Arts & Entertainment
SFGMC launches campaign to support National LGBTQ Center for the Arts
This week, the San Francisco Gay Men’s Chorus launched a public campaign to raise funds for the National LGBTQ Center for the Arts.
On Wednesday night, January 15, SFGMC announced the launch at a reception, held at the organization’s new home, a historic four-floor 1930 property near the Castro neighborhood where the chorus began four decades ago. The evening featured remarks from Mayor London Breed, California State Senator Scott Wiener, Honorary Chair Sharon Stone, SFGMC Artistic Director Dr. Timothy Seelig, Campaign Chair Edward Sell, and SFGMC Executive Director Chris Verdugo. There were also performances from members of SFGMC, San Francisco Bay Area Theatre Company, Opera Parallèle, San Francisco Philharmonic, and Oakland Interfaith Gospel Choir, along with docent-led tours of the building, and more.
According to SFGMC, the three-year, $15 million campaign “will secure and refurbish the new building and create a long-term financial foundation for SFGMC with a permanent endowment. To date, more than $9 million has been raised, with leadership gifts of $5 million from founding Chorus member Terrence Chan, $1 million from the Chorus Board of Directors, and $1 million from Zendesk Founder and CEO Mikkel Svane, along with $250,000 from the city of San Francisco and $500,000 from the state of California. The remaining $6 million will be raised through the generous support of individuals, foundations and businesses. Naming opportunities for iconic spaces within the new building include the auditorium, production studio, main lobby, second and third floor lobbies, conference rooms, offices, dressing rooms, the roof, and the building itself.”
San Francisco Mayor Breed remarked, “Creating a space for the National LGBTQ Center for the Arts and a foundation for the San Francisco Gay Men’s Chorus will help ensure these important organizations can operate for generations to come. This new space with help inspire greater advocacy through art, which, given the current political environment at the federal level, is more important than ever before.”
“As the Chorus has grown, our mission has evolved,” said Campaign Chair Sell. “Today the Chorus aspires to play a larger role, offering programming that serves the entire nation… There are few organizations like SFGMC with the history and power to unite and transform, and there has never been a more critical need for the uplifting sounds and unifying messages of SFGMC.”
Executive Director Verdugo commented, “The Arts Center will not only be SFGMC’s home, it will be home to countless artists and arts organizations nationwide who often find it a challenge to merely exist, much less have a physical space…As pioneers of the LGBTQ choral movement, we will inspire and challenge the next generation of leaders and creators to create art that not only keeps our stories alive, but moves us all forward as one collective human community.”
SFGMC purchased the National LGBTQ Center for the Arts in April 2019. The organization plans “to expand and enhance its leadership role by opening the building to composers, librettists, choreographers, and other performing artists as an incubator and workshop space for the creation of new works and collaborations.”
Additional details about SFGMC’s upcoming plans for the Center will be announced on January 21.
History
Julius’ Bar ‘sip-in’ laid groundwork for Stonewall
Tuesday marked 60 years since four gay activists held protest
While Stonewall is widely considered the birthplace of the modern LGBTQ rights movement in the U.S., a lesser-known protest inside a Greenwich Village bar three years earlier helped lay critical groundwork for what would follow.
Tuesday marked 60 years since the Julius’ Bar “sip in.”
On April 21, 1966, four gay rights activists — Dick Leitsch, Craig Rodwell, John Timmons, and later Randy Wicker — walked into Julius’ Bar and staged what would become known as a “sip-in” to challenge state liquor regulations on serving alcoholic beverages to gay men — with a drink.
Modeled after the sit-ins that challenged racial segregation across the American South, the protest was designed to confront discriminatory practices targeting LGBTQ patrons in public spaces.
At the time, the Mattachine Society — one of the country’s earliest gay rights groups — was actively pushing back against policies enforced by the New York State Liquor Authority. One of those policies could have resulted in the loss of liquor licenses for serving known or suspected gay men and lesbians. The participants had visited multiple establishments, openly identified themselves as homosexual, and requested a drink — with the anticipation of being denied.
Their final stop was Julius’, where reporters and a photographer had gathered to document the moment. When Leitsch declared their identity, the bartender covered their glasses and refused service, reportedly saying, “I think it’s against the law.” The next day, the New York Times ran a story with the headline, “3 Deviates Invite Exclusion by Bars,” cementing the moment in the public record.
Though initially framed with disrespect — the term “sip-in” itself was coined as a play on civil rights protests — the action marked a turning point. It brought national attention to the systemic discrimination LGBTQ people faced and helped catalyze changes in how liquor laws were enforced. In the years that followed, the protest contributed to the emergence of licensed, more openly gay-friendly bars, which became central social and organizing spaces for LGBTQ communities.
The Washington Blade originally covered when the bar was officially added to the National Park Service’s National Register of Historic Places in 2016.
Today, historians and advocates increasingly recognize the “sip-in” as a key pre-Stonewall milestone. According to the New York City LGBTQ Historic Sites Project, the protest not only increased visibility of the early LGBTQ rights movement but also exposed widespread surveillance and entrapment tactics used against the community.
Marking the 60th anniversary of the event, commemorations have taken place in New York and across the country. Reflecting on its enduring legacy, Amanda Davis, executive director of the NYC LGBTQ Historic Sites Project, spoke about the event.
“Julius’ Bar is a place you can visit and viscerally connect with history,” said Davis. “We’re thrilled to have solidarity locations across the country join us in commemorating the ‘sip-in’’s 60th anniversary and the queer community’s First Amendment right to peaceably assemble.”
For current stewards of the historic bar, the responsibility of preserving that legacy remains front of mind.
“It’s a privilege and a responsibility to be the steward of a place so important to American and LGBTQ history,” said current owner of Julius’ Bar, Helen Buford. “The events of the 1966 Sip-In here at Julius’ resonated across the country and inspired countless others to stand proud for their rights.”
The timing couldn’t have come at a more important moment, Kymn Goldstein, executive director of the June L. Mazer Lesbian Archives, explained.
“At a time when our community faces renewed challenges, coming together in resilience and solidarity reminds us of the power in our collective resistance,” Goldstein said.
The American Civil Liberties Union, an organization dedicated to defending rights and liberties guaranteed by the Constitution, is currently tracking 519 anti-LGBTQ bills across the U.S. The majority are targeted at restricting transgender rights — particularly related to gender-affirming care, sports participation, and the use of public bathrooms.
Some additional groups and bars that held their own “sip-in” as solidarity events to uplift this historic milestone are from across the country include:
Alice Austen House at Steiny’s Pub, Staten Island, N.Y.
Bellows Falls Pride Committee at PK’s Irish Pub, Bellows Falls, Vt.
Brick Road Coffee, Mesa, Ariz.
Brick Road Coffee, Tempe, Ariz.
Dick Leitsch’s Family at Old Louisville Brewery, Louisville, Ky.
The Faerie Playhouse & LGBT+ Archives Project of Louisiana at Le Cabaret, New Orleans
Harlem Pride & John Reddick at L’Artista Italian Kitchen & Bar, New York
JOYR!DE KiKi at Loafers Cocktail Bar, New York
Matthew Lawrence & Jason Tranchida / Headmaster at Deadbeats Bar, Providence, R.I.
Mazer Lesbian Archives at Alana’s Coffee, Los Angeles
New Hope Celebrates at The Club Room, New Hope, Pa.
Queer Memory Project at the University of Evansville Multicultural Student Commons / Ridgway University Center, Evansville, Ind.
Sandy Jack’s Bar, Brooklyn, N.Y.
St. Louis LGBT History Project at Just John Club, St. Louis
The LGBTQ+ Victory Fund National Champagne Brunch was held at Salamander Washington DC on Sunday, April 19. Gov. Andy Beshear (D-Ky.) was presented with the Allyship Award.
(Washington Blade photos by Michael Key)
The umbrella LGBTQ sports organization Team D.C. held its annual Night of Champions Gala at the Georgetown Marriott on Saturday, April 18. Team D.C. presented scholarships to local student athletes and presented awards to Adam Peck, Manuel Montelongo (a.k.a. Mari Con Carne), Dr. Sara Varghai, Dan Martin and the Centaur Motorcycle Club. Sean Bartel was posthumously honored with the Most Valuable Person Award.
(Washington Blade photos by Michael Key)
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