Arts & Entertainment
SPRING ARTS 2019 DANCE: Pirouettes and arabesques
Dorsey Dance Company’s gender exploration among season’s dance highlights

The Washington Ballet presents “The Sleeping Beauty” through March 3 at the Kennedy Center (2700 F St., N.W.). The classic tale is reimagined as a ballet with the familiar characters of Princess Aurora, her prince and her wicked fairy godmother Carabosse. Tickets range from $25-160. For more information, visit washingtonballet.org.
Dissonance Dance Theatre performs “Fluid” at the Atlas Performing Arts Center (1333 H St., N.E.) on Sunday, March 3 at 2:30 p.m. Set to the music of Ezio Bosso, the dance explores the themes of trust, lost, betrayal and love, through contemporary ballet inspired by physical theater and Afro-modern dance. Tickets are $30. For more details, visit atlasarts.org/events/fluid.
Akiko Kitamura presents “Cross Transit” at the Kennedy Center (2700 F St., N.W.) on March 19 at 7:30 p.m. “Cross Transit” focuses on Cambodia’s folk culture using movement choreographed by Kitamura. The work is inspired by artists Kitamura encountered during his field work in Cambodia provided by funding from the Japan Society. Tickets range from $29-39. For more information, visit kennedy-center.org.
Bon Iver and TU Dance present “Come Through” to kick-off the Kennedy Center’s Direct Current series on Monday, March 25 at 7:30 p.m. The performance includes new music from Bon Iver bandmate Justin Vernon and new choreography from TU Dance. “Come Through” is a blend of modern dance and classical ballet with African-based movements.Tickets range from $49-189. For more details, visit kennedy-center.org.
The Kennedy Center (2700 F St., N.W.) presents the Bill T. Jones/Arnie Zane Company’s “Analogy Trilogy” as part of its Direct Current series from March 28-30. The company will perform “Analogy/Dora: Tramontane” on Thursday, March 28. This show is based on an oral history that Jones received from mother-in-law, a French Jewish nurse and social worker, as she told him about her story of survival during World War II. “Analogy/Lance: Pretty aka the Escape Artist” is on Friday, March 29. This performance explores the struggles of Jones’s nephew Lance as he navigates the club culture and sex trade of the late ‘80s and early ‘90s. “Analogy/Ambros: The Emigrant” is on Saturday, March 30 and is inspired by the novel “The Emigrant” by W.G. Seblad. Tickets range from $29-79. For more information, visit kennedy-center.org.
The Washington Ballet presents its annual program “Three World Premieres” in Sidney Harmon Hall (610 F St., N.W.) April 3-7. Audiences can experience three, never-before-seen works by choreographers Dana Genshaft, Trey McIntyre and Ethan Stiefel. Tickets range from $25-100. For more information, visit washingtonballet.org.

Shen Yun returns to the Kennedy Center (2700 F St., N.W.) April 17-21 to perform “5,000 Years of Civilization Reborn,” a performance that recreates the spirit of ancient China. The dance incorporates intricate costumes, a theatrical background and an orchestra to revisit various eras of China’s past up until the present. Tickets range from $80-250. For more details, visit kennedy-center.org.
The Alvin Ailey American Dance Theater brings its 60th anniversary tour to the Modell Lyric (140 W. Mt Royal Ave., Baltimore) April 23-24. In 1958, Alvin Ailey, who was gay, founded the Alvin Ailey American Dance Theater and since then the company has celebrated African-American heritage and other cultures in performances for an estimated 25 million people
On April 23, the dance company will perform “Lazarus” and “Revelations.” On April 24, the company will perform the works “Members Don’t Get Weary,” The Call,” “Pause,” “Juba” and “Revelations.” Tickets range from $36-46. For more information, visit modell-lyric.com.
Dana Tai Soon Burgess Dance presents “Tracings” at the National Portrait Gallery (8th St., N.W. and F St., N.W.) on May 4 at 6 p.m. The work, choreographed by Burgess (who’s gay), examines the Korean planation experience in Hawaii. Admission is free. For more details, visit dtsbdc.org.

Arts & Entertainment
Nominate your favorites for the Blade’s 25th annual Best Of LGBTQ DC Awards
Submit your picks now; top 5 vote getters move to the finals
Nominate your favorites in our Best of LGBTQ DC categories through Sept. 24. The top 5 nominees from each category will become finalists with voting starting Sept. 28. Our 2026 Best of LGBTQ DC winners will be announced at the Best of LGBTQ DC Awards Party on Thursday, Oct. 22 and our special issue will come out on Friday, Oct. 23. One vote per email address per day. Good luck!
CLICK HERE TO NOMINATE OR USE THE FORM BELOW!
Out & About
Blade Foundation to host fundraiser in Rehoboth on Sept. 12
Mayor-elect Stewart, state Rep. Snyder-Hall to give remarks
The Washington Blade Foundation will host a fundraiser on Saturday, Sept. 12 in Rehoboth Beach featuring remarks from Rehoboth’s Mayor-elect Susan Stewart and Delaware state Rep. Claire Snyder-Hall.
The Foundation funds fellowships for aspiring queer journalists and enterprise journalism projects.
The event will be held at a private home in Rehoboth. Tickets are $100 and include open bar from Diego’s, catered appetizers from the Blue Moon, entertainment, guest speakers, and an auction. Tickets are available here.
Books
New book examines fashionista Audrey Smaltz’s fabulous life
‘Every Inch a Lady’ reveals finding true love with another woman
‘Every Inch a Lady’
By Audrey Smaltz with Alina Mitchell
c.2026, Amistad
$27.99/256 pages
Snaps, zippers, buttons, ties.
Toss that garment on, pull it up, wrap it around, you know what you like and how to wear it. The color is perfect for your skin tone, the fabric enhances your form. Yep, you always look your best and, as in the new book “Every Inch a Lady” by Audrey Smaltz (with Alina Mitchell), that best is fabulous.

”Born, bred, toasted, buttered, jellied, and honeyed in Harlem” in 1937, Audrey Smaltz was a force to be reckoned with almost from the time she could walk. Her parents imbued confidence in her, they nurtured her creativity and sent her to charm school, but they never allowed her to create a stir.
“That,” says Smaltz, “is not what ladies did.”
By the time she was a teenager, Smaltz was modeling for New York City designers. Shortly thereafter, she started working for a married man with whom she had an affair, and whom she loved very much. She broke up with him, attended college, worked a series of jobs that taught her about fashion and jobs that didn’t seem to fit her. An ill-fated marriage took her to Chicago where she ultimately landed a position that sent her to work in Ebony magazine’s New York office.
Working at Ebony was a career-changer, in a way. Smaltz was able to travel the world and learn more about fashion, but she didn’t exactly get along with her boss.
Finally, seizing an opportunity, Smaltz decided to launch her own company, Audrey Smaltz, Inc., a “fashion production business,” but she couldn’t get any designers to take a chance on her. Undaunted, she reorganized, re-branded, hit the streets, and knocked on doors until she finally found one client, which led to many others.
Through it all, her personal life was a whirlwind. She dated “more men than you can shake a book at,” settling down occasionally, briefly. Fashion had always been her first love, but she accidentally found real love, “the love of a woman,” at a leadership course.
There’s an old saying that writers need to add lots of “color” into their stories. Read a little of “Every Inch a Lady,” and you’ll notice immediately that author Audrey Smaltz (with Alina Mitchell) quite literally takes that to heart by mentioning nearly every color of the spectrum here. Hmm.
That oddity aside, Smaltz is a wonderfully lively storyteller, speaking with the energy of a woman much younger to the heart of anyone who loves fashion. That glee extends to collectors of vintage clothing, who will be delighted to read about the industry long ago and the way things worked then. Smaltz says she experienced racism, which is not unusual for pre-Civil Rights America, but doors were surprisingly closed for other reasons that will astound anyone who’s savvy about the fashion industry, even today.
There’s quite a bit of name-dropping in this book but most of it belongs in the anecdotes, so you likely won’t mind. If you’re a fashionista, too, find “Every Inch a Lady,” and snap it up.
The Blade may receive commissions from qualifying purchases made via this post.
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Books2 days agoNew book examines fashionista Audrey Smaltz’s fabulous life
