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Streisand gets heavy handed; Robyn delights on new albums

Despite lovely moment, new Babs album ‘Walls’ is preachy, lumbering

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Barbra Streisand’s new album ‘Walls’ is her most political in years, perhaps ever. Robyn’s ‘Honey’ takes the opposite approach. (Photos courtesy the Karpel Group)

Singers are getting more politically outspoken these days and more aware of the political implications of their influence.

Taylor Swift has been using her platform to register voters for the midterm elections. Queer artists like Janelle Monáe and Years & Years have used innovative visual albums to recast current political debates. But Barbra Streisand’s new album “Walls” is maybe the most overtly political release since the 2016 election.

Politics is nothing nothing new for Streisand. Her name was even found on one of Richard Nixon’s enemies lists, alongside other prominent celebrities. Throughout her singularly impressive career spanning six decades and boasting hits such as “Happy Days are Here Again,” “The Way We Were” and “People,” Streisand has been public with her politics.

But her new music is her most overtly political so far. She takes aim at current political problems and several of President Trump’s policies regarding climate change and immigration in particular. As she wrote in a statement about the album, “Even basic human decency appears to be melting away faster than the polar ice caps. I wanted to write and sing about some of these things … not only to convey my concerns, but also to state my belief that, if we remain vigilant to the truth, things can eventually turn around.”

The choice of “Walls” for the album title is, of course, a statement in itself. Streisand is keen to diagnose what she sees as the problem with contemporary society — namely, Trump. Yet the album feels somehow out of touch. She continually harkens back to an irrecoverable moment from America’s political past and seems stuck there.

That is not to say the music is bad. In fact, it’s a beautiful album that highlights in many places Streisand’s best virtues as a artist. She has never lost the unmistakable star quality of her voice, which continues to soar. And she is able to convey emotion with a great effect on the listener. Her mash-up of John Lennon’s “Imagine” and “What A Wonderful World” (first recorded by Louis Armstrong) is a tear-jerker. It’s Streisand at her absolute best.

The same might be said of her recording of “What the World Needs Now Is Love,” which again connects the her new album to songs protesting the Vietnam War. Beginning with a light string accompaniment, the song transitions to a jazzy piano waltz, before lurching forward into a funkier Motown rhythm. It’s an excellent recording and stands up well against other popular recordings of the song by Dionne Warwick and Tony Bennett.

“Better Angels” is another beautiful track. Unlike much of the material here, it offers a way forward. As she sings in the chorus, “We are not enemies/There is no good in that … We will find a way/Through all our differences.” The emotional arc of the song pulls the listener in from the beginning and like the best Broadway songs, it’s impossible not to sing along.

Other tracks on the album hardly live up to expectations, like lead single “Don’t Lie to Me,” a painful exercise in mixed metaphors that feels more like a Twitter rebuttal than a serious work. The video is worse. It has the aesthetic quality of an out-of-date campaign ad, pairing badly edited images with slogan-like text.

Needless to say, the album can be excessively preachy at times. Yet in spite of its melodramatic, heavy-handed tendencies, Streisand nonetheless manages to demonstrate her remarkable abilities as a performer. And although it’s unlikely to bring anyone new into fold, “Walls” is sure to please longtime fans.

After listening to Streisand, it’s almost a relief to turn to the world of Swedish dance-pop with Robyn. Her eighth studio album, “Honey,” is the newest iteration of her sound and it’s wonderful next step.

Since the release of her 1996 debut album “Robyn Is Here,” Robyn has been a dance-pop staple. And her three-part EP “Body Talk,” which featured the single “Dancing On My Own,” reaffirmed her place in pop and club scenes. Both “Call Your Girlfriend” and “Do It Again,” from her 2014 collaboration with the Norwegian group Röyksopp, have been No. 1 songs on the Billboard Dance Club chart.

Robyn is a master of musical silences. Her songs are not overfull, nor is every gap filled by a synth, guitar or vocal hook. “Human Being” featuring Zhala is a good example.

As an album, “Honey” is more interested in individuals rather than society as a whole. But at the same time, there’s something deeply comforting about her sound. It’s mellow and full of life, pulsating and reflective at the same time. And, of course, sexy. Very sexy.

Lead single “Missing U” begins with spiraling synth sounds which give way to a pulsing bass. One can’t help but be reminded of The Who’s introduction to “Baba O’Riley.” The songs “Between The Lines” and “Beach2k20” are the most experimental and fun on the album, featuring trance-inducing beats, alternation between spoken and sung vocals and a wide array of sound effects. Though too far left field for radio play, the songs offer an enjoyable variation between the two more traditional dance-pop tracks “Honey” and “Ever Again.”

Both Streisand’s “Walls” and Robyn’s “Honey” bring to mind the various ways artists deal with politics. Streisand speaks to a collective political crisis; Robyn turns inward. And if Streisand gives reasons to despair, Robyn reminds us to dance. Maybe that is a just as loud a political statement.

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Music & Concerts

Kylie brings ‘Tension’ tour to D.C.

Performance on Tuesday at Capital One Arena

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Kylie Minogue visits D.C. on Tuesday.

Aussie pop icon Kylie Minogue brings her acclaimed “Tension” world tour to D.C. next Tuesday at 7:30 p.m. at the Capital One Arena. Tickets are still available at Ticketmaster.

The show features songs spanning her long career, from 1987 debut single, “The Loco-Motion,” to “Padam, Padam” from her album, “Tension.”

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Music & Concerts

Busy season for live music in D.C.

Erivo, Kylie, Sivan, and more headed our way this spring

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Cynthia Erivo plays WorldPride in D.C. on June 7. (Photo courtesy of World Pride)

One sure sign of spring’s arrival is the fresh wave of live music coming to Washington. With more than 10 venues and a diverse lineup of artists, the city offers no shortage of live performances for the new season.

In addition to this impressive list, don’t forget the many artists coming to town for WorldPride, May 17-June 8. In addition to headliner Cynthia Erivo performing on Saturday, June 7 at the two-day street festival and concert, many other performers will be in town. Jennifer Lopez, Troye Sivan, and RuPaul are among the featured performers at the WorldPride Music Festival at the RFK Festival Grounds, June 6-7. Visit WorldPrideDC.org for a list of other performers.

MARCH

Grammy and Emmy Award-winning Mary J. Blige will take the stage at Capital One Arena on March 26 for her For My Fans tour. Two days later, on March 28, J Balvin will also perform at Capital One Arena for his Back to the Rayo tour.

The Lincoln Theatre will host the Gay Men’s Chorus of Washington for three performances—one on March 15 and two on March 16.

If dance parties are more your vibe, you’re in luck. DC9 is hosting a series of themed dance parties this month, starting with Poker Face: 2000s + Dance Party on March 14, the ever-popular Peach Pit ’90s dance party on March 15, H.O.T.S.: A Sapphic Dance Party on March 22, and RageRiot!—a burlesque and drag revue featuring a lineup of local drag kings, queens, and everything in between on March 29.

APRIL

Kylie Minogue brings her ‘Tension Tour’ to D.C. in April.

Australian queen of pop Kylie Minogue will bring her Tension tour to Capital One Arena on April 8, with British dance artist Romy as her special guest.

Indie singer-songwriter mxmtoon will stop in D.C. for their Liminal Space tour on April 4 at the 9:30 club, followed by indie rock band Gossip on April 5. The 9:30 club will also host two dance parties in April: Gimme Gimme Disco – a dance party inspired by ABBA on April 11 and Broadway Rave on April 18.

The Atlantis will feature Brooklyn-based indie rock band Pom Pom Squad on April 2.

Comedy duo Two Dykes and a Mic will bring their Going Hog Wild tour to the Howard Theatre on April 19.

DC9 has two dance parties lined up this month: Bimbo Night on April 4, hosted by Baltimore’s “premier red-tattooed Filipina diva” Beth Amphetamine, and Aqua Girls: A QTBIPOC Dance Party on April 5, celebrating “queer transcendence through music, movement, and community.”

The Anthem will welcome a lineup of big names in April, starting with Alessia Cara on April 8. Lucy Dacus will take the stage on April 18 and 19 for her Forever Is a Feeling tour, while funky pop artist Remi Wolf will headline on April 27, joined by special guests Dana and Alden.

MAY

Indie-pop artist Miya Folick will bring her Erotica Veronica tour to The Atlantis on May 1, followed by multi-genre musician SASAMI on May 2. Pop artist Snow Wife will close out the month at The Atlantis on May 31 as part of an official WorldPride 2025 event.

Queer rock band Lambrini Girls will perform at the Howard Theatre on May 4, while rock trio L.A. Witch will take the stage at DC9 on May 12.

Union Stage will feature Rachel Platten on May 3 for her Set Me Free tour, followed by Femme Fatale: A Queer Dance Party later that night.

The popular DJ festival Project Glow will return to RFK Stadium grounds on May 31 and June 1.

JUNE

Pride month kicks off with “RuPaul’s Drag Race” star Trixie Mattel, who will perform at Echostage on June 3 as part of a series of official WorldPride 2025 events.

Queer icons Grace Jones & Janelle Monáe will take over The Anthem on June 5 for a WorldPride 2025 event performance.

Perfume Genius will bring his signature sound to the 9:30 club on June 7 as part of WorldPride 2025 festivities. Later in the month, Blondshell will hit the 9:30 club for her If You Asked for a Tour on June 24.

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Music & Concerts

Pride concert to take place at Strathmore after Kennedy Center rescinds invitation

International Pride Orchestra ‘heartbroken’ event ‘would no longer be welcome’ at DC venue

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The Kennedy Center (Washington Blade photo by Michael Key)

The International Pride Orchestra has announced its Pride concert will take place at the Strathmore Music Center on June 5 after the John F. Kennedy Center for the Performing Arts disinvited the group.

Since President Donald Trump took over the Kennedy Center during his first month in office, LGBTQ events and performances have been banned with community allies withdrawing in solidarity. 

The Kennedy Center has cancelled “A Peacock Among Pigeons: Celebrating 50 Years of Pride,” a May 21 concert that was to feature the Gay Men’s Chorus of Washington, D.C. The International Pride Orchestra on Monday said its concert will now take place at the Strathmore.

“We were heartbroken when we learned that our concert would no longer be welcome at the Kennedy Center,” said International Pride Orchestra Founding Artistic Director Michael Roest in a statement released by the orchestra’s media page. “The Kennedy Center has long been a symbol of artistic excellence, inclusivity, and freedom of expression. However, we are profoundly grateful to the Strathmore Music Center for opening their doors to us. Their willingness to host our Pride Celebration Concert ensures that our message of love, pride, and resilience will be heard on the doorstep of the nation’s capital.”

The Pride concert is among the events that have faced uncertainty since the Trump-Vance administration took office on Jan. 20. Many, however, are fighting back and looking for ways to push back against the bans and cancellations.

“We aim to create a powerful and positive representation of the queer community through music,” said Roest. “We want to show the world who we are, celebrate our queer identities, and amplify the work of organizations that support the LGBTQ+ community.”

WorldPride is scheduled to take place in D.C. from May 17-June 8.

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