Arts & Entertainment
Queery: D’Arcee Charington Neal
The Gay Men’s Chorus baritone answers 20 gay questions
D’Arcee Charington Neal got in the Gay Men’s Chorus by the narrowest of margins.
A friend was auditioning back in August and Neal asked about it. Initially thinking he’d missed the deadline, he double checked the date and realized about 3 p.m. on the final day, he had until 5 to try out, so he did. He had never heard the Chorus or even realized there was such an outfit, but is enjoying his first season with the group. He sings baritone. Next weekend, the group gives three performances of its “Winter Nights” show at Lisner Auditorium (730 21st Street, NW; gmcw.org for details).
Neal is excited for the show.
“It will just be marvelous,” Neal says. “I’ve never really seen anything like it. … It’s everything from Bollywood to West African holiday music to traditional Latin choral arrangements.”
Neal, a 26-year-old Cary, N.C., native, came to Washington in 2007 for an internship. After completing a master’s degree (in creative and professional wiring) at London’s University of Roehampton, he returned to the District mostly because the Metro system makes it easy for him to get around.
“People in D.C. make fun of it, but they really have no idea,” he says. “From a disabled person’s perspective, it’s really the best thing in the U.S. I’ve ridden almost every underground in the country and D.C.’s is by far the best I’ve ever been on.”
Neal is single and lives in College Park, Md. He’s looking for writing work and says his disability has made finding employment difficult. He eventually wants to move into the District.
In his free time, he enjoys writing, cooking, singing and playing Call of Duty.
How long have you been out and who was the hardest person to tell?
I’ve been out since I was 17, and it was definitely my parents. My mother looked me in my face and said that she wished that I would have gotten AIDS and died so they could’ve mourned me and moved on already. That’s rough. But I know as older black people, they come from a different time. And as a disabled black person, they feel like I already have two strikes on my life, so they think being gay is something else I’m adding to make my life harder. (Editor’s note — Neal’s mother, Katherine Neal e-mailed the Blade and said she never said this.)
Who’s your LGBT hero?
Lady Gaga. Outside of being outrageously talented, I can’t think of anyone who genuinely works for the good of the gays and really believes in what they do, on her level. As a megastar she could be about anything, but she has taken this platform up, and I can’t thank her enough for it.
What’s Washington’s best nightspot, past or present?
I was a huge fan of club Apex. Coming from Bible Belt North Carolina, it was like this holy megaplex of debauchery. Multiple floors of thumping bass, and flashing lights, and all those shirtless men!
Describe your dream wedding.
Oh God, I’ve spent forever fantasizing about this. Probably in the courtyard of the Louvre Museum at night, candles everywhere standing in front of that glass pyramid, black and white roses scattered the ground. But my tux would be the star of the show. People don’t seem to understand that when you’re in a wheelchair you never get to be passionate about clothes, because half the time you can’t show them off! I’d want a three foot white silk train on the back of my coat draped down behind my chair in between the wheels and a matching fedora with a veil attached over my face. It’d be the most fabulous thing since J-Lo’s “The Dress.”
What non-LGBT issue are you most passionate about?
Without a doubt, disability acceptance in America. For the life of me, I cannot understand why disabled unemployment is at 75 percent, compared to the national average of 7.9 percent. … It feels like as a country, America is choosing to leave us behind. My parents fought to make sure I had a good education, and graduating from London in 2011, with my master’s degree, I felt like they did a great job. But the reality is, I’ve been unemployed for nearly two years, and while I’m waiting for the right opportunity, my disability makes employers believe I can’t work as a waiter, or in a grocery store or as a barista. And so I, like a lot of people, live off benefits, in an attempt to wait the economy out. And it’s not just me. This is the situation for lots of recent graduates with disabilities.
What historical outcome would you change?
I think I’d go back to the day Dr. Martin Luther King Jr. got shot and stop that. I honestly believe that a lot of the drama and the situations that Americans have been through since the end of Civil Rights (gangs, drugs, welfare, 9-11, education gaps, etc.) wouldn’t be half of what they are today.
What’s been the most memorable pop culture moment of your lifetime?
I think that would have to be when I sat in a room with Nikki Giovanni practically by myself and talked with her for half an hour. This woman embodies the last of everything my parents talk about in regards to American history, and she’s simply phenomenal in every way.
On what do you insist?
That there is no better food on earth than in the American Southeast.
What was your last Facebook post or Tweet?
Turducken is a deliciously grotesque mutation of God’s humblest creations.
If your life were a book, what would the title be?
“Life is Like a [Multifacted, Hypersensitive, Cracked, Racist, Overrated and Underappreciated] Box of Chocolates”
If science discovered a way to change sexual orientation, what would you do?
Read the fine print for the inevitably horrible side effects.
What do you believe in beyond the physical world?
Existence beyond emotions. An end to caring.
What’s your advice for LGBT movement leaders?
Consider all of your audience, and not just the popular section.
What would you walk across hot coals for?
Love. Someone who sees me a whole person, not in sections.
What LGBT stereotype annoys you most?
The idea that all gay men are weak and feminine. I’ve dated some men who could rip phonebooks in half, as well as a 2008 Olympian.
What’s your favorite LGBT movie?
“To Wong Foo, Thanks for Everything, Julie Newmar.” Noxzema is a chocolate goddess.
What’s the most overrated social custom?
Hugging. Being in a wheelchair, people are always so awkward about it. Either do it right, or don’t.
What trophy or prize do you most covet?
Probably my master’s degree from London. Considering what I had to do to get it, it definitely took the most work.
What do you wish you’d known at 18?
That I am not ugly or broken, and that not all men mean what they say.
Why Washington?
Two words: The Metro.
The D.C. Front Runners held the 14th annual 5K Pride Run at Congressional Cemetery on Saturday, June 6.
(Washington Blade photos by Michael Key)























View on Threads
Books
‘Mighty Real’ explores history of LGBTQ music
From Judas Priest to Whitney, something for every taste
‘Mighty Real: A History of LGBTQ Music, 1969-2000’
By Barry Walters
c.2026, Viking
$35/496 pages
Step, step, tap, back step.
Shimmy in a circle, left hand waving over your head, shake your tail feathers, repeat to the beat. Once there was a time when you could do any dance in your sleep, but it’s been a while. So read “Mighty Real” by Barry Walters, and see if your toes don’t tap.

Fifty-seven years after Stonewall, and here we are: LGBTQ musicians still face scrutiny for their sexuality because, says Walters, music isn’t created for gay listeners. No problem: LGBTQ artists and writers have often penned lyrics carefully in order to say what can’t be said, “coding” songs for gay audiences that straight (and ignorant) listeners can dance to and enjoy with apparent obliviousness.
Walters offers “just a few” examples.
Lou Reed sang about trans people in the late ‘60s and offered a rallying song for the Gay Liberation Front in 1972, the latter of which felt like a message to a then-11-year-old Walters. Janis Joplin claimed she was straight, but she had several girlfriends. Motown singers often offered sometimes-ambiguous lyrics.
John Lennon’s hand placement on the back cover of Sgt. Pepper’s Lonely Hearts Club Band made Walters begin to understand that he was different from other boys.
David Bowie is on his list, of course, as is Bette Midler, Elton John, Donna Summer, and Queen. You’ll find Judas Priest here, Green Day, and punk music. The Village People are included in this book, also Grace Jones, Duran Duran, and Cher, Whitney, Melissa, Latifah, and the lyrics from several blockbuster movies.
Two of Prince’s band members were lesbians, and they heavily influenced his albums. Diana Ross’s “I’m Coming Out” cemented her position in LGBTQ culture, and Michael Jackson’s inclusion here takes much careful consideration.
Read about Olivia Newton-John and the B52s. And then there’s Sylvester, for whom Walters has a soft spot in his heart. Sylvester’s death still makes Walters cry.
In his preface, author and music writer Barry Walters points out that music is what you make it and that it’s interpreted differently by each individual. To that end, this book naturally consists of preferential history and personal opinions about singers, bands, albums, and songs.
Agree or disagree. That’s where much of the appeal lies in “Mighty Real.”
Here, Walters wraps his memories around his choices, giving readers room for their own views, memories, and list making. Music-loving readers might also be surprised to note who’s not on Walters’ list – there aren’t many country performers here, for example, and the overall list focuses entirely on music from roughly 1968 to the year 2000, mostly on the kinds of songs you’ll want at the club or party. Again, discuss, and curate your own playlist.
This is a hefty book, but the chapters are browse-able and generally short enough to read in under five minutes. It’s nostalgic, yet also serious in the history it presents. This is the kind of book you want to leave near your album collection, or wherever you get your tunes. But finding “Mighty Real” is your first step.
The Blade may receive commissions from qualifying purchases made via this post.
The Gay Men’s Chorus of Washington performed “Soul Divas” at the Lincoln Theatre over the weekend. The show featured songs popularized by Tina Turner, Aretha Franklin, Diana Ross, Gladys Knight, Whitney Houston and more.
(Washington Blade photos by Michael Key)



















































