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Graphic novel ‘Smahtguy’ offers timely bio of Barney Frank

Cartoonist Eric Orner makes policy suspenseful

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(Book cover image via Amazon)

When he was in high school, gay cartoonist Eric Orner, who makes his graphic novel debut with “Smahtguy: The Life and Times of Barney Frank,”  didn’t like the food in the school cafeteria. “The principal was always talking about how good we had it,” Orner told the Blade in a recent interview.

“But the food was deep fried – inedible,” Orner added, “even for us [teens].”

To protest the food, Orner called it out with humor in the comic strip he drew for the school newspaper. “Having this platform to express yourself subversively and sarcastically to authority,” Orner said, “gave me a buzz.”

Like a hound born to hunt, Orner has always loved to draw. A proclivity for subverting the powers that be with humor has been etched in his veins from birth.

“Drawing is what I love to do,” said Orner, who is in his 50s, “It’s been that way since I was a kid.”

If there’s a problem, Orner will sit for an hour and draw. “I’ve  been most brave – most outspoken when I’m drawing.”

Orner’s drawing and respect for outspokenness are in splendid form in his graphic novel “Smahtguy,” a biography of queer icon Barney Frank. 

As the House (at this writing), repeatedly fails to elect a Speaker, nothing could be more timely than “Smahtguy.”

Frank, who came out as gay in the Boston Globe in 1987, was a Democratic member of the House of Representatives from Massachusetts from 1981 to 2013. 

When you hear “bio of a queer and political icon,” you might well think: boring, musty, wonky tome. But you needn’t worry. “Smahtguy” is a page-turner about Frank, a politician who disliked politics, but loved policy. Orner, in this bio, does the nearly impossible: he makes policy suspenseful. Orner makes you want to know how Frank used wonkiness in issues from housing to banking to help people.

Equally important, Orner makes you see and care about Frank’s personal life – from his background and family, to his coming out to his periods of loneliness to his marriage to Jim, his longtime partner. 

“Publishers Weekly,” in a starred review, called “Smahtguy,” “an astute, richly detailed profile” of Frank.

Orner jokes that he has “dual citizenship.” He has roots in two cities – Chicago and Boston.

He was born and grew up in Chicago. “My Dad’s family is in Chicago,” Orner said, “My Mom’s family is in Massachusetts.”

Orner, who lives now in New York and spends time with his partner in upstate New York, is acclaimed for his groundbreaking comic strip “The Mostly Unfabulous Social Life of Ethan Green.”

The strip, first published in 1989, ran in 100 papers (gay press and about 25 alternative weeklies). “The Blade was the second paper to run it,” Orner said.

“The work of the gay press was so important to who we became as a people,” Orner said, “I’m Jewish. The Yiddish press was so important to Jewish people at the turn of the last century.”

In 1989, before “Queer as Folk,” “Modern Family,” let alone “Fire Island” or “Bros,” there was nothing like it. Except Alison Bechdel’s trailblazing comic strip “Dykes to Watch Out For,” which ran from 1983 to 2008.

Back then, you didn’t see drawings and stories about queer people in comic strips. Especially, narratives of LGBTQ people dating, being out, dealing with break-ups, coping with AIDS, working – living ordinary lives.

Ethan was a good, but not a fabulous, guy. He wasn’t a hunky athlete or movie star. Break-ups more than picture-perfect romances were his lot. You saw yourself when you read “The Mostly Unfabulous Social Life of Ethan Green,” which was made into a movie of the same name in 2005.

Orner didn’t come out early in his life. “I knew early,” he said, “but the Midwest is a little more conservative.”

There was the Stonewall Uprising. But that wasn’t part of the culture at his high school. “My high school was so conformist,” Orner said, “it could have been the 1950s.”

After high school, Orner moved to Boston where he went to college and law school. “I’ve lived in Boston, New York, D.C., and Los Angeles,” he said, “but I’ve never lived as an adult gay person in Chicago.”

Orner’s father, now deceased, was a straight guy who revered Hugh Hefner and Sean Connery. “One of the most important cultural icons,” Orner said, “when my Dad was in his prime in the 1960s, was Playboy.” 

At first, Orner’s father just couldn’t conceive of the fact that he had a gay son. “But, my Dad was a contrarian,” Orner said, “weirdly, he was the sort of person who likes to upset the apple cart.”

If there was a rule that could be broken, he’d want to break it, Orner added.

“My Dad could not get his head around my being gay,” Orner said, “until my first Ethan Green book [a collection of his Ethan Green comic strips] came out.”

One day, one of Orner’s father’s law partners saw a copy of the Ethan Green book at a bookstore at O’Hare Airport. “The straight-laced partner had a meltdown in my father’s office,” Orner said, “over how terrible it was to see my Dad’s name on the book.”

Once Orner’s nonconformist Dad saw his partner’s pearl-clutching, Orner said, “he got his head around [his son’s being gay].”

Orner’s mother was very political. Politics runs in his family, Orner said.

“The minute I came out, unbeknown to me,” Orner said, “my Mom had joined PFLAG.”

Orner has great affection for Boston. He lived there for 25 years. He’d see the Orson Welles Cinema between Harvard and Central Square as he walked toward Bay Street. The first drawing Orner sold was to the “The Phoenix,” a (now defunct) Boston alternative weekly. 

He loved cartooning. But, “like most artists, I needed a day job,” Orner said.

Orner and Barney Frank crossed paths at a cocktail party. At that time, Cardinal Bernard Law (since disgraced because of his involvement in the Catholic Church sex abuse scandal) was the Archbishop of Boston.

“I was making wiseass shit about the Cardinal,” Orner said, “Barney said it was a funny cartoon – to call him if I needed a job.”

Orner took Frank up on his offer. For 20 years, on and off, he worked for Frank as staff counsel and press secretary for the House Financial Services Committee.

In between stints working for Frank, Orner worked for Disney. “Disney taught me to draw fast,” he said, “and to capture the essence of something – like a gesture – quickly.”

Frank was your classic tough boss, Orner said. “Barney was interested in policy,” he said, “he wanted government to be professional.”

Orner admires Frank, but “sometimes he makes mistakes,” he said.

“Smahtguy” isn’t an authorized biography.  After working on it for three years, Orner packaged it up and sent it to Frank. “Barney had only a few, 19, I think, minor corrections,” Orner said.

One was over a drawing of a daily racing form in Frank’s mother’s purse. “Barney said I had to change that,” Orner said, “because his aunts gambled, but his Mom never gambled.”

Orner strived to convey Frank’s greatness – his political achievement and personality – warts and all. “I very much didn’t want to do hagiography,” he said.

With the news as terrible as it often is now, Orner’s art is more needed than ever.

“I never feel things are so fraught or horrible that I don’t want to draw about them,” Orner said in an email to the Blade.

“And, a lot of my work over the past 10 years has been about Israel and Palestine,” he added.

In comics, creators are able to tap into the full range of human emotions, Orner said.

“Watching the House Freedom caucus somehow convert a single clown car into an epic interstate pile up,” Orner said, “is for this longtime Capitol Hill staffer pretty funny.”

The Blade may receive commissions from qualifying purchases made via this post.

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Books

New book reveals what we can learn from animal sex

‘Poking the Squid’ on homosexuality, gender swapping, and more

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(Book cover image courtesy W.W. Norton)

‘Poking the Squid: What We Can Learn from Animal Sex’
By Perrin Roosevelt Ireland
c.2026, W.W. Norton
$29.99 241 pages

Birds do it.

According to Cole Porter, bees do, too, but it’s not exactly what he imagined. Wild and tame, avians, insects, and mammals all have sex – although not always as you’ve been told or for reasons you might think. Even educated fleas do it and, as in the new book, “Poking the Squid” by Perrin Roosevelt Ireland, humans can learn from them all.

If you read through scientific papers on animal reproduction, you might notice something unusual: for scientists, the word “sex” means a lot of different things.

Says Ireland, “It’s used to describe behaviors, biology, life histories, and more.”

That might be because animals are not simply binary.

Take, for instance, hyenas. It’s easy for the casual observer to mistake a male hyena for a female and vice versa because of stereotypes of anatomy. Mating, for hyenas, requires subordination for the male and a nifty trick on the part of the female’s body to get things done.

Our feathered friends are no birdbrains, either: black-browed albatrosses were once thought to be monogamous but global warming seems to have changed their nesting habits sometimes. Male flamingos have sex with one another, as a territorial thing; other birds and animals form same-sex pairs for other reasons.

The Chinese mantis eats her mate after fertilization. Female snakes, alpacas, guinea pigs, and monkeys are anatomically able to enjoy sex. Genitalia between species varies quite a bit; in fact, the vaginas of ducks “are highly complex.” Lionesses will mate up to 100 times when in heat. Female damselflies will change into a “third sex” to avoid overly aggressive mating males. Bearded dragons can change their sex, if needed, as can yellow clown goby fish. And seahorse pregnancy and birth sparked a book banning in Tennessee.

So, asks Ireland, if animals, including us, vary so much in biology and life, “… why are we using the word sex like it means something, anything, consistent?!”

Pick up “Poking the Squid,” page through it a few seconds, and you’ll see that the information here is largely told through cartoon-like drawings mixed with captions. It seems to be something on the lighter side, but don’t let that artwork fool you.

Author Perrin Roosevelt Ireland offers readers solid information that cozies up to the scholarly, with hard science, philosophy, feminism, and quotations from researchers to support it, thus furthering the narrative and hitting the points squarely. If you see the art and expect something lighthearted, comic, and small-talk-worthy, you could be disappointed.

On the other hand, if you want solid, wryly serious facts, you’re in for a treat.

There’s lots of learning to be gleaned here, and some slight nudge-wink whimsy to emphasize the absurdity of wrong-headed thinking. This can make readers feel like they’re in-the-know on the jokes, and the playfulness balances the seriousness of the information well.

So, serious, scholarly, or slightly silly, none of these are negative but you’re going to know what you want from a book like this. For the right reader, someone in the mood, “Poking the Squid” is wild.

The Blade may receive commissions from qualifying purchases made via this post.

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Books

‘Transcendent’ a tough but important read

Laverne Cox’s memoir recounts horrific abuse as a child

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(Book cover image courtesy of Gallery Books)

‘Transcendent: A Memoir’
By Laverne Cox
c.2026, Gallery Books
$30/238 pages

OK, let’s just say it: You’re tired of lies.

They come from above, behind, from either shoulder. They’re repeated, laid out in a line, told as if they’re true but they’re not. You wish people would stop lying to you. As in the new memoir “Transcendent” by Laverne Cox, you wish you could tell the truth about yourself.

Sissy.

If the bullies in the neighborhood weren’t constantly calling Laverne Cox that name, then Cox’s mother was. “Sissy,” was just one word, though; the others were worse. The boys would say those things while they beat Cox, when they could catch her. Her mother screamed at her gentle child who didn’t like “boy” activities.

Even at eight years old, says Cox, “I was a prim and proper lady.”

Despite the verbal abuse about her perceived feminine behavior and a furtive, failed attempt at conversion therapy, Cox’s mother sent her and her brother to the Alabama School of Fine Arts, where Cox learned to dance. It was a lifeline for her, and the talent gained there helped Cox get into college in Indiana.

From there, Cox expected to find fame and fortune in New York City.

And yet, the abuse she suffered as a child held Cox back, and the words “There is something wrong with me” became a daily mantra.

“I didn’t know how to say it.” Cox says. “Im a girl.

There were therapy sessions to get to that point, as Cox learned the language and skills needed to speak the truth. Landing a sense of style helped, as did her brother’s support, a handful of friends, and happy, scent-infused memories of her mother’s make-up table.

At each step, Cox says, “I was expressing myself, I was also allowing myself to edge closer to my girlhood.”

Let’s start here: “Transcendent” is a difficult read – not for style, but for substance.

From her earliest memory of being sexually abused as a toddler; to verbal and physical abuse from many sources; to what, judging by photo captions, seems perhaps like forgiveness, author Laverne Cox glosses over nothing. Be ready, in other words, for pages and pages of memories that, like a roller-coaster, will make you cringe and want to hide your eyes, although doing so would be a mistake.

As this book progresses, Cox’s story does, too. We see a child who knows a truth but has no words for it. The child becomes a teen with a bursting sense of self, then a young adult who craves love as she’s stretching her wings. By the time Cox advances to writing about her career and the abuse is (mostly) over, readers will breathe a well-deserved sigh of relief. Whew, you’ve winced through a harrowing tale to reach a satisfying but not complete update.

Fans of Cox’s work will want “Transcendent,” as will anyone who’s transitioned, is thinking about it, or loves someone who has. It’s a rough read, but a necessary one, then, and that’s no lie.

The Blade may receive commissions from qualifying purchases made via this post.

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Books

Reflect on Pride season with these engaging books

Travel, memoirs, and more on tap for June

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Books for Pride by various authors
c.2026, various publishers
$18.95 – $29.00

How many times have you marched so far this month? Seems like there’s always a reason to gather and walk during Pride, but save some time for yourself, too. You’ll want to reflect, rest, and read these great books about living your best Pride month. 

No doubt, you’ve thought once or twice about stepping away from society as it is, and moving somewhere more accepting. So read “Qtopia: A Memoir of Love, Land, and Liberation” by Juda Bennett (University of Wisconsin Press, $18.95), the story of doing exactly that, and how it turned out.

Back in the ‘70s, Bennett fled the suburbs and all it represented, and went “back to the land,” to a commune named Lavender Hill. Some of the places he’d lived before then had promised way more than they delivered, but Lavender Hill was different – more rural, more open, more queer, much better. But you know all good things must end, and that includes “queer utopia.” The only thing left was to re-enter the mainstream, a journey unto itself, and one worth reading.

Speaking of memoirs, in “Gay Mormon Dad” by Chad Anderson, art by Remy Burke (Graphic Mundi, $21.99), you’ll read about Anderson’s life as a husband (to a woman), a father, and a man who seemingly had it all but it wasn’t right, and he wasn’t happy. He was gay, but acknowledging it, telling his family and his church family, could mean the loss of everything he loved. It’s a story that may be familiar to you, in some way, and it’s a quick read.

For most of his life, Joseph Osmundson dreamed about getting pregnant and having a family. The former didn’t happen and, as for the latter, as he writes in his memoir, “Spawning Season: An Experiment in Queer Parenthood” (Bloomsbury, $27.99) the journey for a gay man to become a father can have plenty of roadblocks.

When two women approach Osmundson to be a sperm donor, it appears that his ultimate dreams are about to come true. Things go swimmingly – until race enters the conversation. Are the words “donor” and “dad” the same? Read this powerful book, and think about it.

And finally, if parenthood as a gay person is something that’s a case of maybe-later, then “Good Morning Moon: A Snapshot of an American Family” by Brad Gooch (Harper, $29) is a book to find. It’s the story of late-life love, surrogacy, and identity as Gooch learns about himself as he learns to be a good Dad. This is a great book for older fathers, and anyone who’s on the parental fence, later in life.

If these great books aren’t enough for you, or if you’re looking for something different for Pride, then head to your favorite bookstore or library and ask the staff there to help you find your next best read. They’ve got a lot of books to put in your hands, a lot of sunny afternoons full of relaxing and promise, so march on out, get a new book, and happy Pride!

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