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Turing tragedy

Gay genius finally gets due in big-screen feature

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Imitation Game, gay news, Washington Blade
Imitation Game, gay news, Washington Blade

Benedict Cumberbatch as Alan Turing in ā€˜Imitation Game.ā€™ (Photo courtesy Weinstein Co.)

One of the most anticipated movies of the year has its roots inĀ computerĀ camp.

ā€œThe Imitation Game,ā€ which had its area premiere at the Middleburg (Virginia) Film Festival last weekend and opens in Washington on Dec. 12, is about one of the most fascinating figures in 20thĀ century history: Alan Turing, the gay cryptologist who broke the Nazi Enigma Code. Turing was an unsung hero of World War II and a victim of the legal and social turmoil that followed in its wake.

The movieā€™s director,Ā Morten Tyldum, is fascinated by the man and his story.

ā€œHis achievements are so staggering,ā€ Tyldum says. ā€œAlan Turing theorized the computer in 1935 when he was 23 years old. He broke the Nazi Enigma machine which shortened the war by years and saved millions of lives. This man should have been on the front page of my history book when I was in school.ā€

Instead, Turingā€™s story was kept hidden for years. After the war, Tyldum explains, the newly formed British intelligence service MI6 hid Turingā€™s exploits from public view.

ā€œThey put the lid on it. Everything was kept secret.Ā All the papersĀ wereĀ burned and they threatened everyone to keep quiet about it.Ā And thenĀ after the warĀ he was persecuted for being a gay man.ā€

In 1952, Turing was arrested for acts of ā€œgross indecencyā€ and forced to undergo chemical castration.

The computer camp link comes from the movieā€™s screenwriterĀ Graham Moore,Ā who admitsĀ that he was a massive computer nerd when he was a teenager.

ā€œI was obsessed with computer science,ā€ Moore says. ā€œI went to space camp. I went to math camp. I went to computer programming camp.ā€

Moore reveals that ā€œamong awkward nerdyĀ teenageĀ computer science dorks, Alan Turing is an object of intense fascination and cult-like devotion.Ā Heā€™s the patron saint of folks like me, the consummate outsider.Ā And because he was an outsider in so many ways to his own society and to his own times, he was able to see the world in aĀ way no one else did, and he was able to accomplish wonders that no one else thought were possible.ā€

Moore wanted to tell Turingā€™s story, but he thought the odds were against him.

ā€œI dreamed my whole life about writing about him, but thereā€™s this moment when you realizeĀ that a movie about a gay English mathematician in the 1940s who commits suicide will beĀ unfinancable.ā€

Luckily, Moore met producers Nora Grossman andĀ IdoĀ OstrowskyĀ at a Hollywood party and the trio decided to make the movie.

They brought Norwegian director Morten Tyldum on board, and the pair had a period of six months to refine the script. They left Mooreā€™s fascinating overall structure in place. He tells the story from three different vantage points: Turingā€™s experiences at boarding school where he falls in love with both his friend Christopher and the science of cryptography (the socially awkward Turing discovers he is better at deciphering codes than reading human emotions); Turing and his colleagues working at the top-secret Bletchley Park facility to break the unbreakable code; and, the aftermath of Turingā€™s arrest for homosexual acts.

According to Tyldum, this elegant structure turns the movie into an investigation.

ā€œAlan Turing is a puzzle,ā€ he says. ā€œThere is a mystery to him and we wanted the movie to jump back and forth between the most important moments in his life. It was a huge challenge to balance that, to make everything flow.ā€

As Tyldum and Moore worked to strengthen the overall story arc and to streamline individual scenes, they acted out the entire movie. When they worked on scenes between Turing (Benedict Cumberbatch) and Joan Clarke (Turingā€™s colleague and briefly his fiancĆ©, played by Keira Knightley), Moore reveals, ā€œIĀ would always playĀ Keiraā€™sĀ part and Morten would play Benedictā€™s part. We would do the scenes over and over again to try and find different ways to do things. We are very lucky that there is no photographic or video record of these rehearsals.ā€

Tyldum adds, ā€œWeĀ had some really tender emotional moments between us. I think we were pretty good.ā€

In these sessions, Moore also played JohnĀ Cairncross, a Scottish mathematicianĀ whoĀ was one of Turingā€™sĀ codebreakingĀ colleagues at Bletchley Park. That role eventually went to Irish actor Allen Leech, best known to American audiences for his role as the (former) chauffeur Branson in the wildly popular BBC series ā€œDownton Abbeyā€Ā and as the gay fashion designerĀ Vincent in the indie release ā€œCowboys and Angels.ā€

Cairncross is a complex character with a secret of his own. Leech says, ā€œItā€™s always great to play a character that has information that others donā€™t because knowledge is power. WithĀ Cairncross, there isnā€™t any shock or horror when he discovers that Turing is a homosexual.Ā He just uses Turingā€™s secret to protect his own.ā€

Leech notes that the relationship between the two men was complicated. Leech points out, ā€œI also think that he was a friend. He warns Turing that, ā€˜You canā€™t tell anyone. Itā€™s illegal.ā€™ Itā€™s a genuine act of friendship. Theyā€™ve both committed acts that if theyā€™re caught they could go to prison for.ā€

Once the script and the cast were in place, Tyldum led the company through an intense (and very short) eight-week shoot. ā€œIt was insane,ā€ the director remembers. ā€œWe had to shoot fast and cover a lot of ground quickly. It was justĀ veryĀ focused hard work.ā€

Many of the scenes were shot on the sites where they really occurred, including the interior scenes at Bletchley Park (which is now a museum). Leech says that was an incredible experience.

He says, ā€œYou could almost feel their presence, almost like their ghosts were in the room. Matthew Goode (who plays another of theĀ codebreakers)Ā kept saying, ā€˜If we dusted for fingerprints Iā€™m pretty sure we could find Alan Turing in this building.ā€™Ā The fact that all these amazing minds and all these wonderful people were there, it gives you a real senseĀ of awe.ā€

Tyldum also emphasizes that they were able to use some of the real artifacts that Turing and his team used.

ā€œWe used the real Enigma machines,ā€ Tyldum says. ā€œThere is something about touching those buttons. Itā€™s a reminder that this really happened. It does something for the performers. Itā€™s about the responsibility we have to do justice to the legacy of these people.ā€

Once the publicity tour is over, Moore goes back to his writing desk to finish his second novel. Heā€™s the author of the New York Times bestseller ā€œThe Sherlockianā€ which weaves together the story of Arthur Conan Doyle and a contemporary investigator.

TyldumĀ isĀ carefully searching for hisĀ next project.

ā€œFor my sake,ā€ he says, ā€œI want to make the right choice. You have to be in love with the project. If you can ever find a reason not to do it, donā€™t do it. Itā€™s going to take years of your life.ā€

As for Allen Leech, heā€™s headed back to the English countryside to work with Maggie Smith and hisĀ cast matesĀ on ā€œDownton Abbeyā€ After all, he says, ā€œthe big house isnā€™t going to take care of itself.ā€

Turing doc ā€˜Codebreakerā€™ still enjoying success

 

Out filmmaker Patrick Sammon, whose 2011 docudrama ā€œCodebreakerā€ told the story of Alan Turingā€™s life, says he heard a big-screen Hollywood adaptation was planned on Turing but says the two projects are different enough that thereā€™s no substantial overlap or conflict of interest.

 

ā€œI donā€™t see it as competition at all,ā€ Sammon, president of Story Center Productions, a documentary production company based in Washington, says. ā€œThe reality is that any Hollywood version tends to stray from the historical facts so weā€™ll see what happens. With ā€˜Imitation Game,ā€™ hopefully, you know, theyā€™ll stick mostly to the facts and Iā€™m sure the message of Turingā€™s life will be conveyed. The bottom line is I see it as very complementary and the distribution companies are very excited. They think ā€˜Imitation Gameā€™ will only increase interest in ā€˜Codebreakerā€™ and thatā€™s often the case with a documentary when a Hollywood feature film gets made. ā€¦ People who see it are more inclined to do some digging so it has the potential to draw more people to ā€˜Codebreaker.ā€™ā€

 

Although Sammonā€™s 62-minute work was shown on TV in the U.K. and has been available on DVD and Netflix after a 2012 U.S. theatrical release, Sammon has been hosting screenings heavily ever since. Heā€™s had 10 in the last six weeks and has more planned. His film has played in about 20 countries and been picked up as far away as China, Australia and New Zealand.

 

ā€œI had hoped it would have a little bit of a shelf life because I thought the story was timeless,ā€ he says. ā€œEven though itā€™s been out awhile, itā€™s not a dated story and thereā€™s always someone whoā€™s new to the Alan Turing story.ā€

 

ā€” JOEY DiGUGLIELMO

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Rehobothā€™s Purple Parrot still soaring after 25 years

Owners Hugh Fuller and Troy Roberts reflect on keys to their success

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Longtime Purple Parrot employee Chris Chandler. (Washington Blade photo by Daniel Truitt)

Two buildings, one romance, and 25 years later, the Purple Parrot is busy as ever. 

If the tropical purple paint covering the outside with rainbow flags and walls covered with love notes, affirmations, and drunk wishes scribbled on dollar bills don’t indicate it already, the Purple Parrot is an institution in Rehoboth. The gay-owned and operated fixture is celebrating its 25th anniversary this year.Ā 

The Blade sat down with owners Hugh Fuller and Troy Roberts of the Rehoboth establishment to discuss the past 25 years and plans for the future.Ā 

Fuller and Roberts, both gay, have been working together since before the Parrot was even an idea. Fuller was a co-owner of the Iguana, another restaurant and bar in the town. Ā 

ā€œI was in the Iguana first with another business partner,ā€ Fuller said. ā€œI was going to get out and move up to Pennsylvania with him [Roberts]. He decided that he was going to come down and said, ā€˜Well, what if I go in with you at the Iguana and we do it together?ā€™ And I was like, ā€˜Alright,ā€™ so we did, and it just snowballed from there. We were always in the restaurant business together from the beginning.ā€Ā 

ā€œYeah, that was really luck, too,ā€ Roberts began. ā€œBecause-ā€ 

ā€œBecause Grindr wasnā€™t around then!ā€ Fuller interjected, laughing as Roberts began to roll his eyes and smile.Ā 

ā€œI had a small place up in York,ā€ Roberts continued. ā€œSelling that kind of gave us some money to buy the other guy out. We just had friends supporting us and helping us along the way and it just kind of worked.ā€Ā 

ā€œKind of workedā€ would be an understatement. The pair moved on from the Iguana and opened the Parrot. Then, after opening the Parrot, they decided to shift locations to a larger location down the street to accommodate the growing demand. Then in 2010, the Parrot expanded again, adding the land behind the Rehoboth Avenue location, which provided an additional 950 square feet as well as giving patrons access to Wilmington Avenue. 

The bar and restaurant, which serves American cuisine with a beach flair, has always focused on being a welcoming space to all regardless of sexuality, gender, race, nationality, or identity. This, the duo explains, is one of the reasons why the restaurant has had such a lasting impact on the Rehoboth restaurant and gay communities.Ā 

The Purple Parrot (Washington Blade photo by Daniel Truitt)

ā€œBack in the ā€˜90s when we first opened up, the amount of straight crossdressers that would come were like, ā€˜Oh, are we allowed to come in? Are we welcomed into a place like that?ā€™ And we were like ā€˜Everybody that walks on this planet is welcome here!ā€™ā€ Fuller said. ā€œThose are the kinds of things, you know, where people just felt comfortable. They would get stared at out on the street, but inside they would walk around and feel like they were in their own skin. It was just really cool to see.ā€

The feeling of acceptance has been a crucial part of the Parrotā€™s success.

ā€œI got an email a couple of days ago ā€” probably two weeks ago about a woman bringing her daughter down,ā€ Roberts said. ā€œShe’s 16 and was bullied through school ā€” hard times, depression, tried to harm herself a couple of times. It was just really sweet that she reached out and she’s like, ā€˜My daughter was a completely different person when I brought her into your bar. Everybody treated her nice ā€” the bartenders, the waitstaff, I mean, everybody was friendly. She just doesn’t experience that often being an out 16-year-old lesbian. We just can’t even thank you enough.ā€™ It’s those kinds of things that we get often.ā€

ā€œ[The mother] mainly wrote it because we put the Pride flag on the Parrotā€™s Facebook wall,ā€ Fuller added. 

The colorful lights, disco balls, and staggering number of dollar bills stapled to the walls highlight that the Rehoboth community has embraced the Parrot. Itā€™s not uncommon to see a group of gay patrons sitting at the bar in bathing suits sipping on orange crushes and talking about their day at Poodle Beach while a bachelorette party belts out Lady Gaga on karaoke night in the room next door. That is the vibe Fuller and Roberts have curated ā€” a fun and friendly tropical oasis in the middle of Rehoboth Avenue.  

A crucial element of this curated vibe, the pair point out, is treating employees and guests with respect. When asked what they have learned that helped them be so successful over the past 25 years, Fuller and Roberts said the same thing.

ā€œPatience, organization, and treating people well,ā€ Roberts said.ā€ I think that’s probably one of the bigger of the three ā€” you treat them well and they treat you well. I think it’s just a mutual respect.ā€ 

 ā€œIt took me about 30 years to learn that it’s not just all about work,ā€ Fuller said. ā€œI used to bust my butt in there all the time and the focus was [on] the restaurant. I know [Roberts] said patience, I would say mine was being patient too because I learned going in that it’s easier to deal with your employees without shouting at them. It took me a little while to get through that.ā€ 

He added that compensating staff fairly was also one of their keys to success.Ā 

 ā€œBefore we take a nickel out of our business, we put $1 back into our employeesā€™ pockets,ā€ Fuller said. We want the business to survive and it has been incredible.ā€  

Fuller added that this sentiment, of having patience and treating everyone with respect, goes both ways ā€” it applies to the Parrotā€™s patrons as well. 

ā€œIf you leave the Parrot angry, it’s your own decision,ā€ Fuller explained. ā€œIf we don’t make you happy there, it’s because you’re choosing not to be happy. We will go out of our way to correct anything and everything that we can. So if you leave [unhappy], it’s not because we couldn’t do it. It’s because you didn’t want us to.ā€

The two discussed their history together ā€” anyone who has them interact can see their spirited energy and appreciation for each other. 

 ā€œTroy and I used to be a couple when we first opened, and we were together for about 10 years,ā€ Fuller said. ā€œAnd then we kind of went our separate ways, but the restaurant kept us in very close contact. Sometimes I think we’re probably closer than most couples are because of the way that the restaurant has us tied together.ā€ 

ā€œEven during the worst of it, we never stopped communicating on a daily basis,ā€ Roberts added. ā€œObviously, you can tell by his personality why that all went south,ā€ he said laughing. 

ā€œWell, you can tell by the way that he looks why it went south.ā€ Fuller jabbed back, also laughing.

ā€œHey!ā€ Roberts replied. 

ā€œI wasn’t gonna continue dating my grandfather!ā€ Fuller joked. 

Despite the end of their romantic relationship, there was still clear evidence of perpetual good energy between the business partners. The two then started to reminisce about the past 25 years and the struggles and successes they overcame to reach this milestone. 

The pair mentioned the two biggest struggles they have faced in the past quarter century. One was when Rehoboth Avenue was dug up for the Streetscape improvement project, and the second was the 2008 recession.Ā 

ā€œWe were refinancing our houses several times to keep it afloat there for a little while,ā€ Fuller said. 

ā€œBut hey, we got nice sidewalks now!ā€ Roberts added. ā€œSo that’s good.ā€

 Itā€™s not just the customers who grew up with the Parrot; so did the staff.

ā€œI mean one of the kids who bussed for us is now our dentist,ā€ Fuller said.

ā€œOne of the busboys from the Iguana days, he’s our dentist now,ā€ Roberts explained. ā€œThey actually started dating in high school while working together at the Iguana. One of them followed us to the Parrot and her daughter just worked for us two summers ago as a host. He’s our dentist, and they’re still local. We just sold him a house over in Lewes, because we’re both Realtors on the side. When you look back at that, you’re like, ā€˜Oh, my God, you were just a kid. And now you have a kid graduating college!ā€™ It goes fast.ā€Ā 

It seems that many of the staff have a soft spot for the Parrot, and for good reason. An important aspect of keeping their employees happy is supporting them. At first, it was trips to Disney World with some of the servers and renting out the local waterpark to give kids time to enjoy the summer. Then it became Christmas bonuses, which are not common in the food service industry.Ā 

The Parrot helped raise more than $10,000 for one of their employees dealing with fallout from the war in Ukraine.Ā 

ā€œOne of our bartenders being from Ukraine, when all that went down, amazingly, how he was able to bring a lot of his family over,ā€ Roberts said. ā€œAnd until they actually got grounded, he had places for them to stay all lined up.ā€

ā€œThe reason that he was able to get them over is because we did a fundraiser at the restaurant and our customers raised over $10,000 to help sponsor his family and one of our other employees’ families,ā€ Fuller said. ā€œThey brought them all the way up through Mexico and into the country and now they’re here with citizenship cards and working for us. We got them houses and apartments too.ā€ 

ā€œWe don’t care what they are, whether they’re straight, Black, Chinese, Mexican. It’s like the Benetton of Rehoboth in here,ā€ Fuller added. ā€œIt’s the United Nations. We support everybody and we’re not afraid to show our support for everybody.ā€

In addition to reminiscing about some of the good things the restaurant has done for its employees, they both talked about notable guests of the Parrot. 

ā€œMy mind went right to the guys from Manhattan, who would always come down,ā€ Roberts said when asked if any guests have stuck out to him over the past 25 years. ā€œThey just happened to find us. They had never been to Rehoboth before. They walked into the original Parrot and had every single year after that until two of them passed away. It just became like a yearly week, then it turned into two weeks, and then it turned into two times a year. And it was all just because they came to one bar, and had so much fun. They would sit there all day, all night, go home take a nap, and come back for dinner. And it was just their place.ā€ 

They have faced some objections from those who were not as receptive to their tolerance of different people.

ā€œWe get the same hate that everybody else does ā€” the same hate that the city got when they put the rainbow crossings in and the flag up,ā€ Fuller said. ā€œI was just telling Troy about a conversation I had yesterday with a guy. The front of our business for Pride month has flags on it and says ā€˜Happy Pride.ā€™ And he said, ā€˜I was going to come in here but I see you’re supporting the gay community with your rainbow flags.ā€™ And I said ā€˜Yes.ā€™ And he goes, ā€˜Well, I don’t see why you don’t have flags for veterans.ā€™ And I said,ā€™ Well, as a veteran, I can tell you that we don’t serve to be recognized, we serve to protect and to give you guys your freedom. It’s not something that we want recognition for. But there is a flag, the American flag, that flies over the top of our business every day to represent the veterans of this country.ā€™ā€ 

Despite the opinions of some who are less than welcoming of the LGBTQ community, the Purple Parrot will always be a safe space to celebrate, the two affirmed. And celebrate they will.Ā 

The Parrot already hosted one party to celebrate the milestone of the bar early in the summer, but will throw an even bigger bash at the end of the season to commemorate the history and hard work that has gone into making the Parrot ā€˜fly.ā€™

ā€œOn May fifth we had a big party,ā€ Fuller said. ā€œWe’ll have another one at the end of the summer in September. We did one at the beginning and then we’re going to do a really big one at the end of the summer. The first celebration, that weekend, turned out to be a little rainy, and misty so it wasn’t as big as it could have been. It was packed inside but it wasn’t packed outside like it normally is. We usually do a full cookout barbecue, all that stuff and we’ll do that again at the end of the summer. We’ll have another one of those with DJs. I am not sure about a drag show, but we’ll probably have something because the girls are trying to get something together. We don’t want to spoil anything but there will be a surprise.ā€  

When asked to give their final thoughts on owning and running one of Rehobothā€™s most successful businesses as gay men, the two made it clear that it has to be a safe and welcoming space for all for it to succeed. 

ā€œI think you have to be all-inclusive,ā€ Roberts said. ā€œI don’t think in today’s world you can just really limit it to the gay community. You have to be gay-friendly, and accepting as well. And I think that helps because it gets non-gays in there and everybody just starts to get along. It becomes more accepted and then becomes the norm.ā€ 

Fuller agreed but emphasized being true to oneā€™s character in collaboration with being inclusive is the key to their success.

ā€œBeing gay isn’t who we are, you know, it’s what we are,ā€ Fuller said. ā€œYou can’t be afraid to be you. ā€¦ If you’re going to open up a business, you want to make sure you lean on the community, because the community is going to be your biggest support. And that’s how we definitely lean on the gay community.ā€

The Purple Parrot is located at 134 Rehoboth Ave. in Rehoboth Beach and is open Monday through Saturday from 11 a.m. to 1 a.m. and is open from 9 a.m. to 1 a.m. on Sundays. For more information, visit their website at ppgrill.com.

Purple Parrot (Washington Blade photo by Daniel Truitt)
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Queer TV anchors in Md. use their platform ā€˜to fight for whatā€™s rightā€™

Salisburyā€™s Hannah Cechini, Rob Petree are out and proud in Delmarva

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Hannah Cechini and Rob Petree anchor the 5:30 p.m. newscast at WMDT 47, the ABC affiliate in Salisbury, Md. (Photo courtesy WMDT)

Identity can be a tricky thing for journalists to navigate. The goal of the job is to inform the public with no bias, but this is difficult, if not impossible, to do in practice. Everything from your upbringing to the books you read can impact how you view and cover the world. But sometimes these factors can help shine a light on an underrepresented community or issue.  

Two broadcast journalists in Salisbury, Md., are using the subtle, yet impactful choice of sharing their queer identities to strengthen their reporting and connection to the community. 

Hannah Cechini, who is non-binary, and Rob Petree, who is gay, co-host the 5:30-6:30 p.m. newscast for WMDT 47. They are the only known anchor team that are not only both queer, but also open out about their identities on air and, as Petree put it, ā€œalways use [their] platform and power that [we] have to fight for what’s right.ā€

Cechiniā€™s passion for journalism played an important role in the discovery of their gender identity. They knew they were meant to be in the newsroom before they figured out they were non-binary.

ā€œI was doing this job before I started to identify as non-binary,ā€ Cechini told the Blade. ā€œI’d always watch the evening news with my dad growing up and thought it was the coolest thing. And throughout high school, I worked on the school paper.ā€

After graduating from Suffolk University in Boston, Cechiniā€™s passion for journalism only grew as they began to work in the world of news media, eventually ending up in Salisbury. As they honed their writing, editing, and anchoring skills at WMDT, Cechini also started to take an introspective look into their gender identity.

A little more than two years ago Cechini came out as non-binary to their coworkers in the newsroom and was met with support all around. ā€œIt was definitely smoother than I anticipated,ā€ they said.

ā€œIt is very freeing to be able to do this job as a non-binary person because I haven’t really seen much of that representation myself.ā€ 

Petree, on the other hand, knew he was gay right around the same time he became interested in news media, at age 14. He started working for his high school news show and used it as a way to be open about his sexuality rather than hide it. 

ā€œI broke into broadcasting doing the morning announcements,ā€ he said. ā€œI did the weather and started doing a segment called issues and insights,ā€ Petree said, explaining his introduction to the news. Eventually, students would ask him questions about his sexuality after seeing him on the school TV. ā€œIt had gotten to the point in school, that if you’re going to come up and ask me if I’m gay, well shit, I’m going to tell you!ā€

To him, this was the exact reason he had come out. Petree wanted to motivate others to live honestly. 

ā€œThere are a lot of people who will spend most of their lives not being out so if they can see someone like me, who’s out and proud doing his thing, so to speak, then maybe that’s the inspiration for them,ā€ Petree said. ā€œTo search their own soul, find out who they are, and live their full life.ā€

Petree explained that he got his start in a space that was not always welcoming to his queerness. This tested the delicate balance between being a journalist and holding your identity close.

ā€œI’ve always been out and it was a challenge because I got my start in conservative talk radio,ā€ Petree said. ā€œI’m going to be honest, some of the things I heard from people I’ve worked with, from the callers to the radio stations were absolutely abhorrent. But I never let it discourage me. It made me work that much harder.ā€ 

Cechini highlighted the same sentiment when explaining why itā€™s important to have out LGBTQ figures in news media. They want to show everyone that it is possible to be openly queer and successful.

ā€œI just think that representation matters because if ā€˜Joe,ā€™ who’s never seen a transgender person before, sees a transgender person or a non-binary person, doing a job that they’ve only ever seen straight cis people doing before, it kind of creates that understanding or bridges that gap,ā€ Cechini said. ā€œIt’s like, ā€˜OK, maybe they’re not that different from me.ā€™ And that facilitates being able to connect among different communities.ā€

Both Cechini and Petree agree that having a queer coworker has made their bond stronger. 

 ā€œIt’s great to have someone else next to me who I can relate to and work alongside,ā€ Petree said. ā€œAnd they’re a joy to work with, they really are. There is a tremendous amount of things that we relate to together ā€” like we both share and have the same affinity for Lady Gaga,ā€ he said laughing. ā€œAlthough they’re more of a Lady Gaga fan than I am.ā€

ā€œHannah is a tremendous journalist who really goes out of their way to make sure that the stories that they do are on point 100% of the time,ā€ he added. ā€œThey’ve been great to work with and to learn from and to grow alongside. I’m very happy to have them as my co-anchor.ā€

Cechini explained that the relationship between two co-anchors can make or break a newscast, and having Petree as their partner on air is a major part of the showā€™s success.

ā€œCo-anchoring is not just the relationship that you have on camera,ā€ Cechini said. ā€œIt’s really, really important to have a good relationship with your co-anchor off-camera as well because you have to have a level of trust between you.ā€

Cechini continued, saying that this relationship is crucial to working together, especially when things donā€™t go as planned. 

ā€œNot everything always goes to script,ā€ they said. ā€œSometimes you have to be able to work together without even really talking to each other and just kind of know what to do. When you have a relationship like that with someone who identifies similarly to you or has had similar life experience, I think that just only strengthens that [relationship].ā€

Although they have had similar experiences being from the LGBTQ community, Petree said it was a change for him to use ā€œthey/themā€ pronouns on air.

ā€œPrior to working with Hannah, I’ve never worked with a non-binary individual who went by the pronouns ā€˜they/them,ā€™ā€ Petree said. ā€œIt was new for me to not use traditional pronouns on air, but I can say that I have never misgendered them on air and never will. You get conditioned to using traditional pronouns and it’s easy to make that mistake, but I never have.ā€

At the end of the day, they both explained, it is about doing the job right. For the duo, a part of that is understanding the diversity of people and issues in the community. 

ā€œWhen you come from a more marginalized community, I think that kind of helps to inform you a little better as a journalist because you have a better understanding of what it’s like to be ā€˜the other guy,ā€™ā€ Cechini said.

ā€œOur talent and our drive for journalism speaks for itself,ā€ Petree said. ā€œAnd that resonates with people. Have we shown ourselves to be an inspiration to the LGBTQ+ community here in Delmarva? Yes, we have. And that’s something that I’m proud of.ā€

The primetime nightly newscast with Hannah Cechini and Rob Petree airs weeknights from 5:30-6:30 p.m. on ABC affiliate WMDT 47.

From left, Rob Petree and Hannah Cechini. (Photo courtesy of WMDT)
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ā€˜Queering Rehoboth Beachā€™ features love, loss, murder, and more

An interview with gay writer and historian James T. Sears

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'Queering Rehoboth Beach' book cover. (Image courtesy of Temple University Press)

James T. Sears book talk
Saturday, June 29, 5 p.m.
Politics & Prose
5015 Connecticut Ave., N.W.

When it comes to LGBTQ summer destinations in the Eastern time zone, almost everyone knows about Provincetown, Mass., Fire Island, N.Y., and Key West, Fla. There are also slightly lesser known, but no less wonderful places, such as Ogunquit, Maine, Saugatuck, Mich., and New Hope, Pa. Sandwiched in between is Rehoboth Beach, Del., a location that is popular with queer folks from D.C., Maryland, Virginia, Pennsylvania, and New Jersey. The dramatic and inspiring story of how Rehoboth Beach came to be what it is today can be found in gay historian James T. Searsā€™s revealing new book ā€œQueering Rehoboth Beach: Beyond the Boardwalkā€ (Temple University Press, 2024). As educational as it is dishy, ā€œQueering Rehoboth Beachā€ provides readers with everything they need to know (and possibly didnā€™t realize they needed to know) about this fabulous locality. Sears was kind enough to make time to answer a few questions about the book.

WASHINGTON BLADE: James, itā€™s been a few years since Iā€™ve interviewed you. The last time was in 1997 about your book ā€œFrom Lonely Hunters to Lonely Hearts: An Oral History of Lesbian and Gay Southern Life.ā€ At the time, you were living in Columbia, S.C. Where are you currently based, and how long have you been there?

JAMES T. SEARS: It has been great reconnecting with you. After that book, we moved to Charleston, S.C. There I wrote several more books. One was about the Mattachine group, focusing on one largely misunderstood leader, Hal Call. Another book shared reminisces of a 90-year-old gentleman, the late John Zeigler, interweaving his diaries, letters, and poetry to chronicle growing up gay in the South at the turn of the last century. From there I moved to Central America where I chronicled everyday queer life and learned Spanish. We returned several years ago and then washed up on Rehoboth Beach.

BLADE: In the introduction to your new book ā€œQueering Rehoboth Beach: Beyond the Boardwalkā€ (Temple University Press, 2024), you write about how a ā€œrestaurant incidentā€ in Rehoboth, which you describe in detail in the prologue, became a kind of inspiration for the book project. Please say something about how as a historian, the personal can also be political and motivational.

SEARS: I want to capture readerā€™s interest by personalizing this book more than I have others. The restaurant anecdote is the bookā€™s backstory. It explains, in part, my motivation for writing it, and more crucially, introduces one meaning of ā€œqueering Rehoboth.ā€ That is, in order to judge this ā€œincidentā€ā€”and the book itselfā€”we need to engage in multiple readings of history, or at least be comfortable with this approach. I underscore that what is accepted as ā€œhistoryā€ā€”about an individual, a community, or a societyā€”is simply a reflection of that eraā€™s accepted view. Queering history challenges that consensus.

BLADE: Who do you see as the target audience for ā€œQueering Rehoboth Beach?ā€

SEARS: Well, certainly if you have been to Rehoboth or reside there, this book provides a history of the townā€”and its queeringā€”giving details that I doubt even locals know! Also, for those interested in the evolution of other East Coast queer resorts (Ptown, Fire Island, Key West) this book adds to that set of histories. My book will also be of interest to students of social change and community organizing. Most importantly, though, it is just a good summer read.

BLADE: ā€œQueering Rehoboth Beachā€ features numerous interviews. What was involved in the selection process of interview subjects?

SEARS: I interviewed dozens of people. They are listed in the book as the ā€œCast of Narrators.ā€ Before these interviews, I engaged in a systematic review of local and state newspapers, going back to Rehobothā€™s founding as a Methodist Church Camp in 1873. I also read anecdotal stories penned by lesbians and gay men. These appeared in local or regional queer publications, such as Letters from CAMP Rehoboth and the Washington Blade. Within a year, I had compiled a list of key individuals to interview. However, I also interviewed lesbians, gay men, transgender individuals, and heterosexuals who lived or worked in Rehoboth sometime during the bookā€™s main timeframe (1970s-2000s). I sought diversity in background and perspective. To facilitate their memories, I provided a set of questions before we met. I often had photos, letters, or other memorabilia to prime their memories during our conversation. 

BLADE: Under the heading of the more things change, the more they stay the same, the act of making homosexuality an issue in politics continues to this day. What do you think it will take for that to change?

SEARS: You pose a key question. Those who effectuated change in Rehoboth ā€” queers and progressive straights ā€” sought common ground. Their goal was to integrate into the town. As such, rather than primarily focus on sexual and gender differences, they stressed values held in common. Rather than proselytize or agitate, they opened up businesses, restored houses, joined houses of worship, and engaged in the townā€™s civic life. 

To foster and sustain change, however, those in power and those who supported them also had to have a willingness to listen, to bracket their presuppositions, and to engage in genuine dialogue. Violent incidents, especially one on the boardwalk, and the multi-year imbroglio of The Strand nightclub, gradually caused people to seek common ground.

That did not, however, come without its costs. For some ā€” long separated from straight society ā€” and for others ā€” unchallenged in their heteronormativity ā€” it was too great of a cost to bear. Further, minorities within the queer ā€œcommunity,ā€ such as people of color, those with limited income, and transgender individuals, never entered or were never invited into this enlarging public square.

The troubles chronicled in my book occurred during the era of the ā€œMoral Majorityā€ and ā€œGay Cancer.ā€ Nevertheless, it didnā€™t approach the degree of polarization, acrimony, fake news, and demagoguery of today. So, whether this approach would even be viable as a strategy for social change is debatable.

BLADE: In recent years, there has been a proliferation of books about LGBTQ bars, a subject that is prominent in ā€œQueering Rehoboth Beach.ā€ Was this something of which you were aware while writing the book, and how do you see your bookā€™s place on the shelf alongside these other books?

SEARS: Queering heterosexual space has been a survival strategy for generations of queer folks. These spaces ā€” under-used softball fields, desolate beaches, darkened parks, and out-of-the-way bars ā€” are detailed in many LGBTQ+ books, from the classic, ā€œBoots of Leather, Slippers of Gold,ā€ to the recently published ā€œA Place of Our Ownā€ and ā€œThe Bars Are Ours.ā€ Of course, these spaces did not encompass the kaleidoscope of queer life, but they provide us a historical gateway into various segments of a queer community and culture.

This was certainly true for my book. Unsurprisingly, until The Strand controversy, which began in 1988, all of Rehobothā€™s queer bars were beyond the town limits. There were, however, homosexual watering holes in the liminal sexual space. For instance, you had the Pink Pony on the boardwalk during the 1950s and the Back Porch CafĆ© during the 1970s. So, in this sense, I think ā€œQueering Rehoboth Beachā€ fits well in this ever-enlarging canon of queer history.

BLADE: As one of the most pro-LGBTQ presidents in U.S. history, how much, if it all, did the Biden Delaware connection have to do with your desire to write ā€œQueering Rehoboth Beach?ā€

SEARS: It is just a coincidence. Interestingly, as I was researching this book, I came across a 1973 news story about Sen. Joe Biden speaking at a civic association meeting. One of the 30 or so residents attending was James Robert Vane. The paper reported the senator being ā€œstartledā€ when Vane questioned him about the ban on homosexuals serving in the U.S. civil service and military. Uttering the familiar trope about being ā€œsecurity risks,ā€ he then added, ā€œI admit I havenā€™t given it much thought.ā€ In Bidenesque manner, he paused and then exclaimed, ā€œIā€™ll be darned!ā€

Biden was a frequent diner at the Back Porch CafĆ©, often using the restaurantā€™s kitchen phone for political calls. Like the progressives I spoke about earlier, he had lived in a heteronormative bubbleā€”a Catholic one at that! Yet, like many in Rehoboth, he eventually changed his view, strongly advocating for queer rights as Vice President during the Obama administration.

BLADE: How do you think Rehoboth residents will respond to your depiction of their town?

SEARS: Well, if recent events are predictive of future ones, then I think it will be generally positive. My first book signing at the locally owned bookstore resulted in it selling out. The manager did tell me that a gentleman stepped to the counter asking, ā€œWhy is this queer book here?ā€ā€” pointing to the front table of ā€œBeach Reads.ā€ That singular objection notwithstanding, his plan is to keep multiple boxes in stock throughout the summer.

BLADE: Over the years, many non-fiction and fiction books have been written about places such as Provincetown, Fire Island, and Key West. Is it your hope that more books will be written about Rehoboth Beach?

SEARS: My hope is that writers and researchers continue to queer our stories. Focusing on persons, events, and communities, particularly micro-histories, provides a richer narrative of queer lives. It also allows us to queer the first generation of macro-histories which too often glossed over everyday activists. So, as the saying goes, let a thousand flowers bloom.

BLADE: Do you think that ā€œQueering Rehoboth Beachā€ would make for a good documentary film subject?

SEARS: Absolutely, although probably not on the Hallmark Channel [laughs]! It would make an incredible film ā€” a documentary or a drama ā€” even a mini-series. Because it focuses on people: their lives and dreams, their long-running feuds and abbreviated love affairs, their darker secrets, and lighter moments within a larger context of the countryā€™s social transformation. ā€œQueering Rehoboth Beachā€ details the townā€™s first gay murder, the transformation of a once homophobic mayor, burned-out bars, and vigilante assaults on queers, the octogenarian lesbian couple, living for decades in Rehoboth never speaking the ā€œL word,ā€ who die within months of one another. It, too, is a story of how the sinewy arms of Jim Crow affected white Rehoboth ā€” gay and straight. In short, ā€œQueering Rehoboth Beachā€ is about a small beach town, transformed generation over generation like shifting sands yet retaining undercurrents of what are the best and worst in American life and culture.

BLADE: Have you started thinking about or working on your next book?

SEARS: The manuscript for this book was submitted to the publisher more than a year ago. During that time, Iā€™ve been working on my first book of fiction. It is a queer novel set in early nineteenth century Wales against the backdrop of the Napoleonic wars and industrialization. I want to transport the reader into an era before the construction of homosexuality and at the inception of the womenā€™s movement. How does one make meaning of sexual feelings toward the same gender or about being in the wrong gender? In the process of this murder mystery, I integrate Celtic culture and mythology and interrogate how todayā€™s choices and those we made in the past (and in past lives) affect our future and those of others.

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