Music & Concerts

Zayne sophomore album bloated and banal

Clocking in at nearly 90 minutes, former One Direction singer’s effort sounds dated

Published

6 years ago

December 22, 2018

Icarus Falls review, gay news, Washington Blade

‘Icarus Falls,’ the new ZAYNE record, sounds like the former One Direction singer got all his sex education by listening to pop radio. (Photo courtesy RCA)

It was late summer 2014 when I saw Zayn Malik perform at Nashville’s LP Field, which regularly serves as football stadium for the Tennessee Titans. At the time Malik was touring alongside fellow One Direction members Harry Styles, Niall Horan, Liam Payne and Louis Tomlinson in sold-out NFL arenas and mega-stadiums around the world. It was a part of the group’s ambitious 2014 “Where We Are Tour.” But among the over 50,000 people in attendance that August evening, it was clear Zayn was crowd favorite, rivaled only perhaps by Styles.

For artists like Zayn, it can be hard to make the transition from filling arenas with teenagers to appealing to a broader demographic. And Zayn became aware of the potential challenge earlier than other members of the boy band, making his exit while the group was still at peak popularity. His departure, no doubt, marked the beginning of the end for One Direction, but Zayn wasted no time developing a solo act.

He quickly released the single “Pillowtalk,” which debuted at No. 1 on the Billboard Hot 100, followed by full debut album, “Mind of Mine,” also a No. 1 on Billboard. But Zayn’s sophomore album “Icarus Falls,” which marks almost four years since his departure from One Direction, is perhaps the best test yet of Zayn’s ability to appeal to a larger audience.

Lead single “Let Me” is a laid back, R&B-infused track that works rather well. It’s nothing spectacular but has catchy, chill rhythm. It would be entirely inoffensive if it weren’t for the excessively banal lyrics: “Sweet baby, our sex has meaning/Know this time you’ll stay ’til the morning.” Sex is always a given in pop music, but one has the impression that Zayn learned everything he knows about relationships from listening to Top 40 radio. The content is more of a regurgitation of everything else one hears than something with even a hint of originality. The freshness of “Mind Of Mine” makes the banality of certain tracks on the new album appear especially pronounced.

The other singles released ahead of the album — and there were five of them after “Let Me” — have been mixed. “Entertainer” abstains from total lyrically inanity but travels little distance musically. The opening hook is ear-catching, but the song seems to be stuck in some sort of limbo, never really changing tenor. “Sour Diesel” is something of a musical outlier on the album and sounds like something that will be used on the runway at Paris Fashion Week. It’s a sort of hollow, monotonous upbeat thing that would pair well with another more stimulating spectacle. The nail in the coffin is a kitschy guitar solo toward the end that was ostensibly borrowed from the rehearsal of a Guns N’ Roses cover band.

The single “Too Much,” featuring Timbaland, is much better. It has a sensual pulse that carries the melody and robust synth pads that make for an ethereal sound. “Fingers” is a largely mediocre R&B track and sounds a bit dated. It’s better suited to 2008 than 2018. “No Candle No Light,” featuring Nicki Minaj, is a good uptempo dance track, but the EDM-inspired chorus again sounds a few years out of date with effects not unlike Skrillex and Diplo’s 2015 “Where Are Ü Now” with Justin Bieber.

Yet for all its faults, there is no shortage of material. The album clocks in a just under 90 minutes, surprisingly long for a pop record. And there are solid tracks interspersed throughout. The songs “Scripted,” “Fresh Air” and “Imprint” are all musically interesting and avoid the lyrical unoriginality that plagues several of the singles.

There is no questioning that Zayn has successfully distanced himself from his boy band days and with more success than his former One Direction bandmates, with the exception of Harry Styles, who has a fairly developed solo project. Yet “Icarus Falls,” unlike the much more innovative “Mind of Mine,” secures his place in the pop music scene by appealing to the lowest common denominator. In 2018 we can do better and so can he.

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Music & Concerts

Kylie brings ‘Tension’ tour to D.C.

Performance on Tuesday at Capital One Arena

Published

2 weeks ago

April 5, 2025

Tinashe Chingarande

Kylie Minogue visits D.C. on Tuesday.

Aussie pop icon Kylie Minogue brings her acclaimed “Tension” world tour to D.C. next Tuesday at 7:30 p.m. at the Capital One Arena. Tickets are still available at Ticketmaster.

The show features songs spanning her long career, from 1987 debut single, “The Loco-Motion,” to “Padam, Padam” from her album, “Tension.”

Music & Concerts

Busy season for live music in D.C.

Erivo, Kylie, Sivan, and more headed our way this spring

Published

1 month ago

March 14, 2025

Joe Reberkenny

Cynthia Erivo plays WorldPride in D.C. on June 7. (Photo courtesy of World Pride)

One sure sign of spring’s arrival is the fresh wave of live music coming to Washington. With more than 10 venues and a diverse lineup of artists, the city offers no shortage of live performances for the new season.

In addition to this impressive list, don’t forget the many artists coming to town for WorldPride, May 17-June 8. In addition to headliner Cynthia Erivo performing on Saturday, June 7 at the two-day street festival and concert, many other performers will be in town. Jennifer Lopez, Troye Sivan, and RuPaul are among the featured performers at the WorldPride Music Festival at the RFK Festival Grounds, June 6-7. Visit WorldPrideDC.org for a list of other performers.

MARCH

Grammy and Emmy Award-winning Mary J. Blige will take the stage at Capital One Arena on March 26 for her For My Fans tour. Two days later, on March 28, J Balvin will also perform at Capital One Arena for his Back to the Rayo tour.

The Lincoln Theatre will host the Gay Men’s Chorus of Washington for three performances—one on March 15 and two on March 16.

If dance parties are more your vibe, you’re in luck. DC9 is hosting a series of themed dance parties this month, starting with Poker Face: 2000s + Dance Party on March 14, the ever-popular Peach Pit ’90s dance party on March 15, H.O.T.S.: A Sapphic Dance Party on March 22, and RageRiot!—a burlesque and drag revue featuring a lineup of local drag kings, queens, and everything in between on March 29.

APRIL

Australian queen of pop Kylie Minogue will bring her Tension tour to Capital One Arena on April 8, with British dance artist Romy as her special guest.

Indie singer-songwriter mxmtoon will stop in D.C. for their Liminal Space tour on April 4 at the 9:30 club, followed by indie rock band Gossip on April 5. The 9:30 club will also host two dance parties in April: Gimme Gimme Disco – a dance party inspired by ABBA on April 11 and Broadway Rave on April 18.

The Atlantis will feature Brooklyn-based indie rock band Pom Pom Squad on April 2.

Comedy duo Two Dykes and a Mic will bring their Going Hog Wild tour to the Howard Theatre on April 19.

DC9 has two dance parties lined up this month: Bimbo Night on April 4, hosted by Baltimore’s “premier red-tattooed Filipina diva” Beth Amphetamine, and Aqua Girls: A QTBIPOC Dance Party on April 5, celebrating “queer transcendence through music, movement, and community.”

The Anthem will welcome a lineup of big names in April, starting with Alessia Cara on April 8. Lucy Dacus will take the stage on April 18 and 19 for her Forever Is a Feeling tour, while funky pop artist Remi Wolf will headline on April 27, joined by special guests Dana and Alden.

MAY

Indie-pop artist Miya Folick will bring her Erotica Veronica tour to The Atlantis on May 1, followed by multi-genre musician SASAMI on May 2. Pop artist Snow Wife will close out the month at The Atlantis on May 31 as part of an official WorldPride 2025 event.

Queer rock band Lambrini Girls will perform at the Howard Theatre on May 4, while rock trio L.A. Witch will take the stage at DC9 on May 12.

Union Stage will feature Rachel Platten on May 3 for her Set Me Free tour, followed by Femme Fatale: A Queer Dance Party later that night.

The popular DJ festival Project Glow will return to RFK Stadium grounds on May 31 and June 1.

JUNE

Pride month kicks off with “RuPaul’s Drag Race” star Trixie Mattel, who will perform at Echostage on June 3 as part of a series of official WorldPride 2025 events.

Queer icons Grace Jones & Janelle Monáe will take over The Anthem on June 5 for a WorldPride 2025 event performance.

Perfume Genius will bring his signature sound to the 9:30 club on June 7 as part of WorldPride 2025 festivities. Later in the month, Blondshell will hit the 9:30 club for her If You Asked for a Tour on June 24.

Music & Concerts

Pride concert to take place at Strathmore after Kennedy Center rescinds invitation

International Pride Orchestra ‘heartbroken’ event ‘would no longer be welcome’ at DC venue

Published

2 months ago

February 27, 2025

Jaylon Curry-Hagler

The Kennedy Center (Washington Blade photo by Michael Key)

The International Pride Orchestra has announced its Pride concert will take place at the Strathmore Music Center on June 5 after the John F. Kennedy Center for the Performing Arts disinvited the group.

Since President Donald Trump took over the Kennedy Center during his first month in office, LGBTQ events and performances have been banned with community allies withdrawing in solidarity.

The Kennedy Center has cancelled “A Peacock Among Pigeons: Celebrating 50 Years of Pride,” a May 21 concert that was to feature the Gay Men’s Chorus of Washington, D.C. The International Pride Orchestra on Monday said its concert will now take place at the Strathmore.

“We were heartbroken when we learned that our concert would no longer be welcome at the Kennedy Center,” said International Pride Orchestra Founding Artistic Director Michael Roest in a statement released by the orchestra’s media page. “The Kennedy Center has long been a symbol of artistic excellence, inclusivity, and freedom of expression. However, we are profoundly grateful to the Strathmore Music Center for opening their doors to us. Their willingness to host our Pride Celebration Concert ensures that our message of love, pride, and resilience will be heard on the doorstep of the nation’s capital.”

The Pride concert is among the events that have faced uncertainty since the Trump-Vance administration took office on Jan. 20. Many, however, are fighting back and looking for ways to push back against the bans and cancellations.

“We aim to create a powerful and positive representation of the queer community through music,” said Roest. “We want to show the world who we are, celebrate our queer identities, and amplify the work of organizations that support the LGBTQ+ community.”

WorldPride is scheduled to take place in D.C. from May 17-June 8.