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A Californian conquers the kitchens of ‘MasterChef Spain’

Michael Salazar rejected by his mother because he is gay

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Michael Salazar, gay news, Washington Blade
Michael Salazar (Photo courtesy of RTVE)

A chill went through Michael Salazar’s body when, at 16, his mother asked him, without the slightest bit of shame whether he was a “faggot” — not gay or homosexual, but “faggot” — with all the contemptuous charge that this word can contain. The question caught him off guard and he felt himself dying of shame and fear.

“I froze,” Salazar says, 35 years after it happened. “I don’t know where I got courage from and I answered yes. It was then when she told me that I had to leave the house, and that’s it. She didn’t want to have a faggot under her roof.”

This bitter anecdote was heard for the first time by those who follow Spain’s version of MasterChef, a talent show about culinary skills, which began its eighth season this year. Salazar is the first American contestant on the show that airs every Monday on Spanish television. 

Salazar, 51, was born in Costa Rica and moved to the U.S. with his family when he was 7. He grew up in Long Beach, Calif., a city he calls his “hometown.”

An English teacher who is a fan of culinary arts, Salazar decided to try his luck in one of the most popular television competitions in Spain, where he has lived for eight years. He currently lives in Barcelona, close to the sea, with his husband, Fernando. The Blade spoke with him about his past, which is full of discriminatory events, and his present in which he has become a kind of celebrity who motivates many LGBTQ youth every time he appears on screen.

WASHINGTON BLADE: How do you remember life with your family in the U.S.?

SALAZAR: My family life, if you can call it that, was not very loving. Sometimes, I try to remember something fun or something that makes me feel nostalgic and it only comes to mind when the Costa Rican team arrived in Los Angeles to play a soccer game. My mother threw a party with her friends to celebrate, but I don’t remember if she won or who she played against. As a child, I imagined that I was adopted and that someday my real parents would come to take me. I saw the families of my friends as if they were on TV, both love and affection, and made me want to stay and live with them. In those years, my mother did not like the fact that I was such an effeminate child. It was a cultural and religious issue of the time. She once told me that I was the ‘family’s disrepute’. I didn’t know what the phrase meant at the time, but I knew it wasn’t good. I was about 8 or 9 years old, but it stuck with me.

BLADE: What happened after that episode where his mom kicked him out of the home for being gay?

SALAZAR: I will start by reminding you that in the 1980s we were in the midst of the HIV/AIDS epidemic and the entire gay community was in a panic. They began to organize very quickly, testing for AIDS, giving psychological help and offering shelters for those who had been kicked out of their homes. Gay and Latino youth experienced more discrimination because our families were very religious and traditional. My friends and I joined a support group organized by the MCC (Metropolitan Community Church) in Long Beach and we were helping to raise funds for people who had lost everything to AIDS. They sent me a ticket with a party invitation and my mom read it. When I arrived home from school, she told me that there was a Christian church that turned “faggots and dykes” into “normal” people, and that they had sent me a letter. She asked me why. At the time, I didn’t really understand what was going on and I didn’t even associate it with the MCC. A chill went through my body. I felt myself dying of shame and fear, because I did not know where the thing was going. I replied that I didn’t know anything about that and it was when she asked me if I was a faggot. I froze, but I don’t know where I got courage from and I answered yes. It was then when she told me that I had to leave the house, and that’s it. She did not want to have a faggot under her roof. So, I asked permission to call my sister to see if she would let me stay at her house. She said yes, but to call her quickly. My sister told me to go (to her) home and that I could stay as long as necessary, but … in a few days she was going to Costa Rica to visit relatives and she didn’t know how long she was going to stay. I promised her that as soon as I found a place to stay, I would leave.

BLADE: How did feeling discriminated against by your own family affect you?

SALAZAR: For many years, I felt guilty and I shouldn’t say that I was gay. But I met such good people who helped me understand that it wasn’t my fault and taught me to love myself. Today, I am a happily married man and I see life with optimism. I know there are things that I will not be able to change, but I do my part to be a better person every day.

BLADE: How much has your life changed since then?

SALAZAR: Having gone through that situation has made me more sensitive to other people who experience any form of discrimination. As a teacher, I instill respect in my students. I understand that there are situations that we cannot change, but what we can do is have a more optimistic view of things. I am a living example that everything can improve in life if you give it a chance. I wish that no other person goes through what I went through, but at the same time, I recognize that it is not so easy. Today, through Instagram, many young people contact me telling me that they identify with my story and that makes me very sad, because I know how bad they have it. I try to encourage them and be patient, everything will improve. Many parents also speak to me, asking how they can help their children who have admitted their orientation. I always tell them that there are support groups, both in person and online, and I encourage them to get in touch with them. I can only advise them from my experiences, however, in these associations they have groups of qualified experts who will help them better than I do.

BLADE: You said that when your mother kicked him out of the house, the California government placed you with a gay father. How different was everything from there?

SALAZAR: The Department of Human Services together with the Gay and Lesbian Center in Los Angeles formed a group called Pink Project, which works to place homeless gay and lesbian youth with gay or lesbian parents because other families almost never understood us. I had to live in Burbank, Calif. The one who welcomed me was one of those angels in my life who treated me with great respect and affection, and although I only stayed at his house for a few months, he left such a positive mark on my life that I dare to say that I am who I am, thanks to him.

BLADE: Have you ever felt discriminated against again?

SALAZAR: Unfortunately, yes. In my case, I have been discriminated against on many occasions for three reasons: For being Hispanic, gay and dark, everything that racists hate. I was very sad at first, because I felt it was the never-ending story. Afterwards I developed a thicker skin and I didn’t let it affect me so much. I am happy with who I am and I have people who love me just the same.

BLADE: And how did you end up living in Spain?

SALAZAR: I was working for a great phone company in Victorville, Calif. I made a lot of money, but at the same time it was very hard and I had a lot of stress. I had no life, I was not happy there, I wanted a change. I started traveling within the continent (North America) and nothing. So, I decided to seek out Europe. I went to London, to Paris and when I got to Madrid I said, “Oh! This is it!” I had an immediate connection to Spain and decided to come live here. That was in 2010 and, by the end of 2012, I was already living here in Barcelona.

BLADE: Why do you like life in Spain?

SALAZAR: Living in Spain is very pleasant. As a Hispanic-American I find many similarities with our culture, but here the history is more preserved and can be seen in its palaces, in its castles, in its streets … in short, in everything around it. Unlike what happened to me in the United States, where I lived to work, here I feel that I work to live, and I live very well. I have a new family and some friends who are like my family too. It is incredible that a country as small as Spain has so much cultural diversity, such as the Basques, the Catalans, the Galicians, the Andalusians … Wherever you go you find something interesting. Also, the people in Spain are very nice and welcoming. It is impossible not to fall in love with this country.

BLADE: However, you also fell in love with your current husband …

SALAZAR: Fernando and I met online. I had already planned to go to Barcelona and, once there, we met. That was at the end of 2012 and since then we started seeing each other almost every day. It was very nice. After a few months, we moved in together. On Aug. 4, 2017, we got legally married here in Barcelona. We have been a couple for eight years and married for three years.

BLADE: Do you feel part of the LGBTQ community in Spain?

SALAZAR: I am openly gay and although I am not involved in LGBTQ organizations today, when I lived in Victorville we founded the High Desert Equality, a group for socio-cultural activities, in February 2009 with some friends. Here in Spain, especially due to lack of time, I do not belong to any organization, but I do not rule out doing it soon.

BLADE: Where does your passion for cooking come from?

SALAZAR: I always liked cooking, but before I only did it more out of necessity than pleasure. For about 15 years now I started to try out new recipes and cook with different mixtures of flavor and textures, but always focusing on the traditional. In my travels — I love to travel — I have learned a lot from different gastronomic cultures and I have always tried to capture them in my dishes. This has given me more breadth when it comes to cooking. I love that my friends enjoy something that I have cooked.

BLADE: Why did you decide to join “MasterChef”?

SALAZAR: The first time I saw “MasterChef” was in 2014 and I liked it, but I couldn’t follow it due to schedule issues. In 2015, I changed my work schedule so I could watch it in full. I was so impressed that I started looking for the recipes they made and practiced them at home. I remember at first I told Fernando that someday I was going to become part of that program. I was very excited just thinking about everything I would learn. Last year, while we were watching the edition of MasterChef Celebrity I saw that they announced MasterChef was still looking for new contestants. I opened the computer and filled out the application. And after a tough selection process, here I am!

BLADE: How have you felt so far in the contest?

SALAZAR: The talent show is very difficult, but I love it. If you ask me if I recommend it, I say 1,000 times yes. Not only because of what you learn, but also because of how all the people on the show treat me: The jury, the production workers, the cameras, the makeup artists, the hair stylists … It has been a wonderful experience.

BLADE: What have been your most difficult moments so far on the show?

SALAZAR: I think that the most difficult thing for me is living with my colleagues. I’ve never been in an environment with people so different from me, and look, I’m from Los Angeles!

BLADE: Do you think that being a foreigner and gay has put you in a different position in relation to your peers?

SALAZAR: Before they selected me among the last 50 contestants, my friends said I would have more opportunities because I was gay and Latino. I almost believed it, but when I saw that in the last tryout the LGBTQ community was already very well represented, I thought, “Will I be selected for being a foreigner?” But they also called other people from different countries like Cuba, Belgium, China, Morocco, so I don’t think being a foreigner or gay had anything to do with it, it was my kitchen. 

Shine Iberia, the production company that produces “MasterChef Spain” and that is part of the international Endemol Shine Group, told the Blade that the inclusion of LGBTQ people in their productions is unequivocal. Successful programs in Spain, such as “MasterChef”or “Maestros de la Costura” in episode after episode promote the visibility and normalization of all groups and of course the LGBTQ community, showing through their talent shows what people are like regardless of their origin or option.

“It is worth noting the recent presence of Michael in this eighth season of MasterChef, a season in which Saray, a transgender Roma woman who has shared kitchens with Michael and the other 15 applicants, has also taken part,” said Shine Iberia.

BLADE: What has the program taught you so far, professionally and personally?

SALAZAR: Thanks to “MasterChef” I am perfecting myself in the things I already did. I am also learning techniques that alone would have been very difficult. Personally, I tell you that now I appreciate more time with my partner and my friends, details that before did not give much importance, now I value them more.

BLADE: How much of its roots are in your dishes?

SALAZAR: A lot. We in California are lucky to have a lot of Mexican influence, which at the same time has a lot to do with Spanish food. In the United States, we grow with a wide variety of foods from all over the world. All that influence has helped me to improvise faster than the rest of my teammates in the different tests.

BLADE: How about the relationship with the judges and the rest of the teammates?

SALAZAR: When we are not taping, you have the opportunity to chat with the judges and for me they are very close and charming people. I personally have gotten along very well with all three, but I must admit that Samantha Vallejo-Nágera has left the best impression on me. As for my colleagues; I have more relationship with Teresa, Adrienne, Sito and Mónica.

BLADE: How do you feel during the taping? What feelings do you experience?

SALAZAR: There is a whirlwind of emotions on and off the set. It is a combination of stress, nerves and adrenaline. I have a better time during the tapings. Everyone treats us very well, from the cleaners to the managers. It is another world! I love it.

Michael Salazar (Photo courtesy of RTVE)

BLADE: How has the Spanish public received it?

SALAZAR: Very good. On social media networks, they do not stop supporting me. Since I came to Spain for the first time as a tourist and until now I have felt at home. The people here are very welcoming and make you feel like one of them. They make me feel very loved.

BLADE: What are your biggest aspirations in the culinary world?

SALAZAR: I have always dreamed of having my own business related to cooking. I thought about setting up a small restaurant that would only be open in the evening. But already with the experience I have I know that the best thing for me would be a catering service. In fact, I am in contact with my colleague Teresa to, in the not too distant future, will be able to start something here in Barcelona. Who knows if in the future it can open a subsidiary in Los Angeles or in Washington, D.C.

BLADE: What would it mean for you to get the “MasterChef Spain” trophy?

SALAZAR: Winning the title of “MasterChef Spain” not only represents money or fame, it is also having achieved one more of my goals. The opportunity to study at the Basque Culinary Center is something you would never have imagined. Everything you could learn and the experience you would gain … it would be great.

BLADE: Have you returned to the United States?

SALAZAR: Yes. Last summer, Fernando and I went for a walk and visited my family and friends. We were in Orlando, San Francisco, Long Beach (of course), Hollywood, Las Vegas, and other cities. We were there for three weeks and, of course, we didn’t have enough time to see everything we wanted. We are thinking of taking another trip through places that we do not know, such as New Orleans, Washington, D.C., Cleveland or New York and many others.

BLADE: What ties do you have with California and the U.S.?

SALAZAR: I have many friends in California with whom we maintain contact and also my host father. In Long Beach, I have an aunt who I love very much. And in Florida I have my sister who I adore. America will always be my home. I am and will continue to be American. I have spoken to my husband that in the future, when we are retired, we could go live in Cocoa Beach. (Fla.).

From right: Michael Salazar with his husband, Fernando Frias, in Los Angeles (Photo courtesy of Michael Salazar)
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The queer Asian comics building collective joy in D.C.

Spotlighting chaotic ways family, romance, identity take shape in their lives

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Alex Kim performs at the Pride Comedy Special in Washington, D.C., on June 18, 2026. (Photo by Christina Lee/VOICES)

Kevin Chen’s family tombstone has room for four: him, his parents and his boyfriend. The arrangement might prove to be a little awkward. 

“My boyfriend is 100% white, and my parents are 100% disappointed,” Chen confessed.

Jokes about family traditions and the untraditional ways they’re practiced earned a burst of laughs at the bar where Chen was opening for the Pride Comedy Special. The D.C. stand-up event, produced by Comedy Bonfyre last month, spotlighted queer Asian comics who shared the chaotic ways family, romance and identity take shape in their lives. 

From candid oral sex takes to top surgery hypotheticals like “Where do the boobs go?”, the night highlighted the loud camaraderie of the queer Asian experience — one that sounds like a cacophony of snorts, cackles and belly laughs. While the comics say they are not quite a community, there’s more than enough shared material to bring them together. 

“It was such a magical experience. I loved performing in a queer API lineup. It feels so validating,” Chen said after the show. “I’m wondering, ‘Is this how white men feel all the time?’”

Each performance evoked queer Asian joy through a medium that could use more of its presence.

According to Chen, who is based in D.C., it’s hard to say whether there is a true queer Asian comedy presence in his city. There are only a scattered “handful” of Asian comics, and people of color are underrepresented in queer comic circles, he said. 

When Tarunika Anand, a nonbinary lesbian comic, first entered the mainstream D.C. comedy scene, they mostly encountered straight white men, describing the experience as “a culture shock.”

“I feel like sometimes a lot of queer spaces are really white, and then a lot of Asian spaces are really straight,” Anand said. “I don’t feel like I fit into either.”

But feeling marginalized didn’t stop these comics from honing their craft and creating spaces for others like them. Alex Kim, who headlined the special and is based in Brooklyn, runs the queer Asian comedy group Boba Gays, which began on WhatsApp and has since made its way to Lincoln Center. 

Every Wednesday, Anand co-produces a free comedy show called Funny Side Up. The queer-led group focuses on inclusivity and showcasing new talent.

“It’s really beautiful to speak about your experience and your existence in a way that’s uplifting,” Anand said. 

Family is a major throughline of their comedic repertoires. 

Chen, for instance, shared that he identifies with jokes about having Asian immigrant parents and the expectations they pass down. 

“You see me, you know this part about me, you know this experience intimately, and I can see the truth that you’re trying to wrap a joke around,” he said. “That hits even harder because that’s my truth too. I think that’s what makes good comedy.”

Anand had the audience at the special howling when they explained that their parents’ be-more-like-them comparisons didn’t end when they came out. Instead, the expectations took on a new form. 

“Now, my parents want me to be the best gay,” Anand said. “They’re like, ‘Do you know Ellen DeGeneres?’” 

Kim said he’s been trying to unlearn things from his Christian Korean mom. Yet he described a moment when he was getting ready for the club and realized he looked just like his mother getting ready for church. 

“I’ve been finding it hard to escape her,” Kim said. 

Mutual recognition also radiates through the different ways queer love can take shape. From singlehood to death-do-us-part commitments, the comics cover just about every corner.

Anand is holding out hope for settling down with “a nice, pretty, Indian girl.” They recently went through a breakup and said they felt they dodged a bullet. 

“As a person of color, I just don’t think I should be with a Swiftie,” they said. 

Chen, touching on what it’s like to be in a queer interracial relationship, said that meeting his white boyfriend’s baby nephew for the first time felt like he was forced to participate in a diversity, equity and inclusion training. 

“The dad was like, ‘Please welcome Kevin. Be curious about his culture, his history, his foods,’” Chen joked. 

Laughter is not the only reward for the comics.

To Anand, comedy is a space where they can say whatever they want. “It gives me a voice,” they said. 

Nik Narain, a North Carolina-based trans and nonbinary South Asian comic who performed at the special, said meeting older trans comedians and taking the stage helped him feel reassured in his identity during his transition. 

“Stand-up was a really cool way to process that onstage,” he said. “[It] became a way for me to repackage my thoughts.”

Queer Asians are still figuring out their place in the greater D.C. comedy scene. The group is small in numbers and many are still working toward a full-time comedy career. But Narain feels he’s already made it.

Narain is reluctant to pin it all on one moment. He feels that success is already peeking through in milestones — opening for celebrities, traveling to performances and self-producing shows.

“As long as I can keep doing this, I’m super happy,” he said.

This story was produced as part of the AAJA VOICES fellowship program, a student journalism project of the Asian American Journalists Association (AAJA).

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Mr. Henry’s celebrates 60 years of proud inclusivity

Capitol Hill staple remains ‘a caring community’

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Mr. Henry’s has long been popular with D.C.’s LGBTQ community. (Photo by Liz Stewart)

America’s 250th isn’t the only milestone birthday D.C. is celebrating this year. 

Beloved D.C. restaurant Mr. Henry’s, that Capitol Hill staple, celebrates its Diamond Jubilee all year long. Named for its original owner Henry Yaffe, the restaurant opened on a warm day 60 years ago in the summer of 1966 and has never looked back.

Yaffe took over what was then a country western restaurant, renovated the interior to his liking, and created an institution. Yet Yaffe had another goal. As a gay man, “he created Mr. Henry’s to be a place where everyone felt welcome — not easy in 1966 — and he succeeded,” says current owner Mary Quillian.

Mary Quillian is the current owner of Mr. Henry’s. (Photo by Liz Stewart)

“Mr. Henry’s has long been a place the LGBTQ community has supported because they felt and still feel welcomed,” says Quillian. Even in the current administration, “the gay community and the diversity-minded community continue to come.”

Since then, Mr. Henry’s has changed hands, opened and closed its second floor, welcomed famed musical acts, and played host to politicians, date nights, breakups, and birthdays. But it still feels like home (and has a note in the National Trust for Historic Preservation) at 601 Pennsylvania Ave., S.E.

Its wood-paneled, Victorian-inspired art-filled décor in the downstairs dining room and bar serves American pub fare for lunch and dinner daily, with brunch on weekends (and a dog-friendly patio). Upstairs, Mr. Henry’s hosts live jazz performances and special events most nights, continuing a musical tradition that has defined the venue for decades. That upstairs bar has played host to names like Roberta Flack and Woody Allen.

Musician Kevin Cordt said that, “Mr. Henry’s has been a part of my life for more than 30 years. I started as a customer, then became a bartender and server, and now I have the good fortune to play trumpet at one of the best live music venues in Washington, D.C.”

Aaron Myers, executive director of the D.C. Commission on the Arts and Humanities, is also a supporter. “Not many cities can sport venues that have consistently served the community in the space of culture for more than 50 years, let alone can brag as the birthplace of culture defining talent.”

From the start, Yaffe promoted a rare yet celebrated combination of locals’ bar and soulful nightlife venue. Mr. Henry’s has attracted a diverse crowd at a time when such spaces were – and perhaps still are – uncommon, a diversity that is credited with helping protect the pub during the 1968 D.C. riots.

Longtime customer Evelyn Branic said, “Mr. Henry’s has been my ‘Cheers’ hangout since my wife and I moved to the Hill in 1987. I’ve experienced many iconic moments meeting politicians, reporters, civic activists, and neighbors engaging in spirited conversations. Whether political, LGBTQ, historians, neighbors, or out-of-towners, everyone could find a special place to be greeted as a friend.”

Its welcoming tables come dabbed with a bit of tea: In 1971, in a moment that has since become part of Capitol Hill lore, Yaffe lost the pub in a poker game to Larry Quillian. The Quillian family, recognizing the special role Mr. Henry’s played in the neighborhood, took over ownership, and committed to preserving its spirit. Today, Larry’s daughter Mary owns the bar, having given it a bit of a facelift for the bar’s 50th birthday, bringing in new tables and some fresh menu items.

For example, the menu has some of those dishes that regulars would riot if they disappeared. The Reuben and the hamburgers, the chili and in-house roasted turkey have never departed the menu. Dishes do evolve, says Quillen: they added wings about two decades ago.

In 2026, the restaurant is hosting monthly ticketed “decades” parties, celebrating each of the 10-year periods the restaurant’s been open, plus there were specials in June for Pride. The official 60th anniversary gala takes place Aug. 29, featuring performers, beverages, timeless favorite foods, swag – and the unveiling of a new cocktail.

Inclusive, eccentric, eclectic, Mr. Henry’s is looking forward to maintaining its centrality to diverse crowds in Capitol Hill. Battling inflation, rising menu prices, changing tastes, and thin margins, Quillian says that Mr. Henry’s has — and will always be — “a caring community for so many different folks. And THAT is why I am committed to keeping us going. Society needs places like Mr. Henry’s, now more than ever.”

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Television loses a legend, longtime ‘Will & Grace’ director James Burrows

Iconic hitmaker leaves behind a legacy of telling LGBTQ stories

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James Burrows (Photo by kathclick/Bigstock)

You don’t have to be a pretentious film major to name 10 movie directors. But naming television directors is not that simple. They’re the unsung heroes of your favorite shows, and the late James Burrows was the television director. He passed on June 19, but his DNA runs through television history. 

He directed over 1200 episodes of television and over 50 pilots. He co-created “Cheers” and directed many episodes of long-running series like “Friends,” “Taxi,” “Frasier,” “The Big Bang Theory,” and “Two and a Half Men.” You also may remember him from playing a heightened version of himself on the Lisa Kudrow comedy “The Comeback.”  

He has left an indelible mark on the LGBTQ community. As recently as last year, he directed the series run of “Mid-Century Modern” starring Nathan Lane, Matt Bomer, and Linda Lavin. He was also a longtime director of “Will & Grace” and directed every episode of the series revival. He even directed the unaired “Absolutely Fabulous” pilot with Kathryn Hahn, Kristen Johnston, and Zosia Mamet. 

Not to mention he’s worked with queer icons throughout history, including Betty White and Stockard Channing on their single-season series, and Jennifer Coolidge in “2 Broke Girls.” 

He started his career on shows like “The Mary Tyler Moore Show,” “Rhoda,” “Laverne & Shirley,” and the first four seasons of “Taxi.” 

He continued to work steadily and directed successful pilots that went to series for “Roc,” “3rd Rock From the Sun,” “Dharma & Greg,” and “Wings.” He directed multiple episodes of “Friends,” “Caroline in the City,” and “Frasier.”  

This magic continued into the 2000s with him directing the pilots for “Two and a Half Men,” “The Big Bang Theory,” and multiple episodes of “Mike & Molly,” and the entire return series of “Will & Grace.” 

What was the secret to his success? He’d enact the “fun clause” in his contract. In his words, “Life is too short to deal with obnoxious leads,” he shared. “So as long as the writing is good and the cast is fun, I’m going to enjoy the experience.” 

He had the magic touch, having multiple pilots turned into long-running series. He was nominated for an Emmy 24 times in 26 years and worked consistently until a year before his death.  

The secret was the way he brought the cast together. He describes, “it was my job to mold them into an ensemble, and they did round into a group of people who loved each other.”

This earned him 11 Emmy Awards and five Directors Guild of America Awards, including being awarded the inaugural DGA’s Lifetime Achievement Award for Television Direction. 

In a 2003 interview by the Television Academy, he was asked how he wants to be remembered, and he said, “That every night forever you can tune in somewhere, and there’ll be a show I did.”

He’s survived by his wife, Debbie, four daughters, seven grandchildren, and the countless people whose careers he launched and the countless viewers he inspired with his television legacy. 

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