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‘The Favourite,’ ‘Pose’ rake in wins at Dorian Awards

‘Roma,’ Billy Porter also among winners

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The Favourite, gay news, Washington Blade
Joe Alwyn in ā€˜The Favourite.’ (Photo by Atsushi Nishijima; courtesy 20th Century Fox)

GALECA: The Society of LGBTQ Entertainment Critics unveiled the winners for its 10th annual Dorian Awards across 26 TV and film categories on Tuesday.

“The Favourite” lived up to its name by securing a win for Film of the Year. Deborah Davis and Tony McNamara won Screenplay of the Year for penning the film’s script. Olivia Colman also earned Best Film Performance of the Year for her role as Queen Anne.

Alfonso Cuarón won Director of the Year for “Roma,” and the film also won Foreign Language Film of the Year.

Other notable film wins include “Can You Ever Forgive Me?” for LGBTQ Film of the Year, Richard E. Grant for Film Performance of the Year — Supporting Actor for his role in “Can You Ever Forgive Me?,” Regina King for Film Performance of the Year — Supporting Actress for her role in the James Baldwin film adaptation “If Beale Street Could Talk” and “McQueen” for LGBTQ Documentary of the Year.

In the television categories, “Pose” led the pack with wins for TV Drama of the Year and LGBTQ TV Show of the Year. Billy Porter also won TV Performance of the Year — Actor for “Pose.” “Schitt’s Creek,” which stars out actor Dan Levy, also won TV Comedy of the Year.

GALECA consists of more than 200 gay, lesbian, bisexual, transgender, queer and ally entertainment journalists. Select winners and nominees will be honored at GALECA’s Winners Toast at the Paley restaurant in Hollywood on Saturday, Jan. 12 hosted by Frank DeCaro.

Check out the complete list of winners below.

Film of the Year
“Can You Ever Forgive Me?”
“The Favourite” (FOX SEARCHLIGHT)
“If Beale Street Could Talk”
“Roma”
“A Star is Born”

Director of the Year
(Film or Television)
Alfonso Cuarón-“Roma” (NETFLIX)
Marielle Heller-“Can You Ever Forgive Me?”
Barry Jenkins-“If Beale Street Could Talk”
Yorgos Lanthimos-“The Favourite”
Spike Lee-“Blackkklansman”

Film Performance of the Year — Actress
Yalitza Aparicio-“Roma”
Toni Collette-“Hereditary”
Olivia Colman-“The Favourite” (FOX SEARCHLIGHT)
Lady Gaga-“A Star is Born”
Melissa McCarthy-“Can You Ever Forgive Me?”

Film Performance of the Year — Actor
Christian Bale-“Vice”
Bradley Cooper-“A Star is Born”
Ethan Hawke-“First Reformed” (A24)
Rami Malek-“Bohemian Rhapsody”
John David Washington-“Blackkklansman”

Film Performance of the Year — Supporting Actress
Elizabeth Debicki-“Widows”
Regina King- “If Beale Street Could Talk” (ANNAPURNA PICTURES)
Emma Stone-“The Favourite”
Rachel Weisz-“The Favourite”
Michelle Yeoh-“Crazy Rich Asians”

Film Performance of the Year — Supporting Actor
Mahershala Ali-“Green Book”
TimothĆ©e Chalamet-“Beautiful Boy”
Sam Elliott-“A Star is Born”
Richard E. Grant- “Can You Ever Forgive Me?” (FOX SEARCHLIGHT)
Michael B. Jordan-“Black Panther”

LGBTQ Film of the Year
“Boy Erased”
“Can You Ever Forgive Me?” (FOX SEARCHLIGHT)
“Disobedience”
“The Favourite”
“Love, Simon”

Foreign Language Film of the Year
“Burning”
“Capernaum”
“Cold War”
“Roma” (NETFLIX)
“Shoplifters”

Screenplay of the Year
Bo Burnham-“Eighth Grade”
Alfonso Cuarón-“Roma”
Deborah Davis and Tony McNamara- “The Favourite” (FOX SEARCHLIGHT)
Nicole Holofcener and Jeff Whitty-“Can You Ever Forgive Me?”
Barry Jenkins-“If Beale Street Could Talk”

Documentary of the Year
“Free Solo”
“RBG”
“Shirkers”
“Three Identical Strangers”
“Won’t You Be My Neighbor?”(FOCUS FEATURES)

LGBTQ Documentary of the Year
“The Gospel According to Andre”
“McQueen” (BLEECKER STREET MEDIA)
“Scotty and the Secret History of Hollywood”
“Studio 54”
“Whitney”

Visually Striking Film of the Year
“Annilhation” (PARAMOUNT)
“Black Panther”
“The Favourite”
“If Beale Street Could Talk”
“Roma”

Unsung Film of the Year
“Colette”
“Disobedience”
“The Happy Prince”
“Tully”
“We the Animals”
“Widows” (20TH CENTURY FOX)

Campy Flick of the Year
“Aquaman”
“Book Club”
“Mama Mia! Here We Go Again”
“A Simple Favor”(LIONSGATE)
“Suspiria”

TV Drama of the Year
” American Crime Story: The Assassination of Gianni Versace”
“The Handmaid’s Tale”
“Homecoming”
“Killing Eve”
“Pose” (FX)

TV Comedy of the Year
“Barry”
“GLOW”
“The Good Place”
“The Marvelous Mrs. Maisel”
“Schitt’s Creek”* (POP)

TV Performance of the Year — Actor
Darren Criss-“American Crime Story: The Assassination of Gianni Versace”
Hugh Grant-“A Very English Scandal”
Billy Porter-“Pose” (FX)
Matthew Rhys-“The Americans”
Ben Whishaw-“A Very English Scandal”

TV Performance of the Year — Actress
Amy Adams-“Sharp Objects”
Rachel Brosnahan-“The Marvelous Mrs. Maisel”
Jodie Comer-“Killing Eve”
Sandra Oh-“Killing Eve” (BBC AMERICA)
Julia Roberts-“Homecoming”

LGBTQ TV Show of the Year
“A Very English Scandal”
“American Crime Story: The Assassination of Gianni Versace”
” Killing Eve”
“Pose” (FX)
“Queer Eye”

Unsung TV Show of the Year
“The Bisexual”
“Dear White People”
“The Good Fight”
“One Day at a Time”
“Schitt’s Creek” (POP)

TV Current Affairs Show of the Year
“The Daily Show with Trevor Noah”
“Full Frontal with Samantha Bee” (TBS)
“Last Week Tonight with John Oliver”
“The Late Show with Stephen Colbert”
“The Rachel Maddow Show”

TV Musical Performance of the Year
Adam Lambert, ā€œBelieveā€-41st Kennedy Center Honors
Billy Porter, MJ Rodriguez and Our Lady J, “Home”-“Pose” (FX)
Noah Reid, ā€œSimply the Bestā€-“Schitt’s Creek”
Keala Settle, ā€œThis is Meā€- 90th Academy Awards
Sufjan Stevens, ā€œMystery of Loveā€ -90th Academy Awards

Campy TV Show of the Year
“American Horror Story: Apocalypse”
“Chilling Adventures of Sabrina”
“Queer Eye”
“Riverdale”
“RuPaul’s Drag Race” (VH1, LOGO)

The “We’re Wilde About You!” Rising Star Award
Awkwafina
Elsie Fisher
Henry Golding
Indya Moore
MJ Rodriguez

Wilde Wit of the Year
(Honoring a performer, writer or commentator whose observations both challenge and amuse)
Samantha Bee
Hannah Gadsby
Kate McKinnon
John Oliver
Michelle Wolf

Wilde Artist of the Year
(Honoring a truly groundbreaking force in film, stage and/or television)
Bradley Cooper
Hannah Gadsby
Lady Gaga
Nicole Kidman
Ryan Murphy

Timeless Star
(Given to an actor or performer whose exemplary career is marked by character, wisdom and wit)
Harvey Fierstein

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Theater

ā€˜Bad Books’ a timely look at censorship in local library

Influencer vs. conservative parent in Round House production

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Holly Twyford (The Mother) and Kate Eastwood Norris (The Librarian) in ā€˜Bad Books’ at Round House Theatre. (Photo by Margot Schulman)

ā€˜Bad Books’
Through May 4
Round House Theatre
4545 East-West Highway
Bethesda, Md.
Tickets start at $43
Roundhousetheatre.org

While a library might seem an unlikely place for a heated contretemps, it’s exactly the spot where adults go when they’re itching to battle out what books minors might be allowed to read. 

In Sharyn Rothstein’s ā€œBad Books,ā€ two women, The Mother (out actor Holly Twyford) and The Librarian (Kate Eastwood Norris), swiftly become mired in a quarrel that comes with some weighty repercussions.Ā 

The Mother is a popular conservative influencer on a mission. She’s furious that the local library has overstepped its bounds and she blames The Librarian, a woman who adheres to the ā€œit takes a villageā€ method of child rearing and is dedicated to the young people who approach her reference desk. 

There’s some background. It seems The Librarian who dresses young (tight jackets and Doc Martens) and curses a blue streak, forged a friendship with Jeremy, a teenage library regular. 

While the details are a bit hazy, it seems the troubled Jeremy confided in The Librarian regarding some personal issues. In return, she suggested a helpful book – Boob Juice.

Unsurprisingly, based solely on its title, the book has thrown The Mother into a pique of outrage. After finding Boob Juice in her son’s bedroom, she made a beeline to the library; and not incidentally, The Mother hasn’t read the recommended work and has no plans to do so. 

Set in a suburb with lax gun laws, the story explores facets of division and conciliation. The Mother insists she isn’t so much about banning books as she is keeping some books away from young people until they’ve obtained parental approval. 

ā€œBad Booksā€ is performed in the round. Built on a rotating stage, Meghan Raham’s set is simple, pleasingly serviceable, and easily transforms from the library into a small corporate office, and later the assembly room of a church. Overhead floats a circular glass shelf filled with a cache of banned books. Things like a rolling book cart and a goldfish bowl add some flavor to the different locations. 

The Mother wasn’t always a popular conservative warrior with an enthusiastic horde of followers. 

Her past includes penning a book that later filled her with guilt and regret. She refers to that early questionable literary accomplishment as her bad book. And while over the years, she has persevered to find and destroy each and every printed copy, she hasn’t entirely succeeded.  

Norris plays three women who figure meaningfully into the arc of Twyford’s mother character. In addition to The Librarian, Norris is The Manager, a broadly played piece of comic relief, and The Editor, a warm woman who reveals things about Jeremy that his own mother never knew. 

Smartly staged by Ryan Rilette, the production is part of a National New Play Network Rolling World Premiere. While Rothstein’s script offers two strong roles (skillfully performed by celebrated actors Twyford and Norris), its ending feels too neatly resolved.  

In the past, Twyford and Norris have successfully joined forces for numerous DMV productions including Studio Theatre’s production of David Auburn’s two-hander ā€œSummer, 1976,ā€ the story of a longtime and unlikely friendship between two women who meet as young mothers during the Bicentennial summer. 

Though different, both The Librarian and The Mother share a strong and ultimately hopeful relationship with words.   

There’s a quote from E.B. White’s classic ā€œCharlotte’s Webā€ that pops up a couple of times in the briskly paced 80-minute play. Charlotte, the wise spider, says, ā€œwith just the right words you can change the world.ā€

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Books

ā€˜Pronoun Trouble’ reminds us that punctuation matters

ā€˜They’ has been a shape-shifter for more than 700 years

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(Book cover image courtesy of Avery)

ā€˜Pronoun Trouble’
By John McWhorter
c.2025, Avery
$28/240 pages

Punctuation matters.

It’s tempting to skip a period at the end of a sentence Tempting to overuse exclamation points!!! very tempting to MeSs with capital letters. Dont use apostrophes. Ask a question and ignore the proper punctuation commas or question marks because seriously who cares.Ā So guess what? Someone does,Ā punctuation really matters,Ā andĀ as you’ll see inĀ ā€œPronoun Troubleā€ by John McWhorter,Ā so do other parts of our language.

Conversation is an odd thing. It’s spontaneous, it ebbs and flows, and it’s often inferred. Take, for instance, if you talk about him. Chances are, everyone in the conversation knows who him is. Or he. That guy there.

That’s the handy part about pronouns. Says McWhorter, pronouns ā€œfunction as shorthandā€ for whomever we’re discussing or referring to. They’re ā€œpart of our hardwiring,ā€ they’re found in all languages, and they’ve been around for centuries.

And, yes, pronouns are fluid.

For example, there’s the first-person pronoun, I as in me and there we go again. The singular I solely affects what comes afterward. You say ā€œhe-she IS,ā€ and ā€œthey-you AREā€ but I am. From ā€œBlack English,ā€ I has also morphed into the perfectly acceptable Ima, shorthand for ā€œI am going to.ā€ Mind blown.

If you love Shakespeare, you may’ve noticed that he uses both thou and you in his plays. The former was once left to commoners and lower classes, while the latter was for people of high status or less formal situations. From you, we get y’all, yeet, ya, you-uns, and yinz. We also get ā€œyou guys,ā€ which may have nothing to do with guys.

We and us are warmer in tone because of the inclusion implied. She is often casually used to imply cars, boats, and – warmly or not – gay men, in certain settings. It ā€œlacks personhood,ā€ and to use it in reference to a human is ā€œbarbarity.ā€

And yes, though it can sometimes be confusing to modern speakers, the singular word ā€œtheyā€ has been a ā€œshape-shifterā€ for more than 700 years.

Your high school English teacher would be proud of you, if you pick up ā€œPronoun Trouble.ā€ Sadly, though, you might need her again to make sense of big parts of this book: What you’ll find here is a delightful romp through language, but it’s also very erudite.

Author John McWhorter invites readers along to conjugate verbs, and doing so will take you back to ancient literature, on a fascinating journey that’s perfect for word nerds and anyone who loves language. You’ll likely find a bit of controversy here or there on various entries, but you’ll also find humor and pop culture, an explanation for why zie never took off, and assurance that the whole flap over strictly-gendered pronouns is nothing but overblown protestation. Readers who have opinions will like that.

Still, if you just want the pronoun you want, a little between-the-lines looking is necessary here, so beware. ā€œPronoun Troubleā€ is perfect for linguists, writers, and those who love to play with words but for most readers, it’s a different kind of book, period.

The Blade may receive commissions from qualifying purchases made via this post.

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Calendar

Calendar: April 18-24

LGBTQ events in the days to come

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Friday, April 18

ā€œCenter Aging Friday Tea Timeā€ will be at 2 p.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more details, email [email protected].Ā 

Go Gay DC will host ā€œLGBTQ+ Community Social in the Cityā€ at 7 p.m. at Hotel Zena. This event is ideal for making new friends, professional networking, idea-sharing, and community building. This event is free and more details are available on Eventbrite.Ā 

Trans and Genderqueer Game Night will be at 6 p.m. at the DC Center for the LGBT Community. This will be a relaxing, laid-back evening of games and fun. All are welcome and there’ll be card and board games on hand. Feel free to bring your own games to share. For more details, visit the DC Center’s website.Ā 

Saturday, April 19

Go Gay DC will host ā€œLGBTQ+ Community Brunchā€ at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including Allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.

LGBTQ People of Color Support Group will be at 7 p.m. on Zoom. This peer support group is an outlet for LGBTQ People of Color to come together and talk about anything affecting them in a space that strives to be safe and judgement free. There are all sorts of activities like watching movies, poetry events, storytelling, and just hanging out with others. For more information and events for LGBTQ People of Color, visit thedccenter.org/poc or facebook.com/centerpoc.Ā 

ā€œSpark Sapphic Socialā€ will be at 8 p.m. at Spark Social House. This weekly sapphic social is an opportunity to mix and mingle with other sapphics in D.C.’s newest LGBTQ bar. This event is free and more details are available on Eventbrite.Ā 

ā€œDC Drag Brunch on Rooftop – Penthouse (Formerly at Lima Twist)ā€ will be at 12 p.m. at Baby Shank Rooftop. Hosted by Miss Capital Pride, this is the ultimate drag brunch experience in Washington, D.C., featuring the fiercest queens around. Prepare to be entertained by glamorous drag queens and celebrated celebrity impersonators, including Taylor Swift, Lady Gaga, BeyoncĆ©, Britney Spears, Nicki Minaj, Ariana Grande, Whitney Houston, Cher and many more. Tickets cost $27 and are available on Eventbrite.Ā 

Sunday, April 20

Queer Crayon Club will host ā€œQueer Sketch Socialā€ at 3 p.m. at Sinners and Saints. This is a fun event for LGBTQ+ adults to come together and color. Attendance is free and more details are available on Eventbrite.

Monday, April 21

ā€œCenter Aging Monday Coffee & Conversationā€ will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more details, email [email protected].Ā 

Tuesday, April 22

Genderqueer DC will be at 7 p.m. on Zoom. This support group is for people who identify outside of the gender binary. Whether you’re bigender, agender, genderfluid, or just know that you’re not 100% cis – this is your group. For more details, visit www.genderqueerdc.org or Facebook.Ā 

Coming Out Discussion Group will be at 7 p.m. on Zoom. This is a peer-facilitated discussion group and a safe space to share experiences about coming out and discuss topics as it relates to doing so. For more details, visit the group’s Facebook.Ā 

Wednesday, April 23

Job Club will be at 6 p.m. on Zoom. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely ā€œapplicantsā€ toward being ā€œcandidates.ā€ For more information, email [email protected] or visit thedccenter.org/careers.

Asexual and Aromantic Discussion Group will be at 7 p.m. on Zoom.Ā This is a space where people who are questioning this aspect of their identity or those who identify as asexual and/or aromantic can come together, share stories and experiences, and discuss various topics. For more details, email [email protected].Ā 

Thursday, April 24

Virtual Yoga with Sarah M. will be at 7 p.m. on Zoom. This is a free weekly class focusing on yoga, breath work, and meditation. For more details, visit the DC Center for the LGBT Community’s website.

DC Anti-Violence Project Open Meeting will be at 7 p.m. on Zoom. This meeting is open to anyone interested in learning more and getting involved in lessening violence both within and directed towards the LGBT communities. For more information, visit Facebook or Twitter.

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