Arts & Entertainment
Scarlett Johansson clarifies comments about politically correct casting
The actress previously accepted a role as a trans man
Scarlett Johansson clarified comments she made about politically correct casting saying that she should be allowed to “play any person, or any tree, or any animal.”
Johansson recently received backlash for accepting the role of transgender man and gangster Dante Tex Gill in the upcoming film “Rub &Tug.” She ultimately withdrew from the film as a result of the criticism.
In an interview with As If magazine, Johansson said she should be allowed to play anyone or anything.
“You know, as an actor I should be allowed to play any person, or any tree, or any animal because that is my job and the requirements of my job,” Johansson said. “I feel like it’s a trend in my business and it needs to happen for various social reasons, yet there are times it does get uncomfortable when it affects the art because I feel art should be free of restrictions.”
Her comments weren’t well received and led her to issue a clarification of her remarks. Johansson says the interview was “edited for click bait.”
“An interview that was recently published has been edited for click bait and is widely taken out of context,” Johansson said in a statement to Variety. “The question I was answering in my conversation with the contemporary artist, David Salle, was about the confrontation between political correctness and art. I personally feel that, in an ideal world, any actor should be able to play anybody and Art, in all forms, should be immune to political correctness. That is the point I was making, albeit didn’t come across that way.”
“I recognize that in reality, there is a widespread discrepancy amongst my industry that favors Caucasian, cis-gendered actors and that not every actor has been given the same opportunities that I have been privileged to,” she added.”I continue to support, and always have, diversity in every industry and will continue to fight for projects where everyone is included.”
Johansson also came under fire for playing the lead role in the film adaptation of the Japanese anime “Ghost in the Shell,” a role some people believed should have been given to a Japanese actress.
Celebrity News
Madonna announces release date for new album
‘Confessions II’ marks return to the dance floor
Pop icon Madonna on Wednesday announced that her 15th studio album will be released on July 3.
Titled “Confessions II,” the new album is a sequel to 2005’s “Confessions on a Dance Floor,” an Abba and disco-infused hit.
The new album reunites Madonna with producer Stuart Price, who also helmed the original “Confessions” album. It’s her first album of new material since 2019’s “Madame X.”
“We must dance, celebrate, and pray with our bodies,” Madonna said in a press release. “These are things that we’ve been doing for thousands of years — they really are spiritual practices. After all, the dance floor is a ritualistic space. It’s a place where you connect — with your wounds, with your fragility. To rave is an art. It’s about pushing your limits and connecting to a community of like-minded people,” continued the statement. “Sound, light, and vibration reshape our perceptions. Pulling us into a trance-like state. The repetition of the bass, we don’t just hear it but we feel it. Altering our consciousness and dissolving ego and time.”
Denali (@denalifoxx) of “RuPaul’s Drag Race” performed at Pitchers DC on April 9 for the Thirst Trap Thursday drag show. Other performers included Cake Pop!, Brooke N Hymen, Stacy Monique-Max and Silver Ware Sidora.
(Washington Blade photos by Michael Key)
Arts & Entertainment
In an act of artistic defiance, Baltimore Center Stage stays focused on DEI
‘Maybe it’s a triple-down’
By LESLIE GRAY STREETER | I’m always tickled when people complain about artists “going political.” The inherent nature of art, of creation and free expression, is political. This becomes obvious when entire governments try to threaten it out of existence, like in 2025, when the brand-new presidential administration demanded organizations halt so-called diversity, equity and inclusion (DEI) programming or risk federal funding.
Baltimore Center Stage’s response? A resounding and hearty “Nah.” A year later, they’re still doubling down on diversity.
“Maybe it’s a triple-down,” said Ken-Matt Martin, the theater’s producing director, chuckling.
The rest of this article can be found on the Baltimore Banner’s website.
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Comings & Goings
Minimal version of ‘Streetcar Named Desire’ heading to Dupont Underground
