Arts & Entertainment
“Star Trek” and Queer Space
The first openly gay characters in the “Star Trek” television universe weren’t introduced until 2017.
“Star Trek” blazed some trails in its early days with women in leadership roles and the first inter-racial kiss on television, but how was it at portraying queer stories and characters? This is a question that we began wondering about when working on the National Air and Space Museum’s recent QueerSpace project. It may have been being a leader in terms of gender and racial integration, but it turns out this environment of inclusion did not extend to queer identity.
Star Trek’s groundbreakingly diverse cast helped signal that the show took place far in the future, making the delay in introducing LGBTQ+ characters even more pronounced. Surely this future society wouldn’t be exclusively heteronormative and cisgender?
In the 1980s, science fiction fans began calling on “Star Trek” for queer inclusion in the series. The late 1980s-early 1990s tv show “Star Trek: The Next Generation” released a few episodes with allegories to queer experiences, including “The Host” which involved a character falling for an alien who changed bodies — and gender presentations, and “The Outcast,” which uses gender identity as an allegory for homesexuality in a way that disappointed fans at the time and doesn’t hold up today.
The first openly gay characters in the “Star Trek” television universe weren’t introduced until 2017. On “Star Trek: Discovery,” Paul Stamets and Dr. Hugh Culber, portrayed by LGBTQ+ actors Anthony Rapp and Wilson Cruz, are the first openly gay characters and the first gay couple portrayed in the central cast of a “Star Trek” tv show. Later, the show also introduced a non-binary teenager named Adira and their boyfriend Gray, who is trans.
Although we cannot change the past and the time it took for queer representation on “Star Trek,” what we can do is continue to establish science fiction as a realm that is welcome to people of all backgrounds because, after all, the future — real or imagined — is what we make it.
In one of the episodes of our QueerSpace podcast limited series, we explore just that through an interview with a local bookseller about queer worldbuilding in science fiction literature. Other episodes explore the community of gay flight attendants in the 1970s, the Air Force and Space Force’s LGBTQ Initiative Team, and how themes of space and queerness intersect in art.
Read our full exploration of LGTBQ+ inclusion in “Star Trek” and listen to episodes of the QueerSpace podcast at airandspace.si.edu/QueerSpace
Photos
Center for Black Equity honors leaders, activists at BE. Gala
Miyake-Mugler, Oakes co-host annual awards ceremony
The Center for Black Equity held its annual BE. Gala at Conrad Washington, D.C. on Saturday, Oct. 5. Lolita Leopard Miyake-Mugler and Anthony Oakes co-hosted the awards ceremony.
Honorees included journalist and producer Justin Stewart; nonprofit leader Nikki Alexander; HIV advocate Marlene McNeese; the nonprofit organization FreeLux Project; actress Monroe Alise; public health advocate Tori Cooper; Manassas Park Vice Mayor Darryl G. Moore; Rev. Dr. Carmarion D. Anderson; Bishop Steven Sawyer; government relations professional Courtney Snowden; Senior Deputy Director of HAHSTA at D.C. Health, Clover Barnes; and Texas state Rep. Venton C. Jones.
The event was sponsored by Gilead.
(Washington Blade photos by Michael Key)






























Books
In ‘The Lost Brontë,’ a complicated lie can lead to danger
New book features sweetly romantic girl-meets-girl twist
‘The Lost Brontë’
By Catherine Friend
c.2026, Bywater Books
$22.95/335 pages
Mom always said to tell the truth.
One lie leads to another and another and you have to remember them all until pretty soon, you’re caught. Fibs are hard, mistruths are messy, even little white social lies can destroy trust. Worst of all, as in the new novel, “The Lost Brontë” by Catherine Friend, a complicated lie can lead to danger.

Though Lilianne Loxley was very young when she lost her parents, she understood that her uncle didn’t really want her. As time passed, though, Lily made herself useful to Uncle, writing and signing letters for him and she became a good companion, helping him with his collection of Brontë memorabilia. Uncle was a keen enthusiast.
She had no idea that his obsession was out of control and he was deeply in arrears. The day Lily learned of his debt was the day she learned that he’d agreed to send her to his debtor’s home to work off the money owed.
It was so sudden. One minute, Lily was at Loxley House, happy and loved by Uncle’s staff … and five hours later, she was at Crag Thorn Manor, home of Lord Bexton, who informed her that she’d be working on his ledgers – work that seemed routine, but Lily tackled it.
Uncle always did say she was headstrong.
But would headstrong be enough to survive, when she was restricted from most of the Manor, when she was forced to dine with Brexton and his slimy friend, or – the worst! – when Brexton told Lily that her next task was to forge a letter from Emily Brontë? And then an entire manuscript?
Lily struggled to do what was right. She had to get Uncle out of debt but this last order horrified her. Did she dare refuse Brexton’s orders and commit a crime? It was unthinkable!
The only brightness in the whole situation was Wren, the ladies’ maid assigned to Lily’s room. Wren was adorable with freckles and the sweetest smile. But with everything else happening at Crag Thorn Manner, could Lily act upon her feelings?
This time of year, you may come to crave dark, spooky stories, and “The Last Brontë” fits those needs perfectly with its Gothic deliciousness. Think: Daphne du Maurier-type, stormy-night squirms with a dangerously chaste, sweetly romantic girl-meets-girl twist for fun.
If it’s been awhile since you’ve read a Gothic novel, you’re in for a nice reminder of why you love them here. You can almost tick off the must-haves: a novel like this is nothing without a foreboding stone manor with damp walls; stone steps to a dank basement; a mysterious portrait; and a nearby bog, and author Catherine Friend gives readers every one of them. You’d be disappointed if there was no ghost, wouldn’t you? Ha. You can practically feel the cold blow through the attic, right? Yeah, it’s that kind of book.
If you’re a fan of the Brontës, you’ll like this novel. If you love Gothic mysteries or Victorian romances, ditto. “The Lost Brontë” is good, no lie.
The Blade may receive commissions from qualifying purchases made via this post.
Out & About
CAMP Rehoboth Block Party returns Oct. 18
Expect performances, vendors and more at annual celebration
CAMP Rehoboth will host its annual Block Party celebration on Sunday, Oct.18 at 11 a.m. on the second block of Baltimore Avenue in downtown Rehoboth Beach.
CAMP Rehoboth invites all community members to join in the festivities and to expect magnificent performances and dozens of vendors, including artists, craftspeople, non-profits, businesses, and more.
The event started in 2015 in celebration of CAMP Rehoboth’s 25th anniversary. This year, attendees can expect to shop sea glass art, pottery, jewelry, Pride merch, body care, clothing, and learn more about local non-profit causes and businesses.
Attendance is free. For more details, visit CAMP Rehoboth’s website.
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