Arts & Entertainment

Dating app encourages users to make ‘virtual’ connections

Published

6 years ago

March 18, 2020

A dating app is telling its users that “now is not the time” for meeting up in person and encouraging them to use their platform to explore virtual relationships instead.

A relative newcomer among the array of dating apps, #open was launched by co-founders Amanda Wilson and David Epstein, who themselves met on a dating app in 2015 and decided to build one of their own a year later. By 2018, their brainchild was in the Apple app store, and Android began offering it in April of 2019. Since then, it has grown to serve over 48,000 users – with an impressive 43,000 matches made.

What makes this app different from Grindr or Tinder, or any of the other better-known players in the game?

According to Epstein, “As our name implies, it’s an app that’s been built for people with a fairly open mindset, when it comes to human sexuality.”

A look at the wide array of identities and orientations among their users (besides offering 24 different gender identities and 23 sexual orientations to choose from, the app also lets you enter your own), as well as the high percentage of people identifying as being in non-traditional relationships, gives a clear picture of why #open has a unique appeal.

Epstein elaborates, “The one thing the users have in our community have in common, more than anything else, is that 95% of our users identify as being in some kind of an open relationship – whether that’s the 28% that are polyamorous or the 5% that consider themselves ‘monogom-ish’ or anything in between.’ That’s the common thread.”

Perhaps the fledgling app’s targeted focus accounts for the growth in its numbers, but with the last two months seeing a particular rise in both new user profiles and user interactions, it’s likely also a reflection of coronavirus fears beginning to drive people online in greater numbers. Whatever the reason behind it, the company’s co-founders want to live up to their core value as an “honest dating app” and make sure its swelling membership is practicing “social distancing” by getting to know potential partners remotely instead.

As Wilson puts it, “People right now are trying to figure out how they’re going to maintain their connection and their community, and their social lives, and apps are meeting one of those needs, obviously. We’ve been saying for a while that dating has been changing, and now this is going to bring more change, for a little bit.”

With that in mind, she says, the company made the decision to send out a message to all of its users on Monday, “urging them to remember that there is no safe sex, there is only safer sex, and that now is not the time to be swapping spit with people, and to stay home.”

Epstein elaborates further, “We’re a sex positive app, and the people in our community understand the incredible importance of transparency – especially when you’re talking about people in polyamorous relationships, or practicing ethical non-monogomy. And of course, we have huge at-risk populations here. We just don’t think you can play it too safe right now.”

Rather than using the app to arrange intimate in-person encounters, the company suggests taking an opportunity to work on aspects of dating that are often ignored in our age of instant gratification.

“We really think it’s a time to explore communicating,” says Epstein, “through the app, or through Facetime or any of the other tools people have available to them on their smart phones.”

“Relationships are all about communication,” Wilson interjects. “So, you know, swipe right more often, talk to people that you wouldn’t necessarily usually talk to.”

“And you know it doesn’t have to be boring,”she adds. “There are things that you can do to spice up your lives when you’re stuck inside.”

“If you are exploring your sexuality,” Epstein elaborates, “we think this is a time to explore it in a virtual way.”

Anyone with a smart phone and a libido is sure to understand exactly the kind of thing they are hinting at, and though it may not be as good as “IRL” for a lot of us, it’s definitely something to explore as a means of getting through what could be a long haul of ethical self-isolation.

“We need to lean into the long game,” Wilson stresses. “In this day and age when you can get anything at any time, within a couple of hours, we’re used to immediacy – but now we can get to know people again, and play around with delayed gratification.”

Epstein interjects, “There will be a lot of delayed gratification built up on the other side of this, and that’s not necessarily a bad thing.”

Wilson, with a similarly positive attitude, sums the situation up.

“We’re going to be in our own homes for a while now – and that’s okay. Dating will rebound.”

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Photos

PHOTOS: ‘Studio 69’

Glitterati Productions hold party at Bunker

Published

5 hours ago

May 11, 2026

Michael Key

'Studio 69' was held at Bunker on Friday. (Washington Blade photo by Michael Key)

Glitterati Productions held the “Studio 69” party at Bunker on Friday, May 8.

(Washington Blade photos by Michael Key)

Arts & Entertainment

Washington Blade’s Pride on the Pier returns June 13 to kick off D.C. Pride week

Pride on the Pier officially launches Pride Week in D.C.

Published

11 hours ago

May 11, 2026

Staff reports

The Washington Blade’s annual Pride on the Pier celebration returns to The Wharf on Saturday, June 13, 2026 from 4-9 p.m., bringing thousands of LGBTQ community members and allies together for an unforgettable waterfront celebration to kick off Pride week in Washington, D.C.

Now in its eighth year, Washington Blade Pride on the Pier extends the city’s annual celebration of LGBTQ visibility to the bustling Wharf waterfront with an exciting array of activities and entertainment for all ages. The District Pier will offer DJs, dancing, drag, and other entertainment. Alcoholic beverages will be available for purchase for those 21 and older.

“Pride on the Pier has become one of the signature moments of Pride in D.C.,” said Lynne Brown, publisher of the Washington Blade. “There’s nothing like watching our community come together on the waterfront with live music and incredible energy as we kick off Pride week.”

Pride on the Pier is free and open to the public, with VIP tickets available for exclusive pier access to the Dockmaster Building. To purchase VIP tickets visit www.prideonthepierdc.com/vip.

Additional entertainment announcements, sponsor activations, and event details will be released in the coming weeks.

Event Details:

📍 Location: District Pier at The Wharf (101 District Sq SW, Washington, DC)
📅 Dates: Friday, 13, 2026

⏱️ 4-9PM
🎟️ VIP Tickets: www.PrideOnThePierDC.com/VIP

Theater

National tour of ‘Gatsby’ comes to National Theatre

Out actor Edward Staudenmayer talks playing the show’s gangster

Published

1 day ago

May 10, 2026

Patrick Folliard

Edward Staudenmayer plays Meyer Wolfsheim in ‘The Great Gatsby.’ (Photo courtesy National Theatre)

‘The Great Gatsby’
May 12-24
The National Theatre
1321 Pennsylvania Ave., N.W.
$59-$196
Thenationaldc.com

Often dubbed “The Great American Novel” for its depiction of ambition and self-invention alongside the reversals of success, F. Scott Fitzgerald’s “The Great Gatsby” says it all in a fast read.

Set against the excesses and energy of the Roaring Twenties, “The Great Gatsby,” novel and now the same-titled hit Broadway musical with a jazz/pop original score by Jason Howland and Nathan Tysen, tells the story of Nick Carraway and his friendship with Jay Gatsby, an enigmatic millionaire intent on reuniting with ex-lover, Daisy Buchanan.

It was during a four-month 2025 run in Seoul, South Korea, that out actor Edward Staudenmayer first played the show’s heavy, Meyer Wolfsheim, a gangster who helped Gatsby make his murkily acquired fortune. As Meyer, Staudenmayer opens the second act with, appropriately enough, “Shady.”

Now three months into a year-long North American tour, the show is poised to enjoy a brief run at Washington’s National Theatre (5/12-5/24).

While putting on his eyeliner prior to a recent Wednesday matinee at Chicago’s Cadillac Palace Theatre, the upstate New York-based actor shared about Gatsby and a life in theater.

WASHINGTON BLADE: Despite your good looks and terrific voice, you’re rarely the leading the man. How is that?

EDWARD STAUDENMAYER: I’m definitely a character man. I’ve been painting lines on my face to play old men since I was in high school. I was the youngest freshman in college playing old Uncle Sorin [in Chekhov’s “The Seagull”].

There have been many villains. Some darker than others. Meyer Wolfsheim is a very bad guy, but he doesn’t haunt me once I’m offstage. I play a lot of pickleball.

BLADE: Is it true that like so many of Fitzgerald’s characters, Wolfsheim is famously based on someone the writer encountered in life.

STAUDENMEYER: That’s true, Wolfsheim is pretty much a direct portrayal of real-life mobster and 1919 World Series fixer [Arnold Rothstein].

BLADE: When did the 1925 novel first surface on your radar?

STAUDENMAYER: Like many of us, I was assigned “The Great Gatsby” in high school. It was short, and filled with sex and illicit activities. I thought it was great. Definitely wasn’t a Judy Blume novel.

Interestingly, the book wasn’t originally a huge a success for Fitzgerald, but because it was about war and having the girl at home, they gave it to GIs leaving for WWII. After returning, a lot of those guys went on the GI Bill and became English teachers. They assigned the book to their students.

BLADE The idea that the book’s first-person narrator, Nick Carraway, is gay and enamored with Jay Gatsby is long discussed among readers and scholars. Does the musical touch on that?

STAUDENMAYER: Yes, there’s conjecture about Jay and Nick, and it’s implied in our show. It’s also implied about Jordan Baker, Jay’s fleeting romantic interest. Ultimately, she’s a confirmed bachelor, and a professional golfer who only wears pants.

Our performers are really good. Josh Grasso who plays Nick is fantastic. I’ve had to stop watching him in his last scene; it’s not good for Meyer Wolfsheim to take his curtain call crying. Our Gatsby, Jake David Smith, is good too. He’s gorgeous like Superman and sings like an angel.

BLADE: Do you ever imagine backstory for your characters whose sexuality is undefined?

STAUDENMAYER: I do, but not with Wolfsheim. I don’t see it. I’m trying to be as butch as possible with this ruthless killer.

BLADE: Have you had to do that in your career?

STAUDENMAYER: For a long time, I wore a mask to hide my gayness. I worked hard on being believable, that I was into the girl or that I was a tough guy.

It’s a different world now, and it’s so refreshing to be around the younger actors today; they’re remarkably open and comfortable.

BLADE: What was your coming of age like?

STAUDENMAYER: I played high school football in Palm Springs [he chuckles, alluding to the arid gay mecca], and I was pretty good too. But much to the chagrin of my parents and coaches, I quit the team to act in our senior year play. My super butch dad played semi-pro football and he was an ex-cop. I’m named after him. While I didn’t become my dad, I’ve played him often on stage. He was a true Gaston [the bumptious rival in “Beauty and the Beast”]. And like Gaston, he used antlers in all his interior decorating.

BLADE: Did he live to see your success in theater?

STAUDENMAYER: He did. Life was challenging growing up but the last 10 years of his life we couldn’t get off the phone with each other [his voice catches with emotion]. He accepted me entirely, and we became very close.

BLADE: Looking ahead, is there a part you’d especially like to play?

STAUDENMAYER: Like all baritones I’d love to play Sondheim’s “Sweeney Todd.” I’ve come close but it hasn’t happened yet. There’s still time.