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Queery: D’Arcee Charington Neal

The Gay Men’s Chorus baritone answers 20 gay questions

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D’Arcee Neal (Blade photo by Michael Key)

D’Arcee Charington Neal got in the Gay Men’s Chorus by the narrowest of margins.

A friend was auditioning back in August and Neal asked about it. Initially thinking he’d missed the deadline, he double checked the date and realized about 3 p.m. on the final day, he had until 5 to try out, so he did. He had never heard the Chorus or even realized there was such an outfit, but is enjoying his first season with the group. He sings baritone. Next weekend, the group gives three performances of its “Winter Nights” show at Lisner Auditorium (730 21st Street, NW; gmcw.org for details).

Neal is excited for the show.

“It will just be marvelous,” Neal says. “I’ve never really seen anything like it. … It’s everything from Bollywood to West African holiday music to traditional Latin choral arrangements.”

Neal, a 26-year-old Cary, N.C., native, came to Washington in 2007 for an internship. After completing a master’s degree (in creative and professional wiring) at London’s University of Roehampton, he returned to the District mostly because the Metro system makes it easy for him to get around.

“People in D.C. make fun of it, but they really have no idea,” he says. “From a disabled person’s perspective, it’s really the best thing in the U.S. I’ve ridden almost every underground in the country and D.C.’s is by far the best I’ve ever been on.”

Neal is single and lives in College Park, Md. He’s looking for writing work and says his disability has made finding employment difficult. He eventually wants to move into the District.

In his free time, he enjoys writing, cooking, singing and playing Call of Duty.

How long have you been out and who was the hardest person to tell?

I’ve been out since I was 17, and it was definitely my parents. My mother looked me in my face and said that she wished that I would have gotten AIDS and died so they could’ve mourned me and moved on already. That’s rough. But I know as older black people, they come from a different time. And as a disabled black person, they feel like I already have two strikes on my life, so they think being gay is something else I’m adding to make my life harder. (Editor’s note — Neal’s mother, Katherine Neal e-mailed the Blade and said she never said this.) 

Who’s your LGBT hero?

Lady Gaga. Outside of being outrageously talented, I can’t think of anyone who genuinely works for the good of the gays and really believes in what they do, on her level. As a megastar she could be about anything, but she has taken this platform up, and I can’t thank her enough for it.

What’s Washington’s best nightspot, past or present?

I was a huge fan of club Apex. Coming from Bible Belt North Carolina, it was like this holy megaplex of debauchery. Multiple floors of thumping bass, and flashing lights, and all those shirtless men!

Describe your dream wedding.

Oh God, I’ve spent forever fantasizing about this. Probably in the courtyard of the Louvre Museum at night, candles everywhere standing in front of that glass pyramid, black and white roses scattered the ground. But my tux would be the star of the show. People don’t seem to understand that when you’re in a wheelchair you never get to be passionate about clothes, because half the time you can’t show them off! I’d want a three foot white silk train on the back of my coat draped down behind my chair in between the wheels and a matching fedora with a veil attached over my face. It’d be the most fabulous thing since J-Lo’s “The Dress.”

What non-LGBT issue are you most passionate about?

Without a doubt, disability acceptance in America. For the life of me, I cannot understand why disabled unemployment is at 75 percent, compared to the national average of 7.9 percent. … It feels like as a country, America is choosing to leave us behind. My parents fought to make sure I had a good education, and graduating from London in 2011, with my master’s degree, I felt like they did a great job. But the reality is, I’ve been unemployed for nearly two years, and while I’m waiting for the right opportunity, my disability makes employers believe I can’t work as a waiter, or in a grocery store or as a barista. And so I, like a lot of people, live off benefits, in an attempt to wait the economy out. And it’s not just me. This is the situation for lots of recent graduates with disabilities.

What historical outcome would you change?

I think I’d go back to the day Dr. Martin Luther King Jr. got shot and stop that. I honestly believe that a lot of the drama and the situations that Americans have been through since the end of Civil Rights (gangs, drugs, welfare, 9-11, education gaps, etc.) wouldn’t be half of what they are today.

What’s been the most memorable pop culture moment of your lifetime?

I think that would have to be when I sat in a room with Nikki Giovanni practically by myself and talked with her for half an hour. This woman embodies the last of everything my parents talk about in regards to American history, and she’s simply phenomenal in every way.

On what do you insist?

That there is no better food on earth than in the American Southeast.

What was your last Facebook post or Tweet?

Turducken is a deliciously grotesque mutation of God’s humblest creations.

If your life were a book, what would the title be?

“Life is Like a [Multifacted, Hypersensitive, Cracked, Racist, Overrated  and Underappreciated] Box of Chocolates”

If science discovered a way to change sexual orientation, what would you do?

Read the fine print for the inevitably horrible side effects.

What do you believe in beyond the physical world?

Existence beyond emotions. An end to caring.

What’s your advice for LGBT movement leaders?

Consider all of your audience, and not just the popular section.

What would you walk across hot coals for?

Love. Someone who sees me a whole person, not in sections.

What LGBT stereotype annoys you most?

The idea that all gay men are weak and feminine. I’ve dated some men who could rip phonebooks in half, as well as a 2008 Olympian.

What’s your favorite LGBT movie?

“To Wong Foo, Thanks for Everything, Julie Newmar.” Noxzema is a chocolate goddess.

What’s the most overrated social custom?

Hugging. Being in a wheelchair, people are always so awkward about it. Either do it right, or don’t.

What trophy or prize do you most covet?

Probably my master’s degree from London. Considering what I had to do to get it, it definitely took the most work.

What do you wish you’d known at 18?

That I am not ugly or broken, and that not all men mean what they say.

Why Washington?

Two words: The Metro.

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Theater

‘Octet’ explores the depths of digital addiction

Habits not easily shaken in Studio Theatre chamber musical

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The cast of Octet (left to right): Aidan Joyce, Jimmy Kieffer, Chelsea Williams, Tracy Lynn Olivera, Amelia Aguilar (sitting upright), Ana MarcuAngelo Harrington II, and David Toshiro Crane. (Photo by Margot Schulman) 

‘Octet’
Through Feb. 26
Studio Theatre
1501 14th Street, N.W.
Tickets start at $55
Studiotheatre.org

David Malloy’s “Octet” delves deep into the depths of digital addiction. 

Featuring a person ensemble, this extraordinary a capella chamber musical explores the lives of recovering internet addicts whose lives have been devastated by digital dependency; sharing what’s happened and how things have changed. 

Dressed in casual street clothes, the “Friends of Saul” trickle into a church all-purpose room, check their cell phones in a basket, put away the bingo tables, and arrange folding chairs into a circle. Some may stop by a side table offering cookies, tea, and coffee before taking a seat. 

The show opens with “The Forest,” a haunting hymn harking back to the good old days of an analog existence before glowing screens, incessant pings and texts.

“The forest was beautiful/ My head was clean and clear/Alone without fear/ The forest was safe/ I danced like a beautiful fool / One time some time.”

Mimicking an actual step meeting, there’s a preamble. And then the honest sharing begins, complete with accounts of sober time and slips.

Eager to share, Jessica (Chelsea Williams) painfully recalls being cancelled after the video of her public meltdown went viral. Henry (Angelo Harrington II) is a gay gamer with a Candy Crush problem. Toby (Adrian Joyce) a nihilist who needs to stay off the internet sings “So anyway/ I’m doing good/ Mostly/ Limiting my time/ Mostly.”

The group’s unseen founder Saul is absent, per usual.

In his stead Paula, a welcoming woman played with quiet compassion by Tracy Lynn Olivera, leads. She and her husband no longer connect. They bring screens to bed. In a love-lost ballad, she explains: “We don’t sleep well/ My husband I/ Our circadian rhythms corrupted/ By the sallow blue glow of a screen/ Sucking souls and melatonin/ All of my dreams have been stolen.”

After too much time spent arguing with strangers on the internet, Marvin, a brainy young father played by David Toshiro Crane, encounters the voice of a God. 

Ed (Jimmy Kieffer) deals with a porn addiction. Karly (Ana Marcu) avoids dating apps, a compulsion compared to her mother’s addiction to slot machines.

Malloy, who not only wrote the music but also the smart lyrics, book, and inventive vocal arrangements, brilliantly joins isolation with live harmony. It’s really something. 

And helmed by David Muse, “Octet” is a precisely, quietly, yet powerfully staged production, featuring a topnotch cast who (when not taking their moment in the spotlight) use their voices to make sounds and act as a sort of Greek chorus. Mostly on stage throughout all of the 100-minute one act, they demonstrate impressive stamina and concentration. 

An immersive production, “Octet” invites audience members to feel a part of the meeting. Studio’s Shargai Theatre is configured, for the first, in the round. And like the characters, patrons must also unplug. Everyone is required to have their phones locked in a small pouch (that only ushers are able to open and close), so be prepared for a wee bit of separation anxiety. 

At the end of the meeting, the group surrenders somnambulantly. They know they are powerless against internet addiction. But group newbie Velma (Amelia Aguilar) isn’t entirely convinced. She remembers the good tech times.

In a bittersweet moment, she shares of an online friendship with “a girl in Sainte Marie / Just like me.” 

Habits aren’t easily shaken.

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Sports

Blade, Pride House LA announce 2028 Olympics partnership

Media sponsorship to amplify stories of LGBTQ athletes

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(Photo by Chaay Tee via Bigstock)

The Los Angeles Blade and Washington Blade on Friday announced a media partnership with the Out Athlete Fund, which will produce Pride House LA for the 2028 Summer Olympics.

Pride House is the home for LGBTQ fans and athletes that will become a destination during the L.A. Summer Games in West Hollywood in partnership with the City of WeHo. This 17-day celebration for LGBTQ athletes and fans will include medal ceremonies for out athletes, interactive installations, speakers, concerts, and more.

The Los Angeles Blade will serve as the exclusive L.A.-area queer media sponsor for Pride House LA and the Washington Blade will support the efforts and amplify coverage of the 2028 Games.

The Blade will provide exclusive coverage of Pride House plans, including interviews with queer athletes and more. The parties will share content and social media posts raising awareness of the Blade and Out Athlete Fund. The Blade will have media credentials and VIP access for related events. 

“We are excited to partner with the Washington Blade, the oldest LGBTQ newspaper in the United States and the Los Angeles Blade, already a strong supporter of Out Athlete Fund and Pride House LA/West Hollywood,” said Michael Ferrera, CEO of Pride House LA. “Our mission is about increasing the visibility of LGBTQ+ athletes and fans to challenge the historical hostility toward our community in the sports world. Visibility is what publications like the Washington and Los Angeles publications are all about. We know they will play a key part in our success.”

“LGBTQ visibility has never been more important and we are thrilled to work with Out Athlete Fund and Pride House LA to tell the stories of queer athletes and ensure the 2028 Summer Games are inclusive and affirming for everyone,” said Blade Editor Kevin Naff.

Out Athlete Fund is a 501(c)3 designed to raise money to offset the training cost of out LGBTQ athletes in need of funding for training. The Washington Blade is the nation’s oldest LGBTQ news outlet; the Los Angeles Blade is its sister publication founded nine years ago.

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Out & About

Celebrate Black History Month

LGBTQ+ Community Center to host series of events

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‘Paris is Burning’ is screening as part of Black History Month commemorations at the DC Center. (File photo courtesy of Reel Affirmations)

In honor of Black History Month, the DC LGBTQ+ Community Center will host a series of events uplifting the histories, artistry, and resilience of Black LGBTQ+ communities through dialogue, film, and intentional gathering.

The series begins with “Ballroom Culture: Rhythms of Resilience,” a panel discussion on Tuesday, Feb. 10, 2026 at 7 p.m. Artists, activists, and leaders from the ballroom community will explore ballroom’s historical, cultural, and political significance as a site of resistance, kinship, creative expression, and social justice within Black, Latinx, and LGBTQ+ communities. 

On Friday, Feb. 13 at 12:30 p.m., the Center will host a screening of the groundbreaking documentary “Paris is Burning,” which chronicles New York City’s ballroom scene and house culture while examining themes of race, class, identity, and survival through the voices of legendary performers including Willi Ninja, Pepper LaBeija, and Dorian Corey.

The month will conclude with “Soul Centered: A Black LGBTQ+ Gathering” on Saturday, Feb. 21, 2026 at 3:30 p.m. This free, RSVP-required event invites Black LGBTQ+ community members into a space of rest, connection, and reflection centered on love in all its forms. The gathering will feature a panel conversation with Black LGBTQ+ creatives, healers, and community members, followed by intentional speed connections and a closing social mixer. 

For more details and to RSVP, visit the Center’s website.

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