Books
Out author Nicole Dennis-Benn unveils knotty new novel ‘Patsy’
Immigration, mothering and queer identity themes in sophomore tome

Nicole Dennis-Benn
Young African Professionals D.C.
Politics and Prose Union Market
1270 5th St., N.E.
‘Patsy’ book release event
$26.95
politics-prose.com
nicoledennisbenn.com
Author Nicole Dennis-Benn got the kind of media attention and interest with her 2016 novel “Here Comes the Sun,” most first-time authors can only dream of — she won a Lambda Literary Award, was a finalist for several other literary prizes, got reviewed in the New York Times (which named it one of its “notable books of the year”) and other high-profile outlets.
Her sophomore effort “Patsy” was released Tuesday and is already generating buzz with more media love from the Times, Oprah’s magazine, NPR and more. “Patsy” is the story of the title character, an undocumented Jamaican queer immigrant in New York and the daughter she left behind, Tru. Going back and forth between Brooklyn and Jamaica, Dennis-Benn, herself Jamaican and a lesbian, covers her characters’ lives over a decade.
The 37-year-old writer will be at Politics & Prose (Union Market) in Washington on Saturday, June 8 at 6 p.m. Details at politics-prose.com. She spoke to the Blade by phone last week. Her comments have been slightly edited for length.
WASHINGTON BLADE: Your first book got the kind of industry attention most authors only dream of. How did you manage that?
NICOLE DENNIS-BENN: When I started my debut novel, I had no idea all the work that went into getting a book out there to readers. I used to think it just appears on the bookshelf. I wasn’t one of those readers in college and grad school looking at the New York Times or the Washington Post for the next book I wanted to read. So I was really shocked as a first-time writer. My agent, she worked really hard at putting my book in the eyes of publishers and also really doubled down when it came out. She said, “This is a debut novel, we have to have a big splash,” so she and her team worked extra hard and I was really happy that they loved it enough to want to really invest in it. But there’s really a machine behind all that publicity.
BLADE: Did you have to fight to get “Patsy” published or was it much easier after the first book was successful?
DENNIS-BENN: It was easy after that, for sure. I had some anxiety writing as a woman of color and my story is about a Jamaican woman wth a queer identity as well as an immigrant … but it’s a relief to know there’s a place for my books. I can’t say the same for many other writers who are women of color or LGBT writers, but at the same time I’m happy that they’re being published somewhere.
BLADE: How has your publisher Liveright been to work with? Any wrangling over final edit?
DENNIS-BENN: It was a good relationship and that’s definitely something I was relieved about. I didn’t have to fight them on anything. I used patois, a Jamaican dialect, in the dialogue and I was really happy that the editor and also the copy editors were able to work with me on maintaining that. I think it was really a good match.
BLADE: Is there some autobiography woven into the fiction?
DENNIS-BENN: I would say it’s like 80 percent fiction and 20 percent autobiographical. Patsy comes to America and wants more for herself but then realizes there are issues here just like anywhere else. Unlike myself, Patsy is not educated or documented, so she immediately meets that wall, no pun intended. She actually gets trapped and she’s not able to move upward financially. She has no social security at all, so of course, taking Patsy on that journey, took a lot more imagination and also talking to folks, like my father for example, who came here undocumented and has worked his way through the system before marrying an American citizen and getting his papers.
BLADE: What is your working process like? How does one begin to tackle a work of this scope?
DENNIS-BENN: I started really with writing scenes. Patsy’s voice came to me first and I wrote more following that voice. I would think about it on my morning ride to Staten Island where I was teaching at the College of Staten Island and it was like I was somehow dictating in the sense that I was imagining this woman riding the subway and she’s on her early morning trip to her first nanny job and really thinking about who that woman is, why did she come to this country, what did she leave behind. … That’s when I started outlining and this is actually the first novel where somehow everything I wrote was against that outline.
BLADE: How did you know instinctively that was right?
DENNIS-BENN: I didn’t know it was right at all. I slept on it awhile. A lot of it came from being raised as a woman in Jamaica, it’s a society that tells you we ought to all want motherhood, that that’s the ultimate satisfaction. Well, so what about this woman who doesn’t really want that but has no choice? It took a lot of self reflection.
BLADE: How long did it take? I assume you balanced it with your teaching duties?
DENNIS-BENN: Right, exactly. Those rides on the ferry were in 2012 so really like seven years.
BLADE: How long did “Here Comes the Sun” take to write?
DENNIS-BENN: It was faster. I started it in 2010 and got my agent in 2014, so more like four years. It was quicker than “Patsy.”
BLADE: How disciplined did you have to be? Were there days your wife wanted to go to the mall or everybody else was on holiday but you forced yourself to write?
DENNIS-BENN: I did it when the mood struck. I was teaching as an adjunct so it was only like two days a week. So on the other days, I stayed home and worked on my books. My wife would be getting rady for work and she leaves around 9 a.m. so that’s when my writing day started and I’d write til about 4. But I didn’t adhere to that every single day, every week. Sometimes ideas would come or not come. Some days the characters would just not speak, so I’d take a little time to do normal things. I feel like living life a little bit, I absorb a lot. So I take myself to the museum, I meet up with friends and somehow gather a lot of energy by stepping away from the work.
BLADE: How long have you been teaching at Princeton?
DENNIS-BENN: A year. I started fall, 2018.
BLADE: What do you teach?
DENNIS-BENN: Creative writing, fiction.
BLADE: Is Joyce Carol Oates still there?
DENNIS-BENN: YEs, but I’ve not met her. I only teach there one day a week. I want to, but I haven’t had the chance.
BLADE: Are you familiar with her work?
DENNIS-BENN: Oh yes, definitely. There are so many people at Princeton working whose work I admire like Jhumpa Lahiri, she’s also there, Tracy K. Smith and Yiyun Li. I had to work on myself not to be star struck in the department.
BLADE: How many copies did you sell of “Here Comes the Sun”?
DENNIS-BENN: Um, I’m not sure. I know it did well. I’m actually only going by what my publishers have been telling me or my agent.
BLADE: But what’s considered successful for a debut hardcover novel?
DENNIS-BENN: I have no idea.
BLADE: Aren’t you curious?
DENNIS-BENN: I’m curious, yeah, but I don’t know. That’s a good question. I think for me … as a creative person, success is actually touching readers, so when I get a note through social media or somebody tells me they saw themselves on the page, that really is success for me.
BLADE: To what degree does being a lesbian inform your work any more or less, say, than being from Jamaica, being an immigrant or other aspects that inform your work?
DENNIS-BENN: I would say the same. I feel like an outsider in many ways — my sexuality, as a black woman, as a woman, as an immigrant, a working-class Jamaican, I felt like an outsider growing up all those things. But it gives you a vision where you can look down into that world and sketch it. Having been an outsider in Jamaica and America gives me the ability to write from those perspectives.
BLADE: How long have you been in the U.S.?
DENNIS-BENN: Twenty years now, since ’99. I came here for college when I was 17.
BLADE: What was your path to citizenship like?
DENNIS-BENN: My father came here undocumented, he married an American citizen and by doing that, he was able to get his naturalization. Then he was able to file for me and my siblings and we were able to come here on a green card. … I see myself as a lucky one, going to Cornell then on to graduate school. That’s a luxury for many people. Many people like my father came here driving taxis to support themselves and send money back home.
BLADE: Have you encountered any racism or homophobia from publishing industry gatekeepers?
DENNIS-BENN: Again, that’s a question I would need to ask my agent. She was more on the forefront of all of this. If there was, she probably absorbed it and didn’t relate it to me word for word. I had people say, “Oh, we’re unable to represent this book,” but no real solid reason. …. I have sometimes felt like my novels are puzzle pieces that don’t fit but that’s how I learned to embrace them.
BLADE: Was it difficult to find an agent?
DENNIS-BENN: I got a lot of rejection letters in grad school. My first agent was not on board with the dialect and we parted ways. I just knew there was no way I could have to Jamaicans speaking to each other in standard English, it just didn’t sound authentic. I knew if it was published like that, I wouldn’t be happy with the product. So I went back to the drawing board and I was really crushed but I took a year to revise my first book and started sending query letters. Three agents responded and one happened to be my current agent. She said she respected me as a writer and was behind what I was doing in my work. That was a huge relief to hear that.
BLADE: What are your dreams as an author? Do you plan to keep releasing novels?
DENNIS-BENN: Yes, definitely. You can get away with so much more with fiction. I get stressed out fact checking an essay for the New York Times, so I can’t imagine a 300-page memoir. I see myself continuing with fiction.
BLADE: Your piece about pregnancy in the Times was very candid. Were you wary of sharing so many personal details?
DENNIS-BENN: I never had any desire to be pregnant and it was something I always grappled with. Why do I feel this way? It was a similar feeling I had as a teenager coming out as a lesbian. Why do I feel this way? It’s not normal. But it turns out it’s absolutely normal and something a lot of women feel. I thought, “Wow, this is something in society we do not talk about as women.” We don’t have this maternal yearning, we must be bad people. That’s how “Patsy” was born.
BLADE: It seems you’re trying to do more than merely entertain your readers. What are your goals as a novelist?
DENNIS-BENN: I write for myself first. I write the kind of books I want to read. I never saw anybody, except Edwidge Danticat, write about immigrants and that desire to migrate somewhere for financial reasons. I was thinking about Patsy, this voluptuous nanny on the Upper West Side pushing babies around Central Park. Who is she? Mother, immigrant, religious — all those things that even myself as an author, I would have been pre-judging her but when you open a book or dissect Patsy, you see a completely different story. Here’s a woman who if she could afford it, would be at MIT studying programming. These are the things I wanted to put on the page.
Books
Love or fear flying you’ll devour ‘Why Fly’
New book chronicles a lifetime obsession with aircraft
‘Why Fly’
By Caroline Paul
c. 2026, Bloomsbury
$27.99/256 pages
Tray table folded up.
Check. Your seat is in the upright position, the airflow above your head is just the way you like it, and you’re ready to go. The flight crew is making final preparations. The lights are off and the plane is backing up. All you need now is “Why Fly” by Caroline Paul, and buckle up.

When she was very young, Paul was “obsessed” with tales of adventure, devouring accounts written by men of their derring-do. The only female adventure-seeker she knew about then was Amelia Earhart; later, she learned of other adventuresome women, including aviatrix Bessie Coleman, and Paul was transfixed.
Time passed; Paul grew up to create a life of adventure all her own.
Then, the year her marriage started to fracture, she switched her obsession from general exploits to flight.
Specifically, Paul loves experimental aircraft, some of which, like her “trike,” can be made from a kit at home. Others, like Woodstock, her beloved yellow gyrocopter, are major purchases that operate under different FAA rules. All flying has rules, she says, even if it seems like it should be as freewheeling as the birds it mimics.
She loves the pre-flight checklist, which is pure anticipation as well as a series of safety measures; if only a relationship had the same ritual. Paul loves her hangar, as a place of comfort and for flight in all senses of the word. She enjoys thinking about historic tales of flying, going back before the Wright Brothers, and including a man who went aloft on a lawn chair via helium-filled weather balloons.
The mere idea that she can fly any time is like a gift to Paul.
She knows a lot of people are terrified of flying, but it’s near totally safe: generally, there’s a one in almost 14 million chance of perishing in a commercial airline disaster – although, to Paul’s embarrassment and her dismay, it’s possible that both the smallest planes and the grandest loves might crash.
If you’re a fan of flying, you know what to do here. If you fear it, pry your fingernails off the armrests, take a deep breath, and head to the shelves. “Why Fly” might help you change your mind.
It’s not just that author Caroline Paul enjoys being airborne, and she tells you. It’s not that she’s honest in her explanations of being in love and being aloft. It’s the meditative aura you’ll get as you’re reading this book that makes it so appealing, despite the sometimes technical information that may flummox you between the Zen-ness. It’s not overwhelming; it mixes well with the history Paul includes, biographies, the science, heartbreak, and exciting tales of adventure and risk, but it’s there. Readers and romantics who love the outdoors, can’t resist a good mountain, and crave activity won’t mind it, though, not at all.
If you own a plane – or want to – you’ll want this book, too. It’s a great waiting-at-the-airport tale, or a tuck-in-your-suitcase-for-later read. Find “Why Fly” and you’ll see that it’s an upright kind of book.
The Blade may receive commissions from qualifying purchases made via this post.
Books
New book profiles LGBTQ Ukrainians, documents war experiences
Tuesday marks four years since Russia attacked Ukraine
Journalist J. Lester Feder’s new book profiles LGBTQ Ukrainians and their experiences during Russia’s war against their country.
Feder for “The Queer Face of War: Portraits and Stories from Ukraine” interviewed and photographed LGBTQ Ukrainians in Kyiv, the country’s capital, and in other cities. They include Olena Hloba, the co-founder of Tergo, a support group for parents and friends of LGBTQ Ukrainians, who fled her home in the Kyiv suburb of Bucha shortly after Russia launched its war on Feb. 24, 2022.
Russian soldiers killed civilians as they withdrew from Bucha. Videos and photographs that emerged from the Kyiv suburb showed dead bodies with their hands tied behind their back and other signs of torture.

Olena Shevchenko, chair of Insight, a Ukrainian LGBTQ rights group, wrote the book’s forward.

The book also profiles Viktor Pylypenko, a gay man who the Ukrainian military assigned to the 72nd Mechanized Black Cossack Brigade after the war began. Feder writes Pylypenko’s unit “was deployed to some of the fiercest and most important battles of the war.”
“The brigade was pivotal to beating Russian forces back from Kyiv in their initial attempt to take the capital, helping them liberate territory near Kharkiv and defending the front lines in Donbas,” wrote Feder.
Pylypenko spent two years fighting “on Ukraine’s most dangerous battlefields, serving primarily as a medic.”
“At times he felt he was living in a horror movie, watching tank shells tear his fellow soldiers apart before his eyes,” wrote Feder. “He held many men as they took their final breaths. Of the roughly one hundred who entered the unit with him, only six remained when he was discharged in 2024. He didn’t leave by choice: he went home to take care of his father, who had suffered a stroke.”
Feder notes one of Pylypenko’s former commanders attacked him online when he came out. Pylypenko said another commander defended him.
Feder also profiled Diana and Oleksii Polukhin, two residents of Kherson, a port city in southern Ukraine that is near the mouth of the Dnieper River.
Ukrainian forces regained control of Kherson in November 2022, nine months after Russia occupied it.
Diana, a cigarette vender, and Polukhin told Feder that Russian forces demanded they disclose the names of other LGBTQ Ukrainians in Kherson. Russian forces also tortured Diana and Polukhin while in their custody.
Polukhim is the first LGBTQ victim of Russian persecution to report their case to Ukrainian prosecutors.

Feder, who is of Ukrainian descent, first visited Ukraine in 2013 when he wrote for BuzzFeed.
He was Outright International’s Senior Fellow for Emergency Research from 2021-2023. Feder last traveled to Ukraine in December 2024.
Feder spoke about his book at Politics and Prose at the Wharf in Southwest D.C. on Feb. 6. The Washington Blade spoke with Feder on Feb. 20.
Feder told the Blade he began to work on the book when he was at Outright International and working with humanitarian groups on how to better serve LGBTQ Ukrainians. Feder said military service requirements, a lack of access to hormone therapy and documents that accurately reflect a person’s gender identity and LGBTQ-friendly shelters are among the myriad challenges that LGBTQ Ukrainians have faced since the war began.
“All of these were components of a queer experience of war that was not well documented, and we had never seen in one place, especially with photos,” he told the Blade. “I felt really called to do that, not only because of what was happening in Ukraine, but also as a way to bring to the surface issues that we’d had seen in Iraq and Syria and Afghanistan.”

Feder also spoke with the Blade about the war’s geopolitical implications.
Russian President Vladimir Putin in 2013 signed a law that bans the “promotion of homosexuality” to minors.
The 2014 Winter Olympics took place in Sochi, a Russian resort city on the Black Sea. Russia annexed Crimea from Ukraine a few weeks after the games ended.
Russia’s anti-LGBTQ crackdown has continued over the last decade.
The Russian Supreme Court in 2023 ruled the “international LGBT movement” is an extremist organization and banned it. The Russian Justice Ministry last month designated ILGA World, a global LGBTQ and intersex rights group, as an “undesirable” organization.
Ukraine, meanwhile, has sought to align itself with Europe.
Ukrainian President Volodymyr Zelenskyy after a 2021 meeting with then-President Joe Biden at the White House said his country would continue to fight discrimination based on sexual orientation and gender identity. (Zelenskyy’s relationship with the U.S. has grown more tense since the Trump-Vance administration took office.) Zelenskyy in 2022 publicly backed civil partnerships for same-sex couples.
Then-Ukrainian Ambassador to the U.S. Oksana Markarova in 2023 applauded Kyiv Pride and other LGBTQ and intersex rights groups in her country when she spoke at a photo exhibit at Ukraine House in D.C. that highlighted LGBTQ and intersex soldiers. Then-Kyiv Pride Executive Director Lenny Emson, who Feder profiles in his book, was among those who attended the event.
“Thank you for everything you do in Kyiv, and thank you for everything that you do in order to fight the discrimination that still is somewhere in Ukraine,” said Markarova. “Not everything is perfect yet, but you know, I think we are moving in the right direction. And we together will not only fight the external enemy, but also will see equality.”
Feder in response to the Blade’s question about why he decided to write his book said he “didn’t feel” the “significance of Russia’s war against Ukraine” for LGBTQ people around the world “was fully understood.”
“This was an opportunity to tell that big story,” he said.
“The crackdown on LGBT rights inside Russia was essentially a laboratory for a strategy of attacking democratic values by attacking queer rights and it was one as Ukraine was getting closet to Europe back in 2013, 2014,” he added. “It was a strategy they were using as part of their foreign policy, and it was one they were using not only in Ukraine over the past decade, but around the world.”
Feder said Republicans are using “that same strategy to attack queer people, to attack democracy itself.”
“I felt like it was important that Americans understand that history,” he said.
Books
New book explores homosexuality in ancient cultures
‘Queer Thing About Sin’ explains impact of religious credo in Greece, Rome
‘The Queer Thing About Sin’
By Harry Tanner
c.2025, Bloomsbury
$28/259 pages
Nobody likes you very much.
That’s how it seems sometimes, doesn’t it? Nobody wants to see you around, they don’t want to hear your voice, they can’t stand the thought of your existence and they’d really rather you just go away. It’s infuriating, and in the new book “The Queer Thing About Sin” by Harry Tanner, you’ll see how we got to this point.
When he was a teenager, Harry Tanner says that he thought he “was going to hell.”
For years, he’d been attracted to men and he prayed that it would stop. He asked for help from a lay minister who offered Tanner websites meant to repress his urges, but they weren’t the panacea Tanner hoped for. It wasn’t until he went to college that he found the answers he needed and “stopped fearing God’s retribution.”
Being gay wasn’t a sin. Not ever, but he “still wanted to know why Western culture believed it was for so long.”
Historically, many believe that older men were sexual “mentors” for teenage boys, but Tanner says that in ancient Greece and Rome, same-sex relationships were common between male partners of equal age and between differently-aged pairs, alike. Clarity comes by understanding relationships between husbands and wives then, and careful translation of the word “boy,” to show that age wasn’t a factor, but superiority and inferiority were.
In ancient Athens, queer love was considered to be “noble” but after the Persians sacked Athens, sex between men instead became an acceptable act of aggression aimed at conquered enemies. Raping a male prisoner was encouraged but, “Gay men became symbols of a depraved lack of self-control and abstinence.”
Later Greeks believed that men could turn into women “if they weren’t sufficiently virile.” Biblical interpretations point to more conflict; Leviticus specifically bans queer sex but “the Sumerians actively encouraged it.” The Egyptians hated it, but “there are sporadic clues that same-sex partners lived together in ancient Egypt.”
Says Tanner, “all is not what it seems.”
So you say you’re not really into ancient history. If it’s not your thing, then “The Queer Thing About Sin” won’t be, either.
Just know that if you skip this book, you’re missing out on the kind of excitement you get from reading mythology, but what’s here is true, and a much wider view than mere folklore. Author Harry Tanner invites readers to go deep inside philosophy, religion, and ancient culture, but the information he brings is not dry. No, there are major battles brought to life here, vanquished enemies and death – but also love, acceptance, even encouragement that the citizens of yore in many societies embraced and enjoyed. Tanner explains carefully how religious credo tied in with homosexuality (or didn’t) and he brings readers up to speed through recent times.
While this is not a breezy vacation read or a curl-up-with-a-blanket kind of book, “The Queer Thing About Sin” is absolutely worth spending time with. If you’re a thinking person and can give yourself a chance to ponder, you’ll like it very much.
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