Arts & Entertainment
Queery: D’Arcee Charington Neal
The Gay Men’s Chorus baritone answers 20 gay questions
D’Arcee Neal (Blade photo by Michael Key)
D’Arcee Charington Neal got in the Gay Men’s Chorus by the narrowest of margins.
A friend was auditioning back in August and Neal asked about it. Initially thinking he’d missed the deadline, he double checked the date and realized about 3 p.m. on the final day, he had until 5 to try out, so he did. He had never heard the Chorus or even realized there was such an outfit, but is enjoying his first season with the group. He sings baritone. Next weekend, the group gives three performances of its “Winter Nights” show at Lisner Auditorium (730 21st Street, NW; gmcw.org for details).
Neal is excited for the show.
“It will just be marvelous,” Neal says. “I’ve never really seen anything like it. … It’s everything from Bollywood to West African holiday music to traditional Latin choral arrangements.”
Neal, a 26-year-old Cary, N.C., native, came to Washington in 2007 for an internship. After completing a master’s degree (in creative and professional wiring) at London’s University of Roehampton, he returned to the District mostly because the Metro system makes it easy for him to get around.
“People in D.C. make fun of it, but they really have no idea,” he says. “From a disabled person’s perspective, it’s really the best thing in the U.S. I’ve ridden almost every underground in the country and D.C.’s is by far the best I’ve ever been on.”
Neal is single and lives in College Park, Md. He’s looking for writing work and says his disability has made finding employment difficult. He eventually wants to move into the District.
In his free time, he enjoys writing, cooking, singing and playing Call of Duty.
How long have you been out and who was the hardest person to tell?
I’ve been out since I was 17, and it was definitely my parents. My mother looked me in my face and said that she wished that I would have gotten AIDS and died so they could’ve mourned me and moved on already. That’s rough. But I know as older black people, they come from a different time. And as a disabled black person, they feel like I already have two strikes on my life, so they think being gay is something else I’m adding to make my life harder. (Editor’s note — Neal’s mother, Katherine Neal e-mailed the Blade and said she never said this.)
Who’s your LGBT hero?
Lady Gaga. Outside of being outrageously talented, I can’t think of anyone who genuinely works for the good of the gays and really believes in what they do, on her level. As a megastar she could be about anything, but she has taken this platform up, and I can’t thank her enough for it.
What’s Washington’s best nightspot, past or present?
I was a huge fan of club Apex. Coming from Bible Belt North Carolina, it was like this holy megaplex of debauchery. Multiple floors of thumping bass, and flashing lights, and all those shirtless men!
Describe your dream wedding.
Oh God, I’ve spent forever fantasizing about this. Probably in the courtyard of the Louvre Museum at night, candles everywhere standing in front of that glass pyramid, black and white roses scattered the ground. But my tux would be the star of the show. People don’t seem to understand that when you’re in a wheelchair you never get to be passionate about clothes, because half the time you can’t show them off! I’d want a three foot white silk train on the back of my coat draped down behind my chair in between the wheels and a matching fedora with a veil attached over my face. It’d be the most fabulous thing since J-Lo’s “The Dress.”
What non-LGBT issue are you most passionate about?
Without a doubt, disability acceptance in America. For the life of me, I cannot understand why disabled unemployment is at 75 percent, compared to the national average of 7.9 percent. … It feels like as a country, America is choosing to leave us behind. My parents fought to make sure I had a good education, and graduating from London in 2011, with my master’s degree, I felt like they did a great job. But the reality is, I’ve been unemployed for nearly two years, and while I’m waiting for the right opportunity, my disability makes employers believe I can’t work as a waiter, or in a grocery store or as a barista. And so I, like a lot of people, live off benefits, in an attempt to wait the economy out. And it’s not just me. This is the situation for lots of recent graduates with disabilities.
What historical outcome would you change?
I think I’d go back to the day Dr. Martin Luther King Jr. got shot and stop that. I honestly believe that a lot of the drama and the situations that Americans have been through since the end of Civil Rights (gangs, drugs, welfare, 9-11, education gaps, etc.) wouldn’t be half of what they are today.
What’s been the most memorable pop culture moment of your lifetime?
I think that would have to be when I sat in a room with Nikki Giovanni practically by myself and talked with her for half an hour. This woman embodies the last of everything my parents talk about in regards to American history, and she’s simply phenomenal in every way.
On what do you insist?
That there is no better food on earth than in the American Southeast.
What was your last Facebook post or Tweet?
Turducken is a deliciously grotesque mutation of God’s humblest creations.
If your life were a book, what would the title be?
“Life is Like a [Multifacted, Hypersensitive, Cracked, Racist, Overrated and Underappreciated] Box of Chocolates”
If science discovered a way to change sexual orientation, what would you do?
Read the fine print for the inevitably horrible side effects.
What do you believe in beyond the physical world?
Existence beyond emotions. An end to caring.
What’s your advice for LGBT movement leaders?
Consider all of your audience, and not just the popular section.
What would you walk across hot coals for?
Love. Someone who sees me a whole person, not in sections.
What LGBT stereotype annoys you most?
The idea that all gay men are weak and feminine. I’ve dated some men who could rip phonebooks in half, as well as a 2008 Olympian.
What’s your favorite LGBT movie?
“To Wong Foo, Thanks for Everything, Julie Newmar.” Noxzema is a chocolate goddess.
What’s the most overrated social custom?
Hugging. Being in a wheelchair, people are always so awkward about it. Either do it right, or don’t.
What trophy or prize do you most covet?
Probably my master’s degree from London. Considering what I had to do to get it, it definitely took the most work.
What do you wish you’d known at 18?
That I am not ugly or broken, and that not all men mean what they say.
Why Washington?
Two words: The Metro.
Theater
Out dancer on Alvin Ailey’s stint at Warner Theatre
10-day production marks kickoff of national tour
Alvin Ailey American Dance Theater
Through Feb. 8
Warner Theatre
513 12th St., N.W.
Tickets start at $75
ailey.org
The legendary Alvin Ailey American Dance Theater is coming to Washington’s Warner Theatre, and one of its principal veterans couldn’t be more pleased. Out dancer Renaldo Maurice is eager to be a part of the company’s 10-day stint, the kickoff of a national tour that extends through early May.
“I love the respectful D.C. crowd and they love us,” says Maurice, a member of esteemed modern dance company for 15 years. The traveling tour is made of two programs and different casting with Ailey’s masterwork “Revelations” in both programs.
Recently, we caught up with Maurice via phone. He called from one of the quiet rooms in his New York City gym where he’s getting his body ready for the long Ailey tour.
Based in North Newark, N.J., where he recently bought a house, Maurice looks forward to being on the road: “I enjoy the rigorous performance schedule, classes, shows, gym, and travel. It’s all part of carving out a lane for myself and my future and what that looks like.”
Raised by a single mother of three in Gary, Ind., Maurice, 33, first saw Alvin Ailey as a young kid in the Auditorium Theatre in downtown Chicago, the same venue where he’s performed with the company as a professional dancer.
He credits his mother with his success: “She’s a real dance mom. I would not be the man or artist I am today if it weren’t for the grooming and discipline of my mom. Support and encouragement. It’s impacted my artistry and my adulthood.”
Maurice is also part of the New York Ballroom scene, an African-American and Latin underground LGBTQ+ subculture where ball attendees “walk” in a variety of categories (like “realness,” “fashion,” and “sex siren”) for big prizes. He’s known as the Legendary Overall Father of the Haus of Alpha Omega.
WASHINGTON BLADE: Like many gay men of his era, Ailey lived a largely closeted public life before his death from AIDS-related complications in 1989.
RENALDO MAURICE Not unusual for a Black gay man born during the Depression in Rogers, Texas, who’s striving to break out in the industry to be a creative. You want to be respected and heard. Black man, and Black man who dances, and you may be same-sex gender loving too. It was a lot, especially at that time.
BLADE: Ailey has been described as intellectual, humble, and graceful. He possessed strength. He knew who he was and what stories he wanted to tell.
MAURICE: Definitely, he wanted to concentrate on sharing and telling stories. What kept him going was his art. Ailey wanted dancers to live their lives and express that experience on stage. That way people in the audience could connect with them. It’s incredibly powerful that you can touch people by moving your body.
That’s partly what’s so special about “Revelations,” his longest running ballet and a fan favorite that’s part of the upcoming tour. Choreographed by Alvin Ailey in 1960, it’s a modern dance work that honors African-American cultural heritage through themes of grief, joy, and faith.
BLADE: Is “Revelation” a meaningful piece for you?
MAURICE: It’s my favorite piece. I saw it as a kid and now perform it as a professional dance artist. I’ve grown into the role since I was 20 years old.
BLADE: How can a dancer in a prestigious company also be a ballroom house father?
MAURICE: I’ve made it work. I learned how to navigate and separate. I’m a principal dancer with Ailey. And I take that seriously. But I’m also a house father and I take that seriously as well.
I’m about positivity, unity, and hard work. In ballroom you compete and if you’re not good, you can get chopped. You got to work on your craft and come back harder. It’s the same with dance.
BLADE: Any message for queer audiences?
MAURICE: I know my queer brothers and sisters love to leave with something good. If you come to any Ailey performance you’ll be touched, your spirit will be uplifted. There’s laughter, thoughtful and tender moments. And it’s all delivered by artists who are passionate about what they do.
BLADE: Alvin Ailey has been a huge part of your life. Thoughts on that?
MAURICE: I’m a believer in it takes a village. Hard work and discipline. I take it seriously and I love what I do. Ailey has provided me with a lot: world travel, a livelihood, and working with talented people here and internationally. Alvin Ailey has been a huge part of my life from boyhood to now. It’s been great.
Catfish Comedy will host “2026 Queer Kickoff Show” on Thursday, Feb. 5 at A League of Her Own (2319 18th Street, N.W.). This show features D.C.’s funniest LGBTQ and femme comedians. The lineup features performers who regularly take the stage at top clubs like DC Improv and Comedy Loft, with comics who tour nationally.
Tickets are $17.85 and can be purchased on Eventbrite.
Arts & Entertainment
Catherine O’Hara, ‘Schitt’s Creek’ star and celebrated queer ally, dies at 71
Actress remembered for memorable comedic roles in ‘Beetlejuice’ and ‘Home Alone’
Catherine O’Hara, the varied comedic actor known for memorable roles in “Beetlejuice,” “Schitt’s Creek,” and “Home Alone,” has died at 71 on Friday, according to multiple reports. No further details about her death were revealed.
O’Hara’s death comes as a shock to Hollywood, as the Emmy award-winning actor has been recently active, with roles in both “The Studio” and “The Last of Us.” For her work in those two shows, she received Emmy nominations for outstanding supporting actress in a comedy series and outstanding guest actress in a drama series.
In 2020, O’Hara won the Outstanding Lead Actress in a comedy series award for her work in the celebrated sixth and final season of “Schitt’s Creek.” She was also known as a queer ally and icon for her theatrical and often campy performances over multiple decades. In “Schitt’s Creek,” she played Moira Rose, the wig-loving mother of David Rose (played by series creator Dan Levy). David is pansexual, but the characters around him simply accept him for who he is; the show was embraced by the LGBTQ community with how naturally David’s sexuality was written and portrayed. That show ran from 2015 to 2020 and helped bring O’Hara and her co-stars into a new phase of their careers.
In a 2019 interview with the Gay Times, O’Hara explained why the show got LGBTQ representation right: “Daniel has created a world that he wants to live in, that I want to live in. It’s ridiculous that we live in a world where we don’t know how to respect each other and let each other be. It’s crazy. Other shows should follow suit and present the world and present humans as the best that we can be. It doesn’t mean you can’t laugh, that you can’t be funny in light ways and dark ways. It’s all still possible when you respect and love each other.”
Additional credits include “SCTV Network” (for which O’Hara won a writing Emmy), “Beetlejuice Beetlejuice,” “Curb Your Enthusiasm,” “Six Feet Under,” “Best in Show,” “Home Alone 2: Lost in New York,” and “Dick Tracy.” O’Hara also lent her voice to “The Nightmare Before Christmas,” “Chicken Little,” “Monster House,” and “Elemental.” O’Hara was expected to return for Season 2 of “The Studio,” which started filming earlier this month.
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