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SPOTLIGHTING LGBT HOMELESSNESS: Alston House celebrates a decade in operation

LGBT youth shelter named after slain D.C. activist

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Wanda Alston Foundation

‘We are dealing with homeless youth that are isolated and rejected by the community,’ said June Crenshaw, executive director of the Wanda Alston Foundation.

This story is part of our contribution to the 2018 #DCHomelessCrisis news blitz.  Local media outlets will be reporting and discussing stories about ending homelessness in the nation’s capital all day. The collaborative body of work is cataloged at dchomelesscrisis.press.  

The first LGBT youth-focused shelter in D.C. is continuing its legacy of serving one of the most vulnerable demographics.

The Wanda Alston House and Foundation, now in its 10th year of service, serves LGBT individuals ages 16-24. The residential home-turned-shelter currently houses eight people, and hundreds have been through its doors over the last decade. The house is named after the late Wanda Alston, a D.C.-based LGBT activist who was murdered near her home in 2005.

Individuals enter the program based on their level of vulnerability and what kind of care the city’s homeless management providers think will best fit that person’s circumstances. The facility provides 24-hour support for residents through counseling, mental and medical health services. Tuition assistance and professional development is provided and other life skill services such as learning how to balance a checkbook, shop for groceries and manage a credit score are also offered. Residents receive three meals a day, clothing and toiletries as well as other necessities like Metro cards.

Full-time staff is trained, culturally competent and trauma-informed to ensure that all residents are supported. The operations manager and case manager work full-time at the house to make sure that everything runs smoothly and a clinical supervisor is also full-time to provide assessments and connect residents with the support they need.

The staff works together as an agency and as individuals to connect with the youths and help them cope, give support and help them navigate their lives. Sometimes that can be difficult and residents can respond by acting out.

“We are dealing with homeless youth that are isolated and rejected by the community,” says June Crenshaw, executive director of the Wanda Alston Foundation. “They’re forced to survive some unspeakable situations. Most, if not all, arrive having experienced some severe trauma. This can show up in less-than-positive ways like addiction, inability to cope with stress or not being able to navigate positive communication skills. But they’re human and they’ve had to endure circumstances that most of us couldn’t survive.”

Crenshaw, a self-identified “old-fashioned” lesbian and woman of color, says most youth in the program are women of color.

“When I started in this role two years ago, a resident came to me and said she never saw a person that looked like me in a leadership role. That stuck with me,” she says. “I’m proud to be a brown woman of the community that’s working hard to make things better.”

The program at the Wanda Alston House is slightly different from the programs at other LGBT shelters, she says. There are certain requirements that the residents must participate in that help them accomplish their personal goals within the 18-24 months they live there.

“We provide connections and care in all the ways that a person would need,” Crenshaw says.

After leaving the house, individuals stay connected to the care at the facility for 90 days-six months. Staff continues to support them however they need it — like buying groceries, clothes or Metro cards and finding housing and employment as well as providing case management to help them navigate other support and services available.

Crenshaw says there’s an “epidemic of LGBT homelessness.” Around 50 percent of the homeless youth in D.C. are LGBT-identifying. At the Wanda Alston House, residents “talk and share experiences around being treated differently, misgendered, disrespected, attacked and discriminated against.”

She says the city is committed to the youth but that in homeless centers that are not culturally sensitive to LGBT people, “grave mistreatments” can occur.

“Our population is trending as the most affected by homelessness and mental health issues,” she says. “We have a responsibility to do better by our youth, make sure they stay safe and are allowed to thrive. Facilities like ours are needed as long as these circumstances exist.”

The facility costs slightly over half a million dollars to run each year and most comes from local government offices such as the Mayor’s Office of LGBT Affairs. Grant dollars are used to run the shelter and pay staff, but that doesn’t cover all the expenses. They also rely on fundraising and the LGBT community and allies to support them. Donations amount to 25 percent of the budget.

Although D.C. has some of the most progressive laws in the nation and has been widely noted as one of the U.S. cities LGBT individuals can feel most open and supported, the competitive job market and high cost of living creates difficulties for LGBT people. LGBT people of color are more likely to be unemployed and represent a large portion of impoverished individuals and victims, Crenshaw says.

D.C. has the highest number per capita of LGBT individuals compared to other American cities. Crenshaw says not enough of the resources the city provides for homeless people are going to LGBT organizations and there is a lot of work yet to be done to resolve this epidemic.

The Wanda Alston House, however, has survived the turbulence of 10 years of operation and Crenshaw says they are ready and looking forward to at least another 10.

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Italy

44 openly LGBTQ athletes to compete in Milan Cortina Winter Olympics

Games to begin on Friday

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(Public domain photo)

More than 40 openly LGBTQ athletes are expected to compete in the Milan Cortina Winter Olympics that open on Friday.

Outsports.com notes eight Americans — including speedskater Conor McDermott-Mostowy and figure skater Amber Glenn — are among the 44 openly LGBTQ athletes who will compete in the games. The LGBTQ sports website also reports Ellis Lundholm, a mogul skier from Sweden, is the first openly transgender athlete to compete in any Winter Olympics.

“I’ve always been physically capable. That was never a question,” Glenn told Outsports.com. “It was always a mental and competence problem. It was internal battles for so long: when to lean into my strengths and when to work on my weaknesses, when to finally let myself portray the way I am off the ice on the ice. That really started when I came out publicly.”

McDermott-Mostowy is among the six athletes who have benefitted from the Out Athlete Fund, a group that has paid for their Olympics-related training and travel. The other beneficiaries are freestyle skier Gus Kenworthy, speed skater Brittany Bowe, snowboarder Maddy Schaffrick, alpine skier Breezy Johnson, and Paralympic Nordic skier Jake Adicoff.

Out Athlete Fund and Pride House Los Angeles – West Hollywood on Friday will host a free watch party for the opening ceremony.

“When athletes feel seen and accepted, they’re free to focus on their performance, not on hiding who they are,” Haley Caruso, vice president of the Out Athlete Fund’s board of directors, told the Los Angeles Blade.

Four Italian LGBTQ advocacy groups — Arcigay, CIG Arcigay Milano, Milano Pride, and Pride Sport Milano — have organized the games’ Pride House that will be located at the MEET Digital Culture Center in Milan.

Pride House on its website notes it will “host a diverse calendar of events and activities curated by associations, activists, and cultural organizations that share the values of Pride” during the games. These include an opening ceremony party at which Checcoro, Milan’s first LGBTQ chorus, will perform.

ILGA World, which is partnering with Pride House, is the co-sponsor of a Feb. 21 event that will focus on LGBTQ-inclusion in sports. Valentina Petrillo, a trans Paralympian, is among those will participate in a discussion that Simone Alliva, a journalist who writes for the Italian newspaper Domani, will moderate.

“The event explores inclusivity in sport — including amateur levels — with a focus on transgender people, highlighting the role of civil society, lived experiences, and the voices of athletes,” says Milano Pride on its website.

The games will take place against the backdrop of the U.S. Olympic and Paralympic Committee’s decision to ban trans women from competing in women’s sporting events.

President Donald Trump last February issued an executive order that bans trans women and girls from female sports teams in the U.S. A group of Republican lawmakers in response to the directive demanded the International Olympics Committee ban trans athletes from women’s athletic competitions.

The IOC in 2021 adopted its “Framework on Fairness, Inclusion and Nondiscrimination on the Basis of Gender Identity and Sex Variations” that includes the following provisions:

• 3.1 Eligibility criteria should be established and implemented fairly and in a manner that does not systematically exclude athletes from competition based upon their gender identity, physical appearance and/or sex variations.

• 3.2 Provided they meet eligibility criteria that are consistent with principle 4 (“Fairness”, athletes should be allowed to compete in the category that best aligns with their self-determined gender identity.

• 3.3 Criteria to determine disproportionate competitive advantage may, at times, require testing of an athlete’s performance and physical capacity. However, no athlete should be subject to targeted testing because of, or aimed at determining, their sex, gender identity and/or sex variations.

The 2034 Winter Olympics are scheduled to take place in Salt Lake City. The 2028 Summer Olympics will occur in Los Angeles.

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Theater

Out dancer on Alvin Ailey’s stint at Warner Theatre

10-day production marks kickoff of national tour

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Renaldo Maurice (Photo by Dario Calmese)


Alvin Ailey American Dance Theater
Through Feb. 8
Warner Theatre
513 12th St., N.W.
Tickets start at $75
ailey.org

The legendary Alvin Ailey American Dance Theater is coming to Washington’s Warner Theatre, and one of its principal veterans couldn’t be more pleased. Out dancer Renaldo Maurice is eager to be a part of the company’s 10-day stint, the kickoff of a national tour that extends through early May. 

“I love the respectful D.C. crowd and they love us,” says Maurice, a member of esteemed modern dance company for 15 years. The traveling tour is made of two programs and different casting with Ailey’s masterwork “Revelations” in both programs.

Recently, we caught up with Maurice via phone. He called from one of the quiet rooms in his New York City gym where he’s getting his body ready for the long Ailey tour. 

Based in North Newark, N.J., where he recently bought a house, Maurice looks forward to being on the road: “I enjoy the rigorous performance schedule, classes, shows, gym, and travel. It’s all part of carving out a lane for myself and my future and what that looks like.”

Raised by a single mother of three in Gary, Ind., Maurice, 33, first saw Alvin Ailey as a young kid in the Auditorium Theatre in downtown Chicago, the same venue where he’s performed with the company as a professional dancer.

He credits his mother with his success: “She’s a real dance mom. I would not be the man or artist I am today if it weren’t for the grooming and discipline of my mom. Support and encouragement. It’s impacted my artistry and my adulthood.”

Maurice is also part of the New York Ballroom scene, an African-American and Latin underground LGBTQ+ subculture where ball attendees “walk” in a variety of categories (like “realness,” “fashion,” and “sex siren”) for big prizes. He’s known as the Legendary Overall Father of the Haus of Alpha Omega.

WASHINGTON BLADE: Like many gay men of his era, Ailey lived a largely closeted public life before his death from AIDS-related complications in 1989. 

RENALDO MAURICE Not unusual for a Black gay man born during the Depression in Rogers, Texas, who’s striving to  break out in the industry to be a creative. You want to be respected and heard. Black man, and Black man who dances, and you may be same-sex gender loving too. It was a lot, especially at that time.  

BLADE: Ailey has been described as intellectual, humble, and graceful. He possessed strength. He knew who he was and what stories he wanted to tell.

MAURICE: Definitely, he wanted to concentrate on sharing and telling stories. What kept him going was his art. Ailey wanted dancers to live their lives and express that experience on stage. That way people in the audience could connect with them. It’s incredibly powerful that you can touch people by moving your body. 

That’s partly what’s so special about “Revelations,” his longest running ballet and a fan favorite that’s part of the upcoming tour. Choreographed by Alvin Ailey in 1960, it’s a modern dance work that honors African-American cultural heritage through themes of grief, joy, and faith.

BLADE: Is “Revelation” a meaningful piece for you?

MAURICE: It’s my favorite piece. I saw it as a kid and now perform it as a professional dance artist. I’ve grown into the role since I was 20 years old. 

BLADE: How can a dancer in a prestigious company also be a ballroom house father? 

MAURICE: I’ve made it work. I learned how to navigate and separate. I’m a principal dancer with Ailey. And I take that seriously. But I’m also a house father and I take that seriously as well.  

I’m about positivity, unity, and hard work. In ballroom you compete and if you’re not good, you can get chopped. You got to work on your craft and come back harder. It’s the same with dance. 

BLADE: Any message for queer audiences? 

MAURICE: I know my queer brothers and sisters love to leave with something good. If you come to any Ailey performance you’ll be touched, your spirit will be uplifted. There’s laughter, thoughtful and tender moments. And it’s all delivered by artists who are passionate about what they do. 

BLADE: Alvin Ailey has been a huge part of your life. Thoughts on that?

MAURICE: I’m a believer in it takes a village. Hard work and discipline. I take it seriously and I love what I do. Ailey has provided me with a lot: world travel, a livelihood, and working with talented people here and internationally. Alvin Ailey has been a huge part of my life from boyhood to now. It’s been great. 

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Out & About

This queer comedy show will warm you up

Catfish Comedy to feature LGBTQ lineup

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(Promotional image via Eventbrite)

Catfish Comedy will host “2026 Queer Kickoff Show” on Thursday, Feb. 5 at A League of Her Own (2319 18th Street, N.W.). This show features D.C.’s funniest LGBTQ and femme comedians. The lineup features performers who regularly take the stage at top clubs like DC Improv and Comedy Loft, with comics who tour nationally.

Tickets are $17.85 and can be purchased on Eventbrite

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