Celebrity News
The death of Irene Cara and the broken promise
Singer inspired a generation of gay men
![](https://www.washingtonblade.com/content/files/2022/11/Irene-Cara-via-JM-Media-Group.jpg)
As I walked down the dark alley towards the glowing light, the opening bridge of the song called to me. āBaby, look at me and tell me what you see, You aināt seen the best of me yet, Give me time, Iāll make you forget all the rest, I got more in me…āĀ
The movie “Fame” had just come out and its anthem theme song was HOT. The glowing light that night was a gay disco, tucked away from heterosexual view, while gay bashers circled in trucks a few blocks away. That safe haven in the dark alley allowed me, a 20-year old youth, a path out of the closet in which I emotionally and sexually had residence. To me, the words of the song “Fame,” and its overwhelming delivery, was my inner drive and conviction that I could be me, and my own personal superstar.
The young woman delivering the song was barely an adult herself. Irene Cara had been a child performer and was now breaking into the fame she was singing about. She was āinstantlyā famous thanks to “Fame.” Amongst other accolades, she was nominated for a Best New Artist Grammy. The song itself won the Oscar that year.
The Grammy nomination put a public trapping on what we all knew: She was a star, and had all the makings to become a superstar, an icon.
For LGBTQ people, her work that year spoke to our souls and our optimism. As āRandy 503ā shared on the Joe.My.God site,Ā āI was a deeply closeted and lonely kid in my early 20s. Not lonely because I didn’t have friends (had tons of them,) but lonely because I refused to admit I was gay and kept away from all that. I saw the movie and was transfixed. Bought the album and played it all the time, especially her songs. Her voice was so strong, and so expressive, it really touched me.āĀ
Caraās second song in the movie also resonated with the gay audience. While “Fame” spoke to the sassy optimism of embracing our outstanding selves and taking the world by storm, “Out Here On My Own” spoke to the dark loneliness of the closet. āSometimes I wonder where Iāve been, who I am, do I fit in ā¦ when Iām down and feeling blue, I close my eyes so I can be strong and be with you ā¦ I dry the tears Iāve never shown, Out here on my own.ā
Randy points out,Ā āOut here on my own always left me in tears. It hit so close to home, and I could feel sadness on it. It’s a great song sung by one of the best.ā
After the success of “Fame,” Cara ventured into a sitcom pilot and a freshman album, āAnyone Can See.ā Neither caught the world on fire, as apparently only some of us could actually āseeā her real worth.
It was not long after however, where Caraās apparent life mission to deliver culture changing anthems, came calling again. She was recruited to help out with the new “Flashdance” movie, and to work with iconic gay producer Giorgio Moroder for its theme song. Cara was reportedly reluctant. She had already been criticized as a second tier Donna Summer with “Fame,” and was hesitant to get into that musical lane. Later she would work with John Farrar whom she credited as being responsible for ALL of Olivia Newton Johnās hits. It seems that her superstar aspirations were more to be Pop Princess than another Queen of Disco.
She did sign on board with Moroder and “Flashdance,” and made history. Her song “Flashdanceā¦ What a Feeling” went to #1 for six straight weeks. It affected American culture in style, attitude and substance. On Academy Awards night, Cara made history again. (She had already made history in a minor way a few years before as the first person to ever perform two nominated songs in one evening.) This time, she became the second African American woman to win an Oscar ā the first being “Gone With the Wind”ās Hattie McDaniels.Ā
Cara was the first African American woman to ever win a non-acting Oscar ever.
The anthem “Flashdanceā¦What a Feeling” spoke to LGBTQ audiences of the 80s, in a way that “Fame” had. āFirst when thereās nothing but a slow glowing dream that your fear seems to hide deep inside your mind. All alone, I have cried silent tears full of pride in a world made of steel, made of stone, Well, I hear the music, close my eyes, feel the rhythm wrap around, take hold of my heart. What a feeling, being is believing I can have it all..ā
Online, Joe.My.God reader BearlvrFl shared, āLUV the song āOut Here On My Ownā I call ‘Flashdance: What A Feeling’ my coming out song, popular on the dance floor very close to the time I finally came out at the age of 22. I could relate to āTake your passion/And make it happen.ā Super simple lyric, but itās timing was everything for me, having been closeted for so long.ā
This time, AIDS had brought a very dark cloud over the community, however. Its ravage was starting to take widespread hold. It made the line in the song ānow Iām dancing for my lifeā even more poignant and relevant.
The darkness that was falling over the LGBT world was on a parallel track in Caraās own life. As she picked up Oscars and Grammys, there was a sadness in her eyes above the smile on her face. She shared later that the public glory was matched with a behind-the-scenes horror story. Her record company was keeping her from garnering any success from her accomplishments. Columnist Liz Smith stated in a 1993 piece that Cara earned only $183 in royalties.
Cara inspired women of her generation. Patti Piatt shared on Twitter, āI am from a generation of women who thought anything was possible because of Irene Cara. She gave us so much joy. We all danced to her songs, didn’t matter if we could dance, we danced because she made us want to dance.ā
In spite of singing THE anthem of women empowerment, Cara became an example of a woman destroyed by the male dominated music industry. As she fought back for earnings due her, she became black-listed, and her trek to superstardom halted. They made her all but disappear. A decade later, she won, but by that time, the damage had been done.
Her final solo album subconsciously called out her professional demise with songs titled āNow That Itās Over,ā āGet a Gripā and the ultimate defeatist title āSay Goodnight Irene.ā
āI know well enough this is going nowhere ā¦ Might as well say goodnight, Say Goodnight, Irene.ā
In the end, she seemed to find peace. Her final professional projects were gifts to other women musicians of color. She comfortably settled into what she called āsemi-retirementā and her Florida home with a steady stream of funds from her hard-earned residuals.
The promise of becoming a superstar eluded her, but she busted the ceiling so it might not elude others. Painfully for fans, the promise from the song “Fame,” āIām gonna live foreverā also did not come true.Ā
Letās instead, think of her making āit to heavenā and lighting āup the sky like a flame.ā
For those trying to find final meaning from her life, and the un-fulfilled promise of what could have been for her and for us, may do so in the words from her lesser-known anthem. Here we swap out a promise instead for “The Dream”:Ā
āWe can all be free, we hold the key, if we can see what we want to be. Life is never easy, you get no guarantees, why not give your all and see what you can find?ā
And, yes.
Irene Cara, we will always remember your name.
“The Dream”
*************************
![](https://www.losangelesblade.com/content/files/2022/05/Rob-HD-SHOT-400x600.jpg)
Rob Watson is the host of the popular Hollywood-based radio/podcast show RATED LGBT RADIO.
He is an established LGBTQ columnist and blogger having written for many top online publications including Parents Magazine, the Huffington Post, LGBTQ Nation, Gay Star News, the New Civil Rights Movement, and more.
He served as Executive Editor for The Good Man Project, has appeared on MSNBC and been quoted in Business Week and Forbes Magazine.
He is CEO of Watson Writes, a marketing communications agency, and can be reached at [email protected] .
Celebrity News
Adele shuts down ‘Pride sucks’ heckler at Las Vegas show
British singer is a long-time LGBTQ ally
![](https://www.washingtonblade.com/content/files/2024/06/Adele_screen_capture_insert_via_YouTube.jpg)
British pop megastar and longtime LGBTQ ally Adele reacted to a member of the audience who repeatedly yelled “Pride Sucks” in between songs during her show Saturday night in Las Vegas.
Adele, who is continuing her iconic residency,Ā Weekends with Adele, at the Colosseum at Caesars Palace, has been a strong LGBTQ supporter. Last year, she celebrated Pride Month during her Las Vegas residency wearing a black dress with a rainbow flag train and Pride-themed confetti.Ā
Sitting down on the piano bench next to her pianist bantering with the audience which is routine, the singer eviscerated the unseen audience member:
āDid you come to my fucking show to say Pride sucks? Are you fucking stupid?ā Adele angrily said reacting. āDonāt be so fucking ridiculous. If you have nothing nice to say, shut up, alright?ā
The incident, which was caught on cell phone footage and posted to X, has since gone viral:
Adele goes off on audience member who yelled āPride sucksā at her concert tonight:
— Pop Base (@PopBase) June 2, 2024
āDid you come to my f*cking show and just say that Pride sucks? Are you f*cking stupid? Donāt be so f*cking ridiculous. If you have nothing nice to say, shut up, alright?ā pic.twitter.com/M3yl2mdzLV
Adele did not hold back when an audience member yelled āPride sucks!ā during her Las Vegas residency on Saturday night.
— Variety (@Variety) June 2, 2024
āDid you come to my f—ing show and just say that Pride sucks?" the singer said. "Are you f—ing stupid?" https://t.co/tDbvFCJRcT
āHappy Pride… not to you thoughā (points to the man who yelled Pride sucks). š#WeekendsWithAdele
— Adele Daily (@adeledailynet) June 2, 2024
pic.twitter.com/Jl0dqymy40
Celebrity News
Actor Richard Dreyfuss mocks transgender people in misogynistic rant
āJawsā star appeared at suburban Boston theater
![](https://www.washingtonblade.com/content/files/2024/05/Dreyfuss-in-dress.jpg)
Patrons at The Cabot theater in the suburban Boston town of Beverly were all set to celebrate the 49th anniversary viewing of the classic 1975 Steven Spielberg horror film “Jaws,” along with a question and answer with one of the film’s stars actor Richard Dreyfuss, when from the minute Dreyfuss appeared on stage, the event derailed.
Dreyfuss walked onto the stage wearing a blue floral pattern house dress, pausing to turn away from the audience and shake his hips suggestively, actions that were caught on multiple mobile phone video footage posted online. Then two stage hands appeared and tore the dress off the actor who then took his seat opposite the event’s moderator.
According to Variety and the Boston Globe’s reporting, Dreyfuss ranted about subjects reported to include transgender people, Barbra Streisand, the #MeToo movement, and women in general. As attendee Diane Wolfe described it toĀ the Boston Globe, ā[Dreyfuss] said that the parents of trans youth, allowing them to transition, was bad parenting and that someday those kids might change their minds.ā
![](https://www.losangelesblade.com/content/files/2024/05/The-Cabot-advert-for-event-600x597.jpg)
A number of members of the audience took offense and left the venue. On The Cabot’s Facebook page one attendee wrote: āThis was disgusting. How could The Cabot not have vetted his act better. Apparently (I found out too late), he has a reputation for spewing this kind of racist, homophobic, misogynistic bull crap.ā
The Cabot has since limited commenting on its page.
The Cabot Executive Director J. Casey Soward on Sunday apologized in a statement that read:
āWe regret that an event that was meant to be a conversation to celebrate an iconic movie instead became a platform for political views. We take full responsibility for the oversight in not anticipating the direction of the conversation and for the discomfort it caused to many patrons,ā Soward said. āWe are in active dialogue with our patrons about their experience and are committed to learning from this event how to better enact our mission of entertaining, educating and inspiring our community.ā
WBSM News Talk Sports Radio in New BedfordāFall RiverĀ reported that The Cabot also sent an email, that the station had been forwarded, to those who purchased tickets apologizing.
āDear Cabot Patrons,
I am writing to address an important matter concerning last nightās event with Richard Dreyfuss at The Cabot.
We deeply regret that Mr. Dreyfussās comments during the event were not in line with the values of inclusivity and respect that we uphold at The Cabot. We understand that his remarks were distressing and offensive to many of our community members, and for that, we sincerely apologize.
At The Cabot, we are committed to fostering a welcoming and inclusive environment for all members of our community. The views expressed by Mr. Dreyfuss do not reflect our beliefs, and we do not endorse them in any way.
We take full responsibility for the oversight in not anticipating the direction of the conversation and for any discomfort it caused.
We are taking immediate steps to ensure that such an incident does not happen again. This includes more rigorous vetting of our event participants and more proactive communication strategies to keep our audience informed.
Thank you for your understanding and continued support of The Cabot.
We value your feedback and are dedicated to learning from this experience to better serve our community.ā
The actor has a lengthy record of anti-trans remarks and bigotry. He has directed transphobic rants about trans youth affirming their gender and has taken aim at the Academy of Motion Pictures and Sciences calling out the Academy’s diversity efforts in a 2023 PBSā Firing Line broadcast saying that the Academy’s focus on diversity āmakes me vomit.ā
āWeāre so fragile that we canāt have our feelings hurt,ā he also said. āWe donāt know how to stand up and bop the bully in the face.ā
Deadline reported that Dreyfuss apparently made similar comments at a Friday nightĀ “Jaws”Ā screening at the Music Hall in Portsmouth, N.H. āI live in Mass, but The Cabot showing was all booked so I saw him in N.H. on May 24,ā a Facebook commenter wrote. āHe made anti-gay remarks that night too.ā
The actor has not responded to requests by multiple media outlets for comment.
Celebrity News
John Waters released from hospital after car accident
Crash took place in Baltimore County
![](https://www.washingtonblade.com/content/files/2022/02/John_Waters_insert_c_Washington_Blade_by_Michael_Key.jpg)
BY TAJI BURRIS | Baltimore filmmaker John Waters was released from the hospital Tuesday morning following a car accident.
The 78-year-old released a statement saying that although he was hurt in the Baltimore County crash, he did not sustain major injuries.
The rest of this article can be found on the Baltimore Banner’s website.
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