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SPOTLIGHTING LGBT HOMELESSNESS: Alston House celebrates a decade in operation

LGBT youth shelter named after slain D.C. activist

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Wanda Alston Foundation

‘We are dealing with homeless youth that are isolated and rejected by the community,’ said June Crenshaw, executive director of the Wanda Alston Foundation.

This story is part of our contribution to the 2018 #DCHomelessCrisis news blitz.  Local media outlets will be reporting and discussing stories about ending homelessness in the nation’s capital all day. The collaborative body of work is cataloged at dchomelesscrisis.press.  

The first LGBT youth-focused shelter in D.C. is continuing its legacy of serving one of the most vulnerable demographics.

The Wanda Alston House and Foundation, now in its 10th year of service, serves LGBT individuals ages 16-24. The residential home-turned-shelter currently houses eight people, and hundreds have been through its doors over the last decade. The house is named after the late Wanda Alston, a D.C.-based LGBT activist who was murdered near her home in 2005.

Individuals enter the program based on their level of vulnerability and what kind of care the city’s homeless management providers think will best fit that person’s circumstances. The facility provides 24-hour support for residents through counseling, mental and medical health services. Tuition assistance and professional development is provided and other life skill services such as learning how to balance a checkbook, shop for groceries and manage a credit score are also offered. Residents receive three meals a day, clothing and toiletries as well as other necessities like Metro cards.

Full-time staff is trained, culturally competent and trauma-informed to ensure that all residents are supported. The operations manager and case manager work full-time at the house to make sure that everything runs smoothly and a clinical supervisor is also full-time to provide assessments and connect residents with the support they need.

The staff works together as an agency and as individuals to connect with the youths and help them cope, give support and help them navigate their lives. Sometimes that can be difficult and residents can respond by acting out.

“We are dealing with homeless youth that are isolated and rejected by the community,” says June Crenshaw, executive director of the Wanda Alston Foundation. “They’re forced to survive some unspeakable situations. Most, if not all, arrive having experienced some severe trauma. This can show up in less-than-positive ways like addiction, inability to cope with stress or not being able to navigate positive communication skills. But they’re human and they’ve had to endure circumstances that most of us couldn’t survive.”

Crenshaw, a self-identified “old-fashioned” lesbian and woman of color, says most youth in the program are women of color.

“When I started in this role two years ago, a resident came to me and said she never saw a person that looked like me in a leadership role. That stuck with me,” she says. “I’m proud to be a brown woman of the community that’s working hard to make things better.”

The program at the Wanda Alston House is slightly different from the programs at other LGBT shelters, she says. There are certain requirements that the residents must participate in that help them accomplish their personal goals within the 18-24 months they live there.

“We provide connections and care in all the ways that a person would need,” Crenshaw says.

After leaving the house, individuals stay connected to the care at the facility for 90 days-six months. Staff continues to support them however they need it — like buying groceries, clothes or Metro cards and finding housing and employment as well as providing case management to help them navigate other support and services available.

Crenshaw says there’s an “epidemic of LGBT homelessness.” Around 50 percent of the homeless youth in D.C. are LGBT-identifying. At the Wanda Alston House, residents “talk and share experiences around being treated differently, misgendered, disrespected, attacked and discriminated against.”

She says the city is committed to the youth but that in homeless centers that are not culturally sensitive to LGBT people, “grave mistreatments” can occur.

“Our population is trending as the most affected by homelessness and mental health issues,” she says. “We have a responsibility to do better by our youth, make sure they stay safe and are allowed to thrive. Facilities like ours are needed as long as these circumstances exist.”

The facility costs slightly over half a million dollars to run each year and most comes from local government offices such as the Mayor’s Office of LGBT Affairs. Grant dollars are used to run the shelter and pay staff, but that doesn’t cover all the expenses. They also rely on fundraising and the LGBT community and allies to support them. Donations amount to 25 percent of the budget.

Although D.C. has some of the most progressive laws in the nation and has been widely noted as one of the U.S. cities LGBT individuals can feel most open and supported, the competitive job market and high cost of living creates difficulties for LGBT people. LGBT people of color are more likely to be unemployed and represent a large portion of impoverished individuals and victims, Crenshaw says.

D.C. has the highest number per capita of LGBT individuals compared to other American cities. Crenshaw says not enough of the resources the city provides for homeless people are going to LGBT organizations and there is a lot of work yet to be done to resolve this epidemic.

The Wanda Alston House, however, has survived the turbulence of 10 years of operation and Crenshaw says they are ready and looking forward to at least another 10.

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Galleries

BMA celebrates enduring influence of Henri Matisse

Exhibit features iconic works juxtaposed with gay artist’s paintings inspired by French legend

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‘Tom’ by Louis Fratino (left) and ‘Large Reclining Nude’ by Henri Matisse (right) reveal the ways in which the legendary French visual artist influenced the young American painter, from the use of light and pattern to the choice to focus on everyday subjects.

The Baltimore Museum of Art is on a roll. 

After landing the coveted Amy Sherald “American Sublime” exhibit (through April 5) when the National Portrait Gallery attempted to censor her work, the BMA is debuting a breathtaking and thought-provoking new exhibit, “To See This Light Again” featuring master works by Henri Matisse paired with new paintings by Louis Fratino, who is inspired by the French modernist legend.

Fratino, who’s gay, was born in Annapolis and studied at Baltimore’s Maryland Institute College of Art. As an art student, he found himself spending lots of time in the BMA’s Matisse galleries, the largest collection of his works in the world, encompassing more than 1,600 paintings, drawings, and illustrations. At just 33, Fratino has enjoyed a “meteoric” rise in the art world, according to BMA Director Asma Naeem, who introduced Fratino at an event previewing the exhibit last week. This is Fratino’s first major U.S. exhibition, but he was featured in the 2024 Venice Biennale and his paintings can be found at the Rhode Island School of Design Museum, the Whitney Museum of American Art, and elsewhere. 

The exhibit aims to explore Matisse’s lasting influence by juxtaposing his works with Fratino’s. 

“It’s the idea that art manifests a kind of attention or a vision for your life, that it can be a beautiful life despite certain circumstances that may be happening around you,” Fratino said in a statement released by the BMA. “In Matisse’s case, he lived through the First and Second World Wars. Painting can confirm that life is beautiful and that it’s worth looking at.”

The influences are apparent, from the use of light and pattern to the choice to focus on everyday objects and subjects. And the exhibit is unabashedly queer with male couples depicted in a couple of paintings. Fratino told the Blade that as an out gay man, it was important to embrace that visibility. 

He describes a “joy of looking” at the male form, just as Matisse portrayed female figures that often celebrated the tradition of painting nudes. 

In “Tom,” Fratino captured his subject in casual repose that includes a bowl and spoon in the foreground. It is presented alongside Matisse’s iconic “Large Reclining Nude.” Tom’s checkered shirt echoes the blue and white grid background of the Matisse work and both figures are holding casual, relaxed poses. 

“Fratino and Matisse: To See This Light Again” runs through Sept. 6 at the Baltimore Museum of Art (artbma.org.)

For Matisse lovers, the BMA has another exhibit debuting March 29 titled, “Matisse in Vence: The Stations of the Cross” featuring more than 80 drawings revealing how the artist “shaped his late‑career masterpiece, the Stations of the Cross mural, for the Chapel of the Rosary in Vence, France.”

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Books

Laverne Cox, Liza Minnelli among authors with new books

A tome for every taste this reading season

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Spring is a great time to think about vacations, spring break, lunch on the patio, or an afternoon in the park. You’ll want to bring one (or all!) of these great new books.

So let’s start here: What are you up for?  How about a great new novel?

If you’re a mystery fan, you’ll want to make reservations to visit “Disaster Gay Detective Agency” by Lev AC Rosen (Poisoned Pen Press, June 2). It’s a whodunit featuring a group of gay roommates, one of whom is a swoony romantic. Add a mysterious man who disappears and a murder, of course, and you’ve got the novel you need for the beach.

Don’t discount young adult books, if you want something light to read this spring. “What Happened to Those Girls” by Carlyn Greenwald (Sourcebooks Fire, June 30) is a thriller about mean girls and a camping trip that goes terribly, bloodily wrong. Meant for teens ages 14 and up, young adult books are breezier and lighter fare for the busy grown-up reader.

If you loved “Boyfriend Material” and “Husband Material,” you’ll be eager for the next installment from author Alexis Hall. “Father Material” (Sourcebooks Casablanca, June 2) takes Luc and Oliver to the next step. First was dating. Then was marriage. Is it time for the sound of pitter-patter on the kitchen floor?

Maybe something even lighter? Then how about a book of essays – like “The Terrible, Horrible, No Good, Very Bad Gay” bycomedian and writer Eliot Glazer (Gallery Books, Aug. 11). It’s a book of essays on being gay today, the irritations, the joys, and fitting in. Be aware that these essays may contain a bit of spice – but isn’t that what you want for your reading pleasure anyhow, hmmm?

But okay, let’s say you want something with a little more heft to it. How about a biography?

Look for “Transcendant” by Laverne Cox (Gallery Books, June 9), or “Kids, Wait Till You Hear This” by Liza Minnelli (Grand Central Publishing, March 10), and “Every Inch a Lady” by Audrey Smaltz with Alina Mitchell (Amistad, July 14). Keep your eyes open for “Without Prejudice: My Life as a Gay Judge” by Harvey Brownstone (ECW Press, May 26) or “The Double Dutch Fuss” by Phill Branch (Amistad, June 2).

Then again, maybe you want some history, or something different.

So here: look for “Queer Saints: A Radical Guide to Magic, Miracles, and Modern Intercession” by Antonio Pagliarulo (Weiser, June 1) for a little bit of faith-based gay. Music lovers will want “Mighty Real: A History of LGBTQ Music, 1969-2000” by Barry Walters (Viking, May 12). Activists will want “In the Arms of Mountains: A Memoir of Land, Love, and Queer Resistance in Red America” byformer Idaho state Sen. Cole Nicole LeFavour (Beacon Press, May 26).

And if these books aren’t enough, then be sure to check with your favorite bookseller or librarian. They’ll have exactly what you’re in the mood to read. They’ll find what you need for that patio, beach towel, or easy chair.

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Music & Concerts

Gaga, Cardi B, and more to grace D.C. stages this spring

Shake off your winter doldrums at a local concert

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Lady Gaga plays Capital One Arena on March 23. (File photo courtesy of Might Real Agency)

D.C. shakes off its winter blues this spring as the music scene pops off. We all know the big star is coming: Lady Gaga will perform at Capital One Arena on March 23. But plenty of other stars, big and small, will grace D.C. stages, including many LGBTQ and ally artists.

March

3/15, 9:30 Club, St. Lucia – Indie electronic music project known for its synth-pop sound, which blends ‘80s influences with electronic and indie rock elements.

3/31, Lincoln Theatre, Perfume Genius – Indie/pop singer/songwriter Mike Hadreas, also known as Perfume Genius, has toured with a full band, but he is stripping things back for this tour.

April

4/8, Capital One, Cardi B. Cardi B, from New York, unapologetic and proud, is the first solo female artist to win the Grammy Award for Best Rap Album. This year, she’s on her Little Miss Drama Tour, in support of her second studio album, “Am I the Drama?”

4/13, Lincoln Theatre, The Naked Magicians. Australia’s The Naked Magicians are two performers who deliver live magic and laughs while wearing nothing but a top hat and a smile.

4/18, Capital One, Florence and the Machine. Longstanding indie rock back from Great Britain, much-loved for lead singer Florence’s powerful vocals. On their Everybody Scream Tour.

4/16, Capital One, Demi Lovato. Singer/songwriter from Texas, who came out as nonbinary, is traveling on her “It’s Not That Deep Tour.”

4/21, The Anthem, Calum Scott. Platinum-selling gay singer/songwriter Calum Scott released his latest project, Avenoir, last year. Scott rose to fame in 2015 after competing on Britain’s Got Talent, where he performed a cover of Robyn’s hit “Dancing on My Own“.

4/26, Atlantis, Caroline Kingsbury. American queer pop musician from Los Angeles. She released her debut album in 2021, and has two additional EPs. She’s played Lollapalooza 2025 and All Things Go 2025, as well as gone on a co-headlining U.S. tour with MARIS. Shock Treatment is her latest EP. 

4/26, Anthem, Raye. This bisexual artist, known for her current chart-topping “”Where Is My Husband!” single, blends pop, jazz, R&B, and more.

4/30, Union Stage, Daya. This bisexual singer/songwriter is on her “Til Every Petal Drops Tour,” touring the album of the same name that was released last year.

May

5/1, The Anthem, Joost Klein. Eurovision comes to D.C. in Joost Klein: Originally a Youtuber, he was selected to represent the Netherlands at Eurovision in 2024 with his song “Europapa.” He released a new album on New Year’s Day.

5/1, Fillmore, MIKA. MIKA is on his Spinning Out Tour. Born in Beirut and raised in both Paris and London, MIKA sings in multiple languages and has co-hosted Eurovision.

5/7, 9:30 Club, COBRAH. Clara Christensen, is a Swedish singer, songwriter, record producer, and club queen, making electronic dance music.

5/19, Atlantis, Grace Ives. New York-born singer/songwriter, known for her high-energy synth/electronic, bedroom-pop-style music.

June

6/2, The Anthem, James Blake. English crooner got big from his self-titled debut album in 2011. He won two Grammys and just released his 7th album,Trying Times, in March.

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