Arts & Entertainment
Red revolution
Historical play gets brisk, brave local production
‘Les Justes (The Just Ones)’
Through March 11
WSC Avant Bard
Artisphere, 1101 Wilson Blvd., Rosslyn
$25-$30
888-841-2787

James T. Majewski in the WSC AvantBard production of ‘Les Justes.’ (Photo courtesy C. Stanley Photography, courtesy WSC AvantBard).
“Terror is not for the tender,” says Stepan, a hardened revolutionary in WSC Avant Bard’s tight production of Albert Camus’ “Les Justes (The Just Ones).” When young Yanek (James T. Majewski) balks at blowing up the Grand Duke because the Russian royal’s entourage includes two children, Stepan (John Stange) sneers. It’s better to kill blue-blooded parasites no matter the age, and save the starving masses. According to him, Yanek is too soft.
Based on the true story of a group of Russian socialist-revolutionaries who assassinated the Grand Duke Sergei Alexandrovich (uncle to the Tsar) in 1905, “Les Justes” — in true Camus fashion — grapples with matters of morality, in this case the ethics of revolution. While most of the action takes place offstage in the muddy streets of Moscow, the audience is primarily privy to the interior of the terror cell’s apartment headquarters — a shining world of ideas beautifully imagined by set and lighting designer David C. Ghatan as a bright white hexagonal platform encircled by four suspended white woodcut panels that allude to the socialist struggle.
It’s here that the group’s philosophies are heatedly debated and forged. Yanek, a poet who gave up a cushy life to join the revolution, yearns to be accepted by his fellow rebels as a true militant. Their decision to assassinate the Grand Duke presents an opportunity for Yanek to prove himself. He argues with Stepan and others about the best way to carry out the plan. He also debates love with sweet but dour Dora (Nora Achrati), a young chemist who’s been recruited to make bombs. Rounding out the opinionated crew are its leveled-headed leader Annenkov (Frank Britton) and a more tremulous member, Voinov (Theo Hadjimichael), who ashamedly admits he is unfit for violent rebellion, opting instead to join the budding party’s propaganda wing.
A second (and more successful) assassination attempt lands Yanek in prison where he meets cellmate Foka (Brian Crane), a convicted murderer/hangman who believes justice is reserved for the afterlife. Yanek’s visitors include Skuratov (Graham Pilato), a private investigator who comes seeking a confession; and the aristo’s widow, the Grand Duchess (Karen Novack) whose burgundy gown (compliments of costume designer Jen Bevan) contrasts sharply with the revolutionaries’ black-and-white period costumes. She conveys to Yanek that while her late husband was no saint, he wasn’t entirely bad either. Neither Camus’ terrorists nor his tyrant come off as villains.
Translated and adapted by D.C. actor/director Rahaleh Nassri, the production’s script remains faithful to the 1949 source while sounding completely contemporary. Director Jay Hardee (who’s gay) puts the diverse nine-person cast through the paces in this brisk 90-minute production. Here and there, performances might ring a little one note in their intensity, but overall they’re more nuanced than not.
A winner of the Nobel Prize for Literature, Camus’ works reflect his life experience, and what he, no doubt, questioned in his life. A product of French Algeria, Camus joined the French Communist Party in a reaction to the inequalities between Europeans and indigenous Algerians. During World War II he joined the French Resistance. Long after his death (a car crash in 1962), Camus’ questions about political murder feel as relevant as ever.
Puerto Rico
Bad Bunny shares Super Bowl stage with Ricky Martin, Lady Gaga
Puerto Rican activist celebrates half time show
Bad Bunny on Sunday shared the stage with Ricky Martin and Lady Gaga at the Super Bowl halftime show in Santa Clara, Calif.
Martin came out as gay in 2010. Gaga, who headlined the 2017 Super Bowl halftime show, is bisexual. Bad Bunny has championed LGBTQ rights in his native Puerto Rico and elsewhere.
“Not only was a sophisticated political statement, but it was a celebration of who we are as Puerto Ricans,” Pedro Julio Serrano, president of the LGBTQ+ Federation of Puerto Rico, told the Washington Blade on Monday. “That includes us as LGBTQ+ people by including a ground-breaking superstar and legend, Ricky Martin singing an anti-colonial anthem and showcasing Young Miko, an up-and-coming star at La Casita. And, of course, having queer icon Lady Gaga sing salsa was the cherry on the top.”
La Casita is a house that Bad Bunny included in his residency in San Juan, the Puerto Rican capital, last year. He recreated it during the halftime show.
“His performance brought us together as Puerto Ricans, as Latin Americans, as Americans (from the Americas) and as human beings,” said Serrano. “He embraced his own words by showcasing, through his performance, that the ‘only thing more powerful than hate is love.’”
Drag artists perform for crowds in towns across Virginia. The photographer follows Gerryatrick, Shenandoah, Climaxx, Emerald Envy among others over eight months as they perform at venues in the Virginia towns of Staunton, Harrisonburg and Fredericksburg.
(Washington Blade photos by Landon Shackelford)



















Books
New book explores homosexuality in ancient cultures
‘Queer Thing About Sin’ explains impact of religious credo in Greece, Rome
‘The Queer Thing About Sin’
By Harry Tanner
c.2025, Bloomsbury
$28/259 pages
Nobody likes you very much.
That’s how it seems sometimes, doesn’t it? Nobody wants to see you around, they don’t want to hear your voice, they can’t stand the thought of your existence and they’d really rather you just go away. It’s infuriating, and in the new book “The Queer Thing About Sin” by Harry Tanner, you’ll see how we got to this point.
When he was a teenager, Harry Tanner says that he thought he “was going to hell.”
For years, he’d been attracted to men and he prayed that it would stop. He asked for help from a lay minister who offered Tanner websites meant to repress his urges, but they weren’t the panacea Tanner hoped for. It wasn’t until he went to college that he found the answers he needed and “stopped fearing God’s retribution.”
Being gay wasn’t a sin. Not ever, but he “still wanted to know why Western culture believed it was for so long.”
Historically, many believe that older men were sexual “mentors” for teenage boys, but Tanner says that in ancient Greece and Rome, same-sex relationships were common between male partners of equal age and between differently-aged pairs, alike. Clarity comes by understanding relationships between husbands and wives then, and careful translation of the word “boy,” to show that age wasn’t a factor, but superiority and inferiority were.
In ancient Athens, queer love was considered to be “noble” but after the Persians sacked Athens, sex between men instead became an acceptable act of aggression aimed at conquered enemies. Raping a male prisoner was encouraged but, “Gay men became symbols of a depraved lack of self-control and abstinence.”
Later Greeks believed that men could turn into women “if they weren’t sufficiently virile.” Biblical interpretations point to more conflict; Leviticus specifically bans queer sex but “the Sumerians actively encouraged it.” The Egyptians hated it, but “there are sporadic clues that same-sex partners lived together in ancient Egypt.”
Says Tanner, “all is not what it seems.”
So you say you’re not really into ancient history. If it’s not your thing, then “The Queer Thing About Sin” won’t be, either.
Just know that if you skip this book, you’re missing out on the kind of excitement you get from reading mythology, but what’s here is true, and a much wider view than mere folklore. Author Harry Tanner invites readers to go deep inside philosophy, religion, and ancient culture, but the information he brings is not dry. No, there are major battles brought to life here, vanquished enemies and death – but also love, acceptance, even encouragement that the citizens of yore in many societies embraced and enjoyed. Tanner explains carefully how religious credo tied in with homosexuality (or didn’t) and he brings readers up to speed through recent times.
While this is not a breezy vacation read or a curl-up-with-a-blanket kind of book, “The Queer Thing About Sin” is absolutely worth spending time with. If you’re a thinking person and can give yourself a chance to ponder, you’ll like it very much.
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