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Blogging my first overseas vacation since COVID

Chronicling life aboard Celebrity APEX

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I will be blogging a number of times during my two-week transatlantic cruise and sharing my thoughts and experiences. 

The first thing I found is boarding during a pandemic is a little different. People were given specific boarding times yet most arrived at the port when it was convenient for them as many had early check-out times from their hotel or Airbnb in Barcelona. Celebrity didn’t turn anyone away. There was no Wi-fi at the entrance to the terminal so things got a little complicated as many had the information needed on their iPhone Celebrity app. It worked out and when you got inside to the counter they shared a Wi-fi connection. 

I knew in advance from a Facebook connection, some childhood friends whom I hadn’t seen in 21 years were going to be onboard. We ended up arriving at the terminal at the same time and caught up for the next hour and a half as we progressed through the boarding process. We all had to take a Covid test and only those with negative results could board. Of the approximately 1,300 people boarding, less than half the possible number for a full ship, I didn’t hear of anyone getting a positive result. 

When my negative result came back I was allowed to board and went to find my stateroom on deck 11. The key was at the door with all my information on it. Celebrity was doing everything to limit crew-to-passenger contact. We were asked to keep masks on in all indoor spaces except when eating or drinking, which on a cruise is often, and the crew are all wearing masks. Luggage was delivered to the door. 

Shortly after entering my beautiful stateroom there was a knock at the door and my stateroom attendant, Lenie, had come to introduce herself. She didn’t come in but explained how I could reach her anytime and for safety she would only come into the room when I was out. We chatted for a few minutes and I found out she was from the Philippines, had three children, and had worked for Celebrity for 20 years. She was both charming and efficient. 

I then took a walk around the ship and was duly impressed. It is beautiful. I walked through the huge buffet where people were happily eating lunch and saw instead of serving yourself there were servers behind each station filling people’s plates. All passengers had on their masks when getting food, as did the crew serving them. It made for a very safe feeling. 

Instead of a group muster each passenger was asked to go to their assigned muster station where you were met by staff who explained emergency procedures. You also had to look at a video on the Celebrity app and were then logged in and confirmed you had done so. All efficiently and safely done. 

Then I headed to the sail-away party my travel agent, and friends, Scott Moster and his husband Dustin, were hosting in the Iconic suite. The suite has everything from a peloton cycle to a hot tub for eight. It is incredible. I had the chance to catch up with old friends I had sailed with before the pandemic. Then it was a quick tour of the spa and gym open twenty-four hours a day. A way to assuage guilt over all the food and drink. Then back to the stateroom to finish unpacking and change for dinner with good friends in one of the specialty restaurants, EDEN. That meant long pants and a shirt with a collar. That’s as formal as required on this cruise. 

The food was superb and we got to meet the chef, Nicholas. An interesting guy who I will interview during the cruise. The menu was a combination of fresh fish, lobster, to filet mignon, all interestingly prepared. 

After dinner it was a stop at the Martini bar where a large group of LGBTQ friends had gathered along with some who would become friends. I was surprised when a guy came over and gave me a hug. I didn’t recognize him with his mask on but turned out he was another friend from my past I hadn’t seen in years. It is clearly a small world and the gay world seems even smaller. 

Finally headed to my stateroom around midnight, where turndown service had been done, to get some sleep and prepare for day two, and our first stop, Alicante.  

Day two and three on the Celebrity APEX

Time flies when on a cruise; maybe it’s the endless food and drink. All passengers received a letter in their room telling us we would need to report for a Covid test on day 5 the first at-sea day before we get to the Canary Islands. I pre-scheduled mine just before what I planned as my first hour at the gym. I expect to go to the gym on all sea days and there will be eight of those.

Each morning I have had coffee, a bagel and orange juice delivered to the stateroom.  I always miss that knock on the door each morning when I am home but then I would miss my daily coffee at Java House so I guess it’s OK. 

On day two we stopped at our first port, Alicante, on Spain’s Costa Blanca. I was truly surprised at how beautiful the city is. I joined friends for what turned out to be a three and a half hour walk as we were allowed off the ship on our own without booking a tour. We visited churches and the main market in town. We strolled along the beach and the harbor with great walking and bicycle paths. Alicante is a wonderful mix of old-world charm and modern amenities. One friend ventured up to the castle, Castillo de Santa Barbara, but since the elevator (the easy way up) wasn’t working and it’s a very long, steep climb up the mountain I passed. We arrived back at the ship around 1 p.m. and headed to the Mast bar on deck 14 for burgers and fries. Then some time back in the stateroom before heading to the martini bar for a drink and then to the beautiful APEX theater to see the Shamrock Tenors, four Irish performers who are not only talented but cute to boot. 

We decided to try one of the regular restaurants, those not needing reservations and chose Normandy. The food was good and I had shrimp cocktail, rigatoni, and cherries jubilee for dessert. 

After dinner it was up to the Rooftop Garden for ‘Silent Disco’. That is where you get a set of headphones with a few channels of disco music, and you dance to the music only you can hear. It’s really fun but by 11:30 my knees gave out and it was off to bed. 

Day three dawned nice and sunny and we were docked in Cartagena, located in the autonomous of the region of Murcia. I had an 8:45 excursion and again had breakfast delivered to the room. We were instructed to head to the theater to meet the tour group and sign in for our ‘Journey to Murcia’. Murcia is a city in south-eastern Spain, the capital and most populous city of the Autonomous Community of the Region of Murcia, and the seventh largest city in the country, with a population of 447,182. It is about a forty-minute drive from the port. It is a fascinating city with an incredible history from the Romans to and Moorish influence. There is a beautiful cathedral, isn’t there one in every Spanish city? This being a national holiday in Spain most of the shops were closed saving some on the tour a lot of money. We strolled around the city with our guide giving us a running commentary on its history for about an hour and a half. She was a little hard to understand because not only did she have a heavy accent but she spoke really fast. But it was still fun and we did learn a lot. We made a second stop outside the city at another church where a wedding was being officiated. The bride was beautiful. Then we headed back to the ship for an early departure. Our tour was the last onboard and we sailed not more than thirty minutes after we got there. 

Then it was off to the captain’s reception. I had the chance to chat a few moments with the Captain Panagiotis Skylogiannis, who is as charming as are most Greek men. We also met the rest of the senior crew who run the ship. Many said they would be more than happy to sit and get a cup of coffee with me during our at-sea days so I can interview and write about them.

Then it was back to my stateroom again to prepare for another tough night of food and drinking. We went to see Andrew Derbyshire in the theater for the 7:30 show and then to dinner at Cyprus.   After dinner Celebrity hosted the first LGBTQ+ event of the cruise at the EDEN bar. A large crowd showed up, not all gay but they all knew where the fun people would be. The entertainers all showed up there as including the Shamrock Tenors, four talented Irish guys and Andrew Derbyshire, a British actor and singer. We chatted and I will meet him for coffee to do a column on him. 

Then about midnight it was back to the stateroom for what some of my friends on board called an early night. Morning would have us docking in Cadiz and we had a private tour planned for over 20 of the people who had booked the trip with Scott Moster, travel agent extraordinaire, taking us to the city of Seville.  

Days four and five on the Celebrity APEX

Day four dawned warm and partially sunny as we docked in the port of Cadiz. This was the day we had our private tour of Sevilla planned. The itinerary had been set by two of my friends, Rob Robertson and his husband Carlos Taylor. Carlos lived for a time in Sevilla as a child and has a big family still here. Celebrity, by agreement with our travel agent Scott Moster, made the planned itinerary a formally sponsored tour. 

At 8:45 our group of mostly gay and lesbian travelers left the ship for the hour and forty-five-minute bus ride to Sevilla. Our guide described the city and gave us its history as we traveled to our destination. Scott also had the foresight  to bring along a few bottles of champagne and orange juice and we were treated to mimosas along the way. 

Once in Sevilla were met by a second guide and given electronic devices and earphones so we could follow along as we took a two hour walk to see the sights which included the incredible Plaza de España in the Parque de María Luisa. It was built in 1928 for the Ibero-American Exposition of 1929. It is a landmark example of Regionalism Architecture, mixing elements of the Baroque Revival, Renaissance Revival and Moorish Revival styles of Spanish architecture. Plaza de España has been used as a backdrop in a number of films including Starwars. It is very impressive. 

From there we headed to the Royal Palace and its beautiful gardens and then it was off to the Cathedral of Saint Mary of the See, better known as, Seville Cathedral. It was registered in 1987 by UNESCO as a world heritage site along with the adjoining Alcazar complex. It is the fourth largest church in the world as well as the largest Gothic church and is particularly ornate with over forty-five individual chapels and two huge organs. Christopher Columbus and his son Diego are buried in the cathedral. 

Because we spent so much time at these sites we were very late for lunch at the restaurant Carlos had chosen; one owned by friends of his family. They welcomed us with charcuterie and cheese plates, wine, beer and sangria. However, the rest of lunch ended up as takeout as we were really late and our ship was scheduled to leave port at 4:45 and we had been told to be on board no later than 4:30. We double-timed it back to our bus and headed for the port. All went well until we hit a traffic jam and sat for about fifteen minutes. It was increasingly clear we wouldn’t be on-time. Our guide was getting nervous and he called the ship and someone erroneously told him they would sail without us. 

Meanwhile our trusty travel agent Scott was on the phone with his Celebrity contact who confirmed as this was an official tour they couldn’t leave without us. Once again we were the last people up the gangway and about five minutes after the last person was onboard the engines started up. The Captain had made an announcement to all the reason they may be leaving late was us. After that excitement it was a great evening with dinner at Cyprus and then a show. The hard life onboard ship continued.

Day five was our first sea-day. No tours and no rushing. For me it was early morning writing and coffee delivered to the room. Then my required covid test and off to the gym. The half hour on the Lifecyle was easy because I was looking out at the sea. The gym isn’t large and because of covid you could only use every other machine. But with only half the number of passengers on board that worked. The gym is open twenty-four hours a day. After my workout I met friends at the buffet for a lite lunch because of course it was crucial to gain back the few calories I may have lost working out. Then it was a lazy day, the kind I love when cruising. I had arranged coffee with Andrew Derbyshire, one of the talented entertainers onboard, to interview him for a column I will write. He is a really nice guy who will be getting off the ship in the Canary Islands; not being an American citizen, he wouldn’t be allowed into the US even though fully vaccinated until November 8th and we dock on October 24th. 

Evening began with a Celebrity scheduled  LGBTQ+ happy hour and then a nice dinner at the Rooftop Garden, another of the specialty restaurants. Then on to The Club, one of the entertainment venues, to hear Andrew sing. He had the whole room up and dancing, even me.  All-in-all another great day onboard Celebrity APEX.

Day Six begins my sea-days on the Celebrity APEX

I woke on day six to a hazy sky and our ship heading to dock in Tenerife. I had been there before and was sad that we were not going to be allowed to head out on our own. There were a number of tours scheduled but I decided to stay on the ship. It was a wonderful lazy day of writing, the gym, and just finding a nice place to sit and read. First though I would have a long lunch with Cheryl and Jeff in the Café, which is the buffet. They are my childhood friends who are onboard. We exchanged old pictures from our iPhones and talked about people we grew up with.  

The EDGE series of Celebrity ships, which includes the EDGE, the APEX which I am on, and the upcoming BEYOND scheduled to make its inaugural sail next April, have what is called the Magic Carpet. It is a lounge that can be moved up and down on the side of the ship. On day six it was on deck 14 and it was the perfect place to sit and read. This would be my life for the next seven days at sea. It is the part of the cruise I like the best.

Scott and Dustin invited us all to a sail-away party in their suite at 4:30 and we watched as our ship sailed out of Tenerife for the seven-day crossing to Ft. Lauderdale. Lazy days and fun nights ahead for all of us. On this day Celebrity had scheduled two LGBTQ+ events, one a meet and greet at 6 pm and a second LGBTQ+ PRIDE event at 10:30. Between the two there was a show in the Theater, UPTOWN, three talented young men dancing and singing to Motown and other music from groups who had sung in the famous New York,  Apollo theater. Then dinner at the Steak House, another specialty restaurant. 

At the evening LGBTQ+ event we met some of the new cast members of the shows replacing those who had to leave the ship in Tenerife.  I ran into another person on the ship I first met years ago in DC, Tareq Salahi, known at the time as part of the couple who crashed a White House dinner. His first wife was on the very short-lived series ‘The Housewives of Washington, DC. 

On day seven I woke up to a hazy day at sea, calm waters which we can only hope will be replicated for our whole Atlantic crossing. I started my day going to a talk given by Melinda Bates, who had written a book on the Clinton Administration where she served eight years in the visitor’s office of the White House. I had met her on a previous cruise and had lunch with her so really went just to say hello.  Then it was going to be what I looked forward to; gym, writing, reading, eating and drinking, and just being lazy in luxurious surroundings with fun people. What more can anyone ask for.

Seven Sea-days on Celebrity APEX

The sea-days on Celebrity APEX have been as wonderful as I anticipated. The knock on the door every morning at 7:30 a.m. with my coffee delivered by a smiling, at least his eyes are as he is wearing a mask, room service waiter. Then a couple of hours doing the second edit of the book I am writing. Somehow being at sea has given me the head space I needed to get back to it. Then off to the gym.

Despite the apparent incompetence of the Celebrity PR agency, I did get the chance to meet the Captain on the second day of my cruise and he agreed to sit down for a short interview. He is a charming and totally open guy willing to talk about his life. I will be doing a column on the interview shortly after I am off the ship. 

He even agreed to set up a tour of the bridge for me and friends Rob and Carlos. It was arranged by Icaro, the concierge, a charming Brazilian. We were met outside the bridge by security and wanded down. The bridge is larger than I thought it would be and the very nice 2nd mate Alex, took time to give us a detailed explanation of how they steer this beautiful ship. In some ways it looks like a little more complicated video game. But then those playing video games aren’t responsible for the lives of a crew of 1,250 and nearly 3000 passengers when the ship is full.

The days at sea pass quickly, which is sometimes surprising when you are really doing nothing but being lazy and figuring out what beautiful venue to go to for your next meal or a drink. The Martini Bar or Café Al Bacio are some of the great places to drink and relax on the ship. 

Our ever-attentive travel agent Scott and his husband Dustin hosted another party in their suite, the Iconic Suite, and I met some people I hadn’t yet seen in the past days onboard. Some of them signing up with Scott to go on next year’s October 29th APEX transatlantic cruise out of Rome. I am one of them and have even given a deposit for the October 30th 2023 transatlantic cruise on The BEYOND, Celebrity’s newest ship which will set sail on its first cruise in April of 2022. It is amazing how addictive cruising can be but I guess if you need to have an addiction this isn’t a bad one to have.

The Iconic suite is located in what is called the ‘Retreat’ on the ship. It is the more expensive suites and villas with their own restaurant, sun deck, bar and pool. While I can’t afford to book a stateroom in the Retreat I am lucky some of my friends can. They have invited me to join them there occasionally for a drink and dinner. 

Reality is the rest of the ship is just as beautiful and on this cruise, which sailed with less than 50% capacity, it is especially nice. The five specialty restaurants are fun to go to and the regular dining rooms are great. In all of them you can have filet mignon or lobster, among a wide variety of choices. One  restaurant a little different is The Petit Chef. There you have a show play out on your table and plate from cameras above showing the preparation of each course on your empty plate. Immediately after the show for each course your food is presented looking exactly like the filmed version. It is a fun two-hour dinner with everyone in the restaurant eating the same food at the same time.

The talent in the APEX theater, The CLUB and other venues including EDEN has been incredible and the entertainers are happy to mingle with the guests, which has been fun. We have seen shows with talent like Andrew Derbyshire, The Shamrock Tenors, UPTOWN, Three DIVAS, and the performers in Caravan, among others. I will be writing a column on Andrew Derbyshire after the cruise. All-in-all one couldn’t ask for more. 

On board you often feel you have escaped the world and the daily news cycle. Occasionally it does raise its head as they have BBC, MSNBC and Fox News on shipboard TV. Every once in a while, someone starts talking politics to me as they know I write about it in the Washington Blade. One of our group told me about lying on a lounge in the sun next to two women talking about how they hate Biden who isn’t the real president. So even here you can’t totally get away from stupid. Then we heard every Senate Republican voted against allowing debate on the Voting Rights Act. Depressing to say the least, disgusting in fact. 

But since we can’t do anything about it at the moment it’s back to enjoying yourself; eating and drinking without guilt. I know the people I am traveling with will go home after our two-week respite and continue to fight for equality and our Democracy. I am truly fortunate to be traveling with such a great group of people. 

I hope you enjoyed hearing about some of my time on the ship and I will be doing some additional columns once I am back on dry land which will be in two days. Even great times have to end. I wholeheartedly recommend a cruise on the Celebrity APEX to anyone who enjoys travel.

Peter Rosenstein is a longtime LGBTQ rights and Democratic Party activist. He writes regularly for the Blade.

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The far right’s bill mill

Fringe movement matures into something far more muscular

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(Photo by jat306/Bigstock)

For years, the far right has relied on a familiar infrastructure to wage its political battles: coordinated legal networks, back-channeled money, and an ever-growing pipeline of model legislation that moves quietly from one statehouse to another. What used to be a fringe ecosystem of activist lawyers has matured into something far more muscular. Today, the attacks on LGBTQ Americans—especially transgender people—are not random. They are designed, drafted, and deployed by a disciplined constellation of groups that understand how to move legislation with precision. And if Democrats, civil rights advocates, and national LGBTQ organizations continue treating each bill as an isolated outrage rather than a unified offensive, this machine will keep outpacing them.

Most Americans have never heard of outfits like the Alliance Defending Freedom, the American Principles Project, the Leadership Institute’s law arm, or the network of state-based policy shops that orbit the Heritage Foundation. But these entities now function as the shadow authors of state legislation. The anti-trans sports bans that appeared in more than 20 states did not arise organically; they were cloned from drafts circulated by ADF attorneys. The same is true for bills restricting gender-affirming care, limiting name and pronoun accommodations in schools, or expanding “religious liberty” carve-outs that allow discrimination against LGBTQ employees or customers. Legislators often change a few words, swap in a local sponsor, and reintroduce the same provisions session after session — giving the impression of momentum when, in reality, only a handful of ideologues are writing the nation’s culture-war script.

The operational model is simple: produce a bill, partner with a state-level think tank, recruit a legislator to introduce it, and provide legal testimony to defend it. But the strategic sophistication lies upstream. These groups have spent years cultivating relationships with attorneys general, state solicitors, and conservative judges who are sympathetic to their worldview. They draft legislation with litigation in mind, anticipating which language will survive scrutiny before the federal courts they have worked diligently to remake. They treat policy, politics, and jurisprudence as a seamless ecosystem; meanwhile, LGBTQ advocates are forced to fight on three fronts at once, often with smaller budgets and no comparable network of state-by-state affiliates.

What is most striking now is the acceleration. Bills that used to be test-driven in one or two states are being introduced in a dozen simultaneously. After the Supreme Court’s Dobbs decision, the same legal strategists pushing abortion bans pivoted almost immediately toward restricting trans health care, framing puberty blockers and hormone therapy as “sterilization.” The rhetorical shift was not accidental. It was a deliberate legal construction designed to open the door to future Fourteenth Amendment challenges, should the movement secure a case capable of reaching the Supreme Court. This is not simply a legislative fight; it is the groundwork for long-term judicial warfare.

And yet, Democrats and even national LGBTQ groups often treat these measures as if they were spontaneous outbursts of local prejudice. That is politically naïve. The reason similar bills appear in Idaho, Florida, Tennessee, Kansas, and Ohio at the same time is because they originate from the same set of PDFs stored on the same servers belonging to the same legal networks. The far right has embraced an industrial model of anti-LGBTQ policymaking: mass production, rapid deployment, and coordinated amplification by media channels that echo the same talking points across state lines.

The consequence is that the burden falls on queer people themselves—especially trans people—to respond to an avalanche of bills, hearings, lawsuits, and administrative changes that no individual or small advocacy team can fully track. When you have a network of attorneys feeding language to legislators, drafting amicus briefs, and preparing future litigation strategies in advance, you create an asymmetry that is difficult to counter with reactive press releases or one-off legal challenges. This imbalance of power is not about public opinion, which still supports LGBTQ equality by wide margins. It is about institutional positioning. The far right has placed its lawyers where the pressure points are: in state AG offices, in coordinated legislative caucuses, in judicial clerkships, and in the nonprofit legal trenches where issue fights are shaped long before the public hears about them.

There is a path forward, but it requires abandoning the old model of treating each bill as a separate emergency. LGBTQ organizations need a unified, long-range strategy that mirrors the discipline of the groups attacking them. That means state-by-state legal surveillance, rapid drafting of counter-model legislation, formal partnerships with progressive state AGs, and a standing litigation coalition capable of anticipating—not just responding to—legal threats. It also means investing in local leaders who understand that these bills are symptoms of a national machine, not quirks of their hometown politics.

What’s at stake here is nothing less than the architecture of civil rights in the United States. The far right is attempting to rewrite the legal landscape through volume and repetition, hoping courts will eventually treat these contrived bills as reflections of a shifting national consensus. They are betting that if they introduce enough legislation, in enough states, for enough years, the judiciary will reinterpret LGBTQ equality not as a settled constitutional principle but as a contested social question that can be narrowed or rolled back. Their ultimate goal is not just to restrict trans rights today but to lay the doctrinal groundwork for limiting LGBTQ protections for a generation.

The community can still win this fight, but only if it sees the battlefield clearly. These bills are not local skirmishes—they are coordinated acts of legal engineering. And it is time the pro-equality movement built an equally coordinated system to match them.


Isaac Amend is a writer based in the D.C. area. He is a transgender man and was featured in National Geographic’s ‘Gender Revolution’ documentary. He serves on the board of the LGBT Democrats of Virginia. Contact him on Instagram at @isaacamend 

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Everything is Everything

Transformer’s 21st Annual Benefit Art Auction & Gala at the LINE DC
November 19, 2025

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In Washington, DC, art has never existed in isolation—it thrives where people gather and create. Art isn’t an accessory to the city’s identity—it’s foundational to it. This city was designed by artists, built by craftsmen, and has been continuously shaped by creative vision for more than two centuries. While other American cities grew organically around commerce or geography, Washington was imagined first, drawn by hand, and constructed as a deliberate artistic expression of democratic ideals. The result is a living gallery where public art doesn’t just reflect our history; it actively shapes how we understand citizenship, memory, and identity. 

For 23 years, Transformer has been a cornerstone of DC’s contemporary art scene, committed to uplifting emerging and underrepresented artists who challenge boundaries and engage audiences with new experimental artistic concepts. On November 22, 2025, Transformer will host Everything is Everything, our 21st Annual Benefit Art Auction & Gala at the LINE DC, a night dedicated to celebrating the power of connection through art, performance, and community. 

Everything is Everything is an extension of our non-profit organization’s cutting-edge vision, bringing together artists across different mediums, aesthetics, and walks of life. This philosophy embraces interconnectedness: where art, identity, and community are a part of the same living fabric. The gala brings together hundreds of people to celebrate art & artists, featuring over 140+ artworks in a public exhibition available for silent bidding. Guests also enjoy our innovative Artist Activated Experiences Lounge, featuring immersive installations by DC based queer artists Bumper, Katie Magician, Div0id, JaxKnife Complex, Stitches DC, Hennessey and Kunj.

In a time when queer and drag performers face renewed cultural and legislative attacks, Everything is Everything affirms that freedom of expression is not optional—it’s essential. Our “Celebration of DC Club Kids” pays tribute to DC’s legendary Club Kids and nightlife culture—those radiant spaces that have long nurtured queer creativity, self-expression, and freedom. Produced at the Gala in collaboration with queer artist collective haus of bambi, this performance honors our city’s history while celebrating the diversity and creativity that will continue to shape its future.  Everything is Everything culminates in a show-stopping performance by iconic New York City based performance artist, cabaret singer, and drag artist Joey Arias.

As Transformer’s Everything is Everything Gala Committee, we’ve experienced firsthand how artists in DC transform spaces, challenge norms, and build community. The Gala is a celebration of that creativity and resilience. It is also a crucial act of support: proceeds from the Everything is Everything Benefit Art Auction & Gala directly supports artists while sustaining Transformer’s year-round exhibitions and programs that elevate emerging artists and arts leaders within DC and beyond. In doing so, Everything is Everything ensures that experimental and inclusive artistic practice, particularly of queer, trans, and BIPOC artists, continues to thrive.

Because in DC, art isn’t just something we look at—it’s something we live, share, and fight to protect.

Purchase tickets to Everything is Everything, Transformer’s Annual Benefit Art Auction & Gala at onecau.se/everythingiseverything. Learn more about Transformer’s mission at www.transformerdc.org.

  • Transformer’s Everything is Everything Gala Committee: Allana D’Amico, Sondra Fein, Theresa Nielson, Jennifer Sakai, Christopher Addison, Monica Alford, Samantha Dean, Samira Farmer, Carole Feld, Celina Gerbic, Ally Helmers, Allison Marvin, Marissa McBride, Tom Noll, Crystal Patterson, Victoria Reis, Dorothy Stein, Emily Strulson, Gregg Tourville, José Alberto Uclés, and Hanna Thompson
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MTG should keep up the pressure on Trump, MAGA

Unexpected flip a welcome sign of GOP resistance

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If the first time you ever saw, or heard, Rep. Marjorie Taylor Greene (R-Ga.), was when she appeared on “The View,” you could be forgiven if you thought what an intelligent, rational, woman she is. If it wasn’t the first time you saw her, you just wondered what happened to the wacko you thought you knew. 

Marjorie Taylor Greene has stood up for the women who were the victims of Jeffrey Epstein and his friends. She was one of the 218 who signed on to bring the bill to release the files to a vote in the House. I think the vote will be more lopsided than people think, getting many more Republicans. After it passes the House, it will go to the Senate, and if it passes there, to the felon, for him to decide — will he sign it or veto it?

Greene has also spoken out and criticized the Republican Party for not agreeing to extend the tax credits for the ACA, to ensure the cost of insurance premiums remain at least affordable for most. Again, we all had to wonder what happened to the real MTG, the non-repentant Trumper. This version of Greene has driven the president to an apoplectic state. He has given her a new nickname, and accused her of betraying the entire Republican Party. These are quotes from Trump on social media last Saturday: He called her the “Lightweight Congresswoman Marjorie Taylor Brown (Green grass turns brown when it begins to ROT!),” based on what she said. He accused her of turning left, and according to him “performed poorly on the pathetic View, and became the RINO that we all know she always was. Just another fake politician, no different than Rand Paul Jr. (Thomas Massie), who got caught being a full-fledged Republican In Name Only (RINO)! MAKE AMERICA GREAT AGAIN!!!.” 

Although I support what Greene is saying on these two issues we shouldn’t forget Greene is the woman who said, “joining the military is “ like throwing your life away” while discussing the U.S. withdrawal from Afghanistan on Fox News. She also said regarding two July 4th incidents in which seven people were fatally shot at an Independence Day parade in Highland Park, Illinois, and two police officers were gunned down in Philadelphia, “Two shootings on July 4: One in a rich white neighborhood and the other at a fireworks display. It almost sounds like it’s designed to persuade Republicans to go along with more gun control.” Then when talking about the Jan. 6, 2021, attack on the Capitol, in which hundreds of Trump supporters stormed the building to stop certification of the presidential election results, she called it “a little riot.” Very bizarre. We are all definitely living in Trump’s alternate universe. 

I think the thing that bothers the felon the most is Greene’s insistence the Epstein files be released. It is interesting there is nothing yet public that implicates Trump in actively participating in any pedophilia with Epstein. Some of the released emails do implicate him in knowing what Epstein was doing, but not speaking out about it. But what is making the felon in the White House apparently hysterical, and fighting so hard, to keep the Epstein files from the public? What does he know is in them, that we don’t? He has tried every distraction to move this off the front-page including bombing Venezuelan ships he claims are carrying drugs, without any proof, and threatening a land war against Venezuela. Since that hasn’t worked, he is having his AG, his lapdog, Pam Bondi, have a prosecutor look at only what Democrats could be involved in the Epstein scandal, clearly hoping if there is an active investigation it could keep the files away from the public, possibly for years. 

Because of the recent election results, the felon is backtracking on the tariffs he said were so important, and a huge positive, for the United States. Those results clearly showed the people are blaming him, and the Republican Party, for the rising prices. Even to a clueless, evil, human being like him, it has become clear the tariffs are making life worse for the American people. 

So, I say to Marjorie Taylor Greene: Stay this new course you are on. Keep up the work attacking the felon, and Republicans who are going along with him. Know that even those of us who think you are a wacko, thank you. 


Peter Rosenstein is a longtime LGBTQ rights and Democratic Party activist.

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