Connect with us

Arts & Entertainment

Queery: D’Arcee Charington Neal

The Gay Men’s Chorus baritone answers 20 gay questions

Published

on

D’Arcee Neal (Blade photo by Michael Key)

D’Arcee Charington Neal got in the Gay Men’s Chorus by the narrowest of margins.

A friend was auditioning back in August and Neal asked about it. Initially thinking he’d missed the deadline, he double checked the date and realized about 3 p.m. on the final day, he had until 5 to try out, so he did. He had never heard the Chorus or even realized there was such an outfit, but is enjoying his first season with the group. He sings baritone. Next weekend, the group gives three performances of its “Winter Nights” show at Lisner Auditorium (730 21st Street, NW; gmcw.org for details).

Neal is excited for the show.

“It will just be marvelous,” Neal says. “I’ve never really seen anything like it. … It’s everything from Bollywood to West African holiday music to traditional Latin choral arrangements.”

Neal, a 26-year-old Cary, N.C., native, came to Washington in 2007 for an internship. After completing a master’s degree (in creative and professional wiring) at London’s University of Roehampton, he returned to the District mostly because the Metro system makes it easy for him to get around.

“People in D.C. make fun of it, but they really have no idea,” he says. “From a disabled person’s perspective, it’s really the best thing in the U.S. I’ve ridden almost every underground in the country and D.C.’s is by far the best I’ve ever been on.”

Neal is single and lives in College Park, Md. He’s looking for writing work and says his disability has made finding employment difficult. He eventually wants to move into the District.

In his free time, he enjoys writing, cooking, singing and playing Call of Duty.

How long have you been out and who was the hardest person to tell?

I’ve been out since I was 17, and it was definitely my parents. My mother looked me in my face and said that she wished that I would have gotten AIDS and died so they could’ve mourned me and moved on already. That’s rough. But I know as older black people, they come from a different time. And as a disabled black person, they feel like I already have two strikes on my life, so they think being gay is something else I’m adding to make my life harder. (Editor’s note — Neal’s mother, Katherine Neal e-mailed the Blade and said she never said this.) 

Who’s your LGBT hero?

Lady Gaga. Outside of being outrageously talented, I can’t think of anyone who genuinely works for the good of the gays and really believes in what they do, on her level. As a megastar she could be about anything, but she has taken this platform up, and I can’t thank her enough for it.

What’s Washington’s best nightspot, past or present?

I was a huge fan of club Apex. Coming from Bible Belt North Carolina, it was like this holy megaplex of debauchery. Multiple floors of thumping bass, and flashing lights, and all those shirtless men!

Describe your dream wedding.

Oh God, I’ve spent forever fantasizing about this. Probably in the courtyard of the Louvre Museum at night, candles everywhere standing in front of that glass pyramid, black and white roses scattered the ground. But my tux would be the star of the show. People don’t seem to understand that when you’re in a wheelchair you never get to be passionate about clothes, because half the time you can’t show them off! I’d want a three foot white silk train on the back of my coat draped down behind my chair in between the wheels and a matching fedora with a veil attached over my face. It’d be the most fabulous thing since J-Lo’s “The Dress.”

What non-LGBT issue are you most passionate about?

Without a doubt, disability acceptance in America. For the life of me, I cannot understand why disabled unemployment is at 75 percent, compared to the national average of 7.9 percent. … It feels like as a country, America is choosing to leave us behind. My parents fought to make sure I had a good education, and graduating from London in 2011, with my master’s degree, I felt like they did a great job. But the reality is, I’ve been unemployed for nearly two years, and while I’m waiting for the right opportunity, my disability makes employers believe I can’t work as a waiter, or in a grocery store or as a barista. And so I, like a lot of people, live off benefits, in an attempt to wait the economy out. And it’s not just me. This is the situation for lots of recent graduates with disabilities.

What historical outcome would you change?

I think I’d go back to the day Dr. Martin Luther King Jr. got shot and stop that. I honestly believe that a lot of the drama and the situations that Americans have been through since the end of Civil Rights (gangs, drugs, welfare, 9-11, education gaps, etc.) wouldn’t be half of what they are today.

What’s been the most memorable pop culture moment of your lifetime?

I think that would have to be when I sat in a room with Nikki Giovanni practically by myself and talked with her for half an hour. This woman embodies the last of everything my parents talk about in regards to American history, and she’s simply phenomenal in every way.

On what do you insist?

That there is no better food on earth than in the American Southeast.

What was your last Facebook post or Tweet?

Turducken is a deliciously grotesque mutation of God’s humblest creations.

If your life were a book, what would the title be?

“Life is Like a [Multifacted, Hypersensitive, Cracked, Racist, Overrated  and Underappreciated] Box of Chocolates”

If science discovered a way to change sexual orientation, what would you do?

Read the fine print for the inevitably horrible side effects.

What do you believe in beyond the physical world?

Existence beyond emotions. An end to caring.

What’s your advice for LGBT movement leaders?

Consider all of your audience, and not just the popular section.

What would you walk across hot coals for?

Love. Someone who sees me a whole person, not in sections.

What LGBT stereotype annoys you most?

The idea that all gay men are weak and feminine. I’ve dated some men who could rip phonebooks in half, as well as a 2008 Olympian.

What’s your favorite LGBT movie?

“To Wong Foo, Thanks for Everything, Julie Newmar.” Noxzema is a chocolate goddess.

What’s the most overrated social custom?

Hugging. Being in a wheelchair, people are always so awkward about it. Either do it right, or don’t.

What trophy or prize do you most covet?

Probably my master’s degree from London. Considering what I had to do to get it, it definitely took the most work.

What do you wish you’d known at 18?

That I am not ugly or broken, and that not all men mean what they say.

Why Washington?

Two words: The Metro.

Advertisement
FUND LGBTQ JOURNALISM
SIGN UP FOR E-BLAST

Celebrity News

D.C. goes gaga for Gaga

Bisexual icon brought ‘The Mayhem Ball’ tour to Washington this week

Published

on

Lady Gaga brought "The Mayhem Ball" tour to Capital One Arena this week. (Washington Blade photo by Michael K. Lavers)

Lady Gaga this week took D.C. by storm.

The bisexual icon and LGBTQ rights champion brought “The Mayhem Ball” tour to Capital One Arena on Monday and Tuesday.

“Abracadabra,” “Paparazzi,” “Applause,” and “Bad Romance” are among the songs Lady Gaga performed during the 2 1/2-hour long concert. Lady Gaga also celebrated her many queer fans.

“You are precious to us,” she said on Tuesday night before she performed “Born This Way.”

Continue Reading

Photos

PHOTOS: Capital Stonewall Democrats 50th anniversary

D.C. LGBTQ political group celebrates milestone at Pepco Edison Place Gallery

Published

on

The Capital Stonewall Democrats 50th Anniversary is held at Pepco Edison Place Gallery on Friday, March 20. (Washington Blade photo by Michael Key)

The Capital Stonewall Democrats held a 50th anniversary celebration at Pepco Edison Place Gallery on Friday. Rayceen Pendarvis served as the emcee.

(Washington Blade photos by Michael Key)

Continue Reading

Theater

‘Inherit the Wind’ isn’t about science vs. religion, but the right to think

Holly Twyford on new role and importance of listening to different opinions

Published

on

Holly Twyford

‘Inherit the Wind’
Through April 5
Arena Stage
1101 Sixth St., S.W.
Tickets start at $73
Arenastage.org

When “Inherit the Wind” premiered on Broadway in 1955 with a cast of 50, its fictional setting of Hillsboro, an obscure country town described as the buckle on the Bible Belt, was filled with townspeople. And now at Arena Stage, director Ryan Guzzo Purcell has somehow crowded Arena’s large Fichandler space with just 10 actors, five principals and a delightful ensemble of five playing multiple roles. 

Inspired by the real-life Scopes Monkey Trial of 1925, Jerome Lawrence and Robert E. Lee’s fictionalized work pits intellectual freedom against McCarthyism via the imagined trial of Bertram Cates (Noah Plomgren), a Tennessee educator charged with teaching evolution. Drawn into the fracas are big shot lawyers, defense attorney Henry Drummond (Billy Eugene Jones), and conservative prosecutor, Matthew Harrison Brady (Dakin Matthew). On hand to cover the closely watched story is wisecracking city slicker and Baltimore reporter E.K. Horneck (played by nonbinary actor Alyssa Keegan). 

Out actor Holly Twyford, a four-time Helen Hayes Award winner who has appeared in more than 80 Washington area plays, is part of the ensemble. In jeans and boots, she memorably plays Meeker, the bailiff at the Hillsboro courthouse and the jailer responsible for holding Cates in the days leading to his trial. 

Twyford also plays Sillers, a slack jawed earnest employee at the local feed store who’s called to serve on the jury. And more importantly she plays Brady’s quietly strong wife Sarah whom he affectionately calls “Mother.”

When Twyford makes her memorable first entrance as Meeker, she’s wiping shaving cream from her face with a hand towel. With shades of Mayberry R.F.D., the jail is run casually. Meeker says Cates isn’t the criminal type, and he’s not. 

“There’s a joke among actors,” says Twyford. “When an actor gets his shoes, they know who their character is. And it’s sort of true. When you put on boots, heels, or flip flops, there’s a different feeling, and you walk differently.”

Similarly, shares Twyford, it goes for clothes too: “When Mother slips a pink coat dress over her cowboy boots, dons a little hat and ties her scarf, or Meeker puts on his work shirt, I know where I am. And all of that is thanks to a remarkable wardrobe crew. 

“Additionally, some of the ensemble characters are played broadly which is helpful to the actors and super identifying for the audience too.”   

During intermission, an audience member loudly described the production as “a proper play” filled with beautifully written passages. And it’s true. Twyford agrees, adding “That’s all true, and it’s also been was fun for us to be a part of the Arena legacy as well. Arena took ‘Inherit the Wind’ to the Soviet Union in the early ‘70s when the respective governments did a cultural exchange. At the time, the iron curtain was very much in place, and they traveled with a play about a man with his own thoughts.”

When the ensemble was cast, actors didn’t know which tracts exactly they were going to play. “What came together was a cast, diverse in different ways. Some directors, including myself when I direct, are interested in assembling a cast that’s a good group. No time for egos. It’s more about who will make the best group to help me tell this story.” 

At one point during rehearsal, ensemble members began to help one another with minor onstage costume changes, like jackets and hats: “We just started doing it and Ryan [Guzzo Purcell] picked up on it, saying things really began to come alive when we helped each other, so we went with that.”

“For me, it was reminiscent of ‘The Laramie Project’ [Ford’s Theatre in 2013] when we played five different parts and we’d help each other with a vest or jacket in a similar way. It worked so well then too,” says Twyford.

“Inherit the Wind” isn’t about science versus religion. It’s about the right to think, playwright Jerome Lawrrence has been quoted as saying. And it’s a quote that makes the play that much more relevant today. 

Twford remembers a chat in a hair salon: “I was getting my hair cut and the woman next to me shared that she was tired of message plays. Understandably there are theater makers who believe that message plays are the point, while others think it’s all about entertainment. I feel like ‘Inherit the Wind’ sits in a nice place in the middle.” 

She adds “the work is a creative way of showing different opinions and that, I think, is what we should be paying attention to right now. Clearly, it’s not right or wrong to express what you think.”

Continue Reading

Popular