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Dueling ‘Othellos’

Synetic brings its trademark moves to its production while Folgers goes traditional route

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Owiso Odera and Ian Merrill Peakes in the Folger Theatre production. (Photo by Carol Pratt; courtesy of Folger Theatre)

‘Othello’
Through December
Folger Theatre
201 East Capitol Street, SE
$30-$65
202-544-7077
folger.edu

‘Othello’
Closes Sunday
Synetic Theater
1800 South Bell Street, Crystal City
$25-$55
800-494-8497
synetictheater.org

Jealousy can be a dangerous emotion. In Shakespeare’s “Othello,” it’s downright lethal. Local audiences can see two vastly different takes on the dark drama at the Folger Theatre on Capitol Hill, and (if you act fast) Synetic Theater in Crystal City.

Director Robert Richmond’s Folger production sets the action during the Crusades and casts Othello as a Templar Knight, underlining the Moor’s unparalleled ascent to power. As Othello, Owiso Odera displays an innate princely confidence and occasional cockiness that works beautifully to further ignite the fury of his secretly sworn enemy Iago, played by a charmingly villainous Ian Merrill Peakes. From the start, the audience is made aware of the extent of Iago’s shocking duplicity and expects him, like most of Shakespeare’s bad guys, to meet his fate at the end of a blade by the end of the evening. Instead he’s sentenced to a smorgasbord of torture.

Despite some hammy moments, Richmond’s “Othello” is an exciting and visceral interpretation. When Odera’s darkly handsome Othello awakens a sleeping Desdemona (the luminous Janie Brookshire) to punish her for alleged sexual misdeeds with her friend Cassio (Thomas Keegan) by strangling her to death (it takes several tries before she eventually dies), it’s intense for sure. And the subsequent scenes in which Iago’s distraught wife Emilia (Karen Peakes) reveals Iago’s ongoing deception and quickly meets a horrific fate, followed by Othello’s devastating realization and a tragic ending of his own, are equally compelling.

This production reunites gay designers William Ivey Long and Tony Cisek who collaborated on last season’s Folger hit “Henry VIII.” Both take brilliant advantage of the tragedy’s disparate regions and climes. As the action moves from Venice via sea to Cyprus, Long’s costumes change from capes, fur-trimmed coats and chain mail to open shirts and sandals. Similarly, Cisek’s dazzling set morphs from a towering canopy bed elaborately crowned in carved wood to magistrate’s office to billowing ship sails to a fabulously appointed Bedouin tent (not entirely Cyprian, but beautiful still).

Synetic’s “Othello” is the second of three revivals featured in the terrific company’s “Speak No More: The Silent Shakespeare Festival.” As the title suggests, the 90-minute show is interpreted solely through movement. And while the uber-fit actors don’t utter a peep about a “green-eyed monster” or “beast with two backs,” all the elements of jealousy and lusty passion are fully conveyed through Paata Tsikurishvili smart staging and Irina Tsikurishvili’s insanely inventive and sexy choreography.

Instead of one of Iago, Synetic has opted to go with three. They’re united when the primary Iago played by a maniacally gleeful Philip Fletcher (who is gay) pulls his two alter egos (Synetic vets Alex Mills and Irina Tsikurishvili) through a Mylar mirror. At times the potent trio overpowers the production’s Othello (Roger Payano), but never for too long. The talented and well built Payano definitely holds his own among a strong cast. In fact, it was Payano who first inspired Synetic to mount “Othello” when it premiered last season.

In ways, the challenge with “Othello” is to buy into Iago’s all-consuming hate for the title character and to believe a man will turn on his beloved wife based on pretty flimsy evidence. Both productions do well convincing on these counts; still, as with so much of Shakespeare, audiences just have to go with it, remembering that jealousy can make people do ugly things.

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Travel

Traveling by barge through France

Exploring foodie paradise of Lyon

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The Daniele Barge

Blog #1: I was excited about my trip even though Gate 1 Travel notified me there was a change in the itinerary. France decided to close the Burgundy canal for long overdue repairs, so we would be traveling on the C. du Rhone au Rhin. I boarded my Air France flight arriving in Paris on time. Contrary to what I was told to expect, customs went really smoothly.  

Day 1: Because customs went quickly, I waited 45 minutes for my pre-arranged driver, to take me to the Gare de Lyon, where I boarded my fast-train to Lyon. A two-hour trip. In Lyon it was a long walk to the hotel, The Radisson Blu, but only because I exited the station on the wrong side. Finally got there, checked into a room on the 36th floor with a spectacular view of Lyon. Then took a stroll around the area, a short nap, and finally it was time for dinner and to meet the rest of the traveling party. There would only be 13 of us in the group. Five of us from D.C./Rehoboth, and eight others. I met our guide Patricia, who is from Portugal, and spoke fluent French and English. She is charming, and clearly very knowledgeable. She worked with Gate 1 for many years. We stayed at the hotel for our welcome dinner. It was a great meal, and over drinks, each of us was asked to introduce ourselves to the group.  Aside from the five of us, there were three women traveling alone, one gentleman alone, and two couples. They were from New Jersey, New York, Florida, Houston, and Nebraska. I was sitting across from the woman from Nebraska. Conversation at dinner was pleasant but I quickly realized one person was apparently a MAGA. Wonder if you can guess where she was from, lol. But we also found if we didn’t talk politics, which we agreed not to do, things were fine.  After dinner we all headed to our rooms for a good night’s sleep. 

DAY 2: We woke to beautiful weather. I headed to the included breakfast at the hotel, which was really very good. After breakfast we boarded a bus for a tour of Lyon. We had a full-size bus for just the 13 of us. Our guide for the half day tour, was Vincent, and he is charming and young, and told us his fiancé lives in Lyon. He was incredibly knowledgeable. We began at the Basilica, which is being repaired on the outside, but the inside is, wow! Incredible stained glass, and there was a service going on in one of the smaller side chapels which I l listened to for a bit. The Basilica is high on the hill and the views of Lyon are spectacular from there. Then we headed to the old city and walked around for an hour, ending up at the smaller cathedral. Directly in front of it they had set up a great market, mostly food, which would be there for a week. Lyon is a foodie paradise, with, we were told, a restaurant, or at least coffee shop, for every 250 people. We then had a choice of staying in town, or going back to the hotel on the bus, which I did. The afternoon and evening were free time to do as we pleased. I headed to the Les Halles du Lyon Paul Bocuse, named after the famous chef, to take a look around.  It is a large market with small restaurants connected to most of the stalls. It was charming. I then headed to the huge three-story mall across from our hotel and walked around for an hour. Then caught up on some emails, and writing, and met my friends, Paul and Martin, John and Dan, for dinner at 6. We went to a really nice Bistro, which John had found, two tram stops away from the hotel, and enjoyed some drinks and a relaxed dinner. The owner of the place found us a waitress who spoke great English, which made ordering really easy. After a two-hour great meal, we headed back to the hotel. Riding a tram in Lyon is easy, you just need to use your credit card. It is an honor system. Back at the hotel I headed to my room and packed, our luggage had to be outside the door by 8:00 am the next morning.  I set my alarm for 6:30 so I had time to eat at the buffet breakfast. Then it was on the bus to head to our barge.

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Baltimore

This John Waters interview has been edited for readability — but perhaps not human decency

Pope of Trash dishes on Trump, plane etiquette, last meal, and more

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John Waters in 2022. (Washington Blade photo by Michael Key)

By WESLEY CASE | At 80 years old, John Waters is still the ideal dinner guest — incisively sharp, quick-witted and funny as hell.

The chic Baltimore native proved it again and again in a recent Zoom interview, calling from his summer home in Provincetown, Mass.

The occasion was the Blu-ray releases of two of his movies — the 1977 dark comedy “Desperate Living” and his enduring 1988 musical “Hairspray” — on June 23 by the Criterion Collection, which publishes restorations of films it deems culturally important. The Criterion stamp of approval has become the gold standard among cinephiles.

“It’s like getting an award,” said Waters, who wrote and directed both films.

The rest of this article can be read on the Baltimore Banner’s website.

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Photos

PHOTOS: Pride on the Pier

Seventh annual LGBTQ celebration held at The Wharf DC

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The Washington Blade's Pride on the Pier was held on Saturday, June 13. (Washington Blade photo by Landon Shackelford)

The Washington Blade held the seventh annual Pride on the Pier at The Wharf DC on Saturday, June 13.

(Washington Blade photos by Landon Shackelford)

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