Arts & Entertainment
Washington National Opera honors Katherine Goforth
Award recognizes an artist who identifies as transgender or non-binary
Katherine Goforth was recently announced as the inaugural recipient of Washington National Opera’s True Voice Award. This award was created to provide training and increase the visibility of opera singers who self-identify as transgender and non-binary. Each recipient will receive a financial award and the chance to participate in career training, artistic coaching, and a performance with the Cafritz Young Artists. Recipients will also be presented by the Kennedy Center in a recital at the Millennium Stage. Goforth’s recital will take place in May 2024.
The Washington Blade chatted with this talented singer about her artistic journey, experience as a trans opera singer, her future plans for her own career, and how she hopes to shape the field of opera.
Washington Blade: Can you share about your journey as an artist? How did you begin this journey and eventually pursue opera?
Katherine Goforth: I had an interest in music and singing for my entire life, but I looked at it as more of a hobby until my high school choir teacher required me to take voice lessons. After a few months of lessons, I started winning prizes and getting special attention for my singing, which meant a lot to me at the time because I was struggling a lot socially and at home. It was easy to dedicate myself to singing after that and hard to imagine pursuing another career.
Talking about art is a lot broader than talking about music for me. As a teenager, I attended Vancouver School of Arts and Academics, a public arts magnet middle and high school, and we had arts education integrated into most of our subjects. Some of my most memorable projects were a mural painted on school windows I co-designed and co-created, a mockumentary film about the meaning of art, and the semi-opera I composed as my senior year capstone project.
Since I was a kid, I felt like I had something to prove and have always tried to do more than what others thought possible in my performing and creative work. It has only been since I transitioned that I really started to feel like I was enough. The part of me that wanted to prove myself could calm down and I learned that it is enough for me when I stand in my own values and desires.
Blade: What has been your experience as a trans person in the field of opera?
Goforth: As a young person coming into a sense of trans and gender non-conforming identity, opera was a damaging space to be part of. At the time, I believed there was no way to actualize my gender identity and continue working. Sure, there were queer people in opera, but almost all of them were straight-presenting men—and those who weren’t, didn’t seem to get the same opportunities. I have a strong memory of seeing the news about the premiere of As One [a chamber opera with a sole transgender protagonist]in 2014. It was the first time I had heard anyone mention trans people in an opera space. I don’t know how much this has changed for students, but I do think that fewer people are postponing their transitions for the sake of working in this industry, which is good.
I haven’t worked in opera very much since I came out and it will be interesting to see how that develops over the next few years. I’ve heard a lot of people say that major opera companies aren’t ready for trans singers yet, but I hope they’re wrong. My struggle is that I feel much happier playing female characters, but I’m not capable of singing soprano-alto roles on stage right now. That’s something I hope will change in the future, but I think it’s important for me to accept my voice and try to find affirming projects to work on with the voice that I have.
I’m going to Europe this summer to sing in the premieres of Philip Venables and Ted Huffman’s The Faggots and Their Friends Between Revolutions, which is an adaptation of a novel by Larry Mitchell. My sense is that, although I love singing standard rep, the work that will feel best to me as a human being is contemporary opera. There are new works coming out all the time where a character’s vocal range isn’t restricted by their gender, or where parts are written to be affirming to trans singers. It’s an amazing experience to work on roles like that, like the non-binary protagonist in Drew Swatosh and Brian Dang’s If Only I Could Give You The Sun, a role I premiered.
For me, the bottom line is that even in a perfectly affirming opera space, there’s a lot for me to navigate. We haven’t even gotten into the contrast between the project of self-actualization that, for me, defines transition and the way control is exercised over singers in the operatic space. It is hard to spend your whole life working on being your authentic self only to then step into an industry where self-identity is encouraged only if you have the right identity. I’m not going back into any closet.
Blade: Congratulations on being the inaugural True Voice Award recipient. How do you hope to use this award as a platform to further your career, and more broadly, shape the field of opera?
Goforth: I’d like to thank Washington National Opera, Kimberly Reed, Laura Kaminsky, Mark Campbell, and the rest of the selection committee for choosing me for this award. When I decided to come out, I wasn’t sure if I was going to be able to work in this industry again. It seems to me that trans people have never had this level of institutional support in our industry. I’m honored to receive it, but I’m also aware of all the other people who competed for this award and ways that my selection leaves them out.
For me, I think my next step is getting out of a young artist box, getting management, and moving into a career where I’m making a living wage from singing without any second or side jobs, singing lead roles instead of supporting roles, and taking the creative work that I develop to the next level.
“I hope that this award doesn’t only change things for me. Institutional support can mean, ‘here’s one more type of person we can fit into our system’ without changing the system in fundamental ways. Instead, I hope we will build a field that doesn’t require types of people, a field that supports each person in fully becoming who they are, where we don’t have to oppress others to realize our artistic visions—whether that oppression is from transphobia or something else. If our artistic visions necessitate oppression, I hope that we have the strength to imagine new ways of doing things and rethink the ways that we define artistic excellence. And I hope that these changes will not take lifetimes to achieve.”
Celebrity News
Perez Hilton’s live breakdown reveals social media mental health crisis
Blogger hospitalized after harming himself online
Fans were shocked to witness former celebrity blogger Mario Lavandeira, aka Perez Hilton’s, epic crashout on social media. While on TikTok Live, he was harming himself with what appears to be a metal chef-grade spreader. There was blood, gore, and a cry for help that broke the internet.
Police from Miami-Dade County were called to the scene; he has been hospitalized. The fact that this traumatic incident was broadcast on TikTok brought up the topic of moderation. Hilton’s account has since been banned from TikTok, but by now the cat is out of the bag, and the clip is circulating online.
It’s hard not to reflect on how Hilton both represents a major turning point in Internet culture, and this incident may be a warning of its potential end. A statement on his blog from his representatives confirms that his family was on the scene minutes before the incident but quickly fled to protect his children and niece from any future trauma.
Hilton’s agent, Dante Rusciolelli, told Us Weekly in a statement. “Our focus remains on Perez’s health, recovery, and the privacy of both him and his family during this incredibly difficult time … We respectfully ask that everyone continue to honor his privacy while he receives the care he needs.”
A recurring theme on social media is that Hilton, at the height of his fame and media reach, would not respect the privacy of any celebrity. After all, he was one of the regular outlets covering Britney Spears’s famous shaved-head meltdown and part of the “Leave Britney Alone” mythos.
A bit of background
Before Hilton, there were celebrities famous for being famous like Angelyne and Paris Hilton. However, some may say he was the first to monetize it. From his laptop at a coffee shop, he galvanized the Internet by skewering celebrities.
Nothing was off limits. He outed celebrities like Neil Patrick Harris, Clay Aiken, and Lance Bass. He spoiled the finale of season 3 of “RuPaul’s Drag Race,” and he posted celebrity nudes, including up-skirt photos of teen starlets like Paris Hilton, Britney Spears, and Lindsay Lohan, the same young women he also cyber-bullied.
Times have changed, and despite his many attempts to rehab his image, including having children, publicly apologizing, and even finding God, nothing brought him back to the public eye. He was recently hospitalized for sepsis and claims to have reflected on his behavior in the past.
This incident really shines a light on the intersection of mental health and fame in this country. In a post-Kardashian world, being a celebrity is not about talent or professional accolades. It has become about how you can increase your follower count. Whether it is stretching out Marilyn Monroe’s dress, becoming a Black Nazi like Kanye West, or even becoming President, it’s about how you can shock, awe, and find your base.
Los Angeles is a city that lives and dies by television and movies, but social media has shifted how this business works. People are cast from large social media followings. People who do manage to build a following face some of the darker aspects of fame. Whether it’s Chappell Roan’s beef with paparazzi and fans, or Hudson Williams and Connor Storrie having to ask for privacy and respect for their humanity, even if you reach the level of fame, it’s not all roses.
Add to this the fact that this is all tied to social media. Your fame is quantified by the number of followers, likes, and page views, while people are found in a negative feedback loop of dopamine addiction, clout chasing, and pushing themselves further to find more followers.
On Aug. 1, Floridian influencer Whitney Lynn was thrown off a flight claiming spiritual warfare when she was disrupting the flight by proselytizing. Was she doing this for social media follows? The Internet is now rampant with people causing scenes in planes, staging pranks and scenarios, and violating people’s privacy all in the pursuit of attention.
Hopefully Hilton finds the help he needs. This entire incident has called into question the entirety of internet culture. Who is responsible for the trauma that people inflict on other people? At what point do we intercede in Internet use before people have no other recourse but to harm themselves on live? And at what point does the toxic energy we put onto the net bounce back to us?
Similar to Hilton, Wendy Williams faced her own crisis, and maybe she put it best: “I would ask you to respect our privacy, but please, I don’t respect people’s privacy; that’s why I do the Hot Topics. So turnabout is fair game.”
If you know anyone struggling with self-harm, text CONNECT to 741741 for free confidential support or dial 988 for the suicide and crisis helpline.
Mr. Henry’s Victorian Pub will host a gala celebrating its 60th anniversary on Saturday, Aug. 29 at 7 p.m.
There will be signature cocktails, beer and wine; plentiful throwback hors d’oeuvres, three live bands and a cocktail attire red carpet.
Tickets start at $50 and can be purchased at mrhenrysdc.com.
Friday, August 7
Go Gay DC will host “First Friday LGBTQ+ Community Social” at 7 p.m. at Silver Diner Balston. This is a chance to relax, make new friends, and enjoy happy hour specials at this classic retro venue. Attendance is free and more details are available on Eventbrite.
Saturday, August 8
Go Gay DC will host “LGBTQ+ Community Brunch” at 11 a.m. at Freddie’s Beach Bar & Restaurant. This fun weekly event brings the DMV area LGBTQ+ community, including allies, together for delicious food and conversation. Attendance is free and more details are available on Eventbrite.
The DC LGBTQ+ Community Center will host “RA Xtra: Manhood” at 1:30 p.m. “MANHOOD” follows Dallas entrepreneur Bill Moore as he attempts to make penis enlargement as commonplace as Botox. Along the way, an OnlyFans star and a father of five put their bodies—and their insecurities—on the line. Blending dark humor with unexpected empathy, MANHOOD examines shame, addiction, and the fragile myths of American masculinity. More details are available on the DC LGBTQ+ Community Center’s website.
Sunday, August 9
“Nellie’s DC Drag Brunch” will be at 12 p.m. at Nellie’s Sports Bar. Come get served like a queen by a queen at this unforgettable Drag Brunch. Join Sapphire Blue, Deja Diamond and their team of amazing drag performers for the most fun you’ll have all weekend. Tickets are $58.51 and are available on Eventbrite.
Monday, August 10
“Center Aging: Monday Coffee Klatch” will be at 10 a.m. on Zoom. This is a social hour for older LGBTQ+ adults. Guests are encouraged to bring a beverage of choice. For more information, contact Adam ([email protected]).
Genderqueer DC will be at 7 p.m. on Zoom. This is a support group for people who identify outside of the gender binary, whether you’re bigender, agender, genderfluid, or just know that you’re not 100% cis. For more details, visit genderqueerdc.org or Facebook.
Tuesday, August 11
Trans Discussion Group will be at 7 p.m. on Zoom. This event is intended to provide an emotionally and physically safe space for trans people and those who may be questioning their gender identity/expression to join together in community and learn from one another. For more details, email [email protected].
Wednesday, August 12
Job Club will be at 6 p.m. on Zoom upon request. This is a weekly job support program to help job entrants and seekers, including the long-term unemployed, improve self-confidence, motivation, resilience and productivity for effective job searches and networking — allowing participants to move away from being merely “applicants” toward being “candidates.” For more information, email [email protected] or visit thedccenter.org/careers.
Thursday, August 13
The DC LGBTQ+ Community Center’s Fresh Produce Program will be held all day at the DC LGBTQ+ Community Center. People will be informed on Wednesday at 5 p.m. if they are picked to receive a produce box. No proof of residency or income is required. For more information, email [email protected] or call 202-682-2245.
Virtual Yoga Class will be at 7 p.m. on Zoom. This free weekly class is a combination of yoga, breathwork and meditation that allows LGBTQ+ community members to continue their healing journey with somatic and mindfulness practices. For more details, visit the DC LGBTQ+ Community Center’s website.
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