audience at the special howling when they explained that their parents’ be-more-like-them comparisons didn’t end when they came out. Instead, the expectations took on a new form.
“Now, my parents want me to be the best gay,” Anand said. “They’re like, ‘Do you know Ellen DeGeneres?’”
Kim said he’s been trying to unlearn things from his Christian Korean mom. Yet he described a moment when he was getting ready for the club and realized he looked just like his mother getting ready for church.
“I’ve been finding it hard to escape her,” Kim said.
Mutual recognition also radiates through the different ways queer love can take shape. From singlehood to death-do-us-part commitments, the comics cover just about every corner.
Anand is holding out hope for settling down with “a nice, pretty, Indian girl.” They recently went through a breakup and said they felt they dodged a bullet.
“As a person of color, I just don’t think I should be with a Swiftie,” they said.
Chen, touching on what it’s like to be in a queer interracial relationship, said that meeting his white boyfriend’s baby nephew for the first time felt like he was forced to participate in a diversity, equity and inclusion training.
“The dad was like, ‘Please welcome Kevin. Be curious about his culture, his history, his foods,’” Chen joked.
Laughter is not the only reward for the comics.
To Anand, comedy is a space where they can say whatever they want. “It gives me a voice,” they said.
Nik Narain, a North Carolina-based trans and nonbinary South Asian comic who performed at the special, said meeting older trans comedians and taking the stage helped him feel reassured in his identity during his transition.
“Stand-up was a really cool way to process that onstage,” he said. “[It] became a way for me to repackage my thoughts.”
Queer Asians are still figuring out their place in the greater D.C. comedy scene. The group is small in numbers and many are still working toward a full-time comedy career. But Narain feels he’s already made it.
Narain is reluctant to pin it all on one moment. He feels that success is already peeking through in milestones — opening for celebrities, traveling to performances and self-producing shows.
“As long as I can keep doing this, I’m super happy,” he said.
This story was produced as part of the AAJA VOICES fellowship program, a student journalism project of the Asian American Journalists Association (AAJA).
