Arts & Entertainment
Singer-songwriter releases powerful ‘I Am Samantha’ for International Trans Day of Visibility


In honor of International Trans Day of Visibility, singer-songwriter and theatre artist Benjamin Scheuer has released “I Am Samantha,” a new track that recounts the real-life journey a transgender woman he met and befriended at a coffeeshop in New York City, along with a powerful accompanying music video.
Scheuer is well-known throughout the theatre world on both sides of the Atlantic for his 2014 one-man show “The Lion,” which won numerous awards including a Drama Desk Award for Outstanding Solo Performance, an off-West End Award for Best New Musical, and an ASCAP Cole Porter Award for Songwriting. He’s also a published children’s author (alongside wife Jemima Williams) for Simon & Schuster, having written “Hibernate With Me” and “Hundred Feet Tall,” as well as the author of “Between Two Spaces,” which documented his diagnosis with (and successful treatment for) stage IV Hodgkins’ Lymphoma.
The new track originated when Scheuer met Samantha Williams, a trans woman barista with whom he first became acquainted at the New York coffee shop he frequented. In response to Williams’ observation that she had never heard a song about someone named “Samantha,” he promised to change that fact, filling notebooks with details of her life and her journey to transition, and ultimately writing what is now “I Am Samantha.”
According to press materials:
“‘I Am Samantha’ is the story of one trans woman. It is also the story of what it means to love and be loved. With uncommon empathy, Scheuer unpacks not just Samantha’s journey, but the human journey we all take to find identity, acceptance, and love.”
The song comes accompanied by a music video directed by T Cooper (director of the award-winning documentary “Man Made”) and featuring a cast of 27 trans actors – believed to be the largest trans cast assembled to date. The visual was also helmed by an all-female, LGBTQ, and/or person of color crew. Notable cast members include Monica Helms (creator of the Transgender Pride Flag) and Skyler Jay(Season 2 of “Queer Eye”).
The official video is joined by a behind-the-scenes “making of” documentary, directed by Allison Glock-Cooper, who is herself an acclaimed author/director.
The release is also accompanied by personal note from Williams, dated June 6, 2019, sharing her perspective on the origins of the song:
“He’s a customer at the West Village coffee shop where I work, a fellow artist (I’m a writer; he’s a musician) who attended a reading of one of my screenplays and gave truly helpful notes, a tall guy with a boyish face and steampunk style, with cherry-dyed hair, elaborate boots and epaulets, and yet announcing his presence most resoundingly with his seemingly ever-present smile and earnest, enthusiastic greetings. Benjamin Scheuer (pronounced SHOY-er) is a storyteller with a guitar, sharing through song his own very personal trials and triumphs as well as those of others. I already knew this when in his presence I complained to a coworker, as we listened to the Foo Fighters song ‘Sean’ (also my fellow barista’s name), that there were no popular songs about ‘Samantha,’ the name I had taken as my own about a year before (though I’m still not sure this oversight of songwriters throughout contemporary music history is actually true).
“‘I Am Samantha’ was conceived in that moment of everyday food-service-industry banter, both songwriter and subject knowing this wouldn’t be just another lighthearted serenade or would-be rock hit in which the name was chosen simply because it rhymed with something or had the right number of syllables. This was highlighted for Benjamin when I told him the origin of ‘Samantha,’ that it had been the only name my parents could agree on prior to my birth, not yet knowing what was between my legs—which would ultimately lead to a name I went by for decades before all but erasing it from identifying documents (Ohio being one of four states that don’t allow changes to one’s birth certificate).
“Benjamin and those involved in every aspect of the recording, producing and upcoming release of ‘I Am Samantha’ have each endeavored to understand and do right by the story of my transition from [dead name] to the fully realized, confident person I am today. Each of them I’ve had the pleasure of meeting is just as evidently excited as I am to share this song, this story of struggle and self-discovery, with the world—so that it might do what art uniquely can, which is to increase empathy by revealing the world through someone else’s eyes, while also, I can attest, making some of us feel just a little less lonely.”
The song is being released today,March 31, on International Transgender Day of Visibility in partnership with a host of incredible organizations including the Transgender Legal Defense & Education Fund (TLDEF), GLAAD, Trans Lifeline and The Ally Coalition.
You can watch the video for “I Am Samantha,” along with the accompanying BTS clip, below.
Theater
‘Bad Books’ a timely look at censorship in local library
Influencer vs. conservative parent in Round House production

‘Bad Books’
Through May 4
Round House Theatre
4545 East-West Highway
Bethesda, Md.
Tickets start at $43
Roundhousetheatre.org
While a library might seem an unlikely place for a heated contretemps, it’s exactly the spot where adults go when they’re itching to battle out what books minors might be allowed to read.
In Sharyn Rothstein’s “Bad Books,” two women, The Mother (out actor Holly Twyford) and The Librarian (Kate Eastwood Norris), swiftly become mired in a quarrel that comes with some weighty repercussions.
The Mother is a popular conservative influencer on a mission. She’s furious that the local library has overstepped its bounds and she blames The Librarian, a woman who adheres to the “it takes a village” method of child rearing and is dedicated to the young people who approach her reference desk.
There’s some background. It seems The Librarian who dresses young (tight jackets and Doc Martens) and curses a blue streak, forged a friendship with Jeremy, a teenage library regular.
While the details are a bit hazy, it seems the troubled Jeremy confided in The Librarian regarding some personal issues. In return, she suggested a helpful book – Boob Juice.
Unsurprisingly, based solely on its title, the book has thrown The Mother into a pique of outrage. After finding Boob Juice in her son’s bedroom, she made a beeline to the library; and not incidentally, The Mother hasn’t read the recommended work and has no plans to do so.
Set in a suburb with lax gun laws, the story explores facets of division and conciliation. The Mother insists she isn’t so much about banning books as she is keeping some books away from young people until they’ve obtained parental approval.
“Bad Books” is performed in the round. Built on a rotating stage, Meghan Raham’s set is simple, pleasingly serviceable, and easily transforms from the library into a small corporate office, and later the assembly room of a church. Overhead floats a circular glass shelf filled with a cache of banned books. Things like a rolling book cart and a goldfish bowl add some flavor to the different locations.
The Mother wasn’t always a popular conservative warrior with an enthusiastic horde of followers.
Her past includes penning a book that later filled her with guilt and regret. She refers to that early questionable literary accomplishment as her bad book. And while over the years, she has persevered to find and destroy each and every printed copy, she hasn’t entirely succeeded.
Norris plays three women who figure meaningfully into the arc of Twyford’s mother character. In addition to The Librarian, Norris is The Manager, a broadly played piece of comic relief, and The Editor, a warm woman who reveals things about Jeremy that his own mother never knew.
Smartly staged by Ryan Rilette, the production is part of a National New Play Network Rolling World Premiere. While Rothstein’s script offers two strong roles (skillfully performed by celebrated actors Twyford and Norris), its ending feels too neatly resolved.
In the past, Twyford and Norris have successfully joined forces for numerous DMV productions including Studio Theatre’s production of David Auburn’s two-hander “Summer, 1976,” the story of a longtime and unlikely friendship between two women who meet as young mothers during the Bicentennial summer.
Though different, both The Librarian and The Mother share a strong and ultimately hopeful relationship with words.
There’s a quote from E.B. White’s classic “Charlotte’s Web” that pops up a couple of times in the briskly paced 80-minute play. Charlotte, the wise spider, says, “with just the right words you can change the world.”
Books
‘Pronoun Trouble’ reminds us that punctuation matters
‘They’ has been a shape-shifter for more than 700 years

‘Pronoun Trouble’
By John McWhorter
c.2025, Avery
$28/240 pages
Punctuation matters.
It’s tempting to skip a period at the end of a sentence Tempting to overuse exclamation points!!! very tempting to MeSs with capital letters. Dont use apostrophes. Ask a question and ignore the proper punctuation commas or question marks because seriously who cares. So guess what? Someone does, punctuation really matters, and as you’ll see in “Pronoun Trouble” by John McWhorter, so do other parts of our language.

Conversation is an odd thing. It’s spontaneous, it ebbs and flows, and it’s often inferred. Take, for instance, if you talk about him. Chances are, everyone in the conversation knows who him is. Or he. That guy there.
That’s the handy part about pronouns. Says McWhorter, pronouns “function as shorthand” for whomever we’re discussing or referring to. They’re “part of our hardwiring,” they’re found in all languages, and they’ve been around for centuries.
And, yes, pronouns are fluid.
For example, there’s the first-person pronoun, I as in me and there we go again. The singular I solely affects what comes afterward. You say “he-she IS,” and “they-you ARE” but I am. From “Black English,” I has also morphed into the perfectly acceptable Ima, shorthand for “I am going to.” Mind blown.
If you love Shakespeare, you may’ve noticed that he uses both thou and you in his plays. The former was once left to commoners and lower classes, while the latter was for people of high status or less formal situations. From you, we get y’all, yeet, ya, you-uns, and yinz. We also get “you guys,” which may have nothing to do with guys.
We and us are warmer in tone because of the inclusion implied. She is often casually used to imply cars, boats, and – warmly or not – gay men, in certain settings. It “lacks personhood,” and to use it in reference to a human is “barbarity.”
And yes, though it can sometimes be confusing to modern speakers, the singular word “they” has been a “shape-shifter” for more than 700 years.
Your high school English teacher would be proud of you, if you pick up “Pronoun Trouble.” Sadly, though, you might need her again to make sense of big parts of this book: What you’ll find here is a delightful romp through language, but it’s also very erudite.
Author John McWhorter invites readers along to conjugate verbs, and doing so will take you back to ancient literature, on a fascinating journey that’s perfect for word nerds and anyone who loves language. You’ll likely find a bit of controversy here or there on various entries, but you’ll also find humor and pop culture, an explanation for why zie never took off, and assurance that the whole flap over strictly-gendered pronouns is nothing but overblown protestation. Readers who have opinions will like that.
Still, if you just want the pronoun you want, a little between-the-lines looking is necessary here, so beware. “Pronoun Trouble” is perfect for linguists, writers, and those who love to play with words but for most readers, it’s a different kind of book, period.
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Friday, April 18
“Center Aging Friday Tea Time” will be at 2 p.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more details, email [email protected].
Go Gay DC will host “LGBTQ+ Community Social in the City” at 7 p.m. at Hotel Zena. This event is ideal for making new friends, professional networking, idea-sharing, and community building. This event is free and more details are available on Eventbrite.
Trans and Genderqueer Game Night will be at 6 p.m. at the DC Center for the LGBT Community. This will be a relaxing, laid-back evening of games and fun. All are welcome and there’ll be card and board games on hand. Feel free to bring your own games to share. For more details, visit the DC Center’s website.
Saturday, April 19
Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including Allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
LGBTQ People of Color Support Group will be at 7 p.m. on Zoom. This peer support group is an outlet for LGBTQ People of Color to come together and talk about anything affecting them in a space that strives to be safe and judgement free. There are all sorts of activities like watching movies, poetry events, storytelling, and just hanging out with others. For more information and events for LGBTQ People of Color, visit thedccenter.org/poc or facebook.com/centerpoc.
“Spark Sapphic Social” will be at 8 p.m. at Spark Social House. This weekly sapphic social is an opportunity to mix and mingle with other sapphics in D.C.’s newest LGBTQ bar. This event is free and more details are available on Eventbrite.
“DC Drag Brunch on Rooftop – Penthouse (Formerly at Lima Twist)” will be at 12 p.m. at Baby Shank Rooftop. Hosted by Miss Capital Pride, this is the ultimate drag brunch experience in Washington, D.C., featuring the fiercest queens around. Prepare to be entertained by glamorous drag queens and celebrated celebrity impersonators, including Taylor Swift, Lady Gaga, Beyoncé, Britney Spears, Nicki Minaj, Ariana Grande, Whitney Houston, Cher and many more. Tickets cost $27 and are available on Eventbrite.
Sunday, April 20
Queer Crayon Club will host “Queer Sketch Social” at 3 p.m. at Sinners and Saints. This is a fun event for LGBTQ+ adults to come together and color. Attendance is free and more details are available on Eventbrite.
Monday, April 21
“Center Aging Monday Coffee & Conversation” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more details, email [email protected].
Tuesday, April 22
Genderqueer DC will be at 7 p.m. on Zoom. This support group is for people who identify outside of the gender binary. Whether you’re bigender, agender, genderfluid, or just know that you’re not 100% cis – this is your group. For more details, visit www.genderqueerdc.org or Facebook.
Coming Out Discussion Group will be at 7 p.m. on Zoom. This is a peer-facilitated discussion group and a safe space to share experiences about coming out and discuss topics as it relates to doing so. For more details, visit the group’s Facebook.
Wednesday, April 23
Job Club will be at 6 p.m. on Zoom. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.
Asexual and Aromantic Discussion Group will be at 7 p.m. on Zoom. This is a space where people who are questioning this aspect of their identity or those who identify as asexual and/or aromantic can come together, share stories and experiences, and discuss various topics. For more details, email [email protected].
Thursday, April 24
Virtual Yoga with Sarah M. will be at 7 p.m. on Zoom. This is a free weekly class focusing on yoga, breath work, and meditation. For more details, visit the DC Center for the LGBT Community’s website.
DC Anti-Violence Project Open Meeting will be at 7 p.m. on Zoom. This meeting is open to anyone interested in learning more and getting involved in lessening violence both within and directed towards the LGBT communities. For more information, visit Facebook or Twitter.
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