Connect with us

a&e features

Diane Rehm successor is not who you’d expect

Out ‘1A’ host Joshua Johnson is passionate journalist first and foremost

Published

on

Joshua Johnson, gay news, Washington Blade

Joshua Johnson says launching a new daily two-hour radio show is a ‘mountain of work even under the best of circumstances.’ (Photo courtesy WAMU)

It was last Halloween weekend when Joshua Johnson got the call that he’d been named Diane Rehm’s successor.

Rehm, who began her eponymous National Public Radio call-in show in 1979, retired in December and as of Jan. 2, WAMU broadcasts a new show, “1A” in what had been “The Diane Rehm Show’s” timeslot.

Johnson had subbed for Rehm two days last September and shadowed her another day. Based in San Francisco for the last six-and-a-half years where he was morning news host for KQED while also teaching podcasting at the University of California (Berkeley), Johnson was in Palm Springs visiting friends with Joe Gallagher, his boyfriend of a year and a half, when he got the call. He says it’s a moment he’d been working toward since age 6.

“This wave of peace washed over me and I just got very calm,” says the 36-year-old South Florida native. “It was like my fists finally unclenched after weeks of waiting. I didn’t have that moment of, ‘Oh my God, I’m going to do the show.’ It was just kind of like, ‘Finally — I’ve been waiting on this for my entire life and now it’s going to happen.”

“1A” is a live, two-hour daily WAMU radio program distributed nationally by NPR each weekday at 10 a.m. that seeks to “provide deep conversation about the thorniest issues of our time delivered with insight, intimacy and personality.” It’s both a new, freestanding show but also a successor to the Rehm show, whose “legacy of civil dialogue and analysis” its team hopes to continue.

Producers were initially almost certain they’d hire a woman to succeed Rehm.

“We weren’t 100 percent sure, but you know, sort of in the high 80s or 90s,” says Rupert Allman, “1A’s” executive producer. Johnson won the search team over, Allman says, with his “huge relatability.”

“There was something about his own curiosity and his manner that was really appealing,” he says. “Especially the idea that he was very much interested in civil dialogue, taking time to develop arguments and not always chasing the next shiny ball. Those pieces came together and the stars began to align and that was it.”

Nobody’s universally loved in this era of Internet trolling, but early signs are strong for Johnson. “1A” is being carried on 204 stations with more expected in April (“The Diane Rehm Show” was carried on 198) and WAMU says the show was the No. 1 regional performer in its time slot throughout January, the latest month for which figures were available. WAMU says it expects the show will have a weekly audience of about 2.5 million soon based on early numbers.

Johnson, as loquacious as you’d expect, sat with the Blade in a WAMU conference room on Feb. 16. His comments have been edited for length.

WASHINGTON BLADE: How do you feel it’s going so far?

JOSHUA JOHNSON: It’s going well. Very, very busy. There’s no lack of things to talk about for sure, but it’s good. Launching a national show, any new show, is a heavy lift to say the least, but we have an amazingly good team and we’ve had lots of support from listeners and stations. We’ve found interesting ways to talk about what’s going on in the world and to divert from the headlines that have everyone’s attention to talk about other topics that may be getting lost in the shuffle around the new administration. And we’ve also found ways to take a breath and just do topics that are fun or different as a little relief from the top of the news cycle, so I think it’s been good.

BLADE: What’s your strategy to turn this into more of a Johnny Carson-to-Jay Leno kind of succession as opposed to, say, a Pat Sajak kind-of thing?

JOHNSON: The only thing we can do is control each day’s program and that’s what I try to focus on. I never worry about the 37 years that came before me. That’s Diane’s legacy and that’s solid and done. …. If you worry too much about the distant future, you miss the opportunity to really knock out today.

BLADE: Has the learning curve been about what you thought it would be?

JOHNSON: I tried to come in with very few expectations other than it would be really, really hard and it has been. …. But we’ve gone down from me working like 16-17-hour days to more like 12-13, so that’s a big step forward. … It’s just a mountain of work even under the best of circumstances.

BLADE: What’s been your favorite episode so far?

JOHNSON: I don’t have one. We did a Sunday show a few weeks ago on the immigration ban and we just let stations air it if they wanted to. … But we probably haven’t done my favorite show yet or even conceived of it. I think for me to start grabbing onto favorites at this point would set the bar too low for what we want to be. I don’t think what we’ve done in our first month will compare to what we’ll be doing a year from now or five years from now.

BLADE: When things are crazy, do you get energized or stressed by that?

JOHNSON: Probably a little bit of both. I tend to be the kind of person that the crazier things are around me, the calmer I get, which is how I survived breaking news. … But you have to be on the outer edge of your comfort zone in order to grow, so I just accepted that that was going to be the way it was going to be some days or maybe even most days.

BLADE: Was it hard to leave San Francisco?

JOHNSON: It was really, really hard … but this opportunity was worth it.

BLADE: Have you had any time to explore Washington much yet?

JOHNSON: No. I live a few blocks from the station here in Van Ness, so I walk to work because I cannot take a snow day. And everything I need is right here, the grocery store, the gym and so on. Once I get a better handle on the workload, I’ll be able to get out more and see the city.

BLADE: Were you intimidated to accept?

JOHNSON: Not really. …. I think I was more grateful and humble. … I felt very ready. Like, “Yeah — I’ve been preparing for this for 30-plus years.”

BLADE: You say you had this dream since age 5 or 6. How was this type of thing even on your radar at that age?

JOHNSON: Well, Kermit the Frog played a reporter on “Sesame Street.” …. I grew up seeing Ed Bradley on “60 Minutes” or Bernard Shaw on CNN or Dwight Lauderdale on my local Miami ABC station. Seeing those black men doing what I wanted to do just instantly clicked for me. I always had an affinity for broadcasting. I just didn’t know what form it would take.

BLADE: So was it something you chose or did it choose you?

JOHNSON: Well, it has to be both. Just because destiny knocks doesn’t mean you have to answer. It went through a lot of permutations of whether I would answer or how I would answer and then eventually it became that one thing that I knew if I didn’t go after, I’d regret the rest of my life.

BLADE: Had you been a big listener of “The Diane Rehm Show”?

JOHNSON: Yeah, I listened to her in South Florida on the station where I grew up, WLRN. I never thought I’d be her successor, but yeah, I listened to her for years.

BLADE: How do you decide on the balance between meat-and-potatoes news topics and lighter stuff? 

JOHNSON: I don’t think it’s a matter of balancing lightness against substance. The show we did on country music was very substantive. What we’re always trying to figure out is what is it about today’s show that a fan would tell their friends, “You gotta listen to today’s ‘1A.’” Why? How do you answer that? if you start there and work backwards, you can build a great show. So even if it’s a lighter topic like country music today or the Grammy Awards or the Super Bowl, we never want it to feel like, “OK everybody, we know life is really hard so we’re just gonna give you some sugar and candy for an hour.” That’s not good enough. Even if it’s not politics or not some trouble-in-the-world topic, it still has to be time well spent. Plus, I get bored easily, so I get tired of talking about the troubles of the world all day. …. It can’t be all sugar but it can’t be all steak.

BLADE: Some people are saying there’s been more sugar though lately. The Super Bowl show got some flak. 

JOHNSON: It depends whose table you’re dining at. I think there are different ways to talk about different things. I did have a listener who got very snooty about the Super Bowl show …. but there are many aspects to a cultural event like that that are worthy of discussion. … Just because people listen to NPR doesn’t mean they don’t watch football and just because they listen to NPR doesn’t mean they don’t like pop music.

BLADE: True, but hasn’t NPR always sort of been that hub where you could get something you couldn’t just get anywhere else? If ESPN is doing round-the-clock sports coverage, do we really need to hear about sports on NPR too? 

JOHNSON: But we don’t talk about the Super Bowl like ESPN would talk about it. We didn’t get caught up in stats and who’s up and who’s down. We talked about it more broadly, about what was going on in Houston and sort of the politics around the event, the cost of buying an ad there and so on. We tried to make it really fun. One thing public media serves is to give people a diverse view on the world. Anybody who thinks public media is designed to be all meat and potatoes all the time has clearly never heard “Car Talk” or “Wait Wait … Don’t Tell Me.” … These are just wonderful shows that are about interesting things that make life worthwhile and we can’t pretend that doesn’t matter.

BLADE: Does the “1A” format give you more opportunity to weigh in than other journalism posts you’ve had?

JOHNSON: No. My job is still to be an analyst of the day’s events. This is not the Joshua Johnson show. It’s not my platform to tell you what I think about the news. I’m still a reporter. But that doesn’t mean I can’t call out inconsistencies. The other day we had a guest who kind of fudged an answer on climate change and I (called him out). But I can do it in a way that hews to evidence and fact and not just my belief.

BLADE: There’s so much obfuscation in partisan discussions, though. How do you press people for clarity without sounding partisan, at least at times?

JOHNSON: The way we’ve been doing it —what we do works. You do your homework, you do smart shows, you ask smart questions and you don’t worry about whether people like you or are comfortable with it. I’m here to perform a service as a journalist. … For me to start worrying about it now is to doubt the very reasons I came here. Facts still matter, the truth is still the truth and there are still such things as facts. People know and understand what the NPR standard is and outlets that don’t follow that standard — I don’t need to worry about people who deal in that kind of foolishness.

BLADE: How do you decide if you’re going to pick up a thread after a break or not? 

JOHNSON: It depends what’s coming up after the break. If we have a guest we need to get to or we have other questions that segue into that thought. Being in the studio is basically air traffic control because we have guests in the studio, remote guests, my script, my questions, I’m watching the clock, I have a timer that counts down to certain elements, then I have another screen that shows me e-mails and Tweets and Facebook posts and if we receive a voicemail during the show, we can play that. I have my laptop, which has more communication, I’m in touch with the control room and the newsroom upstairs and it’s all happening at once. There are all these different elements that I have to make balance so it’s a lot of plate spinning. It will be different every single day and I have to figure out in the moment what we’re going to next and if it’s duplicative of what we just said, how much time we have left and so on.

BLADE: How many people work on the show and are any of them veterans of Diane’s show?

JOHNSON: I think we have 11. Two of them were former producers on her team. The rest are new hires.

BLADE: Do you anticipate getting more mileage out of the Trump administration than you otherwise would have?

JOHNSON: There’s more to life in Washington so I don’t look to any one sector of the news as my bread and butter. … Also, public radio is very committed to the idea of localism … so we can’t allow the current political climate to eclipse all of that because then you’re basically saying that localism doesn’t matter anymore … so we keep that all in perspective.

BLADE: Even though “1A” is distributed throughout the country, doesn’t it seem slightly odd considering WAMU’s push for live and local to have brought you in from San Francisco? Some listeners were predicting a Washington person. Do you know how many names were in the hat? 

JOHNSON: I don’t. I’ve heard different numbers but I honestly don’t know nor do I know who they were. As for live and local, we are live and we are a program from WAMU. I think it’s important to the DNA of public radio that local stations are a provider of national programming (gives examples). We are Washington’s NPR station and we think the ability of WAMU to produce shows like “1A” and “Big Listen” is something we can be proud of. (Allman says Johnson’s outsider status was a plus. “[We liked that] he wasn’t from D.C., is not wowed by the Beltway. He brings a completely different perspective on the country. He gives the audience something new, someone they didn’t know so it doesn’t just seem like the business of shuffling people around.”)

BLADE: You seem at times a bit more abrupt than Diane. Do you agree?

JOHNSON: I try not to be. If I interrupt, I try to apologize for it unless they’re just going off the deep end. I try to be as respectful as I can but that doesn’t mean we have time to let everybody finish their thought.

BLADE: How serious are you and your boyfriend? Any plans for him to move out here eventually as well?

JOHNSON: He owns a barbershop in San Francisco so there are some moving parts we’d have to figure out. For now, we’re doing the bicoastal thing. We’ll make it work.

BLADE: Is Millennial engagement a big push at NPR? Are NPR stations seeing the drop-off we hear about at the orchestra, the ballet, the mainline churches and so on? 

JOHNSON: Millennials have gotten a bad rap. They consume immense amounts of news and information — they just do it differently. There are a lot of NPR member stations that are trying to be where younger audiences are. … We’re also getting better at saying, “Hey, maybe we don’t have a relationship now, but check this out.” Or, “We’ll try to make ourselves available in a bunch of different ways and if you only listen once or twice, that’s cool.” Or, “If you’re a fan of this podcast or station but don’t yet understand why you should give, fine.” … We’re getting better at accepting people where they are in the continuum of use in public radio. …. I think the institutions that do well are going to be the ones that skate harder in the direction the puck is going, not just going in the direction they wish it would go.

BLADE: You told Diane Rehm you hoped race would inform the program but not be the lens of the program. What’s the difference?

JOHNSON: Well, it’s about taking the experiences of your life and using them to add context to a conversation. You know, my lens on life is that I’m an African-American man in the 20th and 21st century. I can’t pretend that’s not who I am. So for me to pretend that it’s not or to pretend that I view life with no conception of race, that would be a lie. I have to acknowledge my life experiences. But at the same time as a journalist, I can step out of those experiences and try to view something from another person’s perspective. I can’t step outside of what I won’t acknowledge. It’s like taking off a shirt you don’t admit you put on. I have to own the truth of my life … but I don’t want people to feel like it’s a black man’s perspective on the news or that I’m a black man doing the news. Because I own the totality of who I am, I can step out of it as a journalist and say, “OK, let me see how people with different life experiences than me view this.”

BLADE: Did either being gay or being black pose any career hindrances?

JOHNSON: I don’t think either one was detrimental. I grew up in South Florida, which is a very gay-friendly news market. … I made a decision early on that I couldn’t make a career out of telling the truth about everyone else’s life while lying about my own. I knew eventually one of those lies would come back to bite me because one of them would be leverage for someone to use over me, so I decided I just needed to own the whole truth of my life and not let that be an impediment to my success. … Once you as a gay man deal with shame and you learn how poisonous it is, it can give you the leverage to never impute that shame on other people because it never helps, it never lifts up, it never clarifies, it never improves anything. … It burns everything it touches, so I just decided not to play with that fire because I knew what that burn feels like.

BLADE: That’s profound — what age were you? I wouldn’t have been able to articulate any of that at 16, 17, 18.

JOHNSON: I wouldn’t have been able to say that to you at that age either but I tend to be a very logical person but growing up in the Baptist church … I just thought to myself, the scriptures say you will know the truth and the truth will set you free. Well, this is the truth of my life. There has to be some freedom in here somewhere and I just held on to that. This is what the book says. This has to make sense somehow. That thought process always served me well as a journalist so how do these two things lock together? I just allowed that process to play out.

BLADE: But you make it sound so tidy. Surely there was some angst at some point, no?

JOHNSON: Oh, of course there was. This was just the ending. But yeah, there were times it was awful, it was terrible. Coming out sucks even under the best of circumstances. But working through that gave me a way to figure out where my inner reservoir of toughness came from in terms of career. I knew I had this dream and I was too greedy to give up on it.

Advertisement
FUND LGBTQ JOURNALISM
SIGN UP FOR E-BLAST

a&e features

35 years after ‘Truth or Dare,’ Slam is still dancing

Salim Gauwloos on Madonna, HIV, and why he almost didn’t audition for Blond Ambition Tour

Published

on

Salim Gauwloos continues to work as a dancer and choreographer. Learn more at salimgauwloos.com. (Photo courtesy Gauwloos)

Most gay men of a certain age remember “the kiss.”

It was the moment Madonna’s dancers Salim Gauwloos and Gabriel Trupin locked lips in the hit 1991 documentary film “Truth or Dare,” which is celebrating its 35th anniversary this spring.

The kiss was hot, but what made it groundbreaking is that it appeared in a mainstream Hollywood movie that screened in suburban multiplexes across the country. This wasn’t an obscure art house film. The movie, and tour on which it was based, received months of breathless media attention all over the world for bold expressions of female empowerment and queer visibility. Madonna was threatened with arrest in Toronto for simulating masturbation on stage and Pope John Paul II urged Catholics to boycott the show, triggering a media firestorm. 

“Truth or Dare” was billed as a behind-the-scenes documentary of the tour, but it quickly became clear that the real star of the show wasn’t Madonna, but rather her colorful troupe of seven backup dancers, six of whom identified as gay: Kevin Stea, Carlton Wilborn, Luis Xtravaganza CamachoJose Gutierez Xtravaganza, Gauwloos, and Trupin; Oliver Crumes III identifies as straight.

We saw them party and march in the New York City Pride parade. They were unabashedly queer at a dangerous time — before protease inhibitors began to stem the AIDS plague and before most celebrities and politicians embraced the gay community in any real way. Being out in 1991 carried major risks to career and reputation. 

Enter Gauwloos, one of those brave dancers who vogued his way into the hearts of countless gay men entranced by his handsome looks, his stage presence, and dance skills. 

Gauwloos — known then and now as “Slam”— sat down with the Blade to talk Madonna, the lasting impact of “Truth or Dare,” the public disclosure of his HIV status, and plans for a new book on his life. 

His story is fascinating — from growing up in Europe to dancing in New York to landing the gig of a lifetime with Madonna. He performed on that tour while secretly HIV positive and went without medical treatment for 10 years because he was living in the United States as an undocumented immigrant. Not even Madonna knew of his HIV status. Two other dancers on the tour were also HIV positive but no one talked about it. Ironically, Madonna was singing “Express Yourself” and advocating for condom use during her concerts yet backstage three of her dancers were secretly positive.

“A lot of people were dying so I wasn’t going to tell Madonna I had HIV,” said Slam, now 57. “And the others didn’t either. It wasn’t the moment to do it. She used to make speeches about Keith Haring and AIDS and I thought it’s going to be me next.”

Gabriel Trupin died of AIDS in 1995. Slam was diagnosed at age 18 in 1987, a frightening time when a positive test result often meant a death sentence. He booked the “Blond Ambition Tour” at age 21 after moving to New York. His friends encouraged him to audition but Slam resisted because he wasn’t a big Madonna fan.

“It was crazy, everyone wanted that job,” he said, “but I wanted to dance with Janet Jackson and Paula Abdul.” He listened to his friends and shortly after the audition, Slam received a call from Madonna herself inviting him to join the tour.

“We all wanted to be stars but not even Madonna knew how big that tour would become. The way it was choreographed and directed, the stars aligned. … It never looks dated even today.”

Salim Gauwloos dances with Madonna on the ‘Blond Ambition Tour’ in 1990. (Photo courtesy Gauwloos)

The world tour kicked off in Japan in April 1990 then moved to the United States and Europe, stirring controversy wherever it went. There was the iconic cone bra; the aforementioned simulated masturbation during “Like a Virgin”; and religious imagery that offended many Catholic groups and the Vatican.

And the controversy didn’t end with the tour. Cameras were rolling throughout the tour for what Slam thought would be a “video memory” for Madonna. But as the tour unfolded, director Alek Keshishian reportedly became more interested in what was happening behind the scenes so plans for mere tour footage were expanded into a full documentary.

“We were young and partying and didn’t really know what was going on,” Slam said. “You live in this celebrity bubble and you sign a paper – I don’t even know what I signed.”

In 1992, Kevin, Oliver, and Gabriel sued Madonna for invasion of privacy and fraud claiming she used some footage without their consent. They claim they were told nothing would be included in the film that they didn’t want to be seen. In one specific incident, Gabriel alleged that he told producers he didn’t want the scene of him kissing Slam to be in the film as he wasn’t fully out.

“Gabriel was forcibly outed,” in the movie, Kevin said in a 2016 interview.

Slam did not join his colleagues in the lawsuit.

“I couldn’t sue because I was illegal but I wasn’t ever going to sue,” Slam said. “I’m not a suing kind of person. But good for them, they fought for it and won. A lot of people don’t have the balls to sue Madonna.” The suit was settled two years later for an undisclosed sum.

“We were all conflicted about the kiss,” he said with a laugh. “The kiss, oh my God, my boyfriend is going to kill me! Belgian stress!”

Beyond worrying about his boyfriend’s reaction, Slam had concerns about the impact of being openly gay on his modeling career.

“In 1990, you couldn’t get high fashion campaigns as an openly gay model,” he said. “I was worried about that. I couldn’t get a campaign because I was gay. My agency told me to say I was straight and it was just a game.”

In 2016, pegged to the 25th anniversary of “Truth or Dare,” the surviving six dancers filmed a documentary about their lives post-Madonna titled “Strike A Pose.” In it, Slam publicly revealed his HIV status for the first time in an emotional scene with his former colleagues.

“I found the strength to tell the world I have HIV,” he recalls. “I was scared but I felt brave. The outcome and messages were beautiful. After I saw ‘Strike A Pose,’ I knew we gave people hope. And not just for gay people.”

He was infected in 1987 but didn’t get treated until 1997. After the tour ended, he said he went into a depression and his agency dropped him. 

“I was partying too much after the tour,” he recalls. “I made a decision to live as an illegal alien.” In 1997, Slam collapsed and was rushed to the hospital with pneumonia. 

“They started treating me and thank God the new HIV drugs were out, the cocktails, it took me a couple months to get better.”

Madonna didn’t participate in “Strike A Pose” and Slam said he hasn’t seen or spoken to her since the end of the tour. He said he had no idea of the impact “Truth or Dare” would have. 

“You look at this movie in 1991 and you don’t think it’s going to be such a big thing and 35 years later it’s still helping people,” he said. “It was helpful for people who felt alone at that time. It was such an important documentary.

“I don’t think younger gay people realize how important Madonna was to gay and queer visibility — she was a big part of it. We showed the world it’s OK to be gay and that was the great message of this movie.”

He noted that, decades later, many of his friends have transgender kids and that queer culture is represented in much of mainstream pop culture.

“It’s amazing how far we’ve come,” he said. “I know we’ll always be marginalized but we have come so far. I’m really proud of our community. The current nightmare will be over and I do believe that things will get better.”

Referencing President Trump’s attacks on the LGBTQ community and crackdown on immigration, Slam described the situation in the U.S. today as “sad.”

“Everything is such a mess,” he said. “Some of these people have lived here 30-40 years and they take you out of your home. I can’t even imagine. It breaks my heart. When I was illegal it was a different story.”

Slam met his husband, Facundo Gabba, who’s from Argentina, in 2000, and he helped him get a legal case together to win citizenship. He filed a case in 2001 and was told there was a 99 percent chance he wouldn’t be permitted to stay in the United States because they weren’t allowing HIV-positive immigrants to remain in the country. But he got his green card anyway in 2005 and became a U.S. citizen in 2012. 

Today, Slam and Gabba live in Brooklyn, though they travel a lot because “I can’t take the cold.” The couple married in Argentina in 2010 and in the U.S. in 2016.

Slam is still dancing and working as a choreographer. He’s teaching at a contemporary dance festival in Vienna in July and even offers online lessons via Salimdans.com.

As a longtime HIV survivor, Slam is dedicated to a healthful lifestyle.

“You have to keep moving; when you move you stay healthy,” he says. “Dance heals everything. I do yoga, I eat healthy and clean as possible. I don’t watch much TV … I try to stay healthy and positive. If I absorb all of the negativity I would be sick.”

Salim Gauwloos (Photo courtesy Gauwloos)

In addition to his ongoing work in dance and choreography, Slam is in the early stages of writing a book about his extraordinary life and pioneering career.

“I always knew I had a book inside of me. I want to talk about my HIV status. I know I can inspire more people. I want to tell even more secrets in the book; secrets are a poison so I want to tell everything.” 

Among those secrets, he notes, is a desire to write about his strict Muslim father and the years he spent as an undocumented immigrant in America. 

“Those are the things I want to talk about, the struggles. It’s a love story, hope and resilience. I know it will help people.”

As for his friends from the tour, Slam says he remains in contact with Gabriel’s mother and José Xtravaganza is his best friend. Baltimore’s Center Stage theater is currently developing a new musical about Xtravaganza’s life. And Slam said he occasionally talks to Oliver, though “he still can’t pronounce Sandra Bernhard’s name.”

At the end of our interview, Slam indulged a round a rapid fire questions:

• Favorite song to perform in the “Blond Ambition” tour? “Express Yourself.”

• Aside from Madonna, who was your favorite artist you worked with? Toni Braxton in “Aida” on Broadway. 

• Favorite Madonna song? “Live to Tell”

• Favorite Madonna video? “Bedtime Stories”

• What’s more stressful: performing in a concert or performing on the VMAs? “Both, because we always had to be perfect.”

• Did you go to Madonna’s recent “Celebration” tour? “I didn’t see the show but I saw clips online.”

• What do you remember most about performing “Vogue” at the VMAs? “It was nerve-racking for them to flip those fans.”

• When was the last time you vogued? “I teach classes so a couple weeks ago.”

Continue Reading

a&e features

Transmission DC breathes new life into a storied sound space

A fresh home for boundary-pushing culture on H Street

Published

on

Transmission DC is a queer, trans, and POC-owned, operated, and centered community-focused venue at 1353 H St., N.W. (Photo courtesy of Transmission DC)

Late last year, phoenix-style, a fresh home for boundary-pushing culture arose on the H Street corridor. Transmission DC – a queer, trans, and POC-owned, operated, and centered community-focused venue – powered on in the former home to the Rock & Roll Hotel (famously, not a hotel, but very much rock & roll). Transmission (1353 H St., N.E.) arrives secure in its mandate – or even birthright – to provide a place to celebrate creativity and music through a lens of inclusivity and respect.

Transmission’s team brings experience, but also representation. Owners/partners Kabir Khanna (who is also programming director), Ellie McDyre, and Kelli Kerrigan together previously managed 618, a venue in Chinatown, crafting “some of D.C.’s freakiest parties, raves, and mosh pits” they note.

They packed up operations last fall to a space curated specifically for D.C.’s underground music and culture scene, building their efforts in Chinatown to bring in more fans in queer and POC circles.

Transmission, Khanna points out, is built on DIY values. In the music scene, DIY means that promoters and organizers – often disconnected from the mainstream and part of marginalized communities – build shows and programs collaboratively, but independently from institutions, supporting each other as smaller, independent venues close. Here, Transmission aims to ensure that those putting together these underground inclusive shows have a more permanent and stable home, can have access to resources, and can provide more sustainable income to artists. “We’re trying to get more people to support and enjoy the music, and also give artists and organizers within the DIY community more structure and a larger cut,” says Khanna.

Khanna also notes that Transmission operates “under the principles of safety, inclusivity, and respect.” McDyre added that even at venues that claim inclusivity, that statement might not take place in practice. We’re “not just putting up a rainbow flag,” says McDyre, but as some of the owners are trans and POC, audiences can see themselves reflected at the top.

Much like the DIY nature of the music community, the Transmission owners brought a DIY ethos to turning around their space.

In March 2020 – the height of COVID lockdowns – Rock & Roll Hotel suddenly shuttered, though not due to the pandemic; instead, the venue claimed that decreasing sales and increasing competition led to the closure. For 14 years, it was the central spot for cheap beer and lesser-known and celebrated acts. The space stood vacant for more than five years, until Transmission turned the power back on.

“When we got into the space, it was effectively abandoned for years,” says Khanna. “There was a ton of mold, and paint primer covering all surfaces. It was nearly falling apart.” Khanna noted that many music venues like this one, regardless of how well it was maintained, “get the shit kicked out of it,” given the nature of shows. The team called in mold removal contractors, ripped up most of the floorboards, and started fresh.

Transmission’s first floor is styled as a stripped-down black box: the better to take in the music. “It’s minimal on purpose to act as a canvas for set design and music,” without a specific aesthetic, says Khanna. Moving upstairs, the second floor has been opened up, removing some walls, and now has a larger dance area than the first floor. Beyond the first two performance levels, and a holdover from Rock & Roll Hotel, is the rooftop. Though without a stage, the rooftop space is filled with murals splashed across the walls, with a full bar. Transmission’s current capacity is 496, but the team is looking to grow that number. Transmission will also leverage the full kitchen that Rock & Roll Hotel operated, bringing in Third Hand Kitchen to offer a variety of food, including vegan and vegetarian options.

Khanna pointed out an upcoming show reflective of Transmission’s inclusive ethos: Black Techo Matters on Feb. 27. The event is set to be “a dynamic, collaborative night of underground electronic music celebrating Black History Month.” Khanna says that techno came from Black music origins, and this event will celebrate this genesis with a host of artists, including DJ Stingray 313, Carlos Souffront, and Femanyst.

Continue Reading

a&e features

Meet D.C.’s Most Eligible Queer Singles

Our annual report, just in time for Valentine’s Day

Published

on

Just in time for Valentine’s Day, the Blade is happy to present our annual Most Eligible Singles issue. The Singles were chosen by you, our readers, in an online nominations process. 


John Marsh

(Washington Blade photo by Michael Key)

Age: 35

Occupation: DJ and Drag Entertainer

How do you identify? Male

What are you looking for in a mate? I’m looking for someone who’s ready to dive into life’s adventures with me. someone independent and building their own successes, but equally open to supporting each other’s dreams along the way. I know that probably sounds simple because, honestly, who isn’t looking for that? But my life and career keep me very social and busy, so it’s important to me to build trust with someone who understands that. I want a partner who knows that even when life gets hectic or I’m getting a lot of attention through my work in the community, it doesn’t take away from my desire to build something real, intentional, and meaningful with the right person.

Biggest turn off: My biggest turnoff is arrogance or judgment toward others. I’m most drawn to people who are comfortable being themselves and who treat everyone with the same level of respect and care. I’ve worked hard for the success I’ve found, but I believe in staying humble and leading with kindness, and I’m attracted to people who live the same way. I’m also turned off by exclusionary mindsets, especially the idea that sapphic folks don’t belong in gay spaces. Our community is vibrant, diverse, and strongest when it’s shared with everyone who shows up with respect and love

Biggest turn on: I’m drawn to people who can confidently walk into new spaces and create connection. Being able to read a room and make others feel comfortable shows emotional intelligence and empathy, which I find incredibly attractive. I also come from a very social, open, and welcoming family environment, so being with someone who embraces community and enjoys bringing people together is really important to me.

Hobbies: I have a lot of hobbies and love staying creative and curious. I’m a great cook, so you’ll never have to worry about going hungry around me. In my downtime, I watch a lot of anime and I will absolutely talk your ear off about my favorites if you let me. I’m also a huge music fan and K-pop lover (listen to XG!), and I’m a musician who plays the cello. I spend a lot of time sewing as well, which is a big part of my creative expression. My hobbies can be a little all over the place, but I just genuinely love learning new skills and trying new things whenever I can.

What is your biggest goal for 2026? This year feels like a huge milestone for me. I’m getting ready to join a tour this summer and want to represent myself well while building meaningful connections in every city I perform in. I’m also focused on growing as a DJ, sharing more mixes and content online, and reaching a big creative goal of releasing original music that I’m producing.

Pets, Kids or Neither? I have a lovely Akita named Grady that I’ve had for 10 years and always want pets in my life. I’m open to kids when/if the time is right with the right person.

Would you date someone whose political views differ from yours? Hell no. I don’t see political differences as just policy disagreements anymore – they often reflect deeper values about how we treat people and support our communities. I’m very progressive in my beliefs, and I’m looking for a partner who shares that mindset. For me, alignment in values like equity, compassion, and social responsibility is non-negotiable in a relationship. To be very clear about my beliefs, I’m outspoken about my opposition to immigration enforcement systems like ICE and believe both political parties have contributed to policies that have caused real harm to vulnerable communities. I’m also deeply disturbed by the ongoing violence in Palestine and believe we need to seriously examine our support of military actions that have resulted in the loss of countless innocent lives. These aren’t abstract political opinions for me,  they are moral issues that directly inform who I am and what I stand for.

Celebrity crush: Cocona

Name one obscure fact about yourself: I used to own a catering business in college that paid for my school — I also went to a Christian college, lol.


Jackie Zais

(Washington Blade photo by Michael Key)

Age: 35

Occupation: Senior director at nonprofit

How do you identify? Lesbian woman

What are you looking for in a mate? Looking for someone who’s curious about the world and the people in it — the kind of person who’s down to explore a new spot one night and stay in with takeout the next. Confident in who they are, social without being exhausting, adventurous but grounded, thoughtful but not pretentious. Someone who can be funny while still taking life (and relationships) seriously.

Biggest turn off: Doesn’t have strong opinions. I love hearing a wild hot take.

Biggest turn on: When someone can make me belly laugh.

Hobbies: Number one will always be yapping with friends over food, but I also love collecting new hobbies. Currently, I crochet (and have some dapper sweater vests as a result), listen to audiobooks on what I personally think is a normal speed (2x) and play soccer and pickleball. But I’ve tried embroidery, papier-mâché, collaging, collecting plants, scrap booking, and mosaic.

What is your biggest goal for 2026? I’ve recently started swimming and I want to look less like a flailing fish and more like someone who knows what they’re doing.

Pets, Kids or Neither? I have neither but open to kids

Would you date someone whose political views differ from yours? My best friend is a moderate Democrat and that’s as far right as I’m willing to go.

Celebrity crush: Tobin Heath

Name one obscure fact about yourself: I’m the daughter of Little Miss North Quincy 1967.


Kevin Schultz

(Washington Blade photo by Michael Key)

Age: 39

Occupation: Product manager

How do you identify? Gay

What are you looking for in a mate? You know 2001’s hottest Janet Jackson single, “Someone to Call My Lover?” To quote Janet, “Maybe, we’ll meet at a bar, He’ll drive a funky car; Maybe, we’ll meet at a club, And fall so deeply in love.” 

Realistically though, I’d love to find someone who loves to walk everywhere and who avoids the club because it’s too loud and crowded. Later in the song, our songstress opines “My, my, looking for a guy, guy, I don’t want him too shy; But he’s gotta have the qualities, That I like in a man: Strong, smart, affectionate” and I’m quite aligned there – I’m an introvert looking for someone more extroverted.

I’m looking for someone who is different from me. When the math works, one plus one should equal two. Two becoming one is more art, and my relational approach is more science, or, I guess, math.

Biggest turn off: I’m turned off by a lot of superficially small things — chewing with one’s mouth open, dirty or untrimmed fingernails, oh, and also, lack of self awareness. My personal brand of anxiety is hyper self-aware, so I’m very turned off by someone who doesn’t realize that they exist in the world with others.

Biggest turn on: Competency. Or maybe…eyes? So perhaps, you see my conundrum — I’m very engaged by people who are deeply engaged by something, but I’d be lying if I said a sharp gaze and a wink didn’t get me. And, you know, some stamina in all avenues, mental and physical doesn’t hurt either.

Hobbies: Fixing everyone’s WiFi (this did actually get me a date once), and just generally fixing everyone’s everything. If it’s got a plug, screen, or buttons I can probably help you with it. On my own, I’m really into smart home devices and automation, and just to be timely, my latest thing is setting up and tuning my own instance of OpenClaw. (No one should actually do this, which is why I’m trying.) Together, we could also explore such hobbies as visiting every Metro station, visiting and exploring a new airport, and exploring why there are so many gay transit nerds. There’s no non-fake sounding way to say this but I also just love knowledge seeking, so I’d also love to go on an adventure with you where we learn something brand new.

What is your biggest goal for 2026? My biggest goal is to arrive to 2027 just a little better than I arrived to 2026. A few gym goals, a few personal goals, a few work goals; I hope to get a few of them across the finish line. At the risk of holding myself accountable, one of those goals is to be able to flawlessly side plank for over a minute. Please don’t mistake me for a huge gym rat; I just have a questionable relationship with balance and I’m really working on it.

Pets, Kids or Neither? I’ll just be blunt: no pets. Stating this on my Hinge profile resulted in an exponential loss of matches, so it’s very fun to trot out the idea. Primarily, I’m allergic to cats and dogs so my aversion is mostly biological. I’m not, however, allergic to kids — big fan of my various nieces and nephews — but I’d really only consider kids of my own if my chosen companion and I could financially afford them without compromise, and at this age I’ve become opinionated about the life I want to live.

Would you date someone whose political views differ from yours? No. This becomes a simpler answer with each passing day, unfortunately.

Celebrity crush: If I’m being of the moment, of course, it’s going to be one of the gentlemen on “Heated Rivalry,” but if I were to really dig into the archives it would be pre-Star Trek Chris Pine. I first saw him in an absolute train wreck of a movie called “Blind Dating” where he plays a blind guy who tries to pretend to be sighted in order to date. The movie was terrible, but I found him irresistible.

Name one obscure fact about yourself: I went suddenly deaf on one side only (my left) just before my 33rd birthday. After a bit of time in the wilderness (metaphorically) I got a cochlear implant a few years later, and it really changed my life. I will talk until someone stops me about hearing, sound, and the amazing arena of hearing loss technology. A lot of people, when they see my implant, assume I was born with hearing loss, so it’s always a bit odd (obscure even!) when I tell people I lost it as an adult. But, I also got my hearing back as an adult and am an eager advocate for assistive technology and visibility for people with disabilities that are not always immediately visible. I also work with prospective adult implant candidates to determine if an implant is right for them, because losing hearing suddenly as an adult is isolating and it’s helpful to talk to someone who’s been there.


Gabriel Acevero

(Photo by Yilmaz Akin; courtesy Gabriel Acevero)

Age: 35

Occupation:  Maryland State Delegate

How do you identify? Gay

What are you looking for in a mate? Emotional intelligence and a sense of humor.

Biggest turn off: Fetishization.

Biggest turn on: Kindness and emotional intelligence.

Hobbies: Traveling and reading (I love books).

What is your biggest goal for 2026? More self care. I love what I do but it can also be physically taxing. In 2026, I’m prioritizing more self care.

Pets, Kids or Neither? I have neither but I’m open to both.

Would you date someone whose political views differ from yours? No.

Celebrity crush: Kofi Siriboe

Name one obscure fact about yourself: I’m a Scorpio who was raised by a Scorpio and I have many Scorpios in my life.


Vida Rangel

(Washington Blade photo by Michael Key)

Age: 36

Occupation: Public Servant, Community Organizer

How do you identify? I am a queer transLatina

What are you looking for in a mate? I’m looking for a partner who is caring, socially aware, and passionate about meaningfully improving some part of this world we all live in. Ideally someone playful who can match my mischievous energy, will sing and dance with me whenever joy finds us, and will meet me at protests and community meetings when the moment calls for bold collective action.

Biggest turn off: Ego. Confidence can be cute, but humility is sexy.

Biggest turn on: Drive. Seeing someone put their heart into pursuing their goals is captivating. Let’s chase our dreams together!

Hobbies: Music in all its forms (karaoke, playing guitar, concerts, musicals…), finding reasons to travel to new places, and making (Mexican) tamales for friends and coworkers.

What is your biggest goal for 2026? My biggest goal for 2026 is to organize and a celebratory kiss on election night wouldn’t hurt.

Pets, Kids or Neither? An adorable black cat named Rio (short for Misterio)

Would you date someone whose political views differ from yours? Ma’am? If you feel the need to ask…

Celebrity crush: Mi amor, Benito Bad Bunny. Zohran Mamdani, too. I have lots of love to give.

Name one obscure fact about yourself: I worked at Chick-fil-A when I was in high school and was fired after just three months. At the time it was still legal to fire someone for being trans, but I’m pretty sure it was because I called out to go to a Halloween party.


Em Moses

(Washington Blade photo by Michael Key)

Age: 34

Occupation: Publishing

How do you identify? Queer

What are you looking for in a mate? Companionship, passion, fun. I seek a confident partner who inspires me, someone to laugh and dance with, someone with a rich internal universe of interests and experiences to build upon. A lifelong friend.

Biggest turn off: Dishonesty.

Biggest turn on: I love when someone is exactly themselves, nurturing their passions and skills and showing up uniquely in this world as only they can.

Hobbies: I love to read. I create art with my hands. When the weather is nice I’m outside, walking around the District looking at flowers and trees.

What is your biggest goal for 2026? My main goal this year is to spend more time with my nieces and nephews.

Pets, Kids or Neither? No pets or children in my life currently.

Would you date someone whose political views differ from yours? While I consider myself quite openminded and genuinely enjoy learning from perspectives different from my own, I have clear boundaries around my morals and those pillars do not fall.

Celebrity crush: Luigi Mangione

Name one obscure fact about yourself: My first job was at a donut shop.


Nate Wong

(Washington Blade photo by Michael Key)

Age: 41

Occupation: Strategy adviser to nonprofits and philanthropists to help ambitious ideas turn into meaningful, positive societal impact.

How do you identify? Gay (he/him)

What are you looking for in a mate? An additive partner: sociable, adventurous, and curious about the world. I’m drawn to warmth, openness, and people who show up fully — one-on-one and in community. If you enjoy a good dinner party, make eye contact, and actually talk to strangers (I know a D.C. no-no), we’ll get along just fine.

Biggest turn off: Not being present. Active listening matters to me; attention is a form of respect (and honestly, very attractive). And a picky food eater (how will we some day be joint food-critics?).

Biggest turn on: Curiosity, adventuresome spirit, and someone who can hold their own in a room — and still make others feel at ease. Confidence is best when it’s generous.

Hobbies: Splitting my time between the ceramics studio (District Clay), planning the next trip, and finding great food spots. I box to balance it all out, and I love curating small, adventurous gatherings that bring interesting people together — the kind where you stay later than planned.

What is your biggest goal for 2026? The last few years threw some curve balls. So 2026 is all about moving forward more freely and passionately, trusting what feels right and following it with intention (and joy).

Pets, Kids or Neither? Open to kids (in a variety of forms — already have some adorable god kids). A hypoallergenic dog would absolutely raise the cuddle quotient; cats are best admired from a respectful, allergy-safe distance.

Would you date someone whose political views differ from yours? I value thoughtful listening and sincere debate; shared values around the honoring of everyone’s humanity, equity, and justice matter to me and aren’t up for debate.

Celebrity crush: Bad Bunny style with Jason Momoa humble confidence (harking to my Hawaiian roots) and Idris Elba charm — range matters.

Name one obscure fact about yourself: I celebrated medical clearance by going surfing in El Salvador. I’ve also nearly been arrested in Mozambique and somehow walked away unscathed (and without complying with a bribe) — happy to explain over an excursion.


Diane D’Costa

(Washington Blade photo by Michael Key)

Age: 29

Occupation: Artist + Designer

How do you identify? Queer/lesbian

What are you looking for in a mate? A cuddle buddy, a fellow jet setter, a muse! Someone to light my soul on fire (in a good way).

Biggest turn off: Apathy. I care deeply about a lot of things and need someone with a similar curiosity and zest for life.

Biggest turn on: Mutuality really does it for me — a push and pull, someone who will throw it back and also catch it. I love someone who takes initiative, shows care and compassion, and expresses fluidity and confidence.

Hobbies: You can find me throwing pottery, painting, sipping natural wine, supporting local coffee shops, and most definitely tearing up a QTBIPOC dance floor.

What is your biggest goal for 2026? Producing my first solo art show. This year I’m really leaning into actualizing all my visions and dreams and putting them out into the world.

Pets, Kids or Neither? I’ve got a Black Lab named Lennox after the one and only D.C. icon, Ari Lennox. I love supporting the youth and (made a career out of it), but don’t necessarily need to have little ones of my own.

Would you date someone whose political views differ from yours? No. Values alignment is key, but if you wanna get into the nuances of how we actualize collective liberation let’s get into it.

Celebrity crush: Queen Latifah

Name one obscure fact about yourself: I’m in the “Renaissance” movie. I know, I know slight flex… but “Crazy In Love” bottom left corner for a split second and a harsh crop, but I’m in there. “You are the visuals, baby” really hit home for me.


Donna Marie Alexander

(Photo courtesy of Donna Alexander)

Age: 67

Occupation: Social Worker

How do you identify? Lesbian

What are you looking for in a mate? Looking for a smart, kind, emotionally grown woman who knows who she is and is ready for real companionship. Also, great discernment and a good lesbian processor. Bonus points if you’ll watch a game with me— or at least cheer when I do. Extra bonus if you already know that women’s sports matter. 

Ideal first date: Out for tea or a Lemon Drop that turns into dinner, great conversation, and a few laughs. Low drama, high warmth.

Must haves: A sense of humor, curiosity about the self, curiosity about me, and curiosity about the world. An independence, and an appreciation for loyalty—on and off the field. Dealbreaker: Anyone who thinks “it’s just a game.”

Biggest turn off: Self-centered and a lack of discernment.

Biggest turn on: Great conversation and a sense of humor.

Hobbies: Watching the Commanders game

What is your biggest goal for 2026? Self-growth and meeting an amazing friend.

Pets, Kids or Neither? I have two kids and grandkids.

Would you date someone whose political views differ from yours? No

Celebrity crush: Pam Grier

Name one obscure fact about yourself: She’s way more superstitious about game-day routines than she lets on


Joe Reberkenny

(Washington Blade photo by Michael Key)

Age: 24

Occupation: Journalist

How do you identify? Gay

What are you looking for in a mate? Someone who’s driven, flexible, and independent. I’m a full-time journalist so if there’s news happening, I’ve gotta be ready to cover breaking stories. I’m looking for someone who also has drive in their respective career and is always looking to the future. I need someone who gets along with my friends. My friends and community here are so important to me and I’m looking for someone who can join me in my adventures and enjoys social situations.

Biggest turn off: Insecurity and cocky men. Guys who can’t kiki with the girls. Early bedtimes.

Biggest turn on: Traits: Emotional stability and reliability. A certain sense of safety and trust. Someone organized and open to trying new things. Physical: Taller than I am (not hard to do at 5’7″) but also a preference for hairy men (lol). Someone who can cook (I am a vegetarian/occasional pescatarian and while it’s not a requirement for me in a partner it would need to be something they can accommodate).

Hobbies: Exploring D.C. — from museums to nightlife, reading (particularly interested in queer history), dancing, frolicking, playing bartender, listening to music (preferably pop), classic movie connoisseur (TCM all the way).

What is your biggest goal for 2026? Continue my work covering LGBTQ issues related to the federal government, uplift queer voices, see mother monster (Lady Gaga) in concert.

Pets, Kids or Neither? I’ve got neither but I love a pet.

Would you date someone whose political views differ from yours? No

Celebrity crush: Pedro Pascal

Name one obscure fact about yourself: I’ve been hit by multiple cars and I have a twin sister.

Continue Reading

Popular