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Washington Blade editor tells all in new book

Kevin Naff revisits 20 years in the battle for LGBTQ equality in tome that is part history lesson, part celebrity dish

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Washington Blade Editor Kevin Naff’s new book is out this week. (Washington Blade photo montage)

Washington Blade Editor Kevin Naff this week published his first book, “How We Won the War for LGBTQ Equality — And How Our Enemies Could Take It All Away.”

The book commemorates Naff’s 20 years editing the Blade and features two decades of his work updated with new insights and commentary, touching on everything from the fight for marriage equality and repeal of “Don’t Ask, Don’t Tell” to celebrity encounters and the outing of public figures.

It’s part history lesson and part celebrity dish, available now at Amazon.com and kevinnaff.com

The following is adapted from an interview between Rob Watson of Rated LGBT Radio and Naff. To listen to the full interview, visit blogtalkradio.com/ratedlgbtradio.

The two-decades long war in Afghanistan was the longest in U.S. history. Wars for civil rights have been much longer, and for many, nowhere near over. Ours for LGBTQ rights is a prime example.

While gains in our particular war have been many, and by historical standards, have come incredibly fast, they have now been fought by several generations.

Author and Washington Blade editor Kevin Naff highlights this perspective in his new book “How We Won the War for LGBTQ Equality.”  

“Two decades represents a mere blip in the arc of a civil rights struggle, yet in that span, the LGBTQ community in the United States went from legally second-class status to enjoying near full protection of federal law along with widespread societal acceptance and even full marriage rights,” Naff writes.

He is aware that this look into our collective history represents a glimpse into a broader, and more painful fight, where many LGBTQ families lost their fights. “Not a week has gone by in my 20 years at the Blade that I didn’t think of the generation of gay men before me who didn’t live to see all of this progress,” he writes. “They inspire me. I do this work for them. They did not die in vain. Not just the men who died, but the lesbians who cared for them when no one else would. They are not forgotten.”

“This is not a dry history lesson type of book, but if you want to learn, the book does tell the marriage equality battle, ‘Don’t Ask Don’t Tell,’ and how a lot of our wins unfolded,” Naff declared when he sat down with me on the Rated LGBT Radio podcast

He’s right. “How to Win” shares many of Naff’s articles written as events were unfolding. Absorbing these as a modern reader, I found my deep desire to fight against anything less than full equality, and repression against our abilities to self-actualize, getting hungrier and hungrier.

For those wanting “shade and the truth,” this book delivers, as it’s filled with page-turning anecdotes to keep you glued and voracious right to the very end.

Like many of us, Naff was persecuted for being perceived as gay when he was a kid. “The walk home from school was particularly terrifying — I walked alone and my tormentors would often follow, hurling rocks and anti-gay slurs. Sometimes the fear was so intense that I would feign sick just to avoid a day of the torture,” he writes. His youth was not a time when there was much sympathy, or help, for LGBTQ children. It was the time of do-it-yourself. “There was the day I finally snapped, in seventh grade, while being taunted by a kid in gym class. The insults and threats became too much and all the anger rushed out of me…I defended myself. And it felt good,” Naff reveals. He acknowledges that his bullies “forced me to cultivate an inner strength.”

Years later, as a journalist and conscience for public progressives, Naff’s unwillingness to back down, and passion to stand and fight, emerge time and time again in the book.

While he writes of contempt for George W. Bush’s opportunistic use of same-sex marriage as a campaign wedge issue, Naff stepped up his fight to the next level when facing Maryland Gov. Martin O’Malley. O’Malley was a progressive who used LGBTQ goodwill and campaign muscle to get elected. When an appeals court rejected same-sex marriage, O’Malley went from champion to cad at light speed. He issued an offensive statement about Catholic sacraments and asserted his opposition to marriage equality.

So, Naff outed the governor’s brother, Patrick. (That the brother was gay was a fact commonly known in social circles, but had not reached the media level previously).

The governor was mad, but Naff landed a one-on-one interview with O’Malley, and eventually a path to the governor flipping support on the issue.

Naff’s unwillingness to allow LGBTQ people to be pushed around is not just with public figures who use us and then abandon us, people he calls “duplicitous allies,” but he feels no hesitancy in confronting Hollywood icons and their cults, as John Travolta found out.

Naff went viral with a piece in 2007 when he wrote a blog post criticizing the casting of a potentially closeted and indoctrinated Scientologist John Travolta, as the Divine-inspired drag role in John Waters’ musical version of “Hairspray.”

That post “generated the most attention and traffic of anything I’ve written,” Naff says. “My blog post encouraged gay fans to boycott the new film because its star, John Travolta, was Scientology’s No. 2 spokesperson and his cult was known to engage in reparative therapy, the debunked practice of changing one’s sexual orientation.”

Mainstream gossip media declared that “the gays were boycotting Hairspray.” Soon Naff found himself inundated with death threats, and being summoned by both Fox News and the Church of Scientology itself.

Naff agreed to a face off with Fox’s Bill O’Reilly whose friendly off-air persona turned rabid in front of the cameras. When Naff pointed out that he was comparing gay people to drug addicts, O’Reilly snarled, “Don’t be a wise guy, Mr. Naff.”

Naff’s biggest sin, according to the Church of Scientology, was referring to it as a “cult.” To prove that they weren’t, the president of the D.C. church invited Naff for a meeting. Upon arrival at the Scientology mansion in Dupont Circle, the church president gave Naff a tour, which included an “immaculate first-floor formal office.” After inquiring whose office it was, Naff was told that it was “Mr. Hubbard’s office” and that every church location had one. Scientology founder L. Ron Hubbard had been dead for 21 years at that point.

“Cult!” Naff and I exclaimed in unison as he told me the story.

As editor of the Washington Blade, Naff is an established invitee to the journalistic event of each season: The White House Correspondents’ Association Dinner.  He writes about his dates he has taken each year from the heavenly (Judith Light) to the disastrous (Kathy Griffin). The latter made a point to scream expletives at Trump administration officials in attendance.

While Naff could appreciate the sentiment, Griffin left D.C. the next day, while he, the in-town professional, had to face all of her targets.

Laverne Cox was also a standout date. She accompanied Naff the night after Caitlyn Jenner’s televised coming out interview aired. “If one more reporter asks me about fucking Caitlyn Jenner, I’m going to lose it,” Naff reports Cox confiding. His story about Laverne Cox was not so much about Jenner, however, but reads like something out of “Oceans 8.”

Unlike the movie, Naff’s evening did not feature a planned jewel heist, nor were Sandra Bullock and Cate Blanchett anywhere in sight, but it did feature a pricey borrowed diamond bracelet that went missing off of Cox’s wrist. She feared the jeweler would accuse her of theft. The dilemma ultimately had one of the most famous transgender actresses of all time, and the editor of the nation’s oldest LGBTQ publication frantically crawling under banquet tables surrounded by the Washington elite and press corps.

Cox finally found the bauble at 4 a.m., deep at the bottom of her purse.

Washington Blade Editor Kevin Naff (right) with senior news reporter Lou Chibbaro Jr. (Blade file photo by Michael Key)

“How We Won” covers the arc of LGBTQ history over two crucial decades and hits on topics from bullying of youth, the “ex-gay” movement, the military, religion, police, and, of course, marriage equality. Besides his adventures with cults chasing him down, A-lister dates and angry governors, Naff also shares poignant emotional moments of his own.

One came in shocking fashion when he arrived to the Washington Blade offices one morning to find two men from the Blade’s then-parent company. They were there to shut the place down after a Chapter 7 bankruptcy filing.

Naff retreated to his office, scrambling to think out the next move. The Blade staff resolved to not give up and successfully put out a slim newssheet for a few months until they could recover the Blade’s assets from the bankruptcy court and keep the legacy alive.

One of the great ironies of the LGBTQ movement is that many people who have fought for progress are not the ones who live to enjoy all the gains. They win the battles but leave the new world for others to fully enjoy.

Naff is one of those pioneers. After an adult life fighting for LGBTQ people to exercise the right to marry our loves in a fully public, accepting way, challenging all who might deny a same-sex couple service, Naff had a life-changing revelation that made him choose to walk away from a huge wedding event for himself.

Months before his own wedding, he was in a serious automobile accident. He called his fiancé and pitched the idea of a small ceremony on the beach, followed by a gay cruise together around Asia. “Something happens when you are faced with a life-or-death kind of moment. It changes what’s important. It changes your perspective,” he tells me.

Naff started out his writing career as a 10-year-old writing to the Washington Post as a pissed-off Baltimore Orioles fan protesting the Major League Baseball strike of 1981. “I am STILL a pissed off Baltimore Orioles fan,” he says. From day one, he found his knack for observation and his gift for pointed communication. Those are the same qualities he brings to his participation in, and presentation of, our LGBTQ historic trek to equality victory. 

In “How We Won,” he tells an unvarnished story, as he saw it, as he wrote about it, and continues to tell it, at the helm of the Washington Blade. He tells of the right-wing figures he confronted and continues to confront. He thinks of the term “outing” as an archaic term. Today, it is simply “truth-telling” of those in the public eye. As much as the title of his book implies a “win” and completion, I am confident that the 10-year-old pissed-off Baltimore Orioles fan within is not done.

Naff’s subtitle, after all, is “And How Our Enemies Could Take it All Away.”

A post-war recap for Kevin Naff might have been best expressed by the fictional Mr. Incredible when he said, “No matter how many times you save the world, it always manages to get back in jeopardy again. Sometimes I just want it to stay saved!”

As homophobic, transphobic Republican legislation sweeps the country, it is clear, we are not done and a new chapter in the war has begun. At the end of “The Incredibles,” continuing the allegory, after a family of progressives have saved the world, a huge noisy crew disrupts it (symbolic of the MAGA wave). Out pops the Under-Miner who declares, “Behold, The Under-Miner! I am always beneath you, but NOTHING is beneath me! (As it seems so for the GOP.) I hereby declare war on peace and happiness! Soon all will tremble before me!” 

The music swells, and the family of authentic-selves look at each other with a smirk, opening their shirts to reveal that they are Incredibles. They know that this time, like last time, they will not be defeated.

So stands Kevin Naff, looking back and looking forward, with his band of Incredibles, LGBTQ journalists worldwide, and the rest of us, ready to fight the fight again.

As we prepare for the new battles ahead, the principles of “How We Won” will be our tools for ultimate victory: be visible, be assertive, confront lies and injustice, reinvent, rebirth and in the end, hold our personal loves sacred.

Kevin Naff and Mr. Incredible would stand for nothing less. Neither should you.

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Books

Ever taken a cross-country drive in the back seat?

Then ‘Here We Go Again’ is the book for you

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(Book cover image courtesy of Atria)

‘Here We Go Again’
By Alison Cochrun
c.2024, Atria
$17.99/368 pages

Can you do me a solid?

Just one little favor, a quick errand, it won’t take long. You can do it next time you’re out, in fact. Consider it your good deed for the day, if it makes you feel better. A mitzvah. An indulgence to a fellow human. As in the novel, “Here We Go Again” by Alison Cochrun, think of it as a life-changing thing.

She couldn’t remember the woman’s first name.

Did Logan Maletis really ever know it? Everybody at her job – administration, students, other teachers – called everyone else by their last name so the colleague she’d been hooking up with for weeks was just “Schaffer.” Whatever, Logan didn’t care and she wasn’t cold-hearted but when Savannah broke up with her in public, she did wonder if maybe, possibly, the awful names she called Logan were fair or true.

Rosemary Hale would’ve agreed with every last one of those nasty names.

Once, she and Logan were BBFs but after a not-so-little incident happened the summer they were 14, she hated Logan with a white-hot passion. Every time Rosemary ran into Logan at school, she regretted that they worked in the same place. Seeing her old nemesis, even just once in a while, was an irritation she could barely stand.

They had nothing in common at all, except Joseph Delgado.

He’d been their English teacher years ago, and they both followed in his footsteps. He kept them from going stir-crazy in their small Oregon town. He was friend, father figure, and supporter for each of them when they separately came to understand that they were lesbians.

They loved Joe. They’d do anything for him.

Which is why he had one favor to ask.

With a recent diagnosis of incurable cancer, Joe didn’t want to die surrounded by hospital walls. Would Logan and Rosemary drive him and his dog to Maine, to a cabin he owned? Would they spend time crammed side-by-side in a used van, keeping Joe alive, coast-to-coast? Could they do it without screaming the whole way?

Can you avoid laughing at this convoluted, but very funny story? Highly unlikely, because “Here We Go Again” takes every nightmare you’ve ever had of busted friendship, bad vacations, and long-lost love, and it makes them hilarious.

It’s not the story that does it, though. The story’s a bit too long and it can drag, but author Alison Cochrun’s characters are perfectly done, each one of them. Logan is profane in all the right ways and yes, she’s a jerk but an appealing one. Rosemary is too prim, too proper, too straight-laced, but Cochrun lets her be unlaced in a steamy passage that’s not misplaced. You’ll love how this story moves along (although sometimes slowly) and you’ll love how it ends.

If you’ve ever endured a cross-country trip stuffed in the back seat of a hot car for miles and miles, sharing a seat with an abrasive sibling, this is your book. “Here We Go Again” is a solid vacation read.

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Books

Film fans will love ‘Hollywood Pride’

A celebration of queer representation in Hollywood

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(Book cover image courtesy of Running Press)

‘Hollywood Pride: A Celebration of LGBTQ+ Representation and Perseverance in Film
By Alonso Duralde
c.2024, Running Press
$40/322 pages

You plan to buy lots of Jujubes.

They’ll stick to your teeth, but whatever, you’ll be too busy watching to care. You like the director, you know most of the actors as first-rate, and word is that the newcomer couldn’t be more right for the role. Yep, you’ve done your homework. You read Rotten Tomatoes, you’ve looked up IMDB, and you bought your ticket online. Now all you need is “Hollywood Pride” by Alonso Duralde, and your movie night is complete.

William Kennedy Laurie Dickson likely had no idea that what he’d done was monumental.

Sometime in the very late 1800s, he set up a film camera and a wax cylinder to record a short dance between two men, hands around one another’s waists, as Dickson played the violin. It “was one of the very first movies ever shot,” and probably the first film to record men dancing rather intimately alone together.

Back then, and until well into the 20th century, there were laws against most homosexual behavior and cross-dressing, and very rigid standards of activity between men and women. This led to many “intense relationships between people of the same gender.” Still, in World War I-era theaters and though LGBTQ representation “was somewhat slower to get rolling” then, audiences saw films that might include drag (often for comedy’s sake), camp, covert affection, and “bad girls of the era.”

Thankfully, things changed because of people like Marlene Dietrich, Ramon Novarro, Claudette Colbert, George Cukor, Alfred Hitchcock, and others through the years, people who ignored social mores and the Hays Code to give audiences what they wanted. Moviegoers could find LGBTQ actors and themes in most genres by the 1940s; despite politics and a “pink scare” in the 1950s, gay actors and drag (still for comedy’s sake) still appeared on-screen; and by the 1960s, the Hays Code had been dismantled. And the Me Decade of the 1970s, says Duralde, “ended with the promise that something new and exciting was about to happen.”

So have you run out of movies on your TBW list? If so, get ready.

You never want to start a movie at the end, but it’s OK if you do that with “Hollywood Pride.” Flip to the end of the book, and look up your favorite stars or directors. Page to the end of each chapter, and you’ll find “artists of note.” Just before that: “films of note.” Page anywhere, in fact, and you’ll like what you see.

In his introduction, author Alonso Duralde apologizes if he didn’t include your favorites but “Hollywood has been a magnet for LGBTQ+ people” for more than a century, making it hard to capture it completely. That said, movie-loving readers will still be content with what’s inside this well-illustrated, well-curated, highly readable historical overview of LGBTQ films and of the people who made them.

Come to this book with a movie-lover’s sensibility and stay for the wealth of photos and side-bars. If you’re up for binge-reading, binge-watching, or Date Night, dig into “Hollywood Pride.” Popcorn not necessary, but welcome.

The Blade may receive commissions from qualifying purchases made via this post.

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Books

‘On Bette Midler’ is a divine new read

Part charming, part nostalgic, and very affectionate

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(Book cover image courtesy of Oxford University Press)

‘On Bette Midler: An Opinionated Guide’
By Kevin Winkler
c.2024, Oxford University Press 
$29.99 232 pages 

Superb.

That word’s appropriate in this situation. Fantastic, that’s another. Transcendent or celestial, if you’re of that mind, or perhaps anointed. There are many adjectives you can use for a performer who transports you, one who sings to your soul. Sensational, breathtaking, outstanding, or – as in the new book “On Bette Midler” by Kevin Winkler – another, better word may be more suitable.

Born in Hawaii a few months after the end of World War II, Bette Midler was named after film star Bette Davis. It was a perhaps auspicious start: despite a minor disparity (Midler’s mother thought the movie star’s first name was pronounced “Bet”), young Midler seemed at a young age to want to follow in her almost-namesake’s footsteps. By age 11, she’d won accolades and prizes for her performances and she “yearned to be a serious actor.” As soon as she could, she headed for New York to seize her career.

Alas, her “unconventional” looks didn’t help win the roles she wanted but she was undeterred. Unafraid of small venues and smaller gigs, she “just blossomed” in New York City. Eventually, she landed at the Improv on 44th Street; the owner there helped her negotiate some minor work. Another man became her manager and secured a job for her at the Continental, a New York bath house strictly for gay men. She was hired for eight summer nights, Friday and Saturdays only, for $50 a night.

Almost immediately, her authenticity, her raunchy language, and her ability to relate to her audience made her beloved in the gay community. Midler’s tenure at the Continental expanded and, though legend points to a longer time, she worked at the bath house for just over two years before moving on and up, to television, recording studios, movies, and into fans’ hearts. Still, asks Winkler, “Did it really matter what stage she was on? She touched audiences wherever she performed.”

In his earliest words – and, in fact, in his subtitle – author Kevin Winkler reminds readers that “On Bette Midler” is a book that’s “highly opinionated, filled with personal contemplations…” He is, in other words, a super-fan, but that status doesn’t mar this book: Winkler restrains his love of his subject, and he doesn’t gush. Whew.

That will be a relief to readers who wish to relish in their own fervor, although you’ll be glad for Winkler’s comprehensive timeline and his wide look at Midler’s career. Those things come after a long and fascinating biography that starts in 1970, takes us back to 1945, and then pulls us forward through movies, television appearances, stage performances, and songs you might remember – with appearances from Barbara Streisand, Barry Manilow, and Cher. It’s a fun trip, part confidential, part charming, part nostalgic, and very affectionate.

Despite that this is a “personal” book, it’s great for readers who weren’t around during Midler’s earliest career. If you were and you’re a fan, reading it is like communing with someone who appreciates Midler like you do. Find “On Bette Midler.” You’ll find it divine.

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