Arts & Entertainment
IMDb changes dead name policy for transgender industry professionals
Projects before transition will still include birth names
The Internet Movie Database (IMDb), the largest online resource for film and television, has revised its policy on talent profiles of transgender industry professionals including their birth names.
The controversy began when IndieWire reported that two trans actors with major television credits had their birth names listed on their profiles. Despite lobbying from Hollywood management, talent agencies, and GLAAD for the removal of the names, IMDb refused citing anti-discrimination laws.
“Deadnaming” is using a transgender individual’s name, intentionally or not, from before they transitioned.
An IMDb spokesperson revealed to Variety that the policy has now changed and transgender industry professionals can remove their birth names from their biography page.
“IMDb now permits the removal of birth names if the birth name is not broadly publicly known and the person no longer voluntarily uses their birth name” the statement reads. “To remove a birth name either the person concerned or their professional industry representative simply needs to contact IMDb’s customer support staff to request a birth name removal. Once the IMDb team determines that an individual’s birth name should be removed – subject to this updated process – we will review and remove every occurrence of their birth name within their biographical page on IMDb.”
IMDb has removed actress Laverne Cox’s birth name. However, Chaz Bono and Caitlyn Jenner’s birth names are still listed on their biography pages and in film projects they were in before their transition.
SAG-AFTRA released a statement in response to the policy revision.
“While this half-measure is a step forward in protecting the personal safety of and reducing employment discrimination for transgender people, in revising its birth name policy, IMDb admits to invading the privacy of performers and putting them at risk for discrimination. IMDb can make no principled distinction to justify its arbitrary choices about when to invade the privacy of performers,” SAG-AFTRA President Gabrielle Carteris said in a statement. “IMDb has more work to do. SAG-AFTRA and its allies continue to fight to protect all performers and for enforcement of California’s anti-age discrimination law. This change in birth name policy should help make it clear to the appellate judges that the harm here is fundamental and compelling, and that California law AB 1687 is necessary in order to remedy IMDb’s discriminatory practice.”
GLAAD’s Director of Transgender Media Nick Adams also released a statement noting the policy change still puts transgender individuals at risk.
“Revealing a transgender person’s birth name without permission is an invasion of privacy that can put them at risk for discrimination,” Adams says. “IMDb’s new policy is a step in the right direction and gives some transgender professionals in the entertainment industry the dignity and respect that they’ve long deserved – however, it remains imperfect. Trans people with credits under their old name for work in front of or behind the camera will still be affected by IMDb’s determination to publish outdated information. The platform still has a long way to go in maintaining the privacy of all the entertainment industry professionals listed on the site. GLAAD and SAG-AFTRA, along with trans people working in Hollywood, will continue to advocate that IMDb create policies that respect everyone’s privacy and safety.”
Other online databases such as Wikipedia.org and Biography.com do not publish the birth names of transgender people.
Blog #1: I was excited about my trip even though Gate 1 Travel notified me there was a change in the itinerary. France decided to close the Burgundy canal for long overdue repairs, so we would be traveling on the C. du Rhone au Rhin. I boarded my Air France flight arriving in Paris on time. Contrary to what I was told to expect, customs went really smoothly.
Day 1: Because customs went quickly, I waited 45 minutes for my pre-arranged driver, to take me to the Gare de Lyon, where I boarded my fast-train to Lyon. A two-hour trip. In Lyon it was a long walk to the hotel, The Radisson Blu, but only because I exited the station on the wrong side. Finally got there, checked into a room on the 36th floor with a spectacular view of Lyon. Then took a stroll around the area, a short nap, and finally it was time for dinner and to meet the rest of the traveling party. There would only be 13 of us in the group. Five of us from D.C./Rehoboth, and eight others. I met our guide Patricia, who is from Portugal, and spoke fluent French and English. She is charming, and clearly very knowledgeable. She worked with Gate 1 for many years. We stayed at the hotel for our welcome dinner. It was a great meal, and over drinks, each of us was asked to introduce ourselves to the group. Aside from the five of us, there were three women traveling alone, one gentleman alone, and two couples. They were from New Jersey, New York, Florida, Houston, and Nebraska. I was sitting across from the woman from Nebraska. Conversation at dinner was pleasant but I quickly realized one person was apparently a MAGA. Wonder if you can guess where she was from, lol. But we also found if we didn’t talk politics, which we agreed not to do, things were fine. After dinner we all headed to our rooms for a good night’s sleep.
DAY 2: We woke to beautiful weather. I headed to the included breakfast at the hotel, which was really very good. After breakfast we boarded a bus for a tour of Lyon. We had a full-size bus for just the 13 of us. Our guide for the half day tour, was Vincent, and he is charming and young, and told us his fiancé lives in Lyon. He was incredibly knowledgeable. We began at the Basilica, which is being repaired on the outside, but the inside is, wow! Incredible stained glass, and there was a service going on in one of the smaller side chapels which I l listened to for a bit. The Basilica is high on the hill and the views of Lyon are spectacular from there. Then we headed to the old city and walked around for an hour, ending up at the smaller cathedral. Directly in front of it they had set up a great market, mostly food, which would be there for a week. Lyon is a foodie paradise, with, we were told, a restaurant, or at least coffee shop, for every 250 people. We then had a choice of staying in town, or going back to the hotel on the bus, which I did. The afternoon and evening were free time to do as we pleased. I headed to the Les Halles du Lyon Paul Bocuse, named after the famous chef, to take a look around. It is a large market with small restaurants connected to most of the stalls. It was charming. I then headed to the huge three-story mall across from our hotel and walked around for an hour. Then caught up on some emails, and writing, and met my friends, Paul and Martin, John and Dan, for dinner at 6. We went to a really nice Bistro, which John had found, two tram stops away from the hotel, and enjoyed some drinks and a relaxed dinner. The owner of the place found us a waitress who spoke great English, which made ordering really easy. After a two-hour great meal, we headed back to the hotel. Riding a tram in Lyon is easy, you just need to use your credit card. It is an honor system. Back at the hotel I headed to my room and packed, our luggage had to be outside the door by 8:00 am the next morning. I set my alarm for 6:30 so I had time to eat at the buffet breakfast. Then it was on the bus to head to our barge.
Baltimore
This John Waters interview has been edited for readability — but perhaps not human decency
Pope of Trash dishes on Trump, plane etiquette, last meal, and more
By WESLEY CASE | At 80 years old, John Waters is still the ideal dinner guest — incisively sharp, quick-witted and funny as hell.
The chic Baltimore native proved it again and again in a recent Zoom interview, calling from his summer home in Provincetown, Mass.
The occasion was the Blu-ray releases of two of his movies — the 1977 dark comedy “Desperate Living” and his enduring 1988 musical “Hairspray” — on June 23 by the Criterion Collection, which publishes restorations of films it deems culturally important. The Criterion stamp of approval has become the gold standard among cinephiles.
“It’s like getting an award,” said Waters, who wrote and directed both films.
The rest of this article can be read on the Baltimore Banner’s website.
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