Arts & Entertainment
Watch: gay dads criticized for raising a child on ‘What Would You Do?’
The social experiment was conducted in Kentucky and New York
(Screenshot via YouTube)
Unsuspecting diners had their views on gay adoption and foster care tested in a new segment on “What Would You Do?”
The scenario was inspired by the statistic that same-sex couples in the U.S. are raising almost 60,000 adopted and foster children. Married same-sex couples have opened their homes to 26,000 of those children.
On this episode of the hidden camera show, actors portrayed a gay couple raising an adopted daughter. While out at a restaurant, the couple is verbally harassed by a woman who believes the child shouldn’t be raised without a mother. The social experiment was conducted in both Orangetown, New York and Bardstown, Kentucky to compare how location affected people’s reactions.
In Kentucky, the harasser makes comments such as “I don’t think a child should be raised that way” and “That’s an innocent child with two gay men raising her.”
One man jumps up from the table saying “Lady, are you nuts or something? This lady is annoying me, probably these other people. We need it stop. We didn’t come here to be annoyed by you.”
A woman responds to the harasser by saying “I’m a teacher. I see it all the time and the children do not have problems.”
Some diners did note that while they disagree with the couple’s lifestyle they thought it was wrong of the woman to harass them in public.
In New York, customers were also supportive of the family.
“You need to lighten up lady,” one customer tells the harasser.“You need to back off. You’ve got two people celebrating and demonstrating love for a child. You’ve got some nerve. It doesn’t matter. Love is love. Would you rather see that child homeless, starving to death? It’s not about your opinion. It’s about the welfare of a child, a human being. The problem in the world is not two men raising a child. The problem in the world is you making comments like that.”
Watch below.
Celebrity News
Madonna announces release date for new album
‘Confessions II’ marks return to the dance floor
Pop icon Madonna on Wednesday announced that her 15th studio album will be released on July 3.
Titled “Confessions II,” the new album is a sequel to 2005’s “Confessions on a Dance Floor,” an Abba and disco-infused hit.
The new album reunites Madonna with producer Stuart Price, who also helmed the original “Confessions” album. It’s her first album of new material since 2019’s “Madame X.”
“We must dance, celebrate, and pray with our bodies,” Madonna said in a press release. “These are things that we’ve been doing for thousands of years — they really are spiritual practices. After all, the dance floor is a ritualistic space. It’s a place where you connect — with your wounds, with your fragility. To rave is an art. It’s about pushing your limits and connecting to a community of like-minded people,” continued the statement. “Sound, light, and vibration reshape our perceptions. Pulling us into a trance-like state. The repetition of the bass, we don’t just hear it but we feel it. Altering our consciousness and dissolving ego and time.”
Denali (@denalifoxx) of “RuPaul’s Drag Race” performed at Pitchers DC on April 9 for the Thirst Trap Thursday drag show. Other performers included Cake Pop!, Brooke N Hymen, Stacy Monique-Max and Silver Ware Sidora.
(Washington Blade photos by Michael Key)
Arts & Entertainment
In an act of artistic defiance, Baltimore Center Stage stays focused on DEI
‘Maybe it’s a triple-down’
By LESLIE GRAY STREETER | I’m always tickled when people complain about artists “going political.” The inherent nature of art, of creation and free expression, is political. This becomes obvious when entire governments try to threaten it out of existence, like in 2025, when the brand-new presidential administration demanded organizations halt so-called diversity, equity and inclusion (DEI) programming or risk federal funding.
Baltimore Center Stage’s response? A resounding and hearty “Nah.” A year later, they’re still doubling down on diversity.
“Maybe it’s a triple-down,” said Ken-Matt Martin, the theater’s producing director, chuckling.
The rest of this article can be found on the Baltimore Banner’s website.
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