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“Star Trek” and Queer Space

The first openly gay characters in the “Star Trek” television universe weren’t introduced until 2017.

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Photo courtesy of National Air and Space Museum.

“Star Trek” blazed some trails in its early days with women in leadership roles and the first inter-racial kiss on television, but how was it at portraying queer stories and characters? This is a question that we began wondering about when working on the National Air and Space Museum’s recent QueerSpace project. It may have been being a leader in terms of gender and racial integration, but it turns out this environment of inclusion did not extend to queer identity. 

Star Trek’s groundbreakingly diverse cast helped signal that the show took place far in the future, making the delay in introducing LGBTQ+ characters even more pronounced. Surely this future society wouldn’t be exclusively heteronormative and cisgender?

In the 1980s, science fiction fans began calling on “Star Trek” for queer inclusion in the series. The late 1980s-early 1990s tv show “Star Trek: The Next Generation” released a few episodes with allegories to queer experiences, including “The Host” which involved a character falling for an alien who changed bodies — and gender presentations, and “The Outcast,” which uses gender identity as an allegory for homesexuality in a way that disappointed fans at the time and doesn’t hold up today.

The first openly gay characters in the “Star Trek” television universe weren’t introduced until 2017. On “Star Trek: Discovery,” Paul Stamets and Dr. Hugh Culber, portrayed by LGBTQ+ actors Anthony Rapp and Wilson Cruz, are the first openly gay characters and the first gay couple portrayed in the central cast of a “Star Trek” tv show. Later, the show also introduced a non-binary teenager named Adira and their boyfriend Gray, who is trans.

Although we cannot change the past and the time it took for queer representation on “Star Trek,” what we can do is continue to establish science fiction as a realm that is welcome to people of all backgrounds because, after all, the future — real or imagined — is what we make it.

In one of the episodes of our QueerSpace podcast limited series, we explore just that through an interview with a local bookseller about queer worldbuilding in science fiction literature. Other episodes explore the community of gay flight attendants in the 1970s, the Air Force and Space Force’s LGBTQ Initiative Team, and how themes of space and queerness intersect in art. 

Read our full exploration of LGTBQ+ inclusion in “Star Trek” and listen to episodes of the QueerSpace podcast at airandspace.si.edu/QueerSpace

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Photos

PHOTOS: Pride on the Pier

Seventh annual LGBTQ celebration held at The Wharf DC

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The Washington Blade's Pride on the Pier was held on Saturday, June 13. (Washington Blade photo by Landon Shackelford)

The Washington Blade held the seventh annual Pride on the Pier at The Wharf DC on Saturday, June 13.

(Washington Blade photos by Landon Shackelford)

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Photos

PHOTOS: Lost River Pride

LGBTQ celebration held in rural West Virginia

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Singer/songwriter Tom Goss performs at Lost River Pride on Saturday, June 13. (Washington Blade photo by Michael Key)

The 2026 Lost River Pride Festival was held on the scenic grounds of the Lost River Farmers Market in Lost City, W.Va. on Saturday, June 13. Headliner Tom Goss performed at the festival and gave a second performance at the nearby Guesthouse Lost River.

(Washington Blade photos by Michael Key)

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Books

David Archuleta on Mormon faith, ‘Idol,’ more in new book

Unique memoir details religious upbringing, coming out

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(Book cover image courtesy of Gallery Books)

‘Devout: Losing My Faith to Find Myself’
By David Archuleta
c.2026, Gallery Books
$29/290 pages

So just make up your mind already.

The decision is very much in your control – or, at least that’s how it’s supposed to be. It’ll be your future, your path, and seizing it may not just be necessary, but mandatory. It’s your life, and no one can live it for you. As in the new memoir “Devout” by David Archuleta, that goes for career and for love, too.

Born to parents who both had musical careers before they wed, David Archuleta remembers an early childhood growing up in a Hispanic Mormon community in Florida, where kin was always nearby. He was six when his parents moved the immediate family to Utah; the first thing he remembers about that is the snow, and how it was so cold, it burned.

Because music was in his blood, Archuleta grew up singing and dancing, often with his mother whom he calls “my rock.” It was his father, however, who encouraged him to perform; first, with a gentle push, then a shove toward a career Archuleta didn’t really want.

But he did want to make his father happy, so he went along with the contests, embarrassing meet-and-greets with stars, and uncomfortable introductions. Slowly, though, performing became more fun, and Archuleta made friends.

Meanwhile, back home, everything was breaking apart. A “family friend” whom Archuleta refuses to name accused his father of abuse. He was exonerated, but it affected the family’s closeness and they stopped being affectionate.

That was a painful backdrop to Archuleta’s soaring career, his appearances on Star Search, friendships with other rising stars, his runner-up spot on “American Idol,” tours, and recording contracts. His father kept pushing him.

But there was one thing missing.

Since he was a boy, Archuleta had known that he was attracted to men, but his Mormon faith taught him that that was unacceptable. Kissing, his abuelita said, was wrong. He tried hard to date girls, in the most chaste way. Anything past that was against God – and anything at all with a man was unthinkable.

Though it absolutely favors his personal life and dwells on it a bit too much, “Devout” strikes an otherwise nice balance between that, author David Archuleta’s career, his sexuality, and his faith. The latter two are loaded with controversy.

You don’t need to be Mormon to fully understand the faith part; Archuleta offers non-Mormons a brief education, so readers can see the importance of the Church’s teachings in his life and why he felt the need to abandon it as his understanding of his bisexuality grew. It’s emotionally raw and honest, but also so respectful that it almost bears re-reading. Such candor and the heart-on-his-sleeve tone you’ll sense are features in the entire book, alongside Archuleta’s family’s struggles and his learning to strike out alone.

It’s harmonious in more ways than one, and fans will be happy.

So, too, will anyone who wants a unique memoir with a dose of faith, or someone who’s an “American Idol”watcher. Find “Devout” and be sure to share. You won’t mind.

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