Arts & Entertainment

From ‘snowmageddon’ to art exhibit

Photos inspire new business line for local designer

Published

15 years ago

January 13, 2011

Sometimes inspiration comes in unexpected places.

Local gay designer Ernesto Santalla found it in the snow with his camera.

“It’s what I did for days as it snowed and snowed and then snowed some more,” Santalla, president of Studio Santalla, Inc., says. “I took black-and-white photos for years and didn’t stop using film until ‘snowmageddon’ last February, when all I could get my hands on was a point-and-click digital camera.”

Instant digital gratification became photographic disillusionment when the fruit of trekking through mounds of snow was a heap of mundane images.

“That’s when I got the idea to make collages,” Santalla says. “A single image is flipped and repeated four times. What emerges is a fascinating kaleidoscopic photograph, which gives the viewer a very personal interpretation, like inkblots.”

On Jan. 20, a show titled “Ernesto Santalla Symmetries” opens at Long View Gallery in Washington, which presents Santalla’s view of D.C. in the midst of the blizzard and buried under snow.

“I’ve incorporated my photography into Studio Santalla’s interior design projects in the past, but the collages created an area of expansion for my business,” he says. “In the design industry, the most logical area of expansion is for a designer to introduce a furniture line, or when an architectural firm is also the builder. … As a business strategy it is often referenced as ‘brand expansion’ or ‘white space,’ whereby a company adds a division in a related field to grow its business.”

As the interest in acquiring the photographs has increased since last year from individuals and corporations, Santalla started a new company, Ernesto Santalla Photography LLC, which sells limited, signed editions of the images.

“Because of the power of mega-pixels, the prints can be very large, which adds to the dramatic effect of the collages,” Santalla says.

“Ernesto Santalla Symmetries” runs through Feb. 13 at LongView Gallery.

CAGLCC Programs and Events

We want your opinions. Each year, CAGLCC recognizes outstanding individuals and organizations that have contributed to the economic, social and cultural fabric of the LGBT community in the Metro D.C. area. It is no small task to cull through the many accomplishments of members of our community and our allies.

This year, CAGLCC will recognize a select group of deserving honorees at CAGLCC’s annual Gala and Awards ceremony on April 8 at the Park Hyatt Hotel in Washington.

CAGLCC recognizes people and organizations based on their accomplishments: leadership, professional success and advocacy of LGBT economic and business issues. Past honorees have struggled to gain equality in the workplace for themselves and others, some demonstrate noteworthy success and professionalism in their careers, while others have been allies creating a supportive environment for LGBT employees.

The categories for the 2011 awards are Outstanding Business Person, Outstanding New or Young Business Person, Volunteer of the Year and Corporate Ally.

The Board of Directors of CAGLCC needs your help to identify qualified candidates for these honors. You can nominate individuals and organizations by providing a brief description of why you feel your candidate(s) deserves the award. Submit nominations to [email protected]. For more information on the awards, go here.

Member News

Congratulations to Gus Elfving, principal of Pet Peeps, who is celebrating five years providing professional in-home pet care services.

Christopher Brown, Esq. joined Ackerman Legal PLLC. His practice areas include commercial litigation, franchise and distribution and real estate.

Photos

PHOTOS: ‘Studio 69’

Glitterati Productions hold party at Bunker

Published

11 hours ago

May 11, 2026

Michael Key

'Studio 69' was held at Bunker on Friday. (Washington Blade photo by Michael Key)

Glitterati Productions held the “Studio 69” party at Bunker on Friday, May 8.

(Washington Blade photos by Michael Key)

Arts & Entertainment

Washington Blade’s Pride on the Pier returns June 13 to kick off D.C. Pride week

Pride on the Pier officially launches Pride Week in D.C.

Published

17 hours ago

May 11, 2026

Staff reports

The Washington Blade’s annual Pride on the Pier celebration returns to The Wharf on Saturday, June 13, 2026 from 4-9 p.m., bringing thousands of LGBTQ community members and allies together for an unforgettable waterfront celebration to kick off Pride week in Washington, D.C.

Now in its eighth year, Washington Blade Pride on the Pier extends the city’s annual celebration of LGBTQ visibility to the bustling Wharf waterfront with an exciting array of activities and entertainment for all ages. The District Pier will offer DJs, dancing, drag, and other entertainment. Alcoholic beverages will be available for purchase for those 21 and older.

“Pride on the Pier has become one of the signature moments of Pride in D.C.,” said Lynne Brown, publisher of the Washington Blade. “There’s nothing like watching our community come together on the waterfront with live music and incredible energy as we kick off Pride week.”

Pride on the Pier is free and open to the public, with VIP tickets available for exclusive pier access to the Dockmaster Building. To purchase VIP tickets visit www.prideonthepierdc.com/vip.

Additional entertainment announcements, sponsor activations, and event details will be released in the coming weeks.

Event Details:

📍 Location: District Pier at The Wharf (101 District Sq SW, Washington, DC)
📅 Dates: Friday, 13, 2026

⏱️ 4-9PM
🎟️ VIP Tickets: www.PrideOnThePierDC.com/VIP

Theater

National tour of ‘Gatsby’ comes to National Theatre

Out actor Edward Staudenmayer talks playing the show’s gangster

Published

2 days ago

May 10, 2026

Patrick Folliard

Edward Staudenmayer plays Meyer Wolfsheim in ‘The Great Gatsby.’ (Photo courtesy National Theatre)

‘The Great Gatsby’
May 12-24
The National Theatre
1321 Pennsylvania Ave., N.W.
$59-$196
Thenationaldc.com

Often dubbed “The Great American Novel” for its depiction of ambition and self-invention alongside the reversals of success, F. Scott Fitzgerald’s “The Great Gatsby” says it all in a fast read.

Set against the excesses and energy of the Roaring Twenties, “The Great Gatsby,” novel and now the same-titled hit Broadway musical with a jazz/pop original score by Jason Howland and Nathan Tysen, tells the story of Nick Carraway and his friendship with Jay Gatsby, an enigmatic millionaire intent on reuniting with ex-lover, Daisy Buchanan.

It was during a four-month 2025 run in Seoul, South Korea, that out actor Edward Staudenmayer first played the show’s heavy, Meyer Wolfsheim, a gangster who helped Gatsby make his murkily acquired fortune. As Meyer, Staudenmayer opens the second act with, appropriately enough, “Shady.”

Now three months into a year-long North American tour, the show is poised to enjoy a brief run at Washington’s National Theatre (5/12-5/24).

While putting on his eyeliner prior to a recent Wednesday matinee at Chicago’s Cadillac Palace Theatre, the upstate New York-based actor shared about Gatsby and a life in theater.

WASHINGTON BLADE: Despite your good looks and terrific voice, you’re rarely the leading the man. How is that?

EDWARD STAUDENMAYER: I’m definitely a character man. I’ve been painting lines on my face to play old men since I was in high school. I was the youngest freshman in college playing old Uncle Sorin [in Chekhov’s “The Seagull”].

There have been many villains. Some darker than others. Meyer Wolfsheim is a very bad guy, but he doesn’t haunt me once I’m offstage. I play a lot of pickleball.

BLADE: Is it true that like so many of Fitzgerald’s characters, Wolfsheim is famously based on someone the writer encountered in life.

STAUDENMEYER: That’s true, Wolfsheim is pretty much a direct portrayal of real-life mobster and 1919 World Series fixer [Arnold Rothstein].

BLADE: When did the 1925 novel first surface on your radar?

STAUDENMAYER: Like many of us, I was assigned “The Great Gatsby” in high school. It was short, and filled with sex and illicit activities. I thought it was great. Definitely wasn’t a Judy Blume novel.

Interestingly, the book wasn’t originally a huge a success for Fitzgerald, but because it was about war and having the girl at home, they gave it to GIs leaving for WWII. After returning, a lot of those guys went on the GI Bill and became English teachers. They assigned the book to their students.

BLADE The idea that the book’s first-person narrator, Nick Carraway, is gay and enamored with Jay Gatsby is long discussed among readers and scholars. Does the musical touch on that?

STAUDENMAYER: Yes, there’s conjecture about Jay and Nick, and it’s implied in our show. It’s also implied about Jordan Baker, Jay’s fleeting romantic interest. Ultimately, she’s a confirmed bachelor, and a professional golfer who only wears pants.

Our performers are really good. Josh Grasso who plays Nick is fantastic. I’ve had to stop watching him in his last scene; it’s not good for Meyer Wolfsheim to take his curtain call crying. Our Gatsby, Jake David Smith, is good too. He’s gorgeous like Superman and sings like an angel.

BLADE: Do you ever imagine backstory for your characters whose sexuality is undefined?

STAUDENMAYER: I do, but not with Wolfsheim. I don’t see it. I’m trying to be as butch as possible with this ruthless killer.

BLADE: Have you had to do that in your career?

STAUDENMAYER: For a long time, I wore a mask to hide my gayness. I worked hard on being believable, that I was into the girl or that I was a tough guy.

It’s a different world now, and it’s so refreshing to be around the younger actors today; they’re remarkably open and comfortable.

BLADE: What was your coming of age like?

STAUDENMAYER: I played high school football in Palm Springs [he chuckles, alluding to the arid gay mecca], and I was pretty good too. But much to the chagrin of my parents and coaches, I quit the team to act in our senior year play. My super butch dad played semi-pro football and he was an ex-cop. I’m named after him. While I didn’t become my dad, I’ve played him often on stage. He was a true Gaston [the bumptious rival in “Beauty and the Beast”]. And like Gaston, he used antlers in all his interior decorating.

BLADE: Did he live to see your success in theater?

STAUDENMAYER: He did. Life was challenging growing up but the last 10 years of his life we couldn’t get off the phone with each other [his voice catches with emotion]. He accepted me entirely, and we became very close.

BLADE: Looking ahead, is there a part you’d especially like to play?

STAUDENMAYER: Like all baritones I’d love to play Sondheim’s “Sweeney Todd.” I’ve come close but it hasn’t happened yet. There’s still time.