a&e features
Rehoboth’s Sundance party returns this weekend
Dance, auction to be held in memory of co-founder Steve Elkins


The Sundance dance party is a Rehoboth Beach Labor Day tradition. (Washington Blade photo by Daniel Truitt)
Sundance 2018
Rainbow XXXI: In the Name of Love
Auction: Saturday, Sept. 1
7-10 p.m.
Dance: Sunday, Sept. 2
7 p.m.-2 a.m.
$80 for both events or $45 for one
Rehoboth Beach Convention Center
229 Rehoboth Ave.
Rehoboth Beach, Del.
302-227-5620
Sundance, the annual CAMP Rehoboth Labor Day weekend tradition, will be somewhat bittersweet this year.
“Sundance 2018: Rainbow XXXI: In the Name of Love” will be held this weekend to benefit CAMP Rehoboth in memory of the late Steve Elkins, who died in March from lymphoma. He was 67.

The late Steve Elkins (left) with husband Murray Archibald. The two founded Sundance more than 30 years ago. Elkins died in March. (Washington Blade file photo by Michael Key)
Sundance was created by CAMP Rehoboth founders Elkins and his husband Murray Archibald in response to the AIDS crisis in the 1980s. Archibald had been Elkins’ husband and partner for 40 years at the time of Elkins’ death. They decided to make Sundance a dance party with the purpose of raising money for AIDS charities. Archibald said in an article of a recent issue of Letters from CAMP Rehoboth that many people were dying and there was no treatment for AIDS at the time.
“It was 1988. We were losing friends left and right. We were still living in New York in those days but spending a lot of time down here,” Archibald says. “It was terrible, and we wanted to do something. It was our 10th anniversary party, Steve and mine, and everybody in our house down here wanted to do something. And I said, well, we wanted to make it a fundraiser. We did a lot of events actually back then — dance events — so we thought that would be a great way to make money.”
The Sundance Auction will be held on Saturday, Sept. 1 with an open bar, food by Plate Catering, music by Stephen Strasser and silent and live auctions. On Sunday, Sept. 2, there will be a dance party from 7 p.m.-2 a.m. with an open bar, Joe Gauthreaux as DJ and special guest Studio 54/Saint DJ Robbie Leslie. Both events will be held at the Rehoboth Beach Convention Center.
There was no auction the first year; it was added the second year. Initially, the auction happened right before the dance, but a couple years later, the auction and dance were separated into different events. Sundance has always been held on Labor Day weekend and has become a tradition.
Sundance has received an increasing amount of support and sponsorship over the years, raising more than $2 million overall.
“It’s grown. It just keeps growing. It has for years,” Archibald says. “We have tremendous community support for it. I think its growth is probably the main thing and the support that it gets. The way we’ve raised money has changed. For a good while, it was only AIDS work, and a lot of it went to Sussex County AIDS Council and helped them stay afloat.”
Archibald says when CAMP got started, its volunteers quickly began expanding AIDS services they were doing and started splitting the money raised from Sundance between CAMP and the Sussex County AIDS Council. By the time the Sussex County AIDS Council closed, CAMP was doing a lot of AIDS work and other kinds of health-related work. The money raised from Sundance has been used for CAMP Rehoboth for years now. Archibald said Sundance raised $6,000 its first year and now raises around $120,000-125,000 per year.
Elkins and Archibald have advocated for LGBT rights in Rehoboth for decades. There was tension between the gay and straight communities in the late ‘80s into the early ‘90s, with one group in town that started a campaign with bumper stickers that read, “Keep Rehoboth A Family Town.” In response, Elkins and Archibald decided to open CAMP Rehoboth, looking to promote inclusion for all.
“During the ‘80s, Rehoboth had grown tremendously as a gay resort. Gay people had been coming here for a long time,” Archibald says. “During that time, there was the Strand, which was controversial because of its location. It was open for seven years. It was a huge club. The Renegade was just outside of town. Those were two big dance clubs, and we had people coming, the crowds had gotten bigger. Everything had changed in that decade.”
Elkins and Archibald wanted to ease stress and build bridges. They developed CAMP Rehoboth with the mindset that it would work within the community, making the decision to not be “in your face” or “radical.” They wanted to work with people. Elkins and Archibald started using the language of making Rehoboth a place with “room for all.” Archibald said that when Elkins died earlier this year, the press was using that language to describe CAMP Rehoboth, showing that it worked.
The influence that Elkins and Archibald have had over the years can be seen on a statewide level, with then-Gov. Jack Markell adding sexual orientation to Delaware’s anti-discrimination law in 2009, which was signed by Markell at CAMP Rehoboth on Elkins’ birthday. Additionally, Elkins and the current president of the CAMP Rehoboth Board of Directors, Chris Beagle, testified in support of the legalization of civil unions in Delaware in 2011.
On July 1, 2013, Beagle and his husband, Eric Engelhart, decided to have their wedding ceremony at the CAMP Rehoboth Community Center because they wanted to make the occasion a celebration for the entire community. Beagle and Engelhart were selected to be the first same-sex couple to marry in Sussex County by then Sussex County Justice of the Peace, John Brady, after the legalization of same-sex marriage in Delaware.
“I gave several press interviews immediately after Steve’s passing in March, and in virtually every one of them I mentioned that I’ve had many proud moments representing CAMP Rehoboth over the years here on the board,” Beagle says. “Next to marrying my husband, Eric Engelhart, on the stage of the CAMP Community Center on July 1, 2013, my other proudest moment was testifying with Steve Elkins for the civil union legislation in 2011. He was a mentor to me in many ways, and he will always have a very special place in my heart for the leadership and difference he made in my life, and countless others. So many of us wouldn’t enjoy the life we have here today, and the protections we’re entitled too, if not for Steve Elkins and Murray Archibald.”
Beagle began volunteering for Sundance in 2006, making this his 13th year helping put it together. He has mostly worked with the decor crew and set-up team, along with Archibald and other key volunteers, many of whom have been helping Archibald for 20 years or more. Beagle also co-founded the Sundance 5k in 2010.
“It amazes us every year how Murray is able to create a visual masterpiece celebrating the particular theme of the year,” Beagle says. “A true camaraderie has evolved over these many years, and it has become a type of family reunion for many of us, something we all cherish very much. And nothing beats the sense of gratification we all share as the auction doors open at 7 p.m. The crowds start pouring in and we see the look of awe and amazement in their faces. At that moment, we know we’ve done good work.”
Natalie Moss began volunteering at CAMP Rehoboth in 1991. Moss has served as treasurer for both CAMP Rehoboth and the CAMP Rehoboth Community Center Project. She is also auction co-chair of Sundance and has been helping with the event for 28 years.
“We send out letters to all the businesses and ask them for donations. Then, we have callers and picker uppers that follow up on the letters and run around town to pick the stuff up,” Moss says. “We have a lot of individual people, as well as businesses, that give us stuff.”
Once the donations for the auction are brought to CAMP, Moss goes through them and lists them on spreadsheets. Once that’s done, the donations are brought over to the convention center where another team of volunteers displays them on the floor. Moss oversees the team that tallies the auction sheets. CAMP made the decision to use old-fashioned bid sheets because they want people to enjoy themselves and to not take away from their experience by them looking at their phones trying to bid on something.
“We get some really, really fun stuff. A lot of quirky things, games, books, glassware,” Moss says. “And the businesses give us gift certificates to restaurants — gift certificates for dinners and lunches and breakfast. Once it’s displayed, it looks beautiful.”
The Sundance auction will also have artwork, jewelry and a 60-inch TV among other things that will be up for bid. Moss says Sundance all comes together with the help of about 200 volunteers and the result has the appearance of a “fabulous-looking disco.”

The Sundance auction started 30 years ago. Organizers have intentionally kept it low tech — all the bidding takes place with paper and pen. (Photo courtesy CAMP Rehoboth)
Moss says working with Elkins was great and that everyone on the Sundance team had their role. She said Elkins did a lot behind the scenes. Elkins would run out and get whatever the Sundance team needed. He would negotiate with the liquor store to get more tonic and mixes, order lunches, pick up the lunches and did some computer work, which included printing pictures for the live auction. Moss said Elkins did everything to make sure the volunteers were taken care of.
“I used to be down here a lot, like I am now, and I’d have the music on. He was a very good singer, he had a very good voice. He used to sing in church. He would come down here and sing to me all the time, so I miss that,” Moss says. “So, Murray came in the other day. I said, ‘Are you going to sing to me?’ and he said, ‘No, you don’t want me to sing to you.’”
Monica Parr, who serves as CAMP Rehoboth’s administrative coordinator, is helping organize Sundance for her fourth year. She is managing the volunteers needed for the front-end production. Parr is working alongside Archibald taking over some of Elkins’ tasks.
“It was a joy to work with Steve. I knew Steve Elkins and Murray Archibald long before I began working at CAMP Rehoboth. I was a volunteer for Sundance almost from the beginning,” Parr says. “Steve was one of a kind. He was the kindest and most generous man you would ever meet. He would make sure that everyone felt welcome at CAMP, and at any event that CAMP Rehoboth sponsored. He will be truly missed.”
a&e features
Margaret Cho returns to music with ‘Lucky Gift’
Collection of pop tunes includes tribute to non-binary people

LOS ANGELES — It has been eight years since Margaret Cho released her Grammy-nominated “American Myth” album. She’s back to the music scene with her new album, “Lucky Gift,” an 11-track collection of anthems and pop tunes, a tribute to Robin Williams, and a shout-out to non-binary and gender non-conforming people.
The album captures the whirlwind that is Margaret and all of the different facets of her talents that have made her a powerhouse in entertainment and a leader in activism. In “Lucky Gift,” she’s getting her point across while having fun and getting glam.
We caught up with the activist and artist to chat about her music, our political climate, and the power of pop divas.
Known for her comedy, acting, and activism, she felt it was long overdue to get her music back out there too.
“I make music often. It’s a part of my daily life, it’s a big part of my social life, and it’s just something that I just love to do for my own relaxation and fun. I had enough for an album and I wanted to finally put them out. I was just really proud of how it all sounded together,” shares Cho.
“It’s a power pop record. For me, the songs are really meaningful. They’re all in their own way love songs. I’m a big fan of my own music (laughs), I really like the way that I sound and it’s really special to do. People know me as a comedian, and I have also made music for a long time, but it’s sort of a side project, and so it was time to put more out again.”
Her album also includes a touching tribute to Robin Williams. The entertainment community is finally more comfortable talking about mental health more openly. When relating mental health to her own life, Margaret, in true Margaret form, quickly turned the conversation to reflect today’s political climate.
“I have to maintain a level of peace and quiet and sometimes maybe get away from the news, although that’s tough because I am obsessed. I want to know what is happening. I’m really worried for our community, especially the trans community. I’m worried that this administration is trying to separate T and the Q from the LGBTQIA, and it’s really frightening.”
As an elder, Cho says she has to also remember that we’ve been through this before and it’s actually been much worse. As a community, we’ve been through a similar situation, and we were facing down a pandemic, which was killing us by the millions. So at least now we don’t have to fight AIDS as well as this onslaught of homophobia.
“We have fought for our rights, and we still have them, but we may not have them for long. So our mental health is very important to preserve now because we have to fight. The one thing to remember is they can’t do everything at once. They can’t take away trans rights, queer rights, gay rights, gay marriage, anti-depressants —ha — at the same time. So what we can do is just try to remain as calm as possible and fight as strongly as we can. But yeah, mental health is really vitally important right now.”
Margaret’s long history of queer activism stands for itself. She does not shy away from current issues, she uses her platforms to incite, educate, and question. For Margaret, there is no time off from being an activist. She was born into it, so to speak, being raised in San Francisco in the 1970s, her parents — the owners of a gay bookstore — and their employees followers of Harvey Milk.
“My activism is that I don’t have a choice. I’m going to be an activist no matter what. We’re doing this together, we’re going through this together. I will always be political. It’s just disheartening to see the ignorance of people and the lies that are being told that are believed.”
Margaret’s “Lucky Gift” comes at a perfect time when the queer community can come together over music. Cho looks at her album as a tool to empower an underdog community through the power of music.
“It’s the triumph of pop above all. We need to look to our pop divas above all. So now I’m more than ever, leaning on Madonna. [Thank God for Lady Gaga’s] “Abracadabra” because I think that things like that boost our community so much. When you can just get together and have a “brat summer,” that boosts our community so much in this togetherness, this explosion of excitement. I think Chappell Roan really ignited the pop capacity for healing. I love ‘Lucky Gift’ because it is my stepping into a pop diva moment. Pop divas should not be discounted for how important they are to our society and how much they lift us up.”
In addition to releasing her new album, Cho will continue to hit the road this year with her “Live and LIVID! Tour,” celebrating more than four decades of live stand-up shows. On this tour, she promises to rage about homophobia, sexism, racism, and the fight to stay alive. The five-time Grammy and Emmy-nominated performer is not holding back. According to her, the nation is not divided, just a little lost.
“We’re not divided. Everybody hates this. We all hate this. The fact is, the majority of the country does not want this. Unfortunately, a lot of people just didn’t vote because they just didn’t want to participate. That’s why we’re in the situation that we’re in. So to be on the road is a pleasure. And I rarely come against opposition. Every once in a while there’s something, but it’s something that we all handle. I think we all need a voice, a strong voice of reason to combat all of the hysteria.”
And her message to her fans?
“We’ll get through this. We’ll get through this with pop divas. ‘Abracadabra,’ learn the choreography, you do it sitting down. At least we have pop music, I have my hat in the ring here. But at least we have each other and we’re going to be OK. It’s going to be a ride, it’s going to be intense, but we can do this. We’ve been through this before and we are going to be fine.”
“Lucky Gift”is now available on all major streaming platforms.
a&e features
Meet the people giving a voice to LGBTQ truck drivers
‘Like therapy,’ finding solace in each other and the road

Before embarking on his weekly 2,000-mile trip as a truck driver, Derric Schmid sets up his smart TV and preps meals in bulk like ham and potatoes.
To some, long hours on the road away from family and friends sounds grueling. But for Schmid, it’s his way of life.
“I love the freedom,” Schmid said. “I get paid to go see the country. I’ve spent New Year’s Eve in New Orleans, I’ve spent it in St. Louis and this year I spent Christmas out in California exploring.”
Schmid is the vice president and senior diversity officer of LGBTQ+ Truck Driver Network (TDN), a nonprofit he runs with founder Bobby Coffey-Loy. TDN aims to foster inclusivity and safety in the truck driving industry by building a supportive network of allies and queer truckers.
The organization vets companies (Schmid says he calls 50-100 per week) to understand which are committed to creating safe spaces for drivers of all backgrounds. Schmid and Coffey-Loy also host the Big Gay Trucker Podcast, where they interview people who need advice or want to discuss taboo topics.
Coffey-Loy said meeting people from different walks of life, including trans people recovering from surgeries while on the road, inspired him to create TDN.
“It just opened me up to a whole group of people that just needed representation,” Coffey-Loy said. “There are groups out there on [social media] pages, but nobody actually took it as far as a nonprofit organization.”
Coffey-Loy drives with his partner of 17 years, Ricky, for a company called Luna Lines. Together they drive about 6,000 miles a week, taking turns sleeping or keeping one another company. On Monday, they typically start a load in Jacksonville and then drive to New Mexico, Chicago, Baltimore, Tennessee and end up back home in Palm Coast, Fla., by Friday. They even pay for all their gas and food while on the road.
Doing a weekly cross-country road trip in tight quarters with your partner can be trying, and Coffey-Loy will be the first to admit that: “Your partner is someone that knows how to push your buttons faster than anybody else,” he laughed.
But he also said starting truck driving together eight years ago is what made him and his husband closer. Before driving, he said it felt like life and jobs sometimes got in the way of their relationship. Going to trucking school together and being able to support each other on the road over the years has sparked a different kind of connection in their lives.
“We didn’t want to be apart from each other, so that’s what made trucking work for us,” he said.
For both Schmid and Coffey-Loy, truck driving runs in the family. Schmid, who’s been driving trucks for almost 24 years and with TDN for more than two, calls Jonestown, Pa., home –– a borough with a 2023 population of 1,645. He had three uncles and a grandfather who were truck drivers.
Coffey-Loy, born and raised in West Virginia, said his father and grandfather were truck drivers.
Continuing family tradition is respectable enough, but Coffey-Loy’s mission of creating a safe and supportive space for those in the industry was unique; it was difficult for his parents to accept his identity when he first came out.
Coffey-Loy’s parents passed away 11 months apart last year. He said they learned to grow to love him for who he was. When TDN started up, they became “mom and dad to everyone,” and even invited people with no familial structure to move in with them.
At get-togethers, his dad called everyone “sweetie” or “honey” to be respectful since he didn’t know how everyone identified.
“What they’ve taught me is, if they can change their mind and they can accept everybody, anybody can,” Coffey-Loy said. “I will cherish it forever. I miss them every day.”
And the impact of this lesson has been tried and true. TDN attended the Mid-America Trucking Show despite receiving death threats and facing extra security measures –– yet they ran through dozens of handouts before their station even opened. Another year, they handed out condoms to promote safe sex on the road and were met with backlash –– yet they went through a whole box on the first day.
The team behind TDN may be small –– about eight people –– but Schmid said their reach is wide. Thousands of people visit their social media pages from around the world and connect with each other, including a vocal German bus driver and a man from Africa trying to create more queer visibility in his area.
Coffey-Loy said many people contact him directly for support. There was a straight man who called who had trouble balancing his home life and truck driving hours and expressed suicidal thoughts. The man said he saw Coffey-Loy’s number and needed someone to talk to.
Moments like those are why Coffey-Loy emphasizes that the organization is there to support everyone, not solely the LGBTQ community. He recalled a bonfire gathering where people of different backgrounds and identities laughed and talked as friends.
“It’s why you do what you do,” Coffey-Loy said.
Although TDN has given many people a family away from home, it doesn’t make losing time with family and friends any easier. Coffey-Loy missed a family member’s funeral in West Virginia because he was in New Mexico and couldn’t abandon his load.
“He had already been buried before I could get back,” he said.
It’s a different way of life, but it’s not an impossible one. Schmid calls his mom and stepfather every morning and his mom again in the evenings. He gets on group calls with friends and TDN members. On weekends, Schmid sees some friends in person for dinners, and is able to visit with his family.
Truck driving may mean frequently saying goodbye to close people in his life, but it also opens the door to new connections around the country: “I got friends in every state,” Schmid said.
Although he’s constantly traveling, Coffey-Loy always feels at home. It’s those nights driving, with nothing but the roaring hum of the road filling the silence while his husband sleeps behind him, that fulfill him.
“Even though you miss so much of your everyday life, there’s something about trucking that is so freeing,” Coffey-Loy said. “The road can be so loud in your life, and it has a way to really sort out things. It’s like therapy for me.”
a&e features
Saldaña triumphs amid ‘Emilia Pérez’ collapse at Oscars
Karla Sofía Gascón loses top award to Mikey Madison after scandal

It’s no wonder the camera caught actress Michele Yeoh crying after watching queer singer Cynthia Erivo (nominated for best actress) and Ariana Grande (nominated for best supporting actress) perform one of the much-loved songs from “Wicked,” as they were simply magnificent.
Grande opened with Judy Garland’s “Somewhere Over the Rainbow,” and Erivo sang “Home” from “The Wiz.” That was one of the many bright spots in the 97th annual Academy Awards, which took place Sunday night at the Dolby Theatre in Hollywood.
While the duo sadly didn’t take away any awards, the magical film did — gay costume designer Paul Tazewell won the Oscar for Best Costume Design.
“This is absolutely astounding,” Tazewell enthused onstage, in his acceptance speech. “Thank you Academy for this very significant honor. I’m the first Black man to receive a costume design award for my work on ‘Wicked.’ I’m so proud of this.”
In the pressroom, Tazewell elaborated on his well deserved win.
“This is the pinnacle of my career. I’ve been designing costumes for over 35 years,” he said. “Much has been on Broadway and now into film, and the whole way through there was never a Black male designer that I saw that I could follow, that I could see as inspiration. And to realize that that’s actually me, it becomes a ‘Wizard of Oz’ moment, you know, it’s like no place like home. So to come back to the inspiration being inside of me was — is really remarkable.”
Tazewell said he achieved the award with the help of a lot of really amazing and talented costume artisans of all types and an amazing staff and assistants and crew.
“Because, you know, there’s no way for me to do it alone! And that also is my greatest joy — to be collaborating with other very talented artists, so I respect what that artistry is, and I share this with them because I value what their input is.”
The veteran costume designer knew the movie was going to be pretty spectacular, but he was “absolutely blown away,” because of their approach.
“We were working on two films at the same time. It wasn’t until I actually saw a pretty complete cut that I actually experienced the journey that we have created for audiences. And so, to experience that –I was beside myself. And it defined why I do costume design, why I am a costume designer.”
“Wicked” also won the Oscar for Best Production Design.
“Emilia Pérez,” Netflix’s mesmerizing Spanish language, trans crime musical, had a whopping 13 nominations, with first-time nominee Karla Sofia Gascón making history as the first trans woman to be nominated for best actress. This would have been the most nominated foreign film in the history of the Academy Awards.
Unfortunately, after the controversy surrounding her past tweets, the film only won two awards: for best supporting actress (Zoe Saldana) and best original song (“El Mal”).
While the U.S. is in an era of anti-trans political maneuvering, Sunday night’s broadcast included no mention of trans people.
In the pressroom, during an interview with “Emilia” composers Clément Ducol, Camille, and director Jacques Audiard, a journalist asked if anyone wanted to address what was happening.
Speaking in French via a translator, Audiard said, “Since I didn’t win Best Film or Best Director, I didn’t have the opportunity to speak, but had I had that opportunity, I would have spoken up.”
Saldaña, who starred as Rita, a lawyer who gets enmeshed with the trans cartel leader’s transition, was thrilled to win.
“I am floored by this honor. Thank you to the Academy for recognizing the quiet heroism and the power in a woman like Rita. And talking about powerful women, my fellow nominees, the love and community that you have offered me is a true gift, and I will pay it forward. Thank you so much Jacques Audiard, you are forever a beloved character in my life. Thank you for taking the interest, thank you for being so curious about these women to tell this story to my cast and my crew of ‘Emilia Pérez.’”
Saldaña’s nephew is trans; a few weeks ago, while winning the best supporting actress at the BAFTAs, she told journalists that she was dedicating the award to him.
“I’m dedicating all of these awards and the film ‘Emilia Pérez’ to my nephew, Eli. He is the reason — they are the reason — I signed up to do this film in the first place,” she said. “So as the proud aunt of a trans life, I will always stand with my community of trans people.”
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