District of Columbia
‘Talking Trans History’ explores lives of D.C. advocates
Rainbow History Project holds first panel for city-funded Trans History Initiative

Longtime D.C. transgender rights advocates Earline Budd and Gabrielle ‘Gibby’ Thomas gave personal accounts of their transition as transgender women and their work as trans rights advocates Tuesday night, Jan. 24, at a “Talking Trans History” panel discussion organized by D.C.’s Rainbow History Project.
Joining them as a panelist was Rayceen Pendarvis, the acclaimed local event host, public speaker, and LGBTQ community advocate. Pendarvis, among other things, told of being nurtured and taught by dynamic transgender women who proudly affirmed their identity not only as trans people but productive citizens in the community at large.
Vincent Slatt, Rainbow History Project’s director of archiving, served as moderator of the panel discussion. He told the audience of about 25 people who gathered at the Southwest Branch of the D.C. Public Library that the event was the first of many such panels planned by the project’s recently launched Trans History Initiative.
Slatt noted that Rainbow History Project received a $15,000 grant for fiscal year 2023 from the Mayor’s Office of LGBTQ Affairs to conduct the Trans History Initiative. The initiative plans to “better integrate the often-under-represented histories of trans people into our programming,” according to a RHP statement.
Budd, 64, who has been a trans-identified activist since the 1970s, became involved in the 1980s with supporting people with HIV/AIDS before founding the D.C. organizations Trans Health Empowerment and Empowering the Transgender Community (ETC), for which she currently serves as executive director. She has received numerous awards for her work in support of the trans community and her self-proclaimed role as “the advocate” for the trans and LGBTQ community.
In her remarks at the panel discussion, Budd told of her childhood upbringing in a religious family where, like many trans people, her parents didn’t approve of her early identity as a girl.
“I want to say that around eight or nine my mother found me to be different,” Budd said. “The difference was she would lay my clothes out, my sister’s clothes and my clothes for us to go to school. And when I would come downstairs, I would always have on my sister’s clothes,” Budd told the gathering.
“And she would say why do you have on your sister’s clothes?” Budd continued. “I said mommy, it fits. No, it does not, you’re a boy,” Budd quoted her mother as responding. “And let me tell you, that went on and on and on,” said Budd, who told how she eventually parted ways with her parents and left the house to embark on her role as one of D.C.’s leading trans advocates.
Among her many endeavors was successful discrimination complaints, including one against a D.C. skating rink and another against the D.C. Jail for discrimination based on gender identity. Budd told how she won in both cases, with strong backing from the D.C. Office of Human Rights.
Pendarvis, among other things, spoke about how an association with trans women as a young adult helped to shape Pendarvis’s longstanding and award-winning role as co-founder of Team Rayceen Productions, including 10 years as leading host of “The Ask Rayceen Show,” which highlighted topics promoting the LGBTQ and trans community in D.C.
Similar to Budd, Pendarvis has received numerous awards and honors, including recognition from the D.C. City Council, for work as a host and speaker at LGBTQ-related festivals, fundraisers and other events.
“As an activist and host, I have been blessed to do many things,” Pendarvis told the panel discussion gathering. “For many who do not quite know how to identify or ask me to identify, first of all, I’m a human being,” Pendarvis said. “I am a father of five and a mother of many.”
Pendarvis added, “I’m a human being first and foremost, a child of God. And my trans sisters uplifted me first, embraced me first. I came out in a community where our transgender sisters were always on the front line.”
Thomas, 65, told the panel session she is a native of North Brentwood, Md., located just outside D.C., but D.C. became her home since shortly after finishing high school. She began her work in the LGBTQ community in 1989 as a caregiver for people with HIV. She has since worked for the local organizations Us Helping Us, Transgender Health Empowerment, and Terrific, Inc. She currently works for Damien Ministries and its “Trans Specific” programming called Shugg’s Place that, among other things, focuses on providing services for transgender older adults.
She told of her growing up as one of seven children in a family whose mother and father, she said ‘were very loving.” But like other trans kids, Thomas said her parents were uncomfortable over her desire to identify as a girl. A more understanding next door neighbor allowed Thomas to spend time in her house as Thomas helped with household errands.
“I would go to the store and things like that for her,” Thomas said. “But what’s most important, I could dress as I wanted to in her house. She would give me dresses that I could wear. And I could go up there and put on my dresses and watch TV,” Thomas continued. “And then I would get to take my dress off and go home because mom and daddy wasn’t standing for that.”
At around the age of 10, Thomas said, she was aware of current events and observed that her father was a strong supporter and admirer of Martin Luther King Jr. and his civil rights leadership. “I said you can march with Martin Luther King for everybody else’s rights but you are going to deny me mine,” she recalled telling her father.
Thomas said she initially began patronizing D.C. gay bars after befriending gay men from her high school. A short time later, after realizing that the gay scene was not who she was, she discovered the then D.C. gay drag bars Louis’ and The Rogue and had a chance to meet “people like me.” But she said someone she met at one of those two bars introduced her to the then D.C. Black gay bar called the Brass Rail, where transgender women hung out.
“And I said, oh my God, I am home. This is heaven,” Thomas told the panel gathering. “When I came to the Brass Rail I felt like I was home” as a trans person, Thomas said. “I met so many terrific people.”
She went on to tell about the trials and tribulations of fully transitioning as a trans woman and her growth as a transgender activist with a career dedicated to supporting the trans and LGBTQ community.
Japer Bowles, director of the Mayor’s Office of LGBTQ Affairs, spoke briefly at the start of the Talking Trans History panel discussion. He said the mayor’s office was excited to be supporting the Rainbow History Project’s newly launched Trans History Initiative.
“I’m really, really excited to work for a mayor who not only is fighting for things for our community, but truly funding these opportunities,” Bowles said. “This is about you and our trans communities. So, I’m here to listen.”
Slatt also announced at the panel session that Rainbow History Project has a paid job opening for one or more positions to help run the city funded Trans History Initiative. He said information about the job opening for people interested in applying can be obtained through RHP’s website. He said a video recording of the panel session would be posted on the website in a week or two.
District of Columbia
Gay Men’s Chorus of Washington to celebrate Spring Affair honorees
‘Their work inspires our music and deepens our mission’

For 44 years, the Gay Men’s Chorus of Washington (GMCW) has served as a powerful voice for love, unity, and pride among Washington’s LGBTQ community and its allies. Since its first performance in 1981—at the opening of the National Gay Task Force’s Washington office (later becoming the National LGBTQ Task Force)—GMCW has built a politically engaged and culturally significant legacy as one of the nation’s foremost LGBTQ performing arts organizations.
As its music and mission evolved, GMCW deepened its involvement in supporting LGBTQ individuals and allies alike. In 2004, the chorus launched its first Spring Affair fundraiser. This annual event not only generates financial support for the inclusive choral group, but also honors individuals and organizations in the Washington community who exemplify GMCW’s mission of unity, equity, and empowerment through music.
Each year at the Spring Affair gala, the chorus honors one community leader, one external organization, and one GMCW member. For the 2025 gala, GMCW will recognize Bishop Mariann Edgar Budde, Atlas Performing Arts Center, and GMCW member Keygan Miller.
“These honorees remind us why we sing,” said Thea Kano, artistic director of the Gay Men’s Chorus of Washington, DC, in an email. “In moments when our community has needed strength, they’ve offered hope. Whether it’s a brave voice from the pulpit, a tireless advocate for our youth, or an organization that opens its doors to every story—each has chosen to lead with love, truth, and courage. Their work inspires our music and deepens our mission.”
GMCW will honor Bishop Mariann Edgar Budde, the first woman elected to lead the Episcopal Diocese of Washington, as its 2025 individual award recipient. A longtime champion of equity and inclusion, Bishop Budde gained national prominence during the Inaugural Prayer Service at Washington National Cathedral, where she spoke directly to newly sworn-in President Donald Trump.
“Have mercy, Mr. President,” she implored, lifting the hopes of the most vulnerable Americans targeted by Trump’s policies—particularly LGBTQ and immigrant communities. Her bold words signaled to the nation that she remains a genuine and outspoken voice for justice, unity, and truth, inspiring compassion and faith within and beyond her religious community.
GMCW will present the Harmony Award for an Organization to the Atlas Performing Arts Center, located in the historic H Street, N.E. corridor. In 2024 alone, Atlas hosted more than 400 events and provided $1.6 million in free and discounted tickets, arts education, community programming, and space use. Through this work, Atlas has amplified “artistic voices that reflect the full diversity of our community.”
The center has long partnered with GMCW, offering space for open mic nights, cabarets, GenOUT Chorus events like the Youth Summit, and even memorial services such as that for Bobby T. Boaz. Atlas exemplifies GMCW’s mission of storytelling, equity, and civic connection through programs like the INTERSECTIONS Festival and City at Peace.
“We are absolutely thrilled and deeply honored that the Atlas Performing Arts Center has been named a recipient of the GMCW Harmony Award! This recognition is a powerful affirmation of our commitment to uplifting voices, fostering inclusive creative expression, and building a space where everyone feels seen, heard, and celebrated,” said Jarrod Bennett, Executive Director of the Atlas Performing Arts Center.
“At the Atlas, our mission is rooted in the belief that the arts are for everyone—and that through performance, dialogue, and community, we can help shape a more just, compassionate world. To be acknowledged by the Gay Men’s Chorus of Washington, DC—an organization that has long stood at the forefront of championing equality and advancing the well-being of the LGBTQ+ community—is a profound and humbling honor. We continue to be inspired by GMCW’s work and are proud to stand alongside them in this shared vision. Thank you, GMCW, for this beautiful recognition. We carry it forward with gratitude and renewed energy for the work ahead.”
Finally, GMCW will honor Keygan Miller, a chorus member since 2017, for their leadership, advocacy, and commitment to equity both onstage and off. Within GMCW, Miller served as Vice President of Diversity and Inclusion, led conversations to expand trans inclusion, authored the “Day One” pledge, and played a critical role in shaping inclusive programming.
Outside the chorus, Miller serves as Director of Public Training for The Trevor Project, a national nonprofit focused on crisis intervention and suicide prevention services for LGBTQ youth under 25. They previously worked as an Advocacy Manager at the Trevor Project, where they championed policies protecting LGBTQ+ youth at every level of government.
As GMCW continues its mission to uplift and unite through music, the organization encourages new voices to join its ranks. GMCW welcomes all singers—regardless of gender identity or sexual orientation—who can sing in the lower vocal registers.
The 2025 Spring Affair Gala will take place on May 17, 2025, at The Ritz-Carlton, Washington, D.C. This annual benefit supports GMCW’s artistic and educational programming. For tickets, audition information, and more, visit GMCW.org.
District of Columbia
Activists stage reenactment of 1965 gay rights protest at White House
Event marked 60th anniversary of historic picketing

With dozens of tourists watching, a little over two dozen LGBTQ activists walked in a circular picket line carrying “homosexual rights” signs on the sidewalk in front of the White House on April 17 in a reenactment of the historic 1965 first gay rights protest outside the White House.
Organized by D.C.’s Rainbow History Project, the event marked the 60th anniversary of the 1965 protest, which was organized by gay rights pioneers Frank Kameny and Lilli Vincenz on behalf of the Mattachine Society of Washington, one of D.C.’s first gay rights groups that Kameny co-founded in the early 1960s.
“The White House picket is the origin story for public demonstrations for gay rights in the U.S., and the origin story for Pride marches and the annual LGBTQ Pride celebrations which occur across the globe,” according to a leaflet prepared by Rainbow History Project that participants in the reenactment handed out to passersby and tourists.
Among those participating in the reenactment protest was longtime D.C. LGBTQ rights advocate Paul Kuntzler, who is the last known survivor of the 1965 White House gay rights protest. Kuntzler carried a replica of the sign he said he carried at the 1965 protest, which states, “Fifteen Million U.S. Homosexuals Protest Federal Treatment.”

Other signs carried by participants stated, “Homosexuals Died for Their Country, Too;” “White House Refuses Replies To Our Letters – Afraid Of Us?”; “Cuba’s Government Persecutes Homosexuals, U.S. Government Beats Them To It;” “Homosexuals are American Citizens, Too.”
The leaflet that participants distributed at the April 17 reenactment, which includes a photo of the 1965 event, lists what it says were the four main demands issued by the Mattachine Society of Washington in 1965.
They called for an end to “the exclusion of homosexuals from federal employment,” an end to the ban on gays from serving in the U.S. military, an end to the “blanket denial of security clearances for gay people,” and an end to the government’s refusal to meet with the LGBTQ community or to reply to their letters.
The leaflet includes an excerpt from a letter that Kameny wrote to then-President Lyndon B. Johnson around the time of the 1965 protest.
“We ask you, Mr. President, for what all American citizens – singly and collectively – have the right to ask,” the letter states. “That our problems be given fair, unbiased consideration…consideration in which we, ourselves, are allowed to participate actively and are invited to do so.”
The leaflet notes that although Kameny died in 2011 and Vincenz died in 2023, “their legacy is carried on by modern LGBTQ+ rights activists, who continue to advocate for employment opportunities, legal protections, inclusive health services, and more.”
Rainbow History Project official Vincent Slatt, one of the lead organizers of the reenactment protest, said his group had no trouble obtaining a permit from the National Park Service to hold the event outside the White House.
“I think the picket is going very, very well today,” he said while watching the picketers on the White House sidewalk. “We have a couple of dozen people participating. And there are lots of tourists engaging,” he said. “We’re handing out pamphlets to let them know about the historic picket and the importance of learning LGBT history.”
Slatt added, “But the highest impact is really that the media showed up to spread awareness of this.”
Lesbian activist Leticia Gomez, while walking on the White House picket line at the reenactment event, said she was among those who benefited from the 1965 protest and those that followed in support of LGBTQ rights.
“I’m blessed,” she said. “I got to work 34 years for the federal government as an out lesbian in the Department of the Navy,” she told the Blade. “So, because of what they did and all the other protests that came after that, it allowed me to have the career that I had.”
Also walking the picket line at the April 17 reenactment event was Deacon Maccubbin, owner of the former D.C. LGBTQ bookstore Lambda Rising and organizer of D.C.’s first Gay Pride Day event in 1975.
“It was really wonderful to be here today after 60 years,” he said. “I wasn’t at the first one,” he told the Blade. “But it’s just wonderful that this happened in 1965. It started the ball rolling, and all the progress that we’ve made, the fact that we do gay Pride every year in D.C. – all of those are dependent on this demonstration that got started in 1965.”
District of Columbia
Capital Pride wins $900,000 D.C. grant to support WorldPride
Funds not impacted by $1 billion budget cut looming over city

Capital Pride Alliance, the nonprofit D.C. group organizing WorldPride 2025, this week received a $900,000 grant from the city to help support the multiple events set to take place in D.C. May 17-June 8.
According to an announcement by D.C. Mayor Muriel Bowser and Events D.C., the city’s official convention, sports, and events authority, Capital Pride Alliance was one of 11 nonprofit groups organizing 2025 D.C. events to receive grants totaling $3.5 million.
The announcement says the grants are from the city’s Large Event Grant Program, which is managed by Events D.C. It says the grant program is funded by the Office of the D.C. Deputy Mayor for Planning and Economic Development through a grant from the U.S. Department of Commerce Economic Development Administration.
Nina Albert, the Deputy Mayor for Planning and Economic Development, told the Washington Blade that because the grants consist of federal funds already disbursed to the city, they are not impacted by the billion dollar budget cut imposed on the city by Congress earlier this year.
“WorldPride is one of the 11 grantees, and we’re really just excited that there’s going to be generated a large crowd and introducing the city to a national and international audience,” Albert said. “And we think it is going to be a real positive opportunity.”
The statement from the mayor’s office announcing the grants says funds from the grants can be used to support expenses associated with hosting large events such as venue rental fees, security, labor costs, equipment and other infrastructure costs.
“All of those things are things that we do for our major events, including WorldPride,” said Ryan Bos, executive director of Capital Pride Alliance. “So, the resources from this grant will be extremely helpful as we approach the final weeks of preparation of WorldPride Washington, D.C.,” he said.
Bos said Events D.C. has been an important partner in helping to promote WorldPride 2025 since the planning began more than two years ago. “And we’re excited to have them now support us financially to get us over the finish line and have an amazing event.”
Both Bos and Deputy Mayor Albert said WorldPride organizers and D.C. government officials were doing all they can to inform potential visitors from abroad and other parts of the U.S. that the local D.C. government that is hosting WorldPride is highly supportive of the LGBTQ community.
The two said WorldPride organizers and the city are pointing out to potential visitors that the local D.C. government is separate from the Trump administration and members of Congress that have put in place or advocated for policies harmful to the LGBTQ community.
“D.C. is more than the federal city,” Bos told the Blade. “It’s more than the White House, more than the Capitol,” he said. “We have a vibrant, progressive, inclusive community with many neighborhoods and a great culture.”
Marcus Allen, an official with Broccoli City, Inc., the group that organizes D.C.’s annual Broccoli City Music Festival, reached out to the Blade to point out that Broccoli City was among the 11 events, along with WorldPride, to receive a D.C. Large Event Grant of $250,000.
Allen said the Broccoli City Festival, which includes performances by musicians and performing artists of interest to African Americans and people of color, is attended by large numbers of LGBTQ people. This year’s festival will be held Aug. 8-10, with its main event taking place at Washington Nationals Stadium.
“Visitors from around the world come to D.C. to experience our world-class festivals and events,” Mayor Bowser said in the grants announcement statement. “These grants help bring that experience to life, with the music, the food, and the spirit of our neighborhoods,” she said. “Together with Events D.C., we’re creating jobs, supporting local talent, and showcasing the vibrancy of our city.”
The full list of organizations receiving this year’s Large Event grants are:
• Restaurant Association of Metropolitan Washington
• National Cherry Blossom Festival, Inc.
• Asia Heritage Foundation
• Capital Pride Alliance
• U.S. Soccer Federation
• Broccoli City, Inc.
• U.S.A. Rugby Football Union
• Washington Tennis and Education Foundation
• D.C. Jazz Festival
• Woolly Mammoth Theatre Company
• Fiesta D.C., Inc.
“Events DC is focused on creating unique experiences that result in jobs, economic impact, and lasting memories for residents, tourists, and guests,” said Events DC President and CEO Angie M. Gates in the announcement statement. “Through the Large Event Grant Program, we will support even more remarkable events this year that build community connections, celebrate our distinctive culture, and contribute to our economy.”
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