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SFGMC launches campaign to support National LGBTQ Center for the Arts

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Photo courtesy SFGMC.

This week, the San Francisco Gay Men’s Chorus launched a public campaign to raise funds for the National LGBTQ Center for the Arts.

On Wednesday night, January 15, SFGMC announced the launch at a reception, held at the organization’s new home, a historic four-floor 1930 property near the Castro neighborhood where the chorus began four decades ago. The evening featured remarks from Mayor London Breed, California State Senator Scott Wiener, Honorary Chair Sharon Stone, SFGMC Artistic Director Dr. Timothy Seelig, Campaign Chair Edward Sell, and SFGMC Executive Director Chris Verdugo. There were also performances from members of SFGMC, San Francisco Bay Area Theatre Company, Opera Parallèle, San Francisco Philharmonic, and Oakland Interfaith Gospel Choir, along with docent-led tours of the building, and more.

According to SFGMC, the three-year, $15 million campaign “will secure and refurbish the new building and create a long-term financial foundation for SFGMC with a permanent endowment. To date, more than $9 million has been raised, with leadership gifts of $5 million from founding Chorus member Terrence Chan, $1 million from the Chorus Board of Directors, and $1 million from Zendesk Founder and CEO Mikkel Svane, along with $250,000 from the city of San Francisco and $500,000 from the state of California. The remaining $6 million will be raised through the generous support of individuals, foundations and businesses. Naming opportunities for iconic spaces within the new building include the auditorium, production studio, main lobby, second and third floor lobbies, conference rooms, offices, dressing rooms, the roof, and the building itself.”

San Francisco Mayor Breed remarked, “Creating a space for the National LGBTQ Center for the Arts and a foundation for the San Francisco Gay Men’s Chorus will help ensure these important organizations can operate for generations to come. This new space with help inspire greater advocacy through art, which, given the current political environment at the federal level, is more important than ever before.”

“As the Chorus has grown, our mission has evolved,” said Campaign Chair Sell. “Today the Chorus aspires to play a larger role, offering programming that serves the entire nation… There are few organizations like SFGMC with the history and power to unite and transform, and there has never been a more critical need for the uplifting sounds and unifying messages of SFGMC.”

Executive Director Verdugo commented, “The Arts Center will not only be SFGMC’s home, it will be home to countless artists and arts organizations nationwide who often find it a challenge to merely exist, much less have a physical space…As pioneers of the LGBTQ choral movement, we will inspire and challenge the next generation of leaders and creators to create art that not only keeps our stories alive, but moves us all forward as one collective human community.”

SFGMC purchased the National LGBTQ Center for the Arts in April 2019. The organization plans “to expand and enhance its leadership role by opening the building to composers, librettists, choreographers, and other performing artists as an incubator and workshop space for the creation of new works and collaborations.”

Additional details about SFGMC’s upcoming plans for the Center will be announced on January 21.

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Madonna announces release date for new album

‘Confessions II’ marks return to the dance floor

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Pop icon Madonna on Wednesday announced that her 15th studio album will be released on July 3.

Titled “Confessions II,” the new album is a sequel to 2005’s “Confessions on a Dance Floor,” an Abba and disco-infused hit. 

The new album reunites Madonna with producer Stuart Price, who also helmed the original “Confessions” album. It’s her first album of new material since 2019’s “Madame X.”

“We must dance, celebrate, and pray with our bodies,” Madonna said in a press release. “These are things that we’ve been doing for thousands of years — they really are spiritual practices. After all, the dance floor is a ritualistic space. It’s a place where you connect — with your wounds, with your fragility. To rave is an art. It’s about pushing your limits and connecting to a community of like-minded people,” continued the statement. “Sound, light, and vibration reshape our perceptions. Pulling us into a trance-like state. The repetition of the bass, we don’t just hear it but we feel it. Altering our consciousness and dissolving ego and time.”

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PHOTOS: Denali at Pitchers

‘Drag Race’ alum performs at Thirst Trap

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Denali performs at the Thirst Trap Thursday drag show at Pitchers DC on April 9. (Washington Blade photo by Michael Key)

Denali (@denalifoxx) of “RuPaul’s Drag Race” performed at Pitchers DC on April 9 for the Thirst Trap Thursday drag show. Other performers included Cake Pop!, Brooke N Hymen, Stacy Monique-Max and Silver Ware Sidora.

(Washington Blade photos by Michael Key)

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Arts & Entertainment

In an act of artistic defiance, Baltimore Center Stage stays focused on DEI

‘Maybe it’s a triple-down’

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Last year, Baltimore Center Stage refused to give up its DEI focus in the face of losing federal funding. They've tripled down. (Photo by Ulysses Muñoz of the Baltimore Banner)

By LESLIE GRAY STREETER | I’m always tickled when people complain about artists “going political.” The inherent nature of art, of creation and free expression, is political. This becomes obvious when entire governments try to threaten it out of existence, like in 2025, when the brand-new presidential administration demanded organizations halt so-called diversity, equity and inclusion (DEI) programming or risk federal funding.

Baltimore Center Stage’s response? A resounding and hearty “Nah.” A year later, they’re still doubling down on diversity.

“Maybe it’s a triple-down,” said Ken-Matt Martin, the theater’s producing director, chuckling.

The rest of this article can be found on the Baltimore Banner’s website.

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